Arranged by Thomas Gregory. General Worship, Sacred. Handbell score. 8 pages. Published by Hope Publishing Company (HP.2788).

Composed by Thomas Gregory. Brass. Educational. Softcover. Hal Leonard #VAM89. Published by Hal Leonard

Book with Audio Online. Composed by Thomas Gregory. Piano. Educational. Softcover Audio Online. Hal Leonard #VAM91. Published by Hal Leonard

Composed by Thomas Gregory. Brass. Educational. Softcover. Hal Leonard #VAM88. Published by Hal Leonard

Piano Accompaniment. Composed by Thomas Gregory. Piano. Educational. Softcover. Hal Leonard #VAM87. Published by Hal Leonard

Composed by Thomas Gregory. Concert, General. Handbell score. American Guild of English Handbell Ringers #AG35360. Published by American Guild of English Handbell Ringers (LO.AG35360).

Book with Audio Online. Composed by Thomas Gregory. Woodwind. Educational. Softcover Audio Online. 44 pages. Hal Leonard #VAM86. Published by Hal Leonard

Composed by Thomas Gregory. This edition: Compatible with Vamoosh Viola, Cello, and Double Bass Book 1.5. Score and audio CD. Spartan Press #VAM4. Published by Spartan Press (PR.514056660).

Book 2 Book with Audio Online. Composed by Thomas Gregory. Woodwind. Educational. Softcover Audio Online. 44 pages. Hal Leonard #VAM84. Published by Hal Leonard

Book with Audio Online. Composed by Thomas Gregory. Brass. Educational. Softcover Audio Online. 44 pages. Hal Leonard #VAM85. Published by Hal Leonard

By Thomas Gregory. For handbells (2-octaves). Handbell Music. Grade 2. Published by MorningStar Music Publishers

SKU: GI.G-10451

Interviews with Notable Choral Conductors. Composed by Gregory Gentry. Edited by Anna Gentry. Music Education. 362 pages. GIA Publications #10451. Published by GIA Publications (GI.G-10451).

ISBN 9781622775934.

Feat uring: George Lynn • George Eugene Umberson • Donald Neuen • Paris Rutherford • Peter Bagley • Charlene Archibeque • Eph Ehly • Joseph Flummerfelt • Joan Conlon • Ann Howard Jones • Simon Carrington • Earl Rivers • Henry Leck • Hilary Apfelstadt • André Thomas • Maria Guinand Choral conductors shoulder a great responsibility as custodians of their craft. And there is perhaps no better source of inspiration and guidance for today’s conductors than the experiences and insights of choral giants who have blazed the trail we now tread. In Search of Inspiration is a collection of in-depth interviews with fifteen highly respected choral conductors from around the world. Each answers a series of fundamental questions about how they shaped their achievements: How do they balance their time making music and fulfilling teaching schedules and concert schedules? How do they motivate students, manage outside professional commitments in the educational setting, and satisfy administrators? Each conductor generously shares their wisdom and expertise, discussing memorable educational moments on the podium and in the classroom, recounting stirring experiences in the concert hall, and sharing stories about their work with historic figures in music. They also offer insights on programming repertoire and explain how they have successfully navigated a career in music. These interviews document the through lines within the choral art—elements of performance and mentorship stemming from such luminaries as Julius Herford and Robert Shaw that connect so many of the great conductors. A fascinating and relevant read for any choral educator, In Search of Inspiration explores the choral art through extraordinary 20th- and 21st-century voices whose artistry and influence will be felt for generations to come. Gregory Gentry is director of choral studies and the Lynn Whitten Choral Music Faculty Fellow at the University of Colorado Boulder. He is editor of the Gregory Gentry Choral Series (Fred Bock Publishers), past president of Arizona ACDA, and former chorus master with the Phoenix Symphony and Colorado Music Festival. Gentry states that he felt it was time to revitalize and update the book In Quest of Answers: Interviews with American Choral Conductors (Howard Swan and Carole Glenn). Contributors: Emilie Bertram, Corie Brown, Galen Darrough, Stephen Futrell, Anna Wheeler Gentry, Gregory Gentry, Sharon A. Hansen, Aaron Harp, Vernon Huff, David Kates, Dee Romines, Kira Zeeman Rugen, Paul Thompson, Betsy Cook Weber, Adam Zrust.

By Andy Razaf, Music By Thomas "Fats" Waller. Arranged by Gregory Yasinitsky. Words by Andy Razaf, music by Thomas "Fats" Waller / arr. Gregory Yasinitsky. For Jazz Ensemble. Jazz Ensemble. Jazz Band Series. Level: 3 (Medium) (grade 3). Conductor Score & Parts. Duration 4:56. Published by Alfred Publishing.

By Andy Razaf, Music By Thomas "Fats" Waller. Arranged by Gregory Yasinitsky. Words by Andy Razaf, music by Thomas "Fats" Waller / arr. Gregory Yasinitsky. For Jazz Ensemble. Jazz Ensemble. Jazz Band Series. Level: 3 (Medium) (grade 3). Conductor Score. Published by Alfred Publishing.

Piano (Piano Solo)

SKU: HL.49046935

Solo Piano. Composed by Gregory Spears. Piano Solo. Classical. Softcover. 98 pages. Duration 6180 seconds. Schott Music #ED30418. Published by Schott Music (HL.49046935).

ISBN 9781705169353. UPC: 842819116837. 9.25x12.0x0.5 inches.

SEVEN DAYS is a cycle for solo piano in 21 movements, most lasting between three and seven minutes, distributed in the form of a custom app produced by the 92Y and released during their Fall 2021 season. Using the app on their phones, listeners are asked to listen to three movements a day according to an approximate schedule - one movement in the morning, one in the afternoon, and another sometime in the evening - for seven days. The music is performed by Pedja Muzijevic and presented alongside paintings by Gloria Maximo. (Please visit 92Y.org for information on how to download the Seven Days app.) The work is designed as a listening experience that tunes us into the passing of time, connecting us both to the present moment as well as the cycle of the week. The experience invites music to inhabit and structure our everyday - to find us where we are in the world. The morning-afternoonevening schedule is meant to focus participants on the dawn-to-dusk cycle as well as to create a communal listening ritual. It is also an experiment in large-scale form, designed to draw attention to musical material developing across a week-long expanse, interspersed with vast silences. SEVEN DAYS was shaped by a year spent in relative isolation due to the pandemic. While it is a work composed during a time of quarantine, it will be experienced first by an audience in the process of returning to a more normal world. In that sense, it is an artwork born out of a year of relatively cloistered existence that seeks to preserve aspects of that experience as we move forward. The piece was also inspired by the work of Morton Feldman and Chantal Akerman, whose large-scale works consider time, process, and stillness. Their art struck me with a fresh relevance during the silent stretches of the pandemic year 2020. It was also a year in which writings about time, penned by contemplatives like Henry David Thoreau and Thomas Merton, held new weight. All of this in turnresonated with Gloria Maximo's profound paintings, which I've long admired. SEVEN DAYS is an artwork we are invited to do - using music to point our attention to the present moment, the everyday, and the seemingly mundane. It is a piece listeners are also asked to live within as it unfolds over a week rather than to witness it live. The key players here are time and the listener's own surroundings, starring together alongside music and art in a wordless drama. -Gregory Spears.

By Various Composers. Fake Book (Includes melody line and chords). Size 8.5x11 inches. 416 pages. Published by Hal Leonard.

C Instruments. By Various. Fake Book (Includes melody line and chords). Published by Hal Leonard.