By Celeste Clydesdale. Arranged by David Clydesdale. For Unison/2-part choir. Musical. Modern Christian. Easy. Choral Book. Duration 37'00 . Published by Word Music

By Jamie Cullum. Piano/Vocal/Guitar Artist Songbook. Softcover. 130 pages. Published by Hal Leonard

Organ - intermediate

SKU: HL.49045554

For Organ. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Large Works. Classical. Softcover. Composed 2016. 12 pages. Duration 5'. Schott Music #ED22806. Published by Schott Music (HL.49045554).

ISBN 9790001165884. UPC: 841886032262. 9.0x12.0x0.069 inches.

An essential feature of attitudes prevailing in the days of Luther was the ubiquitous concern with death and dying, assailed by plague, wars and the never-ending dangers of daily life. The associated fears sometimes escalated to the grotesque, as in paintings by Hieronymus Bosch, and the 'dance of death' was a popular motif in those years. Luther's chorale of 1524 In the very midst of life / we see death all around us (the Erfurt Enchiridion) is based on the Gregorian Media vita in morte sumus that emerged in France in about 750, evoking thoughts of mortality in its outline form.

(Hymns of Sylvia G. Dunstan - 37 Hymns and 3 Gospel Songs with Traditional Tunes). By Sylvia Dunstan. Hymn Collection. Sacred. 90 pages. Published by GIA Publications

Allegro De Concours. By Auguste Deboeck. Edited by Timothy Morrison. For Trumpet, Piano. Carl Fischer Solo Series. Classical. Level: Grade 3. Score and parts. Leadsheet. 12 pages. Published by Carl Fischer.

Concert band - Grade 3

SKU: CL.026-4227-01

Composed by Shaffer. Concert Band. Build-A-Band. Extra full score. Composed 2013. Duration 2 minutes, 7 seconds. C.L. Barnhouse #026-4227-01. Published by C.L. Barnhouse (CL.026-4227-01).

A delightful lyrical piece by popular composer David Shaffer that works wonderfully in the Build-A-Band format. Playable as long as you have the four main parts covered by the instruments of your choice. Arrangement includes optional parts for piano, timpani, percussion and mallet percussion. Will sound great with bands with extreme instrumentation issues and very small groups. Extremely nice!

About Build-A-Band Series

The Build-A-Band Series provides educational and enjoyable music for bands with incomplete or unbalanced instrumentation. Written using just four or five parts (plus percussion), these effective arrangements will work with any combination of brass, woodwind, string and percussion instruments as long as you distribute the parts so that each of the five parts is covered. All of the publications in the Build-A-Band Series have been arranged to be playable with any instrumentation as long as each part is used: 1st Part, 2nd Part, 3rd Part, 4th Part, and Bass Part. (Please note: In some of these arrangements the 4th Part, and the Bass Part are the same, making it possible to play those arrangements with only 4 parts.)

(An Innovative Method for Adults Returning to Play). Arranged by Larry Clark. For french horn. Method book. Published by Carl Fischer

Performed by George Harrison. For guitar and voice. Format: guitar tablature songbook. With guitar tablature, standard notation, vocal melody, lyrics, chord names, guitar chord diagrams and guitar notation legend. Britpop and classic rock. Series: Hal Leonard Guitar Recorded Versions. 136 pages. 9x12 inches. Published by Hal Leonard.

Composed by Johannes Brahms (1833-1897). Edited by Johannes Behr. For Score (Study Score). Henle Study Scores. Softcover. G. Henle #HN7231. Published by G. Henle

A Comprehensive Method Book for Years Two, Three, and Beyond. Edited by Marguerite Wilder. Habits of a Successful Musician. Music Education. Method book. 72 pages. Published by GIA Publications (GI.G-9143).

Band Bass Clarinet, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2, Percussion 3, Piano, Piccolo, Timpani and more. - Grade 4

SKU: CF.SPS93

For Those Who Continue to Rise. Composed by Travis Weller. Set of Score and Parts. 30+2+12+12+4+12+12+12+4+4 +4+4+4+4+6+6+6+8+9+9+6+9+ 6+6+4+2+2+9+4+12+4 pages. Duration 6 minutes, 10 seconds. Carl Fischer Music #SPS93. Published by Carl Fischer Music (CF.SPS93).

ISBN 9781491159774. UPC: 680160918362.

Adver sity, in any form at any point of our lives, can be absolutely debilitating mentally, physically, emotionally and spiritually. In the midst of hard times, it is difficult to imagine what our lives will look like on the other side of the adversity we are facing. Yet so many of us carry on, move forward, and rise above determined to never be defined by our circumstances. For some their personal faith, support from family, or relationship to friends provides the necessary fuel for the resilience they need to rise above adversity. It is amazing when a group of people are able to come together to overcome a common obstacle. With this in mind, I put to music that spirit of rising above for the Liberty High School Band and their director Michael Summers. Northeast Ohio has seen its share of prosperity and significant times of hardship along many different fronts. I still see resilient leaders, community members, and educators like Mike who continue to fight for what is best and what is right. The debut of this work, like so many other things, was interrupted in the spring of 2020. Now on the precipice of a new beginning for many band programs across the country, all of us in instrumental music education must summon resilience to ensure our groups recover, grow and flourish. The rising major second represents us all taking the first step forward in good and difficult times. The adversity (tension) arrives in various ways harmonically throughout the work. Tension can make us lose sense of where we are on our journey and rob us of our ability to imagine getting through our current situation. But I am reminded that not all tension is bad. Given enough time and enough resolution, we can often make sense of the adversity. We can recognize that the adversity taught us something about ourselves we didn't know, or perhaps challenged us to grow in a way we didn't think possible. Either way, it does not happen unless we possess resilience. I thank you in advance for your support of this music and wish you and your group the very best moving forward with Resilience.
Adversity, in any form at any point of our lives, can be absolutely debilitating mentally, physically, emotionally and spiritually. In the midst of hard times, it is difficult to imagine what our lives will look like on the other side of the adversity we are facing. Yet so many of us carry on, move forward, and rise above determined to never be defined by our circumstances.For some their personal faith, support from family, or relationship to friends provides the necessary fuel for the resilience they need to rise above adversity. It is amazing when a group of people are able to come together to overcome a common obstacle. With this in mind, I put to music that spirit of rising above for the Liberty High School Band and their director Michael Summers. Northeast Ohio has seen its share of prosperity and significant times of hardship along many different fronts. I still see resilient leaders, community members, and educators like Mike who continue to fight for what is best and what is right. The debut of this work, like so many other things, was interrupted in the spring of 2020. Now on the precipice of a new beginning for many band programs across the country, all of us in instrumental music education must summon resilience to ensure our groups recover, grow and flourish. The rising major second represents us all taking the first step forward in good and difficult times. The adversity (tension) arrives in various ways harmonically throughout the work. Tension can make us lose sense of where we are on our journey and rob us of our ability to imagine getting through our current situation. But I am reminded that not all tension is bad. Given enough time and enough resolution, we can often make sense of the adversity. We can recognize that the adversity taught us something about ourselves we didn’t know, or perhaps challenged us to grow in a way we didn’t think possible. Either way, it does not happen unless we possess resilience.I thank you in advance for your support of this music and wish you and your group the very best moving forward with Resilience.

Composed by Earl J. Fox, Jr. Concert Band; Performance Music Ensemble; Single Titles. Young Symphonic. Part(s); Score. 190 pages. Duration 3:30. Alfred Music #00-44184. Published by Alfred Music (AP.44184).

SATB choir

SKU: CA.965500

Composed by Ko Matsushita. Edited by Stefan Schuck. Contemporary Choir Music. Sacred vocal music, Corpus Christi, Eucharist, Communion. Full score. Composed 2012. 4 pages. Duration 3 minutes. Carus Verlag #CV 09.655/00. Published by Carus Verlag (CA.965500).

ISBN 9790007164409. Language: Latin.

For faithful Catholics it is the great mystery, and for those who are not Christian believers it is incomprehensible, possibly even off-putting - the mystery of the Eucharist. As far back as the late medieval period, the verse prayer Ave verum inimitably captures the special atmosphere of the contradiction between a terrible death and the redemption of mankind. Matsushita sets an early version of this prayer for the Eucharist in motet-like ABA form. A floating melody, alternating precisely between major and minor and first sung solo by all four voices in transposition, introduces the piece in a contemplative style. The scale is then altered in the counterpoint to a pure Dorian mode, contrasting in the middle section at the text vere passum, where Matsushita accompanies the increasingly wide-ranging melody and its chromatic, augmented intervals, by increasingly dissonant chordal shifts like a fauxbourdon. From this the tonal high point develops into an almost perfect F major, which then finally picks up on the opening motif for the added lines of text O Jesu dulcis, o Jesu pie... before ebbing away in F major. Voice range: S: des' - fis'' / A:gdeg - d'' / T: cdeg - as' / B: F - c'.

Male Choir

SKU: FG.042-08550-9

Composed by Veljo Tormis. Octavo. Published by Fennica Gehrman (FG.042-08550-9).

ISBN 979-0-042-08550-9.

By The Real Group. By Anders Edenroth. S 1-3/A 1-2/T/B/B A CAPPELLA. Walton Choral. 24 pages. Walton Music #WRG1018. Published by Walton Music

Choir Secular

SKU: AP.48505

Composed by Parry Gripp. Arranged by Andy Beck. This edition: SoundTrax CD. Choral Octavo; Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Novelty; Pop; Secular. CD. Alfred Music #00-48505. Published by Alfred Music (AP.48505).

UPC: 038081553283. English.

Fasten those spacecraft seatbelts! YouTube sensation Parry Gripp has done it again, this time with a celestial mythical beast. Quirky lyrics and the dynamic techno SoundTrax will make your singers want to blast off right away. This song is already a hit with kids due to the zany animated viral video. Delivering the rainbows all around the world!

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

By Sally K. Albrecht, Jay Althouse. Children's Musicals and Programs. Christmas and Choral. CD only - No Sheet Music included. Published by Alfred Publishing.

From National Lampoon's Christmas Vacation. Composed by Barry Mann and Cynthia Weil. Arranged by Patrick Roszell. Concert Band; Part(s); Score. Pop Concert Band. Christmas; Movie; Winter. 248 pages. Published by Alfred Music (AP.44930).

Composed by Chen Yi (1953-). Sws. Duration 6 minutes. Theodore Presser Company #110-41828. Published by Theodore Presser Company

ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'caccia, trumpet (tromba or horn da tirarsi), 2 violins, viola, basso continuo

SKU: CA.3104600

Cantata for the 10th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Paul Horn and Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Schauet Doch Und Sehet, Ob Irgend Ein. Sacred vocal music, Cantatas. Full score. Composed 1723. BWV 46. 60 pages. Duration 20 minutes. Carus Verlag #CV 31.046/00. Published by Carus Verlag (CA.3104600).

ISBN 9790007042936. Key: D minor. Language: German/English.

The opening chorus of the cantata Schauet doch und sehet (Look ye then and see now) is one of those movements by Bach which are much better known in their later guise: the first part of it became the Qui tollis of the Mass in B minor. But this movement is not the only high point of the cantata from Bach's earliest Leipzig period. Both the arias are also unusual: a bass aria depicting God's anger dramatically as a thundering storm, with strings and slide trumpet, which gives the movement a very special colour through its unexpected notes beyond the instrument's natural series, and an alto aria with two recorders, accompanied by just two oboi da caccia in unison, which take the role of the continuo as little basset instruments. Music almost not of this world! New revised edition.

(Clarinet). Arranged by Various. For Clarinet. Book; CD; Instrumental Series; Play-Along. Top Hits Instrumental Solos. Pop; Rock. Grade 2; Grade 3. 28 pages. Published by Alfred Music

Roy Clark's Bluegrass Banjo Bible by Roy Clark. For banjo. This edition: Paperback. Instructional. Method. Book. Text Language: English. 140 pages. Published by Santorella Publications

Composed by Various. Piano/Vocal/Guitar Songbook. Softcover. 258 pages. Published by Hal Leonard

By Douglas E. Wagner. For String Orchestra. String Orchestra. Belwin Intermediate String Orchestra. 2.5 (grade 2.5). Conductor Score and Parts. 80 pages. Duration 3:44

Piano. Composed by Antonín Dvorák. Edited by Christian Schaper and Ullrich Scheideler. Henle Music Folios. Softcover. G. Henle #HN1044. Published by G. Henle

Violin 2 (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-5302-16

Urtext. Composed by Robert Schumann. Edited by Christian Rudolf Riedel. Stapled. Orchester-Bibliothek (Orchestral Library). Schumann's last work for solo instrument and orchestra was not given its premiere until 1937. This new edition is the first meticulously prepared Urtext edition of the score and the composer's own piano reduction - from which Clara played the piece! Solo concerto; Romantic. Part. 12 pages. Duration 32'. Breitkopf and Haertel #OB 5302-16. Published by Breitkopf and Haertel (BR.OB-5302-16).

ISBN 9790004340028. 10 x 12.5 inches.

Between Beethoven and Brahms, a long neglected workSchumann's last work for solo instrument and orchestra was not given its premiere until 1937, at which time it was also released in an editorially inadequate version. A re-evaluation of Schumann's late oeuvre began in the 1980s, in the wake of which the missing link between the concertos of Beethoven and Brahms (Yehudi Menuhin) also drew increasing attention. Since then, those in the know have come to appreciate the work, whose unique musical and technical demands challenge for both interpreter and listener.This new edition of what is perhaps the most underestimated masterpiece of the Romantic era is the first meticulously prepared Urtext edition of the score. Nothing short of incredible is the fact that the composer's own piano reduction from which Clara Schumann and Joseph Joachim played the piece is being published here for the first time! Thomas Zehetmair, who has significantly contributed to the re-assessment of the concerto, assumed the task of providing a sound technical basis to his revision of the solo part.Perhaps this edition will help stimulate awareness and appreciation of this unjustly forgotten romantic violin concerto described by Menuhin as the missing link between the concertos by Beethoven to Brahms. (John Thomson, Stringendo)

Schuma nn's last work for solo instrument and orchestra was not given its premiere until 1937. This new edition is the first meticulously prepared Urtext edition of the score and the composer's own piano reduction - from which Clara played the piece!

Voice & String Quartet

SKU: ST.Y296

Composed by Rhian Samuel. Chamber music. For High Voice, String Quartet and Piano. Score (2 copies supplied) and parts. Score and parts. Stainer & Bell Ltd. #Y296. Published by Stainer & Bell Ltd. (ST.Y296).

ISBN 9790220223525.

Natu re and landscape have been the dominant themes of much of Rhian Samuel's vocal music of the last ten years, projected chiefly through the poetry of Anne Stevenson, and in her most recent song-settings, the writings of the Pakistan-born Texas-based poet Zulfikar Ghose. His poem 'Conspiracy of the Clouds' describes how, the clouds having chosen to become invisible, 'Even the astronauts on the space shuttle / looked down on a cloudless America' as hurricanes ravage Louisiana and storms engulf Nebraska. An intriguing conceit in the tradition of magic realism, the text is presented as a scena lasting around 16 minutes, with interpolations from 'Haze' by the nineteenth-century New England transcendentalist Henry David Thoreau. Thus modern fable and romantic nature-description are juxtaposed, and their interaction becomes the source of musical contrasts too. Thoreau's words are assigned predominantly to the vocalist's highest register, those of Ghose to her lower tessitura; and the suggestive and dramatic accompaniment builds tension steadily to the final ironic response of an incredulous American public: not one of awe and wonder, but the question 'Why weren't we told about it?