| Starter Studies (Bass) Contre Basse [Partition + CD] Anglo Music
Eb or Bb Bass. De Haske Play-Along Book. Size 9x12 inches. 48 pages. Published b...(+)
Eb or Bb Bass. De Haske
Play-Along Book. Size
9x12 inches. 48 pages.
Published by Anglo Music.
$13.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Starter Studies (Tuba) Tuba [Partition + CD] - Débutant Anglo Music
Tuba. De Haske Play-Along Book. Size 9x12 inches. 48 pages. Published by Anglo M...(+)
Tuba. De Haske Play-Along
Book. Size 9x12 inches.
48 pages. Published by
Anglo Music.
$13.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Starter Studies (Clarinet) Clarinette [Partition + CD] - Facile Anglo Music
Starter Studies. (Clarinet). De Haske Play-Along Book. Play Along. 28 pages. Ang...(+)
Starter Studies.
(Clarinet). De Haske
Play-Along Book. Play
Along. 28 pages. Anglo
Music Press #AMP080.
Published by Anglo Music
Press
$13.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Flute Methods, Studies and Ensembles: The Ultimate Collection Flûte traversière CD Sheet Music
SKU: SU.00220550 Woodwinds, Flute/Piccolo. Solo Flute, Flute Duets/Trios/...(+)
SKU: SU.00220550
Woodwinds, Flute/Piccolo.
Solo Flute, Flute
Duets/Trios/Quartets. CD
(PDF Scores). CD Sheet
Music #00220550.
Published by CD Sheet
Music (SU.00220550).
This CD Sheet
Musicâ?¢ collection
makes available fourteen
essential flute methods,
studies and exercises, as
well as over 150 works
for flute duos, trios and
quartets by over 30
composers from the 18th
and 19th centuries.
Methods, Studies and
Exercises include:
Altès (Method for
the Boehm Flute, 26
Selected Studies), J.S.
Bach (24 Flute
Concert Studies),
Andersen (24 Etudes,
Op. 33), Gariboldi
(20 Studies, Op. 132, 30
Easy and Progressive
Studies), Hughes (24
Studies, Op. 32/75);
Karg-Elert (30
Studies, Op. 107),
Köhler (25
Romantic Etudes, Op. 66,
20 Easy Melodic
Progressive Exercises,
Op. 93), Reichert (7
Daily Exercises, Op. 5),
Wagner (Flute Studies
in Old and Modern Styles)
Duets, Trios and
Quartets include:
W.F. Bach (6 Duets),
de la Barre
(Prelude), Beethoven
(Allegro and Mineut),
Berbiguier (Six
Duets, Op. 59),
Boismortier (Two
Sonatas), Bordet
(Timbourins),
Briccaldi (Eight
Duos, Op. 132),
Chinzer/Bordet (The
Hunt), Devienne (6
Duets, Op. 82),
Dietter(Romance),
Finger Fugue);
Fürstenau (6
Duets, Op. 137),
Gariboldi (Six Easy
Duets), Hotteterre
(Les Fargis sur les
délices),
Hugot/Wunderlich
(Four Duets),
Koechlin (Sonata for
Two Flutes),
Köhler (Forty
Progressive Duets),
Kuhlau (Three
Brilliant Duos, Op. 81
and 102, Three Grand
Duets, Op. 39, Three
Grand Trios, Op. 86),
Kummer (Trio, Op.
24)), de Lasso (Two
Fantasies),
Legoux/Bordet
(Musette), Le Loup
(Sarabande), Loeillet
(Sonata in E minor and
Sonata in G minor for two
flutes and piano),
Mozart (3 Duets, Op.
156 and 157),
Müller (Theme with
Variations), Naudot
(Gavotte), Quantz
(Three Duets, Op. 2),
Reicha (Sinfonico for
Four Flutes),
Soussman (Twelve
Duets, Op. 53),
Stamitz (Three Duets,
Op. 27), Sweelinck
(Duo), Telemann
(Sonata in E major,
Sonata in A major for two
flutes and piano),
Tulou (Three Easy
Duets, Op. 102 and 103)
Also includes composer
biographies and relevant
articles from the 1911
edition of Grove's
Dictionary of Music and
Musicians 1800 pages
Please note,
customers using Macintosh
computers running macOS
Catalina (version 10.5)
have reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sechs dreistimmige Praludien und Fugen fur Streicher / Six Three-Part Preludes and Fugues for Strings Breitkopf & Härtel
Basso (cello/double bass) SKU: BR.OB-5294-26 Book 2. Composed by W...(+)
Basso (cello/double bass)
SKU: BR.OB-5294-26
Book 2. Composed
by Wolfgang Amadeus
Mozart. Edited by Johann
Nepomuk David. Stapled.
Orchester-Bibliothek
(Orchestral Library).
The Six Three-Part
Preludes and Fugues are
regarded as a unique
testimony to Mozart's
profound interest in the
works of Bach.
Classical period. Part.
KV 404a, Nos. 4-6. 16
pages. Breitkopf and
Haertel #OB 5294-26.
Published by Breitkopf
and Haertel
(BR.OB-5294-26). ISBN
9790004338032. 9 x 12
inches. The Six
Three-Part Preludes and
Fugues are regarded as a
unique testimony to
Mozart's profound
interest in the works of
Bach. Or was it a
brilliant contemporary of
his who arranged the two
preludes and five fugues
by Johann Sebastian, and
one fugue by Wilhelm
Friedemann for string
trio and supplemented the
collection with further
preludes? The new
editions put the music
text of Johann Nepomuk
David's edition of the
parts to the test,
especially the editor's
practical arrangement,
which reflected the
performance style of his
time. These new editions
go one step further, also
in a
performance-practical
sense. The publication of
the score and
(orchestral) parts also
enables string orchestras
to play this piece for
the first time - an
instrumental possibility
that is perfectly
legitimate, both
musically and
historically. It is a
fascinating addition to
the repertoire that one
can recommend to every
chamber
orchestra.Contents:No. 4
Adagio Mozart's
arrangement of Johann
Sebastian Bach, Adagio e
dolce from the Sonata for
Organ III BWV 527 Fuga
Mozart's arrangement of
Johann Sebastian Bach,
Contrapunctus 8 from the
Art of Fugue BWV 1080No.
5 Largo Mozart's
arrangement of Johann
Sebastian Bach, Largo
from the Sonata for Organ
II BWV 526 Fuga Mozart's
arrangement of Johann
Sebastian Bach, Allegro
from the Sonata for Organ
II BWV 526No. 6 Adagio by
Wolfgang Amadeus Mozart
Fuga Mozart's arrangement
of Wilhelm Friedemann
Bach, Fuga in F minor
Falk No. 31/8. $10.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Sechs dreistimmige Praludien und Fugen fur Streicher / Six Three-Part Preludes and Fugues for Strings Breitkopf & Härtel
Violin 1 SKU: BR.OB-5294-15 Book 2. Composed by Wolfgang Amadeus M...(+)
Violin 1 SKU:
BR.OB-5294-15 Book
2. Composed by
Wolfgang Amadeus Mozart.
Edited by Johann Nepomuk
David. Stapled.
Orchester-Bibliothek
(Orchestral Library).
The Six Three-Part
Preludes and Fugues are
regarded as a unique
testimony to Mozart's
profound interest in the
works of Bach.
Classical period. Part.
KV 404a, Nos. 4-6. 16
pages. Breitkopf and
Haertel #OB 5294-15.
Published by Breitkopf
and Haertel
(BR.OB-5294-15). ISBN
9790004338018. 9 x 12
inches. The Six
Three-Part Preludes and
Fugues are regarded as a
unique testimony to
Mozart's profound
interest in the works of
Bach. Or was it a
brilliant contemporary of
his who arranged the two
preludes and five fugues
by Johann Sebastian, and
one fugue by Wilhelm
Friedemann for string
trio and supplemented the
collection with further
preludes? The new
editions put the music
text of Johann Nepomuk
David's edition of the
parts to the test,
especially the editor's
practical arrangement,
which reflected the
performance style of his
time. These new editions
go one step further, also
in a
performance-practical
sense. The publication of
the score and
(orchestral) parts also
enables string orchestras
to play this piece for
the first time - an
instrumental possibility
that is perfectly
legitimate, both
musically and
historically. It is a
fascinating addition to
the repertoire that one
can recommend to every
chamber
orchestra.Contents:No. 4
Adagio Mozart's
arrangement of Johann
Sebastian Bach, Adagio e
dolce from the Sonata for
Organ III BWV 527 Fuga
Mozart's arrangement of
Johann Sebastian Bach,
Contrapunctus 8 from the
Art of Fugue BWV 1080No.
5 Largo Mozart's
arrangement of Johann
Sebastian Bach, Largo
from the Sonata for Organ
II BWV 526 Fuga Mozart's
arrangement of Johann
Sebastian Bach, Allegro
from the Sonata for Organ
II BWV 526No. 6 Adagio by
Wolfgang Amadeus Mozart
Fuga Mozart's arrangement
of Wilhelm Friedemann
Bach, Fuga in F minor
Falk No. 31/8. $10.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Sechs dreistimmige Praludien und Fugen fur Streicher / Six Three-Part Preludes and Fugues for Strings Alto seul Breitkopf & Härtel
Viola SKU: BR.OB-5294-19 Book 2. Composed by Wolfgang Amadeus Moza...(+)
Viola SKU:
BR.OB-5294-19 Book
2. Composed by
Wolfgang Amadeus Mozart.
Edited by Johann Nepomuk
David. Stapled.
Orchester-Bibliothek
(Orchestral Library).
The Six Three-Part
Preludes and Fugues are
regarded as a unique
testimony to Mozart's
profound interest in the
works of Bach.
Classical period. Part.
KV 404a, Nos. 4-6. 16
pages. Breitkopf and
Haertel #OB 5294-19.
Published by Breitkopf
and Haertel
(BR.OB-5294-19). ISBN
9790004338025. 9 x 12
inches. The Six
Three-Part Preludes and
Fugues are regarded as a
unique testimony to
Mozart's profound
interest in the works of
Bach. Or was it a
brilliant contemporary of
his who arranged the two
preludes and five fugues
by Johann Sebastian, and
one fugue by Wilhelm
Friedemann for string
trio and supplemented the
collection with further
preludes? The new
editions put the music
text of Johann Nepomuk
David's edition of the
parts to the test,
especially the editor's
practical arrangement,
which reflected the
performance style of his
time. These new editions
go one step further, also
in a
performance-practical
sense. The publication of
the score and
(orchestral) parts also
enables string orchestras
to play this piece for
the first time - an
instrumental possibility
that is perfectly
legitimate, both
musically and
historically. It is a
fascinating addition to
the repertoire that one
can recommend to every
chamber
orchestra.Contents:No. 4
Adagio Mozart's
arrangement of Johann
Sebastian Bach, Adagio e
dolce from the Sonata for
Organ III BWV 527 Fuga
Mozart's arrangement of
Johann Sebastian Bach,
Contrapunctus 8 from the
Art of Fugue BWV 1080No.
5 Largo Mozart's
arrangement of Johann
Sebastian Bach, Largo
from the Sonata for Organ
II BWV 526 Fuga Mozart's
arrangement of Johann
Sebastian Bach, Allegro
from the Sonata for Organ
II BWV 526No. 6 Adagio by
Wolfgang Amadeus Mozart
Fuga Mozart's arrangement
of Wilhelm Friedemann
Bach, Fuga in F minor
Falk No. 31/8. $10.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Henry Purcell: 12 Sonatas Of Three Parts For Violin 2 (Sonatas X-XII) Music Sales
Chamber Group, Violin SKU: HL.14026463 Music Sales America. Baroque. 99 p...(+)
Chamber Group, Violin
SKU: HL.14026463
Music Sales America.
Baroque. 99 pages. Music
Sales #NOV12044702.
Published by Music Sales
(HL.14026463).
The Works of
Henry Purcell, Sonatas
X-XII. $9.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Musical Sacrifice [Conducteur et Parties séparées] Theodore Presser Co.
For Flute/Piccolo, Oboe, Bassoon, Trombone (Tenor/Bass), Violin, and Contrabass....(+)
For Flute/Piccolo, Oboe,
Bassoon, Trombone
(Tenor/Bass), Violin, and
Contrabass. By PDQ Bach.
Edited by Professor Peter
Schickele. Text:
Professor Peter
Schickele. Mixed chamber
ensemble. For Piccolo,
Trombone. Score and
parts. S 50% off. 36
pages. Duration 19:00.
Published by Theodore
Presser Company.
$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lira Orfeo Vol. 15 - Intermédiaire Music Distribution Services
Orchester of plucked instruments - intermediate to advanced SKU: M7.GHE-915(+)
Orchester of plucked
instruments -
intermediate to advanced
SKU: M7.GHE-915
The Complete
Repertoire composed and
arranged for Lira
Orfeo. Edited by
Stefano Grondona.
Arranged by Miguel
Llobet. This edition:
Saddle-wire stitching.
Sheet music. 112 pages.
MDS (Music Distribution
Services) #GHE 915.
Published by MDS (Music
Distribution Services)
(M7.GHE-915). ISBN
9783890449159.
English. Miguel
Llobet's famous Catalan
plucked string orchestra
called the 'Lira Orfeo'
was active in Barcelona
from 1899-1906. Here we
present a new engraving
of all the surviving
original scores, set in
the same performing score
format in which they were
originally used 120 years
ago. The Lira Orfeo
quickly became an
important part of
Barcelona's cultural
scene; with Tárrega as
its honorary president
the Lira Orfeo society
was founded in 1898 and
an official inaugural
concert, shared between
Manuel Burgés (pno)
and Miguel Llobet (gtr)
took place in Barcelona
in 1898. The aim of the
society was to offer a
full musical education,
both theoretical and
instrumental, for
guitarists and players of
other plucked instrument
family, with eventually
with a place in its
Catalan plucked
instrument orchestra of
the same name. The
teachers for guitar were
Miguel Llobet, Pedro
Lloret and Domingo Prat.
Prominent musicians such
as Manuel Burgés and
Baldomera Cateura were
also on the teaching
staff. Classes were given
three times a week, and
as the players were
mainly amateurs with day
jobs, these took place in
the evening and often
went on until 2 o'clock
in the morning. The debut
of the orchestra took
place in 1903 and it gave
regular concerts at top
venues right up to the
society's dissolution in
1907, mainly due to lack
of funding. For the
instruments used see the
list of works below. The
repertoire is varied,
selected, arranged by
Miguel Llobet it was
mainly drawn from
traditional and
impressionist Iberian
music, as well as the
German classics, it
includes a specially
commissioned work
Triomphe d'Orphée' by
the famous Catalán
pianist Manuel Burgés.
We at Guitar Heritage are
proud to present the
first publication of this
huge cultural
contribution to music in
its original form and
prepared from the source
manuscripts which were
the work of Miguel
Llobet. The edition has
many illustrations, rare
documents and photographs
as well as a
comprehensive critical
commentary by Stefano
Grondona - whose
knowledge of Miguel
Llobet, as well as of
Catalonian culture, has
made an edition of this
scope possible. These
arrangements are superb
and presented as they
originally were in the
same score form. The now
relatively rare
instruments called for
can be replaced by
suitable alternatives -
this is ideal and
interesting material for
adapting to guitar
orchestra/ensemble or
mandolin orchestra, or
similar. $53.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Chamber Music for/ Kammermusik für Violoncelli 16 - Facile EMB (Editio Musica Budapest)
3 Cello's - early intermediate SKU: BT.EMBZ14930 By Arpad Pejtsik. EMB Ch...(+)
3 Cello's - early
intermediate SKU:
BT.EMBZ14930 By Arpad
Pejtsik. EMB Chamber
Music for Violoncellos.
Educational Tool. Book
Only. Composed 2014. 40
pages. Editio Musica
Budapest #EMBZ14930.
Published by Editio
Musica Budapest
(BT.EMBZ14930).
The latest
volume of this popular
series extends the
repertoire of beginner
and intermediate cello
students with excellent
transcriptions of works
by music history's three
great Bs. Ãrpád
Pejtsik, the editor of
the series, has
transcribed the Trio
Sonata in G Major for
Flute, Violin and Basso
continuo by Bach (BWV
1038), a witty bagatelle
by Beethoven (WoO 56) and
two archaizing piano
works (Sarabande, op.
posth. 5 no. 2, Gavotte,
op. posth. 3 no. 1) by
Brahms for three cellos.
While intermediate
instrumental skills are
required due to the use
of higher positions when
in the upper two parts,
the lower part can be
performed by beginner
cellists. Interpretation
is helped byfingerings
and bowings provided by
the editor.
The
latest volume of the
popular series extends
the repertoire of
beginner and intermediate
cello students with
excellent transcriptions
of works by music
historys three great Bs.
Ãrpád Pejtsik,
the editor of the series,
has transcribed for three
cellos the Trio Sonata
in G Major for Flute,
Violin and Continuo by
Bach, a witty bagatelle
by Beethoven and two
works originally written
for the piano
(Sarabande,Gavotte
) by Brahms in his youth.
While at least
intermediate instrumental
skills are required due
to the use of higher
positions when playing
the top parts, the bottom
parts can be performed by
beginner cellists.
Interpretation is helped
by thefingering and
bowing being provided by
the editor.
Der
neueste Band dieser
beliebten Serie verfolgt
das Ziel, das Repertoire
der Celloschüler der
Anfänger- und
Mittelstufe mit
ausgezeichneten
Transkriptionen von
Werken der drei großen
Bs der Musikgeschichte zu
bereichern. Ãrpád
Pejtsik, der Herausgeber
der Serie, bearbeitete
neben Bachs Triosonate in
G-Dur für Flöte,
Violine und Basso
continuo (BWV 1038) eine
geistreiche Bagatelle von
Beethoven (WoO 56) und
zwei archaisierende
Klavierstücke von
Brahms (Sarabande, op.
posth. 5 no. 2, Gavotte,
op. posth. 3 no. 1)
für drei Celli. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Six Individually Passed Down Instrumental Works Barenreiter
Instruments (Instruments) SKU: BA.BA04036 Three overtures, one sinfoni...(+)
Instruments (Instruments)
SKU: BA.BA04036
Three overtures, one
sinfonia, one sonata and
one concerto. Includes
sources and readings.
Composed by George
Frideric Handel. Edited
by Frederik Hudson and
Terence Best. This
edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series IV,
Volume 15. Barock
(Baroque). Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA04036_00.
Published by Baerenreiter
Verlag (BA.BA04036).
ISBN 9790006443437.
33.1 x 25.6 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$166.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Gamba Sonatas W 88 136 137 Vla Urtext Viole de Gambe G. Henle
Edition for Gamba (Viola). Composed by Carl Philipp Emanuel Bach. Edited by Erns...(+)
Edition for Gamba
(Viola). Composed by Carl
Philipp Emanuel Bach.
Edited by Ernst-Gunter
Heinemann and Wolfram
Ensslin. Strings,
Repertoire, Collections.
Gamba Sonatas Wq 88, 136,
137. Baroque, Classical.
Softcover Book. 104
pages. G. Henle #HN990.
Published by G. Henle
(HU.HN990).
12.2 x 9.3 x 0.3 inches.
Like his father, Carl
Philipp Emanuel Bach
wrote three sonatas for
violada gamba. They were
written during his time
at the Berlin court of
Fred erick the Great and
gave the excellent viola
da gamba player in the
court orchestra an
opportunity to show his
virtuosic ability. While
the two Sonatas Wq 136
and 137 have a basso
continuo, Bach followed
his fathersexample as far
as the Sonata in g minor
Wq 88 was concerned: the
right and left hands of
the harpsichord compete
with the solo instrument
in three equal parts. The
original register of the
viola da gamba part also
permits a version for
viola, a practice that
has been verified in the
sources of the time. This
version is available in
our Urtext edition as an
alternative part.
$82.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Missa solemnis in C K. 337 Breitkopf & Härtel
Violin 2 (solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(wit...(+)
Violin 2 (solos: SATB -
choir: SATB - 0.2.0.2. -
0.2.3.0. - timp - org -
str(without va)) SKU:
BR.OB-5329-16
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Franz
Beyer. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Classical. Part.
Composed 1780. 12 pages.
Duration 20'. Breitkopf
and Haertel #OB 5329-16.
Published by Breitkopf
and Haertel
(BR.OB-5329-16). ISBN
9790004333549. 10 x 12.5
inches. According
to the date inscribed in
Wolfgang Amadeus Mozart's
autograph score, the
present mass was composed
in March 1780. The
instrumental setting
(oboes, trumpets and
timpani add color and
festive splendor to the
work) rightly suggests
that the work was in all
likelihood performed with
the Church Sonata K. 336
at the Easter high mass
in the Salzburg
cathedral. Since
Archbishop Hieronymus
Count Colloredo wanted
the mass text to be
treated as succinctly as
possible, Mozart offered
him a richly orchestrated
Missa solemnis in the
terse form of a Missa
brevis.The brilliant,
festive character of the
Mass K. 337 is abruptly
interrupted by a powerful
Benedictus in a harsh A
minor, the most striking
and revolutionary
movement in all of
Mozart's Masses, in the
strictest contrapuntal
style ... (Alfred
Einstein). What could
have inspired Mozart to
such unexpected rigor?
But there is another
surprise yet: while the
dark drama of the Holy
Week seems to radiate
from this Benedictus, the
following Agnus Dei in
the distant key of E flat
major sounds, with its
soprano solo and
concertante oboe, bassoon
and organ, like a song of
thanksgiving filled with
the warmth and light of
Easter.Other features
worth noting are the
three unisons between the
alto and bass heard at
the Deus pater omnipotens
in the Gloria (bars
22-32), the a cappella
illumination of the words
Jesu Christe found a
little later (bar 62) and
the descending
chromaticism evocative of
death at the Crucifixus
in the Credo.
(Incidentally, Mozart had
initially planned a
different movement for
the Credo of this mass,
superscribed Tempo di
Chiaconna; he wrote out
136 bars but, for some
unknown reason, never
completed it.)While the
Coronation Mass K. 317 of
1779 is one of Mozart's
most well-known mass
settings, its later
composed frllow piece K.
337 - Mozart's last
completed mass before the
great C minor fragment K.
427 (417a) - has been
paid less attention, even
though it is an
outstanding example of
the Mozartian mass type
and contains parallels to
the Coronation Mass in
its disposition and in
the structure of its
various movements. The
score and piano reduction
of this new edition were
prepared on the basis of
the autograph
(Osterreichische
Nationalbibliothek/Vienna
, dass. no. Mus. Hs. 18
97512) and the Salzburg
performance material
(Staats- und
Stadtbibliothek/Augsburg,
dass. no. Hl. Kreuz 9).
We wish to thank both
libraries for putting the
source material at our
disposal.Franz Beyer,
Munich, Spring 1998. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Missa solemnis in C K. 337 Breitkopf & Härtel
Organ (solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(withou...(+)
Organ (solos: SATB -
choir: SATB - 0.2.0.2. -
0.2.3.0. - timp - org -
str(without va)) SKU:
BR.OB-5329-11
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Franz
Beyer. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Classical. Part.
Composed 1780. 16 pages.
Duration 20'. Breitkopf
and Haertel #OB 5329-11.
Published by Breitkopf
and Haertel
(BR.OB-5329-11). ISBN
9790004333525. 10 x 12.5
inches. According
to the date inscribed in
Wolfgang Amadeus Mozart's
autograph score, the
present mass was composed
in March 1780. The
instrumental setting
(oboes, trumpets and
timpani add color and
festive splendor to the
work) rightly suggests
that the work was in all
likelihood performed with
the Church Sonata K. 336
at the Easter high mass
in the Salzburg
cathedral. Since
Archbishop Hieronymus
Count Colloredo wanted
the mass text to be
treated as succinctly as
possible, Mozart offered
him a richly orchestrated
Missa solemnis in the
terse form of a Missa
brevis.The brilliant,
festive character of the
Mass K. 337 is abruptly
interrupted by a powerful
Benedictus in a harsh A
minor, the most striking
and revolutionary
movement in all of
Mozart's Masses, in the
strictest contrapuntal
style ... (Alfred
Einstein). What could
have inspired Mozart to
such unexpected rigor?
But there is another
surprise yet: while the
dark drama of the Holy
Week seems to radiate
from this Benedictus, the
following Agnus Dei in
the distant key of E flat
major sounds, with its
soprano solo and
concertante oboe, bassoon
and organ, like a song of
thanksgiving filled with
the warmth and light of
Easter.Other features
worth noting are the
three unisons between the
alto and bass heard at
the Deus pater omnipotens
in the Gloria (bars
22-32), the a cappella
illumination of the words
Jesu Christe found a
little later (bar 62) and
the descending
chromaticism evocative of
death at the Crucifixus
in the Credo.
(Incidentally, Mozart had
initially planned a
different movement for
the Credo of this mass,
superscribed Tempo di
Chiaconna; he wrote out
136 bars but, for some
unknown reason, never
completed it.)While the
Coronation Mass K. 317 of
1779 is one of Mozart's
most well-known mass
settings, its later
composed frllow piece K.
337 - Mozart's last
completed mass before the
great C minor fragment K.
427 (417a) - has been
paid less attention, even
though it is an
outstanding example of
the Mozartian mass type
and contains parallels to
the Coronation Mass in
its disposition and in
the structure of its
various movements. The
score and piano reduction
of this new edition were
prepared on the basis of
the autograph
(Osterreichische
Nationalbibliothek/Vienna
, dass. no. Mus. Hs. 18
97512) and the Salzburg
performance material
(Staats- und
Stadtbibliothek/Augsburg,
dass. no. Hl. Kreuz 9).
We wish to thank both
libraries for putting the
source material at our
disposal.Franz Beyer,
Munich, Spring 1998. $18.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Missa solemnis in C K. 337 Breitkopf & Härtel
Basso (cello/double bass) (solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - tim...(+)
Basso (cello/double bass)
(solos: SATB - choir:
SATB - 0.2.0.2. -
0.2.3.0. - timp - org -
str(without va)) SKU:
BR.OB-5329-26
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Franz
Beyer. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Classical. Part.
Composed 1780. 8 pages.
Duration 20'. Breitkopf
and Haertel #OB 5329-26.
Published by Breitkopf
and Haertel
(BR.OB-5329-26). ISBN
9790004333556. 10 x 12.5
inches. According
to the date inscribed in
Wolfgang Amadeus Mozart's
autograph score, the
present mass was composed
in March 1780. The
instrumental setting
(oboes, trumpets and
timpani add color and
festive splendor to the
work) rightly suggests
that the work was in all
likelihood performed with
the Church Sonata K. 336
at the Easter high mass
in the Salzburg
cathedral. Since
Archbishop Hieronymus
Count Colloredo wanted
the mass text to be
treated as succinctly as
possible, Mozart offered
him a richly orchestrated
Missa solemnis in the
terse form of a Missa
brevis.The brilliant,
festive character of the
Mass K. 337 is abruptly
interrupted by a powerful
Benedictus in a harsh A
minor, the most striking
and revolutionary
movement in all of
Mozart's Masses, in the
strictest contrapuntal
style ... (Alfred
Einstein). What could
have inspired Mozart to
such unexpected rigor?
But there is another
surprise yet: while the
dark drama of the Holy
Week seems to radiate
from this Benedictus, the
following Agnus Dei in
the distant key of E flat
major sounds, with its
soprano solo and
concertante oboe, bassoon
and organ, like a song of
thanksgiving filled with
the warmth and light of
Easter.Other features
worth noting are the
three unisons between the
alto and bass heard at
the Deus pater omnipotens
in the Gloria (bars
22-32), the a cappella
illumination of the words
Jesu Christe found a
little later (bar 62) and
the descending
chromaticism evocative of
death at the Crucifixus
in the Credo.
(Incidentally, Mozart had
initially planned a
different movement for
the Credo of this mass,
superscribed Tempo di
Chiaconna; he wrote out
136 bars but, for some
unknown reason, never
completed it.)While the
Coronation Mass K. 317 of
1779 is one of Mozart's
most well-known mass
settings, its later
composed frllow piece K.
337 - Mozart's last
completed mass before the
great C minor fragment K.
427 (417a) - has been
paid less attention, even
though it is an
outstanding example of
the Mozartian mass type
and contains parallels to
the Coronation Mass in
its disposition and in
the structure of its
various movements. The
score and piano reduction
of this new edition were
prepared on the basis of
the autograph
(Osterreichische
Nationalbibliothek/Vienna
, dass. no. Mus. Hs. 18
97512) and the Salzburg
performance material
(Staats- und
Stadtbibliothek/Augsburg,
dass. no. Hl. Kreuz 9).
We wish to thank both
libraries for putting the
source material at our
disposal.Franz Beyer,
Munich, Spring 1998. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Missa solemnis in C K. 337 Breitkopf & Härtel
Woodwinds (solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(wi...(+)
Woodwinds (solos: SATB -
choir: SATB - 0.2.0.2. -
0.2.3.0. - timp - org -
str(without va)) SKU:
BR.OB-5329-30
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Franz
Beyer. Folder.
Orchester-Bibliothek
(Orchestral Library).
Mass; Classical. Set of
parts. Composed 1780. 56
pages. Duration 20'.
Breitkopf and Haertel #OB
5329-30. Published by
Breitkopf and Haertel
(BR.OB-5329-30). ISBN
9790004333563. 10 x 12.5
inches. According
to the date inscribed in
Wolfgang Amadeus Mozart's
autograph score, the
present mass was composed
in March 1780. The
instrumental setting
(oboes, trumpets and
timpani add color and
festive splendor to the
work) rightly suggests
that the work was in all
likelihood performed with
the Church Sonata K. 336
at the Easter high mass
in the Salzburg
cathedral. Since
Archbishop Hieronymus
Count Colloredo wanted
the mass text to be
treated as succinctly as
possible, Mozart offered
him a richly orchestrated
Missa solemnis in the
terse form of a Missa
brevis.The brilliant,
festive character of the
Mass K. 337 is abruptly
interrupted by a powerful
Benedictus in a harsh A
minor, the most striking
and revolutionary
movement in all of
Mozart's Masses, in the
strictest contrapuntal
style ... (Alfred
Einstein). What could
have inspired Mozart to
such unexpected rigor?
But there is another
surprise yet: while the
dark drama of the Holy
Week seems to radiate
from this Benedictus, the
following Agnus Dei in
the distant key of E flat
major sounds, with its
soprano solo and
concertante oboe, bassoon
and organ, like a song of
thanksgiving filled with
the warmth and light of
Easter.Other features
worth noting are the
three unisons between the
alto and bass heard at
the Deus pater omnipotens
in the Gloria (bars
22-32), the a cappella
illumination of the words
Jesu Christe found a
little later (bar 62) and
the descending
chromaticism evocative of
death at the Crucifixus
in the Credo.
(Incidentally, Mozart had
initially planned a
different movement for
the Credo of this mass,
superscribed Tempo di
Chiaconna; he wrote out
136 bars but, for some
unknown reason, never
completed it.)While the
Coronation Mass K. 317 of
1779 is one of Mozart's
most well-known mass
settings, its later
composed frllow piece K.
337 - Mozart's last
completed mass before the
great C minor fragment K.
427 (417a) - has been
paid less attention, even
though it is an
outstanding example of
the Mozartian mass type
and contains parallels to
the Coronation Mass in
its disposition and in
the structure of its
various movements. The
score and piano reduction
of this new edition were
prepared on the basis of
the autograph
(Osterreichische
Nationalbibliothek/Vienna
, dass. no. Mus. Hs. 18
97512) and the Salzburg
performance material
(Staats- und
Stadtbibliothek/Augsburg,
dass. no. Hl. Kreuz 9).
We wish to thank both
libraries for putting the
source material at our
disposal.Franz Beyer,
Munich, Spring 1998. $71.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Missa solemnis in C K. 337 Breitkopf & Härtel
(solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(without va))...(+)
(solos: SATB - choir:
SATB - 0.2.0.2. -
0.2.3.0. - timp - org -
str(without va)) SKU:
BR.CHB-5289-02
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Franz
Beyer. Stapled.
Chor-Bibliothek (Choral
Library). Mass;
Classical. Choral score.
Composed 1780. 44 pages.
Duration 20'. Breitkopf
and Haertel #ChB 5289-02.
Published by Breitkopf
and Haertel
(BR.CHB-5289-02). ISBN
9790004412046. 7.5 x 10.5
inches. According
to the date inscribed in
Wolfgang Amadeus Mozart's
autograph score, the
present mass was composed
in March 1780. The
instrumental setting
(oboes, trumpets and
timpani add color and
festive splendor to the
work) rightly suggests
that the work was in all
likelihood performed with
the Church Sonata K. 336
at the Easter high mass
in the Salzburg
cathedral. Since
Archbishop Hieronymus
Count Colloredo wanted
the mass text to be
treated as succinctly as
possible, Mozart offered
him a richly orchestrated
Missa solemnis in the
terse form of a Missa
brevis.The brilliant,
festive character of the
Mass K. 337 is abruptly
interrupted by a powerful
Benedictus in a harsh A
minor, the most striking
and revolutionary
movement in all of
Mozart's Masses, in the
strictest contrapuntal
style ... (Alfred
Einstein). What could
have inspired Mozart to
such unexpected rigor?
But there is another
surprise yet: while the
dark drama of the Holy
Week seems to radiate
from this Benedictus, the
following Agnus Dei in
the distant key of E flat
major sounds, with its
soprano solo and
concertante oboe, bassoon
and organ, like a song of
thanksgiving filled with
the warmth and light of
Easter.Other features
worth noting are the
three unisons between the
alto and bass heard at
the Deus pater omnipotens
in the Gloria (bars
22-32), the a cappella
illumination of the words
Jesu Christe found a
little later (bar 62) and
the descending
chromaticism evocative of
death at the Crucifixus
in the Credo.
(Incidentally, Mozart had
initially planned a
different movement for
the Credo of this mass,
superscribed Tempo di
Chiaconna; he wrote out
136 bars but, for some
unknown reason, never
completed it.)While the
Coronation Mass K. 317 of
1779 is one of Mozart's
most well-known mass
settings, its later
composed frllow piece K.
337 - Mozart's last
completed mass before the
great C minor fragment K.
427 (417a) - has been
paid less attention, even
though it is an
outstanding example of
the Mozartian mass type
and contains parallels to
the Coronation Mass in
its disposition and in
the structure of its
various movements. The
score and piano reduction
of this new edition were
prepared on the basis of
the autograph
(Osterreichische
Nationalbibliothek/Vienna
, dass. no. Mus. Hs. 18
97512) and the Salzburg
performance material
(Staats- und
Stadtbibliothek/Augsburg,
dass. no. Hl. Kreuz 9).
We wish to thank both
libraries for putting the
source material at our
disposal.Franz Beyer,
Munich, Spring 1998. $8.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Missa solemnis in C K. 337 [Conducteur] Breitkopf & Härtel
Chorus (with soloists) and orchestra (solos: SATB - choir: SATB - 0.2.0.2. - 0.2...(+)
Chorus (with soloists)
and orchestra (solos:
SATB - choir: SATB -
0.2.0.2. - 0.2.3.0. -
timp - org - str(without
va)) SKU:
BR.PB-5329
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Franz
Beyer. Choir; Softbound.
Partitur-Bibliothek
(Score Library). Mass;
Classical. Full score.
Composed 1780. 68 pages.
Duration 20'. Breitkopf
and Haertel #PB 5329.
Published by Breitkopf
and Haertel (BR.PB-5329).
ISBN 9790004210420. 10
x 12.5
inches. According
to the date inscribed in
Wolfgang Amadeus Mozart's
autograph score, the
present mass was composed
in March 1780. The
instrumental setting
(oboes, trumpets and
timpani add color and
festive splendor to the
work) rightly suggests
that the work was in all
likelihood performed with
the Church Sonata K. 336
at the Easter high mass
in the Salzburg
cathedral. Since
Archbishop Hieronymus
Count Colloredo wanted
the mass text to be
treated as succinctly as
possible, Mozart offered
him a richly orchestrated
Missa solemnis in the
terse form of a Missa
brevis.The brilliant,
festive character of the
Mass K. 337 is abruptly
interrupted by a powerful
Benedictus in a harsh A
minor, the most striking
and revolutionary
movement in all of
Mozart's Masses, in the
strictest contrapuntal
style ... (Alfred
Einstein). What could
have inspired Mozart to
such unexpected rigor?
But there is another
surprise yet: while the
dark drama of the Holy
Week seems to radiate
from this Benedictus, the
following Agnus Dei in
the distant key of E flat
major sounds, with its
soprano solo and
concertante oboe, bassoon
and organ, like a song of
thanksgiving filled with
the warmth and light of
Easter.Other features
worth noting are the
three unisons between the
alto and bass heard at
the Deus pater omnipotens
in the Gloria (bars
22-32), the a cappella
illumination of the words
Jesu Christe found a
little later (bar 62) and
the descending
chromaticism evocative of
death at the Crucifixus
in the Credo.
(Incidentally, Mozart had
initially planned a
different movement for
the Credo of this mass,
superscribed Tempo di
Chiaconna; he wrote out
136 bars but, for some
unknown reason, never
completed it.)While the
Coronation Mass K. 317 of
1779 is one of Mozart's
most well-known mass
settings, its later
composed frllow piece K.
337 - Mozart's last
completed mass before the
great C minor fragment K.
427 (417a) - has been
paid less attention, even
though it is an
outstanding example of
the Mozartian mass type
and contains parallels to
the Coronation Mass in
its disposition and in
the structure of its
various movements. The
score and piano reduction
of this new edition were
prepared on the basis of
the autograph
(Osterreichische
Nationalbibliothek/Vienna
, dass. no. Mus. Hs. 18
97512) and the Salzburg
performance material
(Staats- und
Stadtbibliothek/Augsburg,
dass. no. Hl. Kreuz 9).
We wish to thank both
libraries for putting the
source material at our
disposal.Franz Beyer,
Munich, Spring 1998. $51.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Missa solemnis in C K. 337 Breitkopf & Härtel
Violin 1 (solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(wit...(+)
Violin 1 (solos: SATB -
choir: SATB - 0.2.0.2. -
0.2.3.0. - timp - org -
str(without va)) SKU:
BR.OB-5329-15
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Franz
Beyer. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Classical. Part.
Composed 1780. 12 pages.
Duration 20'. Breitkopf
and Haertel #OB 5329-15.
Published by Breitkopf
and Haertel
(BR.OB-5329-15). ISBN
9790004333532. 10 x 12.5
inches. According
to the date inscribed in
Wolfgang Amadeus Mozart's
autograph score, the
present mass was composed
in March 1780. The
instrumental setting
(oboes, trumpets and
timpani add color and
festive splendor to the
work) rightly suggests
that the work was in all
likelihood performed with
the Church Sonata K. 336
at the Easter high mass
in the Salzburg
cathedral. Since
Archbishop Hieronymus
Count Colloredo wanted
the mass text to be
treated as succinctly as
possible, Mozart offered
him a richly orchestrated
Missa solemnis in the
terse form of a Missa
brevis.The brilliant,
festive character of the
Mass K. 337 is abruptly
interrupted by a powerful
Benedictus in a harsh A
minor, the most striking
and revolutionary
movement in all of
Mozart's Masses, in the
strictest contrapuntal
style ... (Alfred
Einstein). What could
have inspired Mozart to
such unexpected rigor?
But there is another
surprise yet: while the
dark drama of the Holy
Week seems to radiate
from this Benedictus, the
following Agnus Dei in
the distant key of E flat
major sounds, with its
soprano solo and
concertante oboe, bassoon
and organ, like a song of
thanksgiving filled with
the warmth and light of
Easter.Other features
worth noting are the
three unisons between the
alto and bass heard at
the Deus pater omnipotens
in the Gloria (bars
22-32), the a cappella
illumination of the words
Jesu Christe found a
little later (bar 62) and
the descending
chromaticism evocative of
death at the Crucifixus
in the Credo.
(Incidentally, Mozart had
initially planned a
different movement for
the Credo of this mass,
superscribed Tempo di
Chiaconna; he wrote out
136 bars but, for some
unknown reason, never
completed it.)While the
Coronation Mass K. 317 of
1779 is one of Mozart's
most well-known mass
settings, its later
composed frllow piece K.
337 - Mozart's last
completed mass before the
great C minor fragment K.
427 (417a) - has been
paid less attention, even
though it is an
outstanding example of
the Mozartian mass type
and contains parallels to
the Coronation Mass in
its disposition and in
the structure of its
various movements. The
score and piano reduction
of this new edition were
prepared on the basis of
the autograph
(Osterreichische
Nationalbibliothek/Vienna
, dass. no. Mus. Hs. 18
97512) and the Salzburg
performance material
(Staats- und
Stadtbibliothek/Augsburg,
dass. no. Hl. Kreuz 9).
We wish to thank both
libraries for putting the
source material at our
disposal.Franz Beyer,
Munich, Spring 1998. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| String Festival Solos, Volume II Violoncelle [Partition] - Facile Alfred Publishing
Sel., transcr., and ed. Samuel Applebaum. For Cello Solo. String Series. Level: ...(+)
Sel., transcr., and ed.
Samuel Applebaum. For
Cello Solo. String
Series. Level:
Easy-Intermediate (grade
2-3). Book. 24 pages.
Published by Alfred
Publishing.
(1)$6.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| More String Tunes [Partition + CD] Carl Fischer
For the Developing Ensemble (Violin). By Doris Gazda; Ludwig Van Beethoven; Samu...(+)
For the Developing
Ensemble (Violin). By
Doris Gazda; Ludwig Van
Beethoven; Samuel A.
Ward; Thomas Casey.
Arranged by Doris Gazda.
For Violin I, Violin II.
Student Book. 31 pages.
Published by Carl
Fischer.
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Samtliche Orgelwerke, Band III Orgue Barenreiter
Composed by Gerard Bunk. Edited by Jan Boecker; Wolfgang Stockmeier. For organ, ...(+)
Composed by Gerard Bunk.
Edited by Jan Boecker;
Wolfgang Stockmeier. For
organ, (violin). This
edition: Urtext edition.
Paperback. Gerard Bunk.
Samtliche Orgelwerke 3.
Performance score,
Part(s), Anthology. 110/2
pages. Published by
Baerenreiter Verlag
$67.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Trio Sonata BWV 525 EMB (Editio Musica Budapest)
Transcribed for Piano Duet (3 Hands) Piano Three Hands (Piano For 2 Players) ...(+)
Transcribed for Piano
Duet (3 Hands) Piano
Three Hands (Piano For 2
Players) SKU:
HL.50605346 First
Movement –
Transcribed for Piano
Duet (Three Hands).
Composed by Johann
Sebastian Bach. Arranged
by Gyorgy Kurtag. EMB.
Classical. Softcover. 8
pages. Editio Musica
Budapest #Z15203.
Published by Editio
Musica Budapest
(HL.50605346). ISBN
9781705180242. UPC:
196288106142. This
edition continues the
series of György
Kurtág's Bach
transcriptions for piano
duet which were published
in 'Transcriptions
fromMachaut to J. S.
Bach' and 'Seven Bach
Chorales.' These pieces
were originally written
for the Kurtágs,
György and his wife
Márta, for their own
use, and they were often
played, together with the
'Játékok' [Games]
pieces, at the couple's
piano duet concerts. This
transcription is
dedicated to VÃkingur
Ólafsson. $14.95 - Voir plus => Acheter | | |
| Saxophone Repertoire 8 Saxophone The Frederick Harris Music Company
Saxophone - Early Advanced SKU: FH.WS8 Saxophone Series, 2013 Edition<...(+)
Saxophone - Early
Advanced SKU:
FH.WS8 Saxophone
Series, 2013 Edition.
Composed by The Royal
Conservatory. Saxophone
Series, 2013 Edition.
Book/CD. 88/36 pages. The
Frederick Harris Music
Company #WS8. Published
by The Frederick Harris
Music Company (FH.WS8).
ISBN
978-1-55440-557-2.
Unparalleled in scope,
this groundbreaking
series for E_Alto and
B_Tenor offers a single
collection of Repertoire
and supporting materials
written or arranged
specifically for
saxophone. With
Repertoire spanning from
the Baroque to
contemporary eras,
Recordings, Etudes,
Technique, and Orchestral
Excerpts, this
comprehensive series
serves as a balanced and
organized pedagogical
resource from the
beginner to advanced
levels of study. Nine
progressive volumes of
Repertoire expose
students to original
works and arrangements of
diverse styles from W.A.
Mozart to Violet Archer,
with selected works by
notable jazz artist Paul
Desmon (Take Five), and
living composer Phil
Woods. Each level
provides opportunities to
explore Baroque,
Classical, Romantic, and
contemporary works, with
original, unaccompanied
selections from Levels 5
through 8 that use
extended techniques such
as multiphonics, key
clicks, and bisbigliando.
Earlier works pre-dating
the origin of the
saxophone have been
carefully arranged with
consideration of the
unique quality of the
instrument. Exposure to
these works help to
develop musicianship and
an understanding of
tonality, creating
well-rounded and
versatile performers.
Selections written for
both E_Alto and B_Tenor
include piano
accompaniments that
function with both
instruments. Eb
Saxophone:
Mainly
Transcriptions: Sonata
, BWV 1035 - Johann
Sebastian Bach, arr.
Kathleen Wood - First
Movement - Third
Movement: Siciliano -
Fourth
Movement Sonata, TWV
41:F2 - Georg Philipp
Telemann, arr. Christine
Donkin - First
Movement - Second
Movement - Third
Movement Mainly
Original Repertoire for
Saxophone: Sonata -
Anton Bilotti - First
Movement Sonata - Alec
Wilder - First
Movement - Third
Movement Allegro -
Vaclav Nelhybel
Bb
Saxophone:
Mainly
Transcriptions: Sonata
- Johann Friedrich Fasch,
arr. Jason Noble -
First Movement - Third
Movement Sonata Prima
- Francesco Maria
Veracini, arr. Harold
Birston - First
Movement - Third
Movement - Fourth
Movement Mainly
Original Repertoire for
Saxophone: Sonata -
James di Pasquale -
Second Movement -
Third Movement Three
Songs Without Words -
Paul Ben-Haim - 1.
Arioso - 3. Sephardic
Melody
Eb
Saxophone or Bb
Saxophone:
Unaccom
panied
Repertoire: Introducti
on, Dance, and Furioso -
Herbert Couf -
[Complete] Improvisati
on (Romani) - Ronald L.
Caravan Improvisations
on Lines Where Beauty
Lingers - M. William
Karlins. $49.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Symphonie 2 Le Double Orchestre Heugel
Orchestra SKU: BT.ALHE31721 Composed by Henri Dutilleux. Classical. Study...(+)
Orchestra SKU:
BT.ALHE31721 Composed
by Henri Dutilleux.
Classical. Study Score.
96 pages. Heugel & Cie
#ALHE31721. Published by
Heugel & Cie
(BT.ALHE31721).
French. 2ème
Symphonie,
“Le Double”
is a symphonic piece for
Orchestra and chamber
orchestra composed by
Henri Dutilleux.
It was commissioned for
the 75th birthday of the
BostonSymphony Orchestra
in 1959.
The
piece features three
movements, which consists
in dialogues between the
Orchestra and the Chamber
Orchestra: I.
Animato, ma misterioso
II. Andantino
sostenuto
III.Allegro fuocoso
— Calmato
This is the
conductor's score which
also includes all parts.
Henri
Dutilleux was
internationally acclaimed
for his work winning
prizes such as the Gold
Medalofthe Royal
Philharmonic Society and
the UNESCO's
International Rostrum of
Composers, amongst many
others. His work also
includes a Piano sonata,
two symphonies, the Cello
concerto 'Tout un monde
lointain' (A whole
distant world),the Violin
concerto 'L'arbre des
songes' (The tree of
dreams) and the string
quartet 'Ainsi la nuit'
(Thus the night). $110.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sonata for Piano, Four-Hands Lauren Keiser Music Publishing
SKU: HL.369858 Composed by Stephen Hartke. LKM Music. Softcover. 44 pages...(+)
SKU: HL.369858
Composed by Stephen
Hartke. LKM Music.
Softcover. 44 pages.
Lauren Keiser Music
Publishing #X411007.
Published by Lauren
Keiser Music Publishing
(HL.369858). ISBN
9781705144794. UPC:
840126992717.
9.0x12.0x0.194
inches. This
three-movement work was
written for the piano
duet team of Anna
Polonsky and Orion Weiss.
The work has a rather
“symphonic” character
with contrasting
sonorities spanning the
entire range of the
instrument. Movement
titles: 1. Intrada: Un
poco inquieto, 2. Buck
and Wing: Allegro vivace,
3. Pastorale: Molto
semplice. Duration ca.
14'. $16.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| XII Sonatas in three parts. Opera secunda Anne Fuzeau Productions
(London, Walsh, Ca 1725). By Jean-Baptiste Loeillet (1680-1730). Edited by Frede...(+)
(London, Walsh, Ca 1725).
By Jean-Baptiste Loeillet
(1680-1730). Edited by
Frederique Thouvenot,
Suzi Mohlmeier. Sonates
en trio - Divers instr.
ad libitum dont la flute
traversiere - 2 violons
et basse continue - 1 ou
2 violons et divers
instruments. For Flute,
Recorder, Oboe, Violin.
Facsimiles. Collection
Dominantes. Grade 0. 102
pages
$46.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Purcell, H 12 Sonatas Of Three Parts 1-3 Vln 2 Music Sales
SKU: HL.14026460 Music Sales America. 10 pages. Music Sales #NOV12044402....(+)
SKU: HL.14026460
Music Sales America. 10
pages. Music Sales
#NOV12044402. Published
by Music Sales
(HL.14026460).
8.25x11.75x0.06
inches. $9.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Classical Guitar Solos - Favorite Sonatinas Guitare - Intermédiaire Mel Bay
Guitar - Intermediate SKU: MB.30989 Saddle-stitched, Solos. Sonatinas. Bo...(+)
Guitar - Intermediate
SKU: MB.30989
Saddle-stitched, Solos.
Sonatinas. Book. 152
pages. Mel Bay
Publications, Inc #30989.
Published by Mel Bay
Publications, Inc
(MB.30989). ISBN
9781513466705. 8.75x11.75
inches. In this
book, guitarist and music
historian David Grimes
presents 20 â??small
sonatasâ? or
sonatinas, complete
with detailed performance
notes and bio sketches of
each of the contributing
composers: Leonhard von
Call, Matteo Carcassi,
Ferdinando Carulli, Mauro
Giuliani, Francesco
Molino, and Antonio
Nava. While flexible,
the early 19th-century
sonatina form usually
consists of 2 - 4
contrasting movements,
here in guitar-friendly
keys, making these pieces
ideal for performance by
intermediate-level
students.Â
In
all but the most
challenging passages,
Grimes has intentionally
kept fingering to a
minimum to allow students
to form their own concept
of this critical skill.
Then, as many bass notes
in these pieces are
played on open strings,
the player must develop a
sense of when to
selectively damp
dissonant tones or
observe a restâ??
exposing and overcoming
yet another shortcoming
in the education of many
guitarists.  Most classic guitar
teachers are familiar
with the easy didactic
studies by Carcassi,
Carulli and Giuliani;
Favorite
Sonatinas offers
more highly developed,
but not yet virtuoso
pieces by the same
Italian triumvirateâ??
plus three more composers
in a similar veinâ??
promoting confident,
enjoyable sight-reading
by guitarists of all
levels. . $22.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
1 ... 91 Page suivante 121 151 |