Chorus (with soloists) and orchestra (choir: TB - 0.2.1.3bassethn.0.dble bsn - 2.0.0.0 - str)

SKU: BR.PB-5148

Attempted Reconstruction of the Original Version of the 'Masonic Funeral Music' K. 477 (479a). Composed by Wolfgang Amadeus Mozart. Edited by Philippe A. Autexier. Arranged by Philippe A. Autexier. Choir; stapled. Partitur-Bibliothek (Score Library). In 1785, Mozart repeatedly visited the Viennese Freemasons' Lodge Zur wahren Eintracht, where on 12 August Carl von Konig was elevated to the rank of a Master. It was fort his ceremony that Mozart composed the ,,Meistermusik. Classical period. Full score. 20 pages. Breitkopf and Haertel #PB 5148. Published by Breitkopf and Haertel (BR.PB-5148).

ISBN 9790004208908. 9 x 12 inches.

In 1785, Mozart repeatedly visited the Viennese Freemasons Lodge Zur wahren Eintracht, where on 12 August Carl von Konig was elevated to the rank of a Master. It was fort his ceremony that Mozart composed the Meistermusik (Master Music) for mens chorus and orchestra. The score does not contain the choral parts, perhaps because they were doubled by the oboe I and clarinet parts, a pecularity undoubtedly suited to the singing capacity of the Lodge members. From a detailed analyses of the work and of the Freemasons practices, on can infer that the text was drawn from the third Lamentation of Jeremiah. Mozart at least entered the correct date of composition of the Master Music in his own work catalogue, namely Jully (1785).For a performance without chorus which most probably took place on 9 December 1785, Mozart added three new, low wind parts which emphasize the gloomy mood of the work. It is with these added parts that the work has come down to us as the Maurerische Trauermusik (Masonic Funeral Music).

In 1785, Mozart repeatedly visited the Viennese Freemasons' Lodge Zur wahren Eintracht, where on 12 August Carl von Konig was elevated to the rank of a Master. It was fort his ceremony that Mozart composed the Meistermusik.

For Upper Voices Children's Choir; Choral; Women's Choir (Highlights)

SKU: HL.50606527

For Upper Voices From 27 Two- and Three- Part Choruses. Composed by Bela Bartok. Edited by Mikló and s Szabó. EMB. Children'S Choir, Classical, Female Voices, Hungarian. Octavo. 4 pages. Editio Musica Budapest #Z20062. Published by Editio Musica Budapest (HL.50606527).

ISBN 9781705190906. UPC: 196288127031.

This publication is based on volume 9 of the Béla Bartók Complete Critical Edition, published jointly by G. Henle Verlag, Munich, and Editio Musica Budapest Zenemukiadó.

SST(A)TBarB vocal soli, AT(A)TBarB choir, 2 flute, 2 oboe, 2 violin, 2 viola, cello/contra bass, bassoon, basso continuo

SKU: CA.2100605

Psalm 83. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. French Sacred Music. Quam Dilecta Tabernacula (Psalm 83). Sacred vocal music, Psalms, Latin, Psalms. Choral Score. 16 pages. Duration 20 minutes. Carus Verlag #CV 21.006/05. Published by Carus Verlag (CA.2100605).

ISBN 9790007161415. Language: Latin.

The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. Score available separately - see item CA.2100600.

SATB vocal soli, SATB choir, congregation, 2 violins, viola, cello, contrabass, organ

SKU: CA.5040515

Chorale cantata. Composed by Max Reger. Edited by Gunther Massenkeil. German title: O wie selig seid ihr doch. Sacred vocal music, Mourning, death. Single Part, Double Bass. Composed 1903. Op. WoO V/4 Nr. 2. 2 pages. Duration 15 minutes. Carus Verlag #CV 50.405/15. Published by Carus Verlag (CA.5040515).

ISBN 9790007081751. Key: D minor. Language: German/English.

The choral cantatas are Reger's most personal and most substantial contribution to one of the principal categories of Protestant church music, and they are only major works in this field by one of the foremost composers of his time. This is true despite the fact that Reger himself does not appear to have considered the cantatas to figure among his principal compositions, as he gave them no opus numbers. In contrast to the three other chorale cantatas of Reger which exist in a definitive form, there is no record of the place or date of the first performance of O wie selig, or indeed of any performance of it during the composer's lifetime. Score and part available separately - see item CA.5040500.

4 Saxophones SATBar

SKU: AP.1-ADV7436

For SATB Saxophone Quartet. Composed by Maurice Ravel. Arranged by Christoph Enzel. Masterworks; Quartet; Solo Small Ensembles; Woodwind - Saxophone Quartet. Advance Music. Impressionistic; Masterwork Arrangement. Score and Part(s). Advance Music #01-ADV7436. Published by Advance Music (AP.1-ADV7436).

UPC: 805095074369. English.

These three songs date from 1914--1915 and were arranged for four a cappella voices by Maurice Ravel immediately after he had written the music. The songs represent Ravel's sole contribution to choral literature. Titles: Nicolette * Trois beaux oiseaux du Paradis * Ronde.

Scores

SKU: CF.CY531F

Composed by Peter Mennin. Contemporary. Full score. With Standard notation. 118 pages. Carl Fischer Music #CY531F. Published by Carl Fischer Music (CF.CY531F).

ISBN 9781491144985. UPC: 680160902484. 11 x 14 inches.

Even with an interruption for military service, the 1940s were a prolific time for Mennin. Three of his eight symphonies were composed in this decade, along with several instrumental and vocal works. The larger choral work The Christmas Story was completed in 1949. For mixed chorus, brass quartet, strings and timpani, the cantata runs 24 minutes. Performance materials are available on rental.

SATB vocal soli, SATB choir, congregation, 2 violins, viola, cello, contrabass, organ

SKU: CA.5040513

Chorale cantata. Composed by Max Reger. Edited by Gunther Massenkeil. German title: O wie selig seid ihr doch. Sacred vocal music, Mourning, death. Single Part, Viola. Composed 1903. Op. WoO V/4 Nr. 2. 2 pages. Duration 15 minutes. Carus Verlag #CV 50.405/13. Published by Carus Verlag (CA.5040513).

ISBN 9790007081737. Key: D minor. Language: German/English.

The choral cantatas are Reger's most personal and most substantial contribution to one of the principal categories of Protestant church music, and they are only major works in this field by one of the foremost composers of his time. This is true despite the fact that Reger himself does not appear to have considered the cantatas to figure among his principal compositions, as he gave them no opus numbers. In contrast to the three other chorale cantatas of Reger which exist in a definitive form, there is no record of the place or date of the first performance of O wie selig, or indeed of any performance of it during the composer's lifetime. Score and part available separately - see item CA.5040500.

By George Frideric Handel (1685-1759). Arranged by David Marlatt. For Brass Quintet. Brass Ensemble - Quintet; Masterworks. Eighth Note Publications. Baroque. Duration 00:02:40. Published by Eighth Note Publications

Trumpet, Tuba Feature. By George Frideric Handel. Arranged by David Marlatt. For Brass Quintet. Brass Ensemble - Quintet. Trumpet and Tuba feature. Baroque, Christmas. Level: Difficult. Duration 00:04:15. Published by Eighth Note Publications.

Chorus a cappella

SKU: BR.DV-7930-02

TWV 8:17-TWV 8:23 - Urtext. Composed by Georg Philipp Telemann. Edited by Brit Reipsch. Choir; stapled. Deutscher Verlag.

The seven motets found in the Yale University Music Library in 1994 are believed to have been written by Telemann in his early years.

Motet; Baroque. Choral score. 24 pages. Deutscher Verlag fur Musik #DV 7930-02. Published by Deutscher Verlag fur Musik (BR.DV-7930-02).

ISBN 9790200471540. 7.5 x 10.5 inches. German.

The seven motets found in the Yale University Music Library in 1994 are believed to have been written by Telemann in his early years, possibly in the decade between 1712 and 1721, when Telemann was Church Music Director in Frankfurt/Main. The collection consists of four chorale motets and three works in which the texts are set section by section. The division in two books (DV 7929/30) reflects their orientation on the church year.

Unison/2-part children's choir, piano accompaniment

SKU: WD.679143056900

Composed by Daniel Semsen. Arranged by Daniel Semsen. Choral, cantatas. WordKidz. Eastertide. Youth large. Duration ca. 38 minutes. Word Music #679143056900. Published by Word Music (WD.679143056900).

UPC: 679143056900.

Chris ty Semsen and Daniel Semsen - the groundbreaking creative team who brought you The Agape League and We Three Spies - are back again...this time better than ever! Isaiah Jones and the Seekers of the Lost Christmas Treasure delivers action and adventure galore as your Kids Choir is transported into a video game world of mystery, intrigue, and adrenaline-generating Christmas fun!

Join in the excitement as our young hero, along with his friends and companions, search for the Lost Christmas Treasure, navigating levels of the video game as they go. Cheer them on through challenge after challenge as they follow the shooting star that guides their way on a suspense-filled journey, leading them to their greatest discovery...the real Treasure of Christmas is Jesus!

Mixed Choir - Grade 5

SKU: BT.EMBZ14914

Composed by Lajos Huszár. Vocal Score. Composed 2014. 32 pages. Editio Musica Budapest #EMBZ14914. Published by Editio Musica Budapest (BT.EMBZ14914).

German.

Lajos Huszár composed his motet for mixed choir Strafe mich nicht in deinem Zorn commissioned by the town of Debrecen for the 26th Béla Bartók International Choir Competition in 2014. The composer says about his work: ''This choral work is the closing piece of a series for mixed choir consisting of three motets in German. The text is from the Bible as translated into German by Martin Luther (parts of Psalms 6 and 7), supplemented by a few words of a chorale. Its style is based on modal key systems and it adapts throughout to the singing voice.''.

SKU: CA.2780300

Composed by Claudio Monteverdi. Edited by Uwe Wolf, Barbara Neumeier. Selva Morale E Spirituale. Salmi. Sacred vocal music, Mass sections, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Collection. 172 pages. Carus Verlag #CV 27.803/00. Published by Carus Verlag (CA.2780300).

ISBN 9790007171698.

Toda y Monteverdi's Selva morale et spirituale (1641) stands entirely in the shadow of his famous Vespers 1610. The editions from 1610 and 1641 both include music for the Mass and Vespers, but each of these collections was composed under much different circumstances during Monteverdi's lifetime. If the works of 1610 are a bold combination of traditional compositional techniques and avant garde music, which were intended by this weary Court Composer at Mantua as an application portfolio for a new job, the 1641 collection is the only church music by the mature Monteverdi which was published after almost thirty years in his position as Music Director of St. Mark's Cathedral: the latter, a kind of best of collection from his many years of experience as a church musician. In Venice the composer had not only a fabulous, but a large ensemble at his disposal (finally, about 35 singers, alone)! The big effect in this music is the combination of soloistic and weighty tutti sections, it makes the music, with its clearly defined sections and, for the most part homophonic choral passages more easily performable than the Vespers for today's choirs. The new edition, comprised initially of three volumes, also includes those works from the Selva Morale (a Mass and two Magnificats) which have already been published by Carus, as well as all further liturgical compositions for use in the church. Salmi II contains the additional settings of the multiple settings of the psalms and also the psalm Memento (each of the first of the multiple settings of the psalms are to be found in the Salmi I volume). The edition is based on the methods employed in the much acclaimed Carus edition of the Vespers: - It contains a detailed foreword with suggestions for notation, scoring and for the liturgical use of individual compositions. - For the present edition four of the five surviving printed copies, as well as contemporary manuscript were consulted. Facsimiles illustrate special characteristics of the edition of 1641. A Critical Report makes clear all of the editorial decisions made in the edition. - All of the pieces are printed untransposed and using the original note values. - All of the pieces are available in single editions with complete performance material. - Vocal scores of all works with obbligato instruments facilitate rehearsal. - Instrumental parts for collaparte accompaniment of tutti-sections (including text underlay).

Choral Three-Part Mixed chorus - Easy

SKU: XC.TPM1901

Composed by Greg Gilpin. School Sacred. Octavo. Excelcia Music Publishing #TPM1901. Published by Excelcia Music Publishing (XC.TPM1901).

UPC: 812598030679. 6.75 x 10.5 inches.

Composer Greg Gilpin breathes new life into this joyful setting of a popular Latin text. Designed for developing choirs, Gloria is ideal for the opening number of a concert as well as adjudication at contest. Your ensemble will sound great performing this one!

Medium Voice & Piano

SKU: SU.26180020

For Medium Voice & Piano. Composed by William Mc Clelland. Vocal/Choral, Solo Voice. Accompanied by piano. Score. Subito Music Corporation #26180020. Published by Subito Music Corporation (SU.26180020).

These sixteen songs are a selection of those I've composed over the course of several decades. The texts are primarily by Americans, including William Carlos Williams, James Wright, and Elizabeth Bishop, though three are by British poets. The subject of most of the songs is the natural world and, often, humans' interaction with it. There are also several that merely celebrate love. —William McClellandMedium Voice & Piano Composed: 2005-2014 Published by: WMC Music (BMI).

Treble choir, organ - medium/difficult

SKU: PL.2010M

Composed by Jon Simsic. Evensong. Choral score. Paraclete Press #2010M. Published by Paraclete Press (PL.2010M).

This is a fanfare-like setting of the Magnificat, expressing the strength of Mary's conviction. The three treble voices give opportunity for much textural variety. This is a superb piece for youth choirs.

Choral TPM - early intermediate

SKU: XC.TPM2101

From Cantata 147. Composed by Johann Sebastian Bach. Arranged by Russell L. Robinson. Festival. Festival. Octavo. Excelcia Music Publishing #TPM2101. Published by Excelcia Music Publishing (XC.TPM2101).

UPC: 812598038194. 6.75 x 10.5 inches.

Classic Bach in the hands of master arranger Russell Robinson means this setting will sound as full and rich as the original, but it will be accessible to three-part choirs in a very sing-able way. This is exactly the type of thing that choir directors everywhere have come to expect from Russell Robinson!

SKU: ST.EC55

Composed by Various. Edited by Peter Wright. Library Volumes. Edited by Peter Wright. First published in 2013. Pages: 328. Format: Hardback. Dimensions (mm): 324 x 246 x 30. Choral Score. Stainer & Bell Ltd. #EC55. Published by Stainer & Bell Ltd. (ST.EC55).

ISBN 9790220223495.

This volume brings together 47 independent settings of the Gloria and Credo from the period c.1400-40, most of which have never been published before. Nineteen of these settings are complete works preserved largely in continental manuscripts, the remainder fragmentary settings preserved in insular sources. They include works both by leading composers of the period (Forest, Power and Pycard) and by minor figures (Daye, Humfray, Knyf and Markham), as well as three settings that are here attributed conjecturally (to Byttering, Rowlard and Soursby). This collection includes examples of the main compositional styles and techniques of English liturgical polyphony of the late Middle Ages, and is intended to complement the Sanctus and Agnus dei settings of EECM 47.

SKU: LO.99-1580H

Composed by Amy F Bernon. Choral. Performance/accompaniment CD. Heritage Music Press #99/1580H. Published by Heritage Music Press (LO.99-1580H).

UPC: 000308080513.

Chara cterized by flowing, memorable melodies, this gentle, lyrical original sings of the wonders of nature and the beauty of sharing and delighting in those wonders with a friend. The second verse features opportunities for three soloists (one from each voice part), which contrast with the colorful vocal layering framing this section.

Concert Band; Orchestra 2.2.2.2: 2.2.4(1st sub Tpt in C).0: Timp: Org: Str (4-4-3-3-3 in set): Solo SSTB: Mx Chor

SKU: AP.36-A269901

Arranged by Wolfgang Amadeus Mozart and ed./arr. by Alois Schmitt. Mass, Orchestra Accompaniment, Conductor Score. Kalmus Choral Library. Score. LudwigMasters Publications #36-A269901. Published by LudwigMasters Publications (AP.36-A269901).

ISBN 9798892700672. UPC: 659359608209. English.

Wolfgang Amadeus Mozart (1756-1791) began composition of his Great Mass in C minor, K. 427/417a in 1782 as a promise to himself to write a major work for his native Salzburg. This period was shortly after he had moved to Vienna in 1781, and Mozart wrote in a letter that he made the promise before having married Constanze, a decision which his father Leopold disapproved, though he only really began the work after the marriage, completing all that he did in 1783. The work remained uncompleted from the sense of a liturgical mass, missing some of the Credo movements, all of the Agnus Dei, and parts of the Sanctus and the Benedictus, and Mozart called it a half a mass in a letter to his father. Despite this, all that was completed was performed at a liturgical mass on October 23, 1783, at St. Peter's Church in Salzburg during Mozart and Constanze's three-month sojourn there to introduce Constanze to the family. It is believed that Mozart borrowed from other works to make it complete for a liturgical performance, and it is thought likely that Constanze sang the high first soprano solo part. The work remained in this state until German musicologist Alois Schmitt's work to complete the mass was published in 1902. The Schmitt edition became the standard edition throughout the 20th century. Instrumentation: 2.2.2.2: 2.2.4(1st sub Tpt in C).0: Timp: Org: Str (4-4-3-3-3 in set): Solo SSTB: Mx Chor.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

For Upper Voices Children's Choir; Choral; Women's Choir (Highlights)

SKU: HL.50605498

For Upper Voices From 27 Two- and Three- Part Choruses. Composed by Bela Bartok. Edited by Mikló and s Szabó. EMB. Children'S Choir, Classical, Hungarian. Octavo. 4 pages. Editio Musica Budapest #Z20068. Published by Editio Musica Budapest (HL.50605498).

ISBN 9781705190630. UPC: 196288126768.

This publication is based on volume 9 of the Béla Bartók Complete Critical Edition, published jointly by G. Henle Verlag, Munich, and Editio Musica Budapest Zenemukiadó.

Unison/2-part children's choir, piano accompaniment

SKU: WD.679143057068

Composed by Daniel Semsen. Arranged by Daniel Semsen. Choral, cantatas. WordKidz. Christmas. Adult xxlarge. Duration ca. 38 minutes. Word Music #679143057068. Published by Word Music (WD.679143057068).

UPC: 679143057068.

Chris ty Semsen and Daniel Semsen - the groundbreaking creative team who brought you The Agape League and We Three Spies - are back again...this time better than ever! Isaiah Jones and the Seekers of the Lost Christmas Treasure delivers action and adventure galore as your Kids Choir is transported into a video game world of mystery, intrigue, and adrenaline-generating Christmas fun!

Join in the excitement as our young hero, along with his friends and companions, search for the Lost Christmas Treasure, navigating levels of the video game as they go. Cheer them on through challenge after challenge as they follow the shooting star that guides their way on a suspense-filled journey, leading them to their greatest discovery...the real Treasure of Christmas is Jesus!

(F Horn Feature). By George Frideric Handel (1685-1759). Arranged by David Marlatt. For Brass Quintet. Brass Ensemble - Quintet; Masterworks. Eighth Note Publications. F Horn feature. Baroque, Christmas. Duration 00:02:30. Published by Eighth Note Publications

(Chamber Ensemble)

SKU: HL.48186474

Composed by Isabelle Aboulker. Leduc. 94 pages. Alphonse Leduc #AL30734. Published by Alphonse Leduc (HL.48186474).

UPC: 888680831080. 9x12 inches.

“Foll owing on the success of her two operatic works for children and teens ' Douce et Barbe Bleue, Les Fables Enchantées, Little Thummie and Cendrillon (based on Perrault), as well as the adaptation of Maupassant's short story The Dumpling (2014) ' Isabelle Aboulker once again hits the bull's eye with Myla and the Boat-Tree, a commission from the Villecroze Music Academy. In 2015, this musical tale for narrator, children's choir and instrumental accompaniment, was awarded the 'Music for Young Performers Prize' by the French Music Publishers Association. Both in the French version and Marci Meth's excellent English translation, it provides the material for an enthralling educational adventure in which children between the ages of five and eight are invited into their first experience of opera and choir singing. With her trademark finesse and sensitivity, the composer tells the story of a little girl dealing with the death of a person she'd cherished above all: her grandfather. Written for choir in unison, this tale wafts shimmering melodies over an instrumental accompaniment suffused in turn with gentle melancholy and light humour. An art that speaks from an open heart. The work was written in three versions:' for narrator, children's choir and piano (AL 30 732)' for narrator, children's choir and trio (clarinet in B b, cello and piano: AL 30 733)' for narrator, children's choir and instrumental ensemble (flute, oboe, clarinet in B b, bassoon, horn, trumpet in C, trombone, percussion, 2 violins, alto, cello, bass: AL 30 734) Choral score: AL 30 743 &rdquo.