(Voices) SKU: HP.8222C This edition: Complete. Author's Collections. Gene...(+)
(Voices)
SKU:
HP.8222C
This
edition: Complete.
Author's Collections.
General Worship, Sacred.
CD. Hope Publishing
Company #8222C. Published
by Hope Publishing
Company (HP.8222C).
UPC: 799218004121.
Brian Wren.
A
collection of new hymn
texts from one of today's
preeminent hymn text
writers, Brian Wren. Many
are paired with new hymn
tunes written by a
variety of composers.
SATB choir - Moderately Advanced SKU: LP.765762009431 A Patriotic Cele...(+)
SATB choir - Moderately
Advanced
SKU:
LP.765762009431
A
Patriotic Celebration of
America's Freedom.
Composed by Dave Clark &
David T. Clydesdale.
Arranged by David
Clydesdale. Musical.
Ready To Sing. Patriotic
and Sacred. Visual media
data disc. Published by
Lillenas Publishing
Company
(LP.765762009431).
UPC:
765762009431.
In
God We Still Trust is
everything you have come
to love and appreciate
about the music of David
T. Clydesdale, and this
new patriotic musical
from Lillenas is
Clydesdale at his
absolute best! A running
time of less than 30
minutes make it the
perfect presentation
piece for any Memorial
Day, Fourth of July, or
Veterans Day celebration.
The ever-popular writer
and arranger David T.
Clydesdale has
incorporated works from
Christian songwriters,
such as the Gaithers,
Deborah Craig Claar, Dave
Clark, and Dan Dean,
along with patriotic
standards such as Woody
Guthrie's beloved This
Land Is Your Land, new
lyrics and settings for
This Is My Country,
America the Beautiful, My
Country, 'Tis of Thee and
a couple of George M.
Cohan favorites. A
tribute to America's
armed forces involves
both children's and adult
choirs, and is a perfect
way to recognize and
thank the people, both
active and veteran
servicemen and women, who
protect our freedom. The
unforgettable and
powerful Pray Me Home,
from the songwriters Dan
Dean, Don Koch, and Dave
Clark, is the haunting
cry of a soldier on
active duty that will say
in your heart for a long
time to come. Celebrate
America this year with In
God We Still Trust!
1-2 soprano recorder(s); guitar ad libitum (BFL) SKU: HL.49023852 Mit ...(+)
1-2 soprano recorder(s);
guitar ad libitum (BFL)
SKU: HL.49023852
Mit den schonsten
Liedern aus aller
Welt.. Composed by
Krepp. Edited by Frithjof
Krepp and Rolf Oppermann.
This edition: Saddle
stitching. Sheet music.
Kunter-bund-edition. 64
pages. Schott Music #BUND
71144. Published by
Schott Music
(HL.49023852).
ISBN
9783795756789.
8.25x6.0x0.21
inches.
Seit vielen
Jahren lernen Kinder das
Blockflotenspielen mit
den Spiel mit
uns!-Banden. Bereits in
vierter Auflage erscheint
Spiel mit uns!
Blockfloten Lieder. Die
besonders breit
gefacherte Liedauswahl
erstreckt sich von Barock
uber Klassik zu deutschen
Volksliedern von
Traditionals uber
Kinderlieder, Schlager
zur Pop-Musik. Die 92
ein- bis zweistimmigen
Lieder sind fur
6-14jahrige SchulerInnen
geeignet, die schon etwas
Erfahrung mit der
Blockflote gesammelt
haben. Fast alle Stucke
sind mit Akkorden fur
Gitarrenbegleitung
versehen. So eignet sich
dieser Band auch
besonders fur das
gemeinsame Musizieren in
der Musikschule oder im
Familienkreis, zu zweit
oder im Ensemble.
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Randb and classic
soul. Series: Hal Leonard
Fake Books. 437 pages.
9x12 inches. Published by
Hal Leonard.
For Concert Band,
Mixed Choir and Organ
(optional). Composed
by Jacob De Haan. Musica
Sacra. Score Only.
Composed 2015. De Haske
Publications #DHP
1155661-140. Published by
De Haske Publications
(BT.DHP-1155661-140).
English-German-French-
Dutch.
This Latin
mass for choir and wind
band was composed in
honour of Saint
Cecilia’s feast
day, Saint Cecilia being
the patroness of
musicians. For this
reason, many ensembles
have annual concerts
dedicated to Saint
Cecila, which was the
inspiration forthis
piece. It is a festive,
optimistic, but also
comforting work, which in
style perfectly suits the
character of Saint
Cecilia’s Feast
Day. After Missa
Brevis, Missa
Katharina and The
Gospel Mass, Missa
Santa Cecilia isthe
fourth published mass by
the Dutch composer Jacob
de Haan.Choral parts
available
separately.
Deze
Latijnse mis voor koor en
harmonieorkest is
gecomponeerd ter ere van
de feestdag van
Sint-Cecilia. Deze
heilige is de patrones
van de musici. Talrijke
muziekverenigingen en
koren organiseren elk
jaar concerten ter ere
van Sint-Cecilia,
eengegeven dat Jacob de
Haan inspireerde dit werk
te schrijven. Het is een
feestelijk, optimistisch,
maar ook troostend werk,
dat qua stijl uitstekend
past bij het karakter van
het Sint-Ceciliafeest. Na
Missa Brevis,
Missa Katharina
enThe Gospel Mass
is Missa Santa
Cecilia de vierde
uitgegeven mis van Jacob
de Haan.Koorpartijen
apart
verkrijgbaar.
Dies
e lateinische Messe
für Chor und
Blasorchester wurde zu
Ehren des Gedenktages der
heiligen Cäcilia, der
Patronin der Musiker,
komponiert. Aus diesem
Grund widmen zahlreiche
Ensembles der heiligen
Cäcilia jedes Jahr
Konzerte, was als
Inspirationfür dieses
Stück gedient hat. Es
handelt sich um ein
festliches,
optimistisches, aber auch
beruhigendes Werk, das
stilistisch perfekt zum
Gedenktag der heiligen
Cäcilia passt. Nach
der Missa Brevis,
der Missa
Katharina und The
GospelMass ist die
Missa Santa Cecilia
die vierte Messe des
holländischen
Komponisten Jacob de
Haan, die nun
veröffentlicht
wird.Chorstimmen separat
erhältlich.
Questa messa in latino
per coro e banda è
stata scritta in onore
della protettrice dei
musicisti: Santa Cecilia.
Ogni anno, nel giorno
della sua commemorazione,
viene riproposta in
occasione dei numerosi
concerti che in tutto il
mondo cristiano sitengono
in onore della santa.
Forte di un
caratteristico spirito
festoso e al contempo
rinfrancante, è stata
scritta dal compositore
olandese Jacob de Haan,
autore anche di opere
come la Missa
Brevis, la Gospel
Mass (Messa Gospel) e
laMissa
Katharina.Parti per
coro disponibili a
parte.
By Bob Dylan. By Bob Dylan. Arranged by Don Giller and Ed Lozano. Music Sales Am...(+)
By Bob Dylan. By Bob
Dylan. Arranged by Don
Giller and Ed Lozano.
Music Sales America.
Folk, Pop, Rock.
Softcover. Composed 2016.
788 pages. Music Sales
#AM978923. Published by
Music Sale
Band Concert Band SKU: PR.46500013L For Wind Ensemble. Composed by...(+)
Band Concert Band
SKU:
PR.46500013L
For
Wind Ensemble.
Composed by Dan Welcher.
Contemporary. Large
Score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013L. Published by
Theodore Presser Company
(PR.46500013L).
UPC:
680160600151. 11 x 14
inches.
I n 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William Clarks
Corps of Discovery to
find a water route to the
Pacific and explore the
uncharted West. He
believed woolly mammoths,
erupting volcanoes, and
mountains of pure salt
awaited them. What they
found was no less
mind-boggling: some 300
species unknown to
science, nearly 50 Indian
tribes, and the Rockies.
I have been a student of
the Lewis and Clark
expedition, which Thomas
Jefferson called the
Voyage of Discovery, for
as long as I can
remember. This
astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri and took
the travelers up more
than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
hired trappers and
explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing and along with
other trinkets, a box of
200 jaw harps to be used
in trading with the
Indians. Their trip was
long, perilous to the
point of near
catastrophe, and arduous.
The dream of a Northwest
Passage proved ephemeral,
but the northwestern
quarter of the continent
had finally been
explored, mapped, and
described to an anxious
world. When the party
returned to St. Louis in
1806, and with the
Louisiana Purchase now
part of the United
States, they were greeted
as national heroes. I
have written a sizeable
number of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks, doesnt
try to tell a story.
Instead, it captures the
flavor of a certain time,
and of a grand adventure.
Cast in one continuous
movement and lasting
close to fourteen
minutes, the piece falls
into several subsections,
each with its own
heading: The Dream (in
which Jeffersons vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III . The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate river song, and
which becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by Cruzattes
fiddle. From various
journals and diaries, we
know the men found
enjoyment and solace in
music, and almost every
night encampment had at
least a bit of music in
it. In addition to
Cruzatte, there were two
other members of the
party who played the
fiddle, and others made
do with singing, or
playing upon sticks,
bones, the ever-present
jaw harps, and boat
horns. From Lewis
journals, I found all the
tunes used in Upriver:
Shenandoah (still popular
after more than 200
years), Vla bon vent,
Soldiers Joy, Johnny Has
Gone for a Soldier, Come
Ye Sinners Poor and Needy
(a hymn sung to the tune
Beech Spring) and Fishers
Hornpipe. The work
follows an emotional
journey: not necessarily
step-by-step with the
Voyage of Discovery
heroes, but a kind of
grand arch. Beginning in
the mists of history and
myth, traversing peaks
and valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of Jeffersons
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.