Ligne De Mélodie, Paroles et Accords [Fake Book] - Facile Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C
instrument. Format:
fakebook (spiral bound).
With vocal melody,
lyrics, piano
accompaniment, chord
names and leadsheet
notation. Hymn. Series:
Hal Leonard Fake Books.
494 pages. 9x12 inches.
Published by Hal Leonard.
Scott Joplin Reconsidered. Composed by Scott Joplin (1868-1917). Edited by L...(+)
Scott Joplin
Reconsidered.
Composed by Scott Joplin
(1868-1917). Edited by
Lara
Downes. Collection.
Theodore
Presser Company
#440-40028.
Published by Theodore
Presser
Company
(It's the Gospel Truth! A Children's Christmas Musical). By Celeste Clydesdale. ...(+)
(It's the Gospel Truth! A
Children's Christmas
Musical). By Celeste
Clydesdale. Arranged by
David Clydesdale. For
2-part/Unison. Musical.
Christmas. Choral Book.
Duration 37'00 .
Published by Word Music
Unison/2-part choir - Easy SKU: WD.080689639173 Composed by Daniel Semsen...(+)
Unison/2-part choir -
Easy
SKU:
WD.080689639173
Composed by Daniel
Semsen. Choral, cantatas.
Choral score and book.
Word Music #080689639173.
Published by Word Music
(WD.080689639173).
UPC:
080689639173.
Chris
ty and Daniel Semsen have
done it again, bringing
you the most epic,
entertaining, and
exhilarating new kids
musical from Word
Music & Church
Resources! With
songs that your kids will
love, Back to the
Beginning is the
perfect musical for
engaging your kids in the
story of creation. Filled
with scriptural truth and
the promise of
God’s love, this
message of hope and
redemption is a reminder
of how good His ways
are! The scene
opens up at a rustic
campground in the
mountains when a few
campers hear a strange
sound. Norman, the camp
counselor, recognizing
the all-too-familiar
sound, leaves the group
to investigate and finds
Finn, a good kid who has
been spending too much
time with the rebellious
Rigsby brothers, and the
H. O. 2000 Time Machine.
Wanting to impress his
two new
“friends,â€
Finn had activated the
machine and lost the
Rigsby brothers…
back in the Garden of
Eden! Ready to embark on
an unplanned adventure,
the campers jump into the
H. O. 2000 to find the
lost boys and end up
traveling back through
time, visiting the same
campsite in 2000, 1995,
1978, 1955, 1808, and
finally, making it all
the way back to
Creation!
Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxopho...(+)
Chamber Music Bass
Clarinet, Bassoon,
Clarinet, English Horn,
Oboe, alto Saxophone,
soprano Saxophone
SKU:
PR.114419980
Composed
by Stacy Garrop. Sws. Set
of Score and Parts.
32+16+16+16+16+16 pages.
Duration 16 minutes.
Theodore Presser Company
#114-41998. Published by
Theodore Presser Company
(PR.114419980).
UPC:
680160681723. 9 x 12
inches.
The ancient
Egyptian empire began
around 3100 B.C. and
continued for over 3000
years until Alexander the
Great conquered the
country in 332 B.C. Over
the centuries, the
Egyptian empire grew and
flourished into a highly
developed society. They
invented hieroglyphics,
built towering pyramids
(including the Great
Pyramid of Giza, the
oldest of the Seven
Wonders of the World),
and the created many
household items we still
use today, including
toothbrushes, toothpaste,
eyeliner, black ink, and
the forerunner of
modern-day paper.
Included among their
achievements were a
series of highly
developed funerary
practices and beliefs in
the Afterlife. As the
average lifespan of an
Egyptian hovered around
30 years, living past the
death of oneAs physical
body was a legitimate
concern. Egyptians
believed that upon death,
their souls would
undertake a harrowing
journey through the
Netherworld. If they
survived the horrific
creatures and arduous
trials that awaited them,
then their souls would be
reunified with their
bodies (hence the need to
preserve the body through
mummification) and live
forever in a perfect
version of the life they
had lived in Egypt. To
achieve this, Egyptians
devised around 200
magical spells and
incantations to aid souls
on the path to the
Afterlife. These spells
are collectively called
The Book of the Dead.
Particular spells would
be chosen by the family
of the deceased and
inscribed on the tombAs
walls and scrolls of
papyrus, as well as on a
stone scarab placed over
the deceasedAs heart.
Subsequent collections of
spells and mortuary
texts, such as The Book
of Gates, assisted a soul
in navigating the twelve
stages of the
Netherworld. Not only did
these spells protect and
guide the soul on this
dangerous path, but they
also served as a
safeguard against any
unbecoming behavior an
Egyptian did while alive.
For instance, if a person
had robbed another while
alive, there was a spell
that would prevent the
soulAs heart from
revealing the truth when
in the Hall of Judgment.
Rites for the Afterlife
follows the path of a
soul to the Afterlife. In
Inscriptions from the
Book of the Dead
(movement 1), the soul
leaves the body and
begins the journey,
protected by spells and
incantations written on
the tombAs walls. In
Passage though the
Netherworld (movement 2),
the soul is now on a
funerary barque, being
towed through the
Netherworld by four of
the regionAs inhabitants.
We hear the soul slowly
chanting incantations as
the barque encounters
demons, serpents,
crocodiles, lakes of
fire, and other terrors.
The soul arrives at The
Hall of Judgment in
movement 3. Standing
before forty-two divine
judges, the soul
addresses each by name
and gives a A!negative
confessionA(r) connected
to each judge (i.e. A!I
did not rob,A(r) A!I did
not do violence,A(r) and
so on). Afterwards, the
soulAs heart is put on a
scale to be weighed
against a feather of
MaAat, the goddess of
truth. If the heart
weighs more than the
feather, it will be eaten
by Ammut, a hideous
creature that lies in
wait below the scale, and
the soul will die a
second and permanent
death (this was the worst
fear of the Egyptians).
But if the heart is in
balance with the feather,
the soul proceeds onward.
The final stage of the
journey is the arrival at
The Field of Reeds
(movement 4), which is a
perfect mirror image of
the soulAs life in
ancient Egypt. The soul
reunites with deceased
family members, makes
sacrifices to the
Egyptian gods and
goddess, harvests crops
from plentiful fields of
wheat under a brilliant
blue sky, and lives
forever next to the
abundant and nourishing
waters of the Nile. Rites
for the Afterlife was
commissioned by the
Barlow Endowment on
behalf of the Akropolis
Reed Quintet, Calefax
Reed Quintet, and the
Brigham Young University
Reed Quintet. -S.G.
Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxopho...(+)
Chamber Music Bass
Clarinet, Bassoon,
Clarinet, English Horn,
Oboe, alto Saxophone,
soprano Saxophone
SKU:
PR.11441998S
Composed
by Stacy Garrop. Sws.
Full score. 32 pages.
Duration 16 minutes.
Theodore Presser Company
#114-41998S. Published by
Theodore Presser Company
(PR.11441998S).
UPC:
680160681730. 9 x 12
inches.
The ancient
Egyptian empire began
around 3100 B.C. and
continued for over 3000
years until Alexander the
Great conquered the
country in 332 B.C. Over
the centuries, the
Egyptian empire grew and
flourished into a highly
developed society. They
invented hieroglyphics,
built towering pyramids
(including the Great
Pyramid of Giza, the
oldest of the Seven
Wonders of the World),
and the created many
household items we still
use today, including
toothbrushes, toothpaste,
eyeliner, black ink, and
the forerunner of
modern-day paper.
Included among their
achievements were a
series of highly
developed funerary
practices and beliefs in
the Afterlife. As the
average lifespan of an
Egyptian hovered around
30 years, living past the
death of oneAs physical
body was a legitimate
concern. Egyptians
believed that upon death,
their souls would
undertake a harrowing
journey through the
Netherworld. If they
survived the horrific
creatures and arduous
trials that awaited them,
then their souls would be
reunified with their
bodies (hence the need to
preserve the body through
mummification) and live
forever in a perfect
version of the life they
had lived in Egypt. To
achieve this, Egyptians
devised around 200
magical spells and
incantations to aid souls
on the path to the
Afterlife. These spells
are collectively called
The Book of the Dead.
Particular spells would
be chosen by the family
of the deceased and
inscribed on the tombAs
walls and scrolls of
papyrus, as well as on a
stone scarab placed over
the deceasedAs heart.
Subsequent collections of
spells and mortuary
texts, such as The Book
of Gates, assisted a soul
in navigating the twelve
stages of the
Netherworld. Not only did
these spells protect and
guide the soul on this
dangerous path, but they
also served as a
safeguard against any
unbecoming behavior an
Egyptian did while alive.
For instance, if a person
had robbed another while
alive, there was a spell
that would prevent the
soulAs heart from
revealing the truth when
in the Hall of Judgment.
Rites for the Afterlife
follows the path of a
soul to the Afterlife. In
Inscriptions from the
Book of the Dead
(movement 1), the soul
leaves the body and
begins the journey,
protected by spells and
incantations written on
the tombAs walls. In
Passage though the
Netherworld (movement 2),
the soul is now on a
funerary barque, being
towed through the
Netherworld by four of
the regionAs inhabitants.
We hear the soul slowly
chanting incantations as
the barque encounters
demons, serpents,
crocodiles, lakes of
fire, and other terrors.
The soul arrives at The
Hall of Judgment in
movement 3. Standing
before forty-two divine
judges, the soul
addresses each by name
and gives a A!negative
confessionA(r) connected
to each judge (i.e. A!I
did not rob,A(r) A!I did
not do violence,A(r) and
so on). Afterwards, the
soulAs heart is put on a
scale to be weighed
against a feather of
MaAat, the goddess of
truth. If the heart
weighs more than the
feather, it will be eaten
by Ammut, a hideous
creature that lies in
wait below the scale, and
the soul will die a
second and permanent
death (this was the worst
fear of the Egyptians).
But if the heart is in
balance with the feather,
the soul proceeds onward.
The final stage of the
journey is the arrival at
The Field of Reeds
(movement 4), which is a
perfect mirror image of
the soulAs life in
ancient Egypt. The soul
reunites with deceased
family members, makes
sacrifices to the
Egyptian gods and
goddess, harvests crops
from plentiful fields of
wheat under a brilliant
blue sky, and lives
forever next to the
abundant and nourishing
waters of the Nile. Rites
for the Afterlife was
commissioned by the
Barlow Endowment on
behalf of the Akropolis
Reed Quintet, Calefax
Reed Quintet, and the
Brigham Young University
Reed Quintet. -S.G.
(The Little Pageant That Wouldn't Give Up!). By Celeste Clydesdale. Arranged by ...(+)
(The Little Pageant That
Wouldn't Give Up!). By
Celeste Clydesdale.
Arranged by David
Clydesdale. For
2-part/Unison. Musical.
Modern Christian:
Christmas. Easy. Choral
Book. Duration 40'00 .
Published by Word Music
(Audio Sampler (includes actor script and listening CD)). Composed by Chad Begue...(+)
(Audio Sampler (includes
actor script and
listening CD)). Composed
by Chad Beguelin and
Matthew Sklar. For Choral
(AUDSAMPLER). Recorded
Promo - Stockable.
Published by MTI (Music
Theatre International)
(Micah 6:8).
Composed by Mark Hayes.
Harold Flammer
WorshipSongs Jr.
Children, Children'S
Choir, Concert, Festival,
General Worship, Sacred,
Youth Choir. Octavo. 12
pages. Duration 177
seconds. Published by
Shawnee Press
(HL.1218059).
ISBN
9781705195420. UPC:
196288141259.
6.75x10.5x0.029 inches.
Micah 6:8.
Micah
6:8 teaches us how to
live each day: treat
others fairly, share
kindness and love, and
walk humbly with God. The
anthem's refrain
highlights this powerful
message and helps to seal
these truths in the
hearts of singers and
listeners alike. Sing the
piece in its entirety or
see the note within for
presenting a shorter
version of the song.
Unison/2-part choir, piano - Easy SKU: WD.080689611179 An Easy-Learn, ...(+)
Unison/2-part choir,
piano - Easy
SKU:
WD.080689611179
An
Easy-Learn, Easy-Sing,
Unison/2-Part Musical for
Christmas. Composed
by Dale Mathews. Arranged
by David Wise. Choral,
cantatas. Christmas.
Choral score and book.
Word Music #080689611179.
Published by Word Music
(WD.080689611179).
UPC:
080689611179.
The
Very SimplyWord
Series from
Word Music &
Church Resources
once again brings you a
seasonal musical both
festive and worshipful,
designed especially for
Unison/Optional 2-Part
Choirs. HERE WE
COME
a’CAROLING
is the newest offering in
this best-selling series,
designed to make your
choir’s Christmas
musical a rousing success
with its combination of
dynamic song selection,
“sounds-bigger-
than-life”
accompaniment tracks, and
hallmark Easy-Learn,
Easy-Sing vocal format,
for which the
Very
SimplyWord
Series is
so well known.
Each year as
December rolls around,
one of the first
reminders that
Christmastime is upon us
is the music that fills
the air! We can’t
help but join in as we
sing songs of the season
– songs that
inspire the joy and
spirit of Christmas,
songs that will lead your
choir and congregation in
worship of the King
– giving voice
to the wonder surrounding
the story of the birth of
Christ.
Some songs take
us back to the simple
joys of childhood, others
share the timeless truths
of that first Christmas
night. HERE WE
COME
a’CAROLING
introduces inspiring new
songs, such as the title
song and the
Gospel-flavored
“Joyful,
Wonderful
News!”, along
with popular Christian
radio songs of the
season, like Chris
Tomlin’s
“It’s
Christmas.”
And of course, with
a title like HERE
WE COME
a’CAROLING
, you just know
there’s going to be
plenty of opportunity to
sing along with some of
your favorite
carols!
This is the truth Chorale SATB SATB divisi, A Cappella - Débutant Oxford University Press
SATB choir, a cappella (SATB) - Very Easy SKU: OU.9780193860902 Composed ...(+)
SATB choir, a cappella
(SATB) - Very Easy
SKU:
OU.9780193860902
Composed by Various.
Arranged by John Brian
McAnuff. Christmas Songs
& Carols - Mixed Voices.
Sacred, Choral Leaflet.
Vocal score. 4 pages.
Duration 1.5'. Oxford
University Press
#9780193860902. Published
by Oxford University
Press (OU.9780193860902).
ISBN
9780193860902.
An
English traditional tune
arranged for SATB
unaccompanied.
Arranged by Brent Jorgensen. Christian, Contemporary Christian, Gospel, In...(+)
Arranged by Brent
Jorgensen.
Christian, Contemporary
Christian, Gospel,
Inspirational. Jackman
Music
Corporation #01965.
Published
by Jackman Music
Corporation
Chamber Music Violin SKU: PR.114418750 Composed by Michael Hersch. Sws. P...(+)
Chamber Music Violin
SKU: PR.114418750
Composed by Michael
Hersch. Sws. Performance
Score. 8 pages. Duration
11 minutes. Theodore
Presser Company
#114-41875. Published by
Theodore Presser Company
(PR.114418750).
ISBN
9781491129524. UPC:
680160655489. 9 x 12
inches.
The
seven-movement in the
snowy margins might be
considered a sort of
atomic suite, as each
movement is succinct, yet
a microcosmic powerhouse
inspired by “The
Comet,” by Polish
writer and Holocaust
victim Bruno Schulz.
Hersch’s intensity is
expressed through
dramatically captivating
violin gestures, pushing
the boundaries of
texture, technique, and
emotion. Michael
Hersch’s in the snowy
margins was written in
2010. Like much of his
work, it is grounded in
literature and art. The
title is drawn from a
short story, The Comet by
Polish writer, poet, and
artist, Bruno Schulz
(1892-1942). This forms
the last of his
collection The Street of
Crocodiles, published in
1934. Schulz was shot by
a Nazi officer in
1942.Both the title of
Hersch’s work, and the
‘motto’ found on the
composer’s manuscript
(‘Thus far and no
further. But what has
become of the end of the
world…’) are to be
found in The Comet.
It’s interesting that
in in the snowy margins,
unlike his earlier
Fourteen Pieces which
were inspired by the
poetry of Primo Levi,
Hersch chose to not title
each individual movement
with a quote. However his
choices of text are
applied, there is a clear
quality of distillation.
In every case, the texts
which the composer has
chosen to eschew lie
beneath the music, akin
to the greater mass of an
iceberg, submerged, but
imminent.Hersch also has
very particular taste in
visual art, and there
seems to be common ground
between the intensely
expressionist drawing of
Schulz, and those of
Michael Mazur, which
inspired his string
quartet Images from a
Closed Ward. The
parallels between these
artists reflect common
traits shared between
these two pieces, which
provide a window on how
the music should be
approached, expressively
and technically. I would
argue, that from a
violinist’s point of
view, this pertains
directly to how bow and
left hand should approach
the string: the febrile
vibrancy of both Mazur
and Schulz’s pencil and
charcoal strokes, perhaps
what T.S. Eliot called
the ‘circulation of the
lymph’, in every
gesture, speaks to the
intense experience,
physically and
emotionally, of playing
(and hearing) this music.
There is an intense sense
of ‘truth to
materials’ at every
moment, the sense that
every note sings on the
edge of, or even beyond,
total collapse.— Peter
Sheppard-Skaerved.
Unison choir - Easy SKU: WD.080689558399 An Easy-Learn-Easy-Sing Music...(+)
Unison choir - Easy
SKU:
WD.080689558399
An
Easy-Learn-Easy-Sing
Musical for Kids.
Composed by Dale Mathews.
Choral, cantatas. Simply
WordKidz. Eastertide. DVD
preview pak. Duration 30
minutes. Word Music
#080689558399. Published
by Word Music
(WD.080689558399).
UPC:
080689558399.
Hit
songs, fun to perform,
easy-learn-easy-sing
format, powerful message
full of Biblical
truths...
These are
just a few of the
features to be found in
the new musical, God's
Not Dead, from the Simply
WordKidz series of
performance-friendly
children's choir
products. Less than 30
minutes in length; full
of songs that your kids
will love to sing; and a
simple, yet powerful
script and no-hassle
staging, God's Not Dead
is the perfect musical
for choirs with limited
rehearsal time and
resources or special
ease-of-performance
needs.Five songs and
five scenes, featuring
big-statement songs like
We Believe and the title
song, God's Not Dead
(Like A Lion), make this
the ideal vehicle for
your children's music
ministry! Created by Dale
Mathews and Dana
Anderson, God's Not Dead
has been carefully
crafted to bring you
maximum impact with
minimal preparation time.
To make your presentation
bigger than life and to
wow your congregation
even more, be sure to use
the DVD Accompaniment
Track and raise your
performance to another
level!Through an
accessible and timely
story that answers tough
questions like If God is
real, why do bad things
happen to people? , this
new musical is anchored
by songs that are full of
faith-reinforcing lyrics.
Together, they give you
the potential for
life-changing ministry
through your presentation
of God's Not Dead, from
Simply WordKidz.
(Christmas Carols For Mixed Voices) Edited by Graham Buckland. For SATB choir (u...(+)
(Christmas Carols For
Mixed Voices) Edited by
Graham Buckland. For SATB
choir (unaccompanied).
Format: a capella
songbook. With choral
notation, lyrics,
performance notes,
introductory text and
index of first lines.
Christmas and holiday.
224 pages. 9x12 inches.
Published by
Baerenreiter-Ausgaben.