| The Orchestra Musician's CD-ROM Library, Volume 8 Harp/Keyboard/Other CD Sheet Music
SKU: SU.00220208 Composed by Igor Stravinsky. Harp, Keyboard, Piano/Harps...(+)
SKU: SU.00220208
Composed by Igor
Stravinsky. Harp,
Keyboard,
Piano/Harpsichord. CD
(PDF Scores). CD Sheet
Music #00220208.
Published by CD Sheet
Music (SU.00220208).
AVAILABLE FOR
SALE TO U.S. CUSTOMERS
ONLY The complete
Harp, Keyboard (Piano,
Organ, etc.) and
auxiliary parts
[CD-ROM] for the 48
orchestral works included
in The Orchestra
Musician's CD-ROM
Libraryâ„¢, Volume 8:
Stravinsky, Bartók and
more. If these parts were
purchased separately,
this collection could
cost several hundred
dollars. Parts are easily
viewable and printable on
either PC or Mac using
embedded Adobe® Reader
technology. Contents:
BARTÓK Rhapsody for
Piano and Orchestra,
Suite No. 1, Suite No. 2,
2 Portraits, 2 Images, 4
Pieces, Romanian Folk
Dances; CARPENTER
Adventures in a
Perambulator (Fantastic
Suite); DOHNÃNYI
Variations on a Nursery
Song; ENESCO Romanian
Rhapsody No. 1, Romanian
Rhapsody No. 2; FALLA
Nights in the Gardens of
Spain, La Vida Breve
Dance, The Three-Cornered
Hat Dances; GLAZUNOV
Violin Concerto;
JANÃCEK Lachian Dances
1-6; MILHAUDSuite No. 2
Symphonique, Saudades do
Brasil; PROKOFIEV Piano
Concerto No. 1, Piano
Concerto No. 3, Violin
Concerto No. 1, Symphony
No. 1 (Classical);
RACHMANINOFF Symphony No.
1, Symphony No. 2, Isle
of the Dead, Piano
Concerto No. 1, Piano
Concerto No. 2, Piano
Concerto No. 3; RESPIGHI
Ancient Airs and Dances
Suite No. 1, Fountains of
Rome, Concerto
Gregoriano; STRAVINSKY
Petrushka Suite, The Rite
of Spring (1911 version),
Chant du Rossignol
(original version),
Pulcinella Suite, Suite
No. 1 for Small
Orchestra, Fireworks,
L'Histoire du Soldat,
Scherzo Fantastique, Four
Studies for Orchestra,
Symphony No. 1; VAUGHAN
WILLIAMS Symphony No. 1
(Sea), Symphony No. 2
(London), Symphony No. 3
(Pastoral), Wasps
Overture (Suite),
Fantasia on a Theme of
Thomas Tallis, Fantasia
on Christmas Carols, Five
Mystical Songs Visit for
more
information Ple
ase note, customers using
Macintosh computers
running macOS Catalina
(version 10.5) have
reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Classic Piano Course, Book 1: Starting to Play Piano seul [Partition] - Débutant Music Sales
By Carol Barratt. For Piano. Folk, Blues, Classical. 64 pages. Published by Musi...(+)
By Carol Barratt. For
Piano. Folk, Blues,
Classical. 64 pages.
Published by Music Sales
$10.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Method for Descant Recorder Flûte à Bec Ut Orpheus
Recorder SKU: UT.DM-79 Composed by Ludovica Scoppola. Paperback (Soft Cov...(+)
Recorder SKU:
UT.DM-79 Composed by
Ludovica Scoppola.
Paperback (Soft Cover).
Classical. Ut Orpheus #DM
79. Published by Ut
Orpheus (UT.DM-79).
ISBN 9790215324565. 9
x 12 inches. This
method of instrumental
practice is aimed at all
those who, at any age,
wish to learn to play the
treble recorder, through
the reading of music.
During the course, step
by step, the various
chapters introduce the
fingering for the
recorder, together with
the understanding of the
musical symbols. The
goal, at the end of the
study course, is to be in
a position to perform all
the notes on the
instrument and to be able
to read music at a basic
level, which is the first
step in dealing with the
specific technical
studies and the music
written for the
instrument. Each
chapter, through
progressive exercises,
introduces a new note and
new topics of music
theory, in order to
achieve a gradual mastery
of the fingering of the
instrument. The
progression suggested for
learning the fingering
begins with the use of
the five fingers of the
left hand, then to
proceed to the use of the
right hand. Each topic is
then examined closely by
studying pieces from the
traditional, Renaissance,
Baroque and Classical
repertoires. The scales
are also introduced
gradually, aiming to help
the student master the
fingering of the scales
up to three sharps and
three flats and relative
minor scales. The
progressive difficulty
found in the course of
the method is measured
according to the
experience gained from
teaching students of
different ages, and can
be varied and adapted to
the needs of each
student. The workbook at
the start of each chapter
can be condensed,
expanded or developed in
relation to different
learning abilities. $32.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Position 1 Violin Book/cd Fingerings, Scales and Triads Violon [Partition + CD] - Facile De Haske Publications
Violin - easy SKU: HL.44011234 Fingerings, scales and triads. Comp...(+)
Violin - easy SKU:
HL.44011234
Fingerings, scales and
triads. Composed by
Nico Dezaire. De Haske
Play-Along Book.
Softcover with CD.
Composed 2012. De Haske
Publications #1125312.
Published by De Haske
Publications
(HL.44011234). UPC:
888680062958.
8.75x12.0x0.325 inches.
English(UK)/Deutsch/Franc
ais/Nederlands.
Position 1 covers the
four fingerings of the
first position. The
connection between these
fingerings and the
different keys - up to
three sharps or flats -
is also dealt with. The
book features 38
exercises for the various
fingerings, sevenscale
and triad exercises, and
68 attractive performance
pieces in a range of
musical styles. The
performance pieces can be
played with CD
accompaniment (demo and
play-along tracks are
featured on CDs 1 and 2)
or with piano
accompaniment. The
pianoaccompaniments can
be found on CD 2 in PDF
form.
In
Position 1 worden
alle vingerstellingen
binnen de 1e positie
geleerd aan de hand van
grepenschema's,
oefeningen en
speelstukken. Verder
wordt het verband gelegd
tussen de verschillende
vingerstellingen in
toonladders endrieklanken
in de 1e positie over 2
oktaven. De 68
speelstukken kunnen met
cd-begeleiding worden
gespeeld, of met
live-pianobegeleidingen.
Deze worden als pdf
geleverd op de 2
bijbehorende cd's. De
vertrouwde afwisseling
van nieuwestukken,
arrangementen van
klassieke thema's en
volksliedjes ontbreekt
uiteraard niet!
In
Position 1 geht es
um die vier Griffarten
der ersten Lage. Diese
Griffarten werden auch
mit den verschiedenen
Tonarten - mit bis zu
drei Kreuzen oder Bs -
verknupft. Das Buch
umfasst 38 Ubungen fur
die verschiedenen
Griffe,sieben Tonleiter-
und Dreiklangsubungen
sowie 68 reizvolle
Vortragstucke in einer
ganzen Palette an
Musikstilen. Die
Vortragstucke konnen zu
den Begleitungen auf den
beiden CDs (die Demo- und
Mitspielversionen
enthalten), aber auch mit
einemPianisten gespielt
werden. Die
Klavierstimmen sind im
PDF-Format zum Ausdrucken
auf der CD
enthalten.
Posi
tion 1 couvre les
quatre doigtes de la
premiere position et
examine le rapport entre
ces doigtes et les
differentes tonalites -
jusqua trois dieses ou
bemols. Cet ouvrage
contient 38 exercices
pour les divers doigtes,
7exercices de gammes et
de triades, et 68
morceaux de concert dans
une diversite de styles.
Ces morceaux peuvent etre
executes avec
l'accompagnement du CD,
mais aussi accompagnes au
piano. Des versions
integrales et de
demonstration figurent
surles CD 1 et 2, ce
dernier comprenant aussi
les partitions du piano
sous forme de fichiers
PDF.
Position
1 affronta le quattro
diteggiature della prima
posizione. La
pubblicazione contiene 38
esercizi per le varie
posizioni, sette scale e
terze, come anche 68
accattivanti brani in
vari stili musicali da
suonare in pubblico.
Questipossono essere
eseguiti sia con lausilio
dei 2 CD inclusi (traccia
demo e traccia
play-along), sia con
l'accompagnamento di un
pianista. Le parti del
piano, contenute sul
secondo CD, sono
scaricabili in formato
PDF. $25.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Violin Position 1 Violon [Partition + CD] - Facile De Haske Publications
Violin - easy SKU: BT.DHP-1125312-400 Fingerings, scales and triads(+)
Violin - easy SKU:
BT.DHP-1125312-400
Fingerings, scales and
triads. Composed by
Nico Dezaire. Book with
CD. Composed 2012. 92
pages. De Haske
Publications #DHP
1125312-400. Published by
De Haske Publications
(BT.DHP-1125312-400).
9x12 inches.
English-German-French-Dut
ch. Position
1 covers the four
fingerings of the first
position. The connection
between these fingerings
and the different keys -
up to three sharps or
flats - is also dealt
with. The book features
38 exercises for the
various fingerings,
sevenscale and triad
exercises, and 68
attractive performance
pieces in a range of
musical styles. The
performance pieces can be
played with CD
accompaniment (demo and
play-along tracks are
featured on CDs 1 and 2)
or with piano
accompaniment. The
pianoaccompaniments can
be found on CD 2 in PDF
form.
In
Position 1 worden
alle vingerstellingen
binnen de 1e positie
geleerd aan de hand van
grepenschemaâ??s,
oefeningen en
speelstukken. Verder
wordt het verband gelegd
tussen de verschillende
vingerstellingen in
toonladders endrieklanken
in de 1e positie over 2
oktaven. De 68
speelstukken kunnen met
cd-begeleiding worden
gespeeld, of met
live-pianobegeleidingen.
Deze worden als pdf
geleverd op de 2
bijbehorende cdâ??s. De
vertrouwde afwisseling
van nieuwestukken,
arrangementen van
klassieke themaâ??s en
volksliedjes ontbreekt
uiteraard niet!
In
Position 1 geht es
um die vier Griffarten
der ersten Lage. Diese
Griffarten werden auch
mit den verschiedenen
Tonarten - mit bis zu
drei Kreuzen oder Bs -
verknüpft. Das Buch
umfasst 38 Ã?bungen
für die verschiedenen
Griffe,sieben Tonleiter-
und Dreiklangsübungen
sowie 68 reizvolle
Vortragstücke in einer
ganzen Palette an
Musikstilen. Die
Vortragstücke
können zu den
Begleitungen auf den
beiden CDs (die Demo- und
Mitspielversionen
enthalten), aber auch mit
einemPianisten gespielt
werden. Die
Klavierstimmen sind im
PDF-Format zum Ausdrucken
auf der CD
enthalten.
Posi
tion 1 couvre les
quatre doigtés de la
premiére position et
examine le rapport entre
ces doigtés et les
différentes
tonalités - jusqu
trois diéses ou
bémols. Cet ouvrage
contient 38 exercices
pour les divers
doigtés, 7exercices de
gammes et de triades, et
68 morceaux de concert
dans une diversité de
styles. Ces morceaux
peuvent être
exécutés avec
l´accompagnement du
CD, mais aussi
accompagnés au piano.
Des versions
intégrales et de
démonstration figurent
surles CD 1 et 2, ce
dernier comprenant aussi
les partitions du piano
sous forme de fichiers
PDF.
Position
1 affronta le quattro
diteggiature della prima
posizione. La
pubblicazione contiene 38
esercizi per le varie
posizioni, sette scale e
terze, come anche 68
accattivanti brani in
vari stili musicali da
suonare in pubblico.
Questipossono essere
eseguiti sia con lausilio
dei 2 CD inclusi (traccia
demo e traccia
play-along), sia con
l´accompagnamento di
un pianista. Le parti del
piano, contenute sul
secondo CD, sono
scaricabili in formato
PDF. $29.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Viola Position 1 Alto seul [Partition + CD] - Facile De Haske Publications
Viola - easy SKU: BT.DHP-1145555-400 Fingerings, scales and triads...(+)
Viola - easy SKU:
BT.DHP-1145555-400
Fingerings, scales and
triads. Composed by
Nico Dezaire. Tuition.
Book with CD. Composed
2014. 92 pages. De Haske
Publications #DHP
1145555-400. Published by
De Haske Publications
(BT.DHP-1145555-400).
ISBN 9789043135979.
English-German-French-Dut
ch. Position
1 covers the four
fingerings of the first
position. The connection
between these fingerings
and the different keys -
up to three sharps or
flats - is also dealt
with. The book features
38 exercises for the
various fingerings,
sevenscale and triad
exercises, and 68
attractive performance
pieces in a range of
musical styles. The
performance pieces can be
played with CD
accompaniment (demo and
play-along tracks are
featured on CDs 1 and 2)
or with piano
accompaniment. The
pianoaccompaniments can
be found on CD 2 in PDF
form.
In
Position 1 worden
alle vingerstellingen
binnen de 1e positie
geleerd aan de hand van
grepenschema?s,
oefeningen en
speelstukken. Verder
wordt het verband gelegd
tussen de verschillende
vingerstellingen in
toonladders en
drieklanken inde 1e
positie over 2 oktaven.
De 68 speelstukken kunnen
met cd-begeleiding worden
gespeeld, of met
live-pianobegeleidingen.
Deze worden als pdf
geleverd op de 2
bijbehorende cd?s. De
vertrouwde afwisseling
van nieuwe stukken,
arrangementen
vanklassieke thema?s en
volksliedjes ontbreekt
uiteraard niet! Lees hier
de boekbespreking uit
Arco.
In
Position 1 geht es
um die vier Griffarten
der ersten Lage. Diese
Griffarten werden auch
mit den verschiedenen
Tonarten - mit bis zu
drei Kreuzen oder Bs -
verknüpft. Das Buch
umfasst 38 Ã?bungen
für die verschiedenen
Griffarten,
siebenTonleiter- und
Dreiklangsübungen
sowie 68 reizvolle
Vortragsstücke in
einer ganzen Palette an
Musikstilen. Die
Vortragsstücke
können zu den
Begleitungen auf den
beiden CDs (die Demo- und
Mitspielversionen
enthalten), aber auch mit
einem Pianistengespielt
werden. Die
Klavierstimmen sind im
PDF-Format zum Ausdrucken
auf der CD 2
enthalten.
Posi
tion 1 couvre les
quatre doigtés de la
première position et
examine le rapport entre
ces doigtés et les
différentes
tonalités - jusquà
trois dièses ou
bémols. Cet ouvrage
contient 38 exercices
pour les divers
doigtés, 7exercices de
gammes et de triades, et
68 morceaux de concert
dans une diversité de
styles. Ces morceaux
peuvent être
exécutés avec
l´accompagnement du
CD, mais aussi
accompagnés au piano.
Des versions
intégrales et de
démonstration figurent
surles CD 1 et 2, ce
dernier comprenant aussi
les partitions du piano
sous forme de fichiers
PDF.
Position
1 affronta le quattro
diteggiature della prima
posizione. La
pubblicazione contiene 38
esercizi per le varie
posizioni, sette scale e
terze, come anche 68
accattivanti brani in
vari stili musicali da
suonare in pubblico.
Questipossono essere
eseguiti sia con lausilio
dei 2 CD inclusi (traccia
demo e traccia
play-along), sia con
l´accompagnamento di
un pianista. Le parti del
piano, contenute sul
secondo CD, sono
scaricabili in formato
PDF. $29.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Oboe Sight-Reading 1 (Oboe) Hautbois Schott
Edited by Catherine Ramsden, John Kember, and Susan Purton. Oboe. Misc. 80 pages...(+)
Edited by Catherine
Ramsden, John Kember, and
Susan Purton. Oboe. Misc.
80 pages. Schott Music
#ED12953. Published by
Schott Music
$18.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Cello Sight-Reading Volume 1 Violoncelle Schott
By John Kember, Juliet Dammers. Arranged by John Kember, Juliet Dammers. Misc. 8...(+)
By John Kember, Juliet
Dammers. Arranged by John
Kember, Juliet Dammers.
Misc. 84 pages. Published
by Schott.
$18.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Geistliche Gesange I fur Solostimme bzw. Frauenchor mit Begleitung (GA, Bd. 6) [Conducteur] Carus Verlag
SKU: CA.5020600 Composed by Josef Gabriel Rheinberger. Edited by Berthold...(+)
SKU: CA.5020600
Composed by Josef Gabriel
Rheinberger. Edited by
Berthold Over. This
edition: Complete
edition, linen cover.
Josef Gabriel Rheinberger
- Complete Works. German
title: Geistliche Gesange
I Solo + Gl.Stim. Sacred
vocal music. Full score
(complete edition /
selected edition). Carus
Verlag #CV 50.206/00.
Published by Carus Verlag
(CA.5020600). ISBN
9790007090234. Of
the works presented in
volume 6, the Four
elegiac Songs op. 128 for
solo voice and organ,
with their arialike
characteristics, are
musically among the most
demanding compositions.
The Marian Hymns op. 171
display a variety of
scorings for small
ensembles, a trait which
characterizes all the
songs in this volume:
This opus contains pieces
for one, two or three
voices. In addition, No.
1 (Ave Maria) appears in
versions for either low-
or high-registered voice.
The appendix of this
volume includes alternate
versions for a few works
in this volume, some of
which are first editions,
including Quam dilecta,
which is a Latin version,
with harp and organ, of
the hymn Wie lieblich
sind deine Wohnungen op.
35. $256.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Piano Treasury of Classical Music Piano seul [Partition + CD] - Intermédiaire Music Sales
Edited by Amy Appleby. Collection and examples CD for solo piano. Over 125 great...(+)
Edited by Amy Appleby.
Collection and examples
CD for solo piano. Over
125 great masterpieces
from the Baroque,
Classical, Romantic, and
Modern eras. Series:
Piano Treasury Series.
399 pages. Published by
Music Sales.
(1)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Three-part Folksongs for Recorders, Voice and Harmonic Instrument Ut Orpheus
Methods and Music for Children; Recorder SKU: UT.DM-1 Composed by Andrea ...(+)
Methods and Music for
Children; Recorder
SKU: UT.DM-1
Composed by Andrea
Bornstein. Saddle
stitching. Classical. Ut
Orpheus #DM 1. Published
by Ut Orpheus (UT.DM-1).
ISBN 9790215300767. 9
x 12
inches. Valzer;
O Tannebaum (Canzone
natalizia - Germania);
Schlaf Kindchen, also
wohl (Ninna nanna -
Germania); Scaramella
(Italia); Ah, vous
dirai-je maman (Francia);
Die Nachtigall
(Germania); Su, al
combattimento (Galles);
Au clair de la lune
(Ninna nanna - Francia);
Love will find a way
(Inghilterra); Melodia
francese; We shall
overcome (USA); Melodia
svedese; The first Nowell
(Carola natalizia -
Inghilterra); The Marsh
of Rhuddlan
(Galles)
All
the music presented in
this booklet are
arrangements of
pre-existing melodies and
were conceived to respond
to the real need to
provide students with
simple or very simple
teaching material, but at
the same time of pleasant
listening. For this
reason these pieces can
and must be treated
elastically, adding or
subtracting - as needed -
parts, voices and
instruments. The upper
voice is always meant for
a German recorder (with
facilitated fingering);
for this reason, the F
sharp in this voice are
not frequent throughout
the collection.
Considering the limitate
extension of the parts,
it is always possible to
carry the pieces one tone
higher or lower,
according to personal
didactic needs. Chords
can be played by the
teacher, or by capable
students, on a keyboard
or guitar. $13.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Lord, Listen to Your Children Chorale 3 parties SAB [Octavo] Hope Publishing Company
By Ken Medema. Arranged by Jack Schrader. For SAB or Three-Part Mixed choir. Scr...(+)
By Ken Medema. Arranged
by Jack Schrader. For SAB
or Three-Part Mixed
choir. Scripture
References: Psalm 17:6 --
Psalm 55:1 -- Ephesians
6:18. Blues, Gospel,
Spirituals, Sacred,
Pentecost. Choral octavo.
12 pages
$3.25 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| The Classical Piano Solos Collection Piano seul Willis Music
106 Graded Pieces from Baroque to the 20th C. Compiled and Edited by P. Low, ...(+)
106 Graded Pieces from
Baroque to the 20th C.
Compiled and Edited by P.
Low,
S. Schumann, C. Siagian.
Composed by Various.
Edited
by Charmaine Siagian.
Willis.
Classical, Recital,
Solos.
Softcover. Published by
Willis Music
$27.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Serenade [Conducteur] Carl Fischer
Full orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Crash C...(+)
Full orchestra Bassoon 1,
Bassoon 2, Clarinet 1,
Clarinet 2, Contrabass,
Crash Cymbals, Flute 1,
Flute 2, Glockenspiel,
Harp, Horn 1, Horn 2,
Horn 3, Oboe 2,
Percussion 1, Percussion
2, Piccolo, Suspended
Cymbal, Timpani, Trombone
1, Trombone 2, Trumpet 1
and more. SKU:
CF.SC88 Composed by
William Grant Still. Full
score. 32 pages. Duration
9 minutes, 20 seconds.
Carl Fischer Music #SC88.
Published by Carl Fischer
Music (CF.SC88). ISBN
9781491158845. UPC:
680160917563. Willi
am Grant Stillas catalog
of works comprises over
200 pieces, including
five symphonies, nine
operas, four ballets and
numerous works for
chamber ensembles. He
initially found
employment as an oboist
in pit orchestras in New
York City, later as an
arranger of popular music
for various ensembles,
including those by
William C. Handy, James
P. Johnson and Paul
Whiteman. His career as a
composer was launched
with a performance in
1931 of his Symphony No.
1 aAfro-Americana by the
Rochester Philharmonic,
conducted by Howard
Hanson, who would remain
a life-long champion of
Stillas orchestral works.
By the 1950s the symphony
had been performed in New
York, Chicago, Los
Angeles and various
European capitals. This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the aDean of
Afro-American Composers.a
Still composed his
Serenade for Orchestra in
1957 on a commission by
the Great Falls High
School in Great Falls,
Montana. He later
transcribed the work for
a chamber ensemble of
flute, clarinet, harp and
strings. The piece
reflects Stillas interest
in American folk idioms,
with conventional
melodies and harmonies
that nonetheless express
a fresh and individual
compositional
voice. William Grant
Still's catalog of works
comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
Afro-American by the
Rochester Philharmonic,
conducted by Howard
Hanson, who would remain
a life-long champion of
Still's orchestral works.
By the 1950s the symphony
had been performed in New
York, Chicago, Los
Angeles and various
European capitals. This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the Dean of Afro-American
Composers. Still composed
his Serenade for
Orchestra in 1957 on a
commission by the Great
Falls High School in
Great Falls, Montana. He
later transcribed the
work for a chamber
ensemble of flute,
clarinet, harp and
strings. The piece
reflects Still's interest
in American folk idioms,
with conventional
melodies and harmonies
that nonetheless express
a fresh and individual
compositional
voice. William Grant
Still’s catalog of
works comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
“Afro-Americanâ€
by the Rochester
Philharmonic, conducted
by Howard Hanson, who
would remain a life-long
champion of
Still’s orchestral
works. By the 1950s the
symphony had been
performed in New York,
Chicago, Los Angeles and
various European
capitals.This notoriety
earned Still a Guggenheim
Fellowship in 1934, after
which he moved to Los
Angeles. He is credited
as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the “Dean of
Afro-American
Composers.â€Still
composed his Serenade for
Orchestra in 1957 on a
commission by the Great
Falls High School in
Great Falls, Montana. He
later transcribed the
work for a chamber
ensemble of flute,
clarinet, harp and
strings. The piece
reflects Still’s
interest in American folk
idioms, with conventional
melodies and harmonies
that nonetheless express
a fresh and individual
compositional voice. $25.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| From the Black Belt Carl Fischer
Orchestra Bass Clarinet, Bassoon, Clarinet 1, Clarinet 2, Contrabass, Flute 1, F...(+)
Orchestra Bass Clarinet,
Bassoon, Clarinet 1,
Clarinet 2, Contrabass,
Flute 1, Flute 2, Harp,
Horn 1, Horn 2, Horn 3,
Oboe, Percussion,
Timpani, Trumpet 1,
Trumpet 2, Trumpet 3,
Viola, Violin 1, Violin
2, Violoncello SKU:
CF.SC89L Seven
Little Pieces.
Composed by William Grant
Still. Large Score. 36
pages. Duration 12
minutes. Carl Fischer
Music #SC89L. Published
by Carl Fischer Music
(CF.SC89L).
William Grant
Still’s catalog of
works comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
“Afro-Americanâ€
by the Rochester
Philharmonic, conducted
by Howard Hanson, who
would remain a life-long
champion of
Still’s orchestral
works. By the 1950s the
symphony had been
performed in New York,
Chicago, Los Angeles and
various European
capitals.This notoriety
earned Still a Guggenheim
Fellowship in 1934, after
which he moved to Los
Angeles. He is credited
as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the “Dean of
Afro-American
Composers.â€The
“Black beltâ€
refers to a region in the
southern United States
that was distinguished by
the color of its fertile
soil. It was an area
whose rich economy was
based on cotton and
tobacco plantations that
were controlled by rich
white people and worked
by poor black laborers.
Still’s piece From
the Black Belt from 1926
is presumably a musical
representation of these
laborers. He described
its seven parts in the
following
ways:Â William Grant
Still’s catalog of
works comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
“Afro-Americanâ€
by the Rochester
Philharmonic, conducted
by Howard Hanson, who
would remain a life-long
champion of
Still’s orchestral
works. By the 1950s the
symphony had been
performed in New York,
Chicago, Los Angeles and
various European
capitals.This notoriety
earned Still a Guggenheim
Fellowship in 1934, after
which he moved to Los
Angeles. He is credited
as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the “Dean of
Afro-American
Composers.â€The
“Black beltâ€
refers to a region in the
southern United States
that was distinguished by
the color of its fertile
soil. It was an area
whose rich economy was
based on cotton and
tobacco plantations that
were controlled by rich
white people and worked
by poor black laborers.
Still’s piece From
the Black Belt from 1926
is presumably a musical
representation of these
laborers. He described
its seven parts in the
following ways:
Li’l Scamp If one
were to base his judgment
on the volume of sound,
he would think this
little fellow, who
delights in playing
childish pranks, a big
scamp. But the aptness of
the title is determined
by the brevity of the
piece rather than by the
volume of sound.
Honeysuckle A musical
suggestion of the
saccharine odor of the
honeysuckle. Dance This
title is
self-explanatory. Brown
GirlA tone picture of a
lovely girl. Mah Bones Is
Creakin’An old
man, afflicted with
rheumatism, complains
loudly. BlueThe lament of
a weary soul. Clap
Yo’
Han’sThe
participants in a game
for children form a
circle and clap their
hands at intervals. $48.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| From the Black Belt [Conducteur] Carl Fischer
Orchestra chamber orchestra SKU: CF.SC89 Seven Little Pieces. Comp...(+)
Orchestra chamber
orchestra SKU:
CF.SC89 Seven
Little Pieces.
Composed by William Grant
Still. Full score. 36
pages. Duration 12
minutes. Carl Fischer
Music #SC89. Published by
Carl Fischer Music
(CF.SC89). ISBN
9781491158852. UPC:
680160917570. Scori
ng: Bass Clarinet in Bb,
Bassoon, Clarinet 1 in
Bb, Clarinet 2 in Bb,
Contrabass, Flute 1,
Flute 2, Harp, Horn 1 in
F, Horn 2 in F, Horn 3 in
F, Oboe, Percussion,
Timpani, Trumpet 1 in Bb,
Trumpet 2 in Bb, Trumpet
3 in Bb, Viola, Violin 1,
Violin 2 and
more.
William
Grant Stillas catalog of
works comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
aAfro-Americana by the
Rochester Philharmonic,
conducted by Howard
Hanson, who would remain
a life-long champion of
Stillas orchestral works.
By the 1950s the symphony
had been performed in New
York, Chicago, Los
Angeles and various
European capitals. This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the aDean of
Afro-American Composers.a
The aBlack belta refers
to a region in the
southern United States
that was distinguished by
the color of its fertile
soil. It was an area
whose rich economy was
based on cotton and
tobacco plantations that
were controlled by rich
white people and worked
by poor black laborers.
Stillas piece From the
Black Belt from 1926 is
presumably a musical
representation of these
laborers. He described
its seven parts in the
following ways:
William Grant Stillas
catalog of works
comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
aAfro-Americana by the
Rochester Philharmonic,
conducted by Howard
Hanson, who would remain
a life-long champion of
Stillas orchestral works.
By the 1950s the symphony
had been performed in New
York, Chicago, Los
Angeles and various
European capitals. This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the aDean of
Afro-American Composers.a
The aBlack belta refers
to a region in the
southern United States
that was distinguished by
the color of its fertile
soil. It was an area
whose rich economy was
based on cotton and
tobacco plantations that
were controlled by rich
white people and worked
by poor black laborers.
Stillas piece From the
Black Belt from 1926 is
presumably a musical
representation of these
laborers. He described
its seven parts in the
following ways: Lial
Scamp If one were to base
his judgment on the
volume of sound, he would
think this little fellow,
who delights in playing
childish pranks, a big
scamp. But the aptness of
the title is determined
by the brevity of the
piece rather than by the
volume of sound.
Honeysuckle A musical
suggestion of the
saccharine odor of the
honeysuckle. Dance This
title is
self-explanatory. Brown
Girl A tone picture of a
lovely girl. Mah Bones Is
Creakina An old man,
afflicted with
rheumatism, complains
loudly. Blue The lament
of a weary soul. Clap Yoa
Hanas The participants in
a game for children form
a circle and clap their
hands at intervals. $30.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Inspiring Flute Solos Theodore Presser Co.
Chamber Music Flute(s) SKU: PR.494032000 Composed by Karen North. Collect...(+)
Chamber Music Flute(s)
SKU: PR.494032000
Composed by Karen North.
Collection. Theodore
Presser Company
#494-03200. Published by
Theodore Presser Company
(PR.494032000). UPC:
680160686186. This
captivating collection of
30 works for
unaccompanied flute,
offers refreshing and
exhilarating repertoire
for intermediate level
flute players. Be
inspired as you discover
scenes of natural beauty
- starry skies, a
dragonfly, bird songs;
enjoy lively dances with
elves and ghosts; and
immerse yourself in music
of tender reflection. The
collection features
contemporary composers
from around the world,
with exclusively
commissioned works,
together with inspiring
new arrangements of music
by 19th and 20th century
masters. Inspiring music
for flute players, and
suitable for concert,
exam, or festival
performances. Composers:
Wendy Beardall-Norton,
Johannes Brahms, Cecile
Chaminade, Ansje De
Groef, Ignacy Dobrzynski,
Hans Engelmann, Emma
Greenhill, Greg
Harradine, Jolin Jiang,
Elena Kats-Chernin, Fanny
Mendelssohn, Merryl
Neille, Suzanne
Palmer-Holton, Sergei
Rachmaninoff, Jon
Raybould, Gary Schocker,
Angel Villoldo.
Specifications: *
Contents: 30 pieces *
Standard: Intermediate
level (some Advanced) *
Key signatures: up to two
sharps and three flats *
Time signatures: 4/4,
3/4, 2/4, 12/8, 6/8, 5/8,
3/8 and mixed metre *
Pitch range: Middle C to
Bb6 (top Bb) *
Techniques: Flutter
tonguing, stamping,
clapping (3 works)
Free flute recordings for
every piece can be found
at
https://www.youtube.com/c
hannel/UC14kQiYx9ksLFQplZ
RzN3hA For preview pages,
please visit
https://www.theyoungflute
player.com/flutemusic. This captivating
collection of 30 works
for unaccompanied flute,
offers refreshing and
exhilarating repertoire
for intermediate level
flute players.Be inspired
as you discover scenes of
natural beauty –
starry skies, a
dragonfly, bird songs;
enjoy lively dances with
elves and ghosts; and
immerse yourself in music
of tender reflection.The
collection features
contemporary composers
from around the world,
with exclusively
commissioned works,
together with inspiring
new arrangements of music
by 19th and 20th century
masters.Inspiring music
for flute players, and
suitable for concert,
exam, or festival
performances.Composers:
Wendy Beardall-Norton,
Johannes Brahms,
Cécile Chaminade,
Ansje De Groef, Ignacy
Dobrzyński, Hans
Engelmann, Emma
Greenhill, Greg
Harradine, Jolin Jiang,
Elena Kats-Chernin, Fanny
Mendelssohn, Merryl
Neille, Suzanne
Palmer-Holton, Sergei
Rachmaninoff, Jon
Raybould, Gary Schocker,
Ãngel
Villoldo.Specifications:
€¢ Contents: 30
pieces• Standard:
Intermediate level (some
Advanced)• Key
signatures: up to two
sharps and three
flats• Time
signatures: 4/4, 3/4,
2/4, 12/8, 6/8, 5/8, 3/8
and mixed metre•
Pitch range: Middle C to
Bb6 (top Bb)•
Techniques: Flutter
tonguing, stamping,
clapping (3
works)Â Free flute
recordings for every
piece can be found at
https://www.youtube.com/c
hannel/UC14kQiYx9ksLFQplZ
RzN3hAFor preview pages,
please visit
https://www.theyoungflute
player.com/flutemusic. $22.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Nashville Number System Fake Book Guitare [Fake Book] Hal Leonard
By Various. Edited by Trevor de Clercq. Fake Book. Softcover. 224 pages. P...(+)
By Various. Edited by
Trevor
de Clercq. Fake Book.
Softcover. 224 pages.
Published by Hal Leonard
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Bach to the Future - Intermédiaire Wilhelm Hansen
Score Orchestra; Percussion - Grade 4 SKU: HL.14003062 Percussion and ...(+)
Score Orchestra;
Percussion - Grade 4
SKU: HL.14003062
Percussion and
Orchestra Score.
Composed by Per Nø,
Per Norgard, rd, and
rgå. Music Sales
America. Classical. Set.
134 pages. Duration 1200
seconds. Edition Wilhelm
Hansen #KP00615.
Published by Edition
Wilhelm Hansen
(HL.14003062). ISBN
9788759870075.
12.0x16.5x0.7 inches.
Danish. Per Norgard
BACH TO THE FUTUREFor
many years I have been
specially fascinated by
three of the preludes of
Bach's Well-tempered
Piano, and I wish with
this concerto-version for
percussion-duo and
orchestra to highlight
some of the structural
aspects of these pieces:
It is my belief that
there is a tradition in
the music history, that
makes it possible to let
certain germs in an
earlier period unfold
into new, but not
heterogenious, dimensions
of a perhaps several
hundred years later phase
of the tradition.This
concerto is a result of
several years
collaboration with Uffe
Savery and Morten Friis
(Safri-Duo), as well in
original compositions -
(Resonances,
Repercussion, Resume in
EchoZone I-III) as in
arrangements of the 3
Bach preludes, preparing
for the enormous
stylistic challenges of
this work.A few
introductory comments to
each movement:I Movement:
The archetypal sequence
of broken chords within
C-major has established
itself as almost a
cultural code, allowing
the composer of 1996 to
tell his tale-in-tones
only by stressing and
colouring the tones in
the original piece
without changing the
pitches or (relative)
durations as a
'palimpsest' containing
as well the old as the
new musical tale
simultaneously. Later in
the movement, this
singleline is multiplied
by the, till then
discrete, but permanently
pervading, proportion -
throughout the piece -
very close to the 'Golden
Section'(= 3:5:8.t.i:8
before repetition, 5
before starting anew from
the deepest tone, 3 as
the rest etc. unchanged).
The 3 tonal levels as
well as the 3 relative
speeds are treated
according to these
proportions for certain
passages, but even in
those the main focal
point is directed at the
freely invented melody
(by me) incarnating
itself solely by the
unpermutad sequels of the
original prelude.II
Movement: One feature of
the F sharp-prelude
pervades all the six
minutes-long second
movement: A 4 times
identical rhythmic
pattern = 6:4:3:2:3:4:6 -
as an hourglass-shaped
timeshape - inspired me
by the closeness of this
pattern to a shape within
the infinity-drumming of
my invention, called
Wide-Fan and Narrow-Fan ,
referring to pattern
consisting of
8:4:2:1:2:4:8, the
familiarity with the
above - quoted one being
obvious. New and old
elaborations of this
pattern-pair permeates
the movement, especially
since the Safri-Duo by
their performance of my
Repercussion had
augmented my appetite for
including this idiom in a
wider context:III
Movement: Without the
existence of the
d-minor-prelude I doubt
that I would have dared
to write a work like
this, since it is the
inexhaustible, rare
quality and pecularity of
this piece, which has
stimulated my feeling of
wonder and 'modernity'
(or: eternity!) of this
piece, of which I know of
no equal in its special
respect: the perpetual
ambiguity of melodic
foothold in the rhythmic
ostinato of a broken
descending triad, co. $82.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Lyrical Violin Legends Violon Theodore Presser Co.
Chamber Music Violin SKU: PR.494031990 Composed by Karen North. Collectio...(+)
Chamber Music Violin
SKU: PR.494031990
Composed by Karen North.
Collection - Full. 44+69
pages. Theodore Presser
Company #494-03199.
Published by Theodore
Presser Company
(PR.494031990). UPC:
680160686179. Lyric
al Violin Legends is an
exciting collection of 20
works for violin and
piano, featuring
exclusively commissioned
works by contemporary
composers and inspiring
new arrangements of 19th
and 20th century
compositions. Listen to
the legends, discover
beautiful scenes and
enjoy lively dances
through the alluring
lyricism of this
music.These exclusive
commissioned works and
new arrangements are
suitable for intermediate
level players. The violin
part includes biographies
of all composers and
notes/ performance
suggestions for each
work.All pieces in
Lyrical Violin Legends
have free violin & piano
recordings to listen to,
as well as free piano
backing tracks to play
along with.Preview pages:
https://www.theyoungflute
player.com/violin-musicFr
ee recordings:
https://www.youtube.com/c
hannel/UCh0MBwKcJUR75_3wX
RyYj5QComposers: Johannes
Brahms, Antonin Dvorak,
Hans Engelmann, Sally
Greenaway, Greg
Harradine, Jolin Jiang,
Scott Joplin, Elena
Kats-Chernin, Toivo
Kuula, Rachel Laurin,
Edward MacDowell, Felix
Mendelssohn, Merryl
Neille, Heather Percy,
Gary
Schocker.Specifications:
€¢ Contents: 20
pieces• Standard:
Intermediate level•
Key signatures: up to
three sharps and three
flats• Time
signatures: 4/4, 3/4,
2/4, ₵, 6/8
(including mixed
metre). $25.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Juvenilia et Addenda Full Score Wilhelm Hansen
(Score) SKU: HL.14037632 Carl Nielsen Collected Works Section IV: Vol....(+)
(Score) SKU:
HL.14037632 Carl
Nielsen Collected Works
Section IV: Vol. 1.
Composed by Carl August
Nielsen. Music Sales
America. Classical.
Hardcover. 388 pages.
Edition Wilhelm Hansen
#CN00052. Published by
Edition Wilhelm Hansen
(HL.14037632). ISBN
9788759818244. UPC:
884088562045. 10.25x13
inches. Contents:
CHAMBER MUSIC: Polka for
Violin; Duet for Violins;
Romance for Violin and
Piano in G Major; Romance
for Violin and Piano in D
Major; Sonata for Violin
and Piano; Fantasy for
Clarinet and Piano; Trio
for Violin, Cello and
Piano; Quartet for Two
Violins, Viola and Cello
in D Minor; Movement for
Two Violins, Viola and
Cello in F Major (Add.
9); Movement for Two
Violins, Viola and Cello
in F Major (Add. 10);
Movement for Two Violins,
Viola and Cello in F
Major (Add. 11); Movement
for Two Violins, Viola
and Cello in G Minor;
Movement for Two Violins,
Viola and Cello in F
Sharp Minor; Movement for
Two Violins, Viola and
Cello in B Flat Major;
Trauermarsch for Two
Violins, Viola and Cello.
PIANO PIECES: Two
Character Pieces;
Norwegian Folk Dance;
Andante; Piano Piece;
Peasant Dance;
Allegretto; Add. 22;
Minuet; Add. 24;
Andantino; Add. 26; A
Little Piano Piece.
CANTATA: Cantata for The
Commemoration Of P.S.
Krøyer.
ARRANGEMENTS: Prelude to
'Snefrid' for Piano;
'Snefrid' for Recitation
and Piano Quintet;
'Elves' Dance' From 'Sir
Oluf He Rides ''; 'Dance
of the Handmaidens' from
'Hagbarth and Signe' for
Piano; 'Canto Serioso'
for Cello and Piano;
Dances from 'Aladdin'for
Piano; Excerpts from 'The
Mother' for Piano; 'A
Fair And Lovely Land' for
Brass; Cantata for The
Centenary of The
Polytechnic College for
Reciter, Male Choir,
Strings and Piano;
Counterpoint Exercises;
Two Part Fugue (Add. 38);
Two Part Fugue (Add. 39);
Three-part Fugue (Add.
40); Three-part Fugue
(Add. 41); Three-part
Fugue (Add. 42);
Three-part Fugue (Add.
43); Three-part Fugue
(Add. 44). APPENDIX:
Greeting; Gade; Denmark!;
Welcome to 20 Della
Grazia, Little Marie!;
The Shepherd's
Melody. $282.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Slavonic Rhapsody in G Minor, Opus 45, No. 2 Orchestre [Conducteur] - Intermédiaire Barenreiter
Orchestra (2 Fl, 2 Ob, 2 clarinet, 2 bassoon, 4Hn, 2 Trp-f, 3trombone, timpani, ...(+)
Orchestra (2 Fl, 2 Ob, 2
clarinet, 2 bassoon, 4Hn,
2 Trp-f, 3trombone,
timpani, Tri, Be, Tr-Gr,
harp, 2 Violin, Viola,
Cello,KB) - Level 3
SKU: BA.BA10402
Composed by Antonin
Dvorak. Edited by Robert
Simon. This edition:
urtext edition.
Paperback. Barenreiter
Urtext. Score. Opus 45/2.
Baerenreiter Verlag
#BA10402_00. Published by
Baerenreiter Verlag
(BA.BA10402). ISBN
9790260104723. 24.3 x 31
cm inches. Key: G minor.
Preface: Simon,
Robert. Dvorák
composed his
“Slavonic
Rhapsodies†op. 45
in 1878, initiating his
so-called “Slavonic
periodâ€. They were
issued by the publisher
Simrock the following
year as three independent
orchestral pieces (in D
major, G minor and A-flat
major) appearing under
the same opus
number.
Now the
“Slavonic
Rhapsodies†are
being issued separately
in scholarly-critical
editions. The editor
Robert Simon has taken
Dvorák’s
authorised first edition
as his principal
source.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$51.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Spires - Débutant Carl Fischer
Orchestra Cello, Contrabass, Harp, Piano, Viola, Violin 1, Violin 2, Violin 3 - ...(+)
Orchestra Cello,
Contrabass, Harp, Piano,
Viola, Violin 1, Violin
2, Violin 3 - Grade 1
SKU: CF.BAS72
Composed by Bud Woodruff.
SWS FS. Carl Fischer
Beginning String
Orchestra Series. Set of
Score and Parts. With
Standard notation.
8+8+2+5+5+5+2+2+8 pages.
Duration 1 minute, 59
seconds. Carl Fischer
Music #BAS72. Published
by Carl Fischer Music
(CF.BAS72). ISBN
9781491146361. UPC:
680160903863. 9 x 12
inches. Key: D
major. Spires is
written in three voices:
first violins, second
violins and violas
doubled, and cellos and
basses doubled. Unison
passages allow the
teacher to focus on
establishing ensemble
cohesiveness, emphasizing
beginning and ending
together and playing in
tune.
About Carl
Fischer Beginning String
Orchestra
Series Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
- Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
- Limited
keys and rhythms - only
simple 8th note
patterns
- Limited
independence of
parts
- Playable
after limited study
time
- First
position and natural
bowings
- Piano for
rehearsal and
reinforcement
$48.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Klarinette Spielen - Volume 2 [Partition + Accès audio] Schott
Book with online material Clarinet SKU: HL.49046956 Die moderne Klarin...(+)
Book with online material
Clarinet SKU:
HL.49046956 Die
moderne Klarinettenschule
fur Jugendliche und
Erwachsene fur Deutsche
and Boehm klarinette.
Woodwind Solo. Classical,
Folk, Jazz, Pop.
Softcover Media Online.
104 pages. Schott Music
#ED20642D. Published by
Schott Music
(HL.49046956). UPC:
196288090649. Rudol
f Mauz's new clarinet
method for young and
adult people introduces
the pupils in a
motivating and easily
comprehensible way to
learning how to play the
instrument. It is also
suitable for self-study
and for taking up one's
studies again. A
well-balanced mixture of
pieces from classical
music, folklore, musical,
pop and jazz, Vol. 2 of
the method too promises a
lot of variety and fun
when learning the new
steps. In Vol. 2, the
tonal range is gradually
expanded to C3 and the
keys are extended to
three sharp and three
flat signs. The method is
completed by exercises,
tips and information. The
attached CD contains full
and playback versions
ofthe pieces. Suitable
for the German fingering
system and the Boehm
clarinet. $27.99 - Voir plus => Acheter | | |
| Trois Mouvements (flute And Organ) Flûte traversière Leduc, Alphonse
Flute SKU: HL.48183263 Composed by Jehan Alain. Leduc. Classical. Softcov...(+)
Flute SKU:
HL.48183263 Composed
by Jehan Alain. Leduc.
Classical. Softcover. 14
pages. Alphonse Leduc
#AL25300. Published by
Alphonse Leduc
(HL.48183263). UPC:
888680872465.
9.0x12.0x0.071
inches. “Thre
e Movements is a piece
for Flute and Organ by
Jehan Alain. Initially
composed for Flute and
Piano, it was adapted by
Marie-Claire Alain.
Lasting 5 minutes 45
seconds, this work would
be perfect for
upper-intermediate
players. The Flute has a
key of 4 sharps and the
Organ scores include some
Pedals This piece is
divided into three parts:
1. Andante, 2. Allegro
con grazia and 3. Allegro
Vivace. Jehan Alain is a
French organist who
became famous with his
Suite for Organ. A
Student of Marcel
Dupré and Roger
Ducasse among others, he
kept composing all his
life. One of his most
famous international
pieces is
'Litanies'.â€. $28.60 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cannonic Inventions Vol. 2 Piano seul [Conducteur] Composers Library Editions
Chamber Music Piano SKU: PR.490011640 Inventions 19 - 36. Composed...(+)
Chamber Music Piano
SKU: PR.490011640
Inventions 19 -
36. Composed by
Robert Baksa. Full score.
With Standard notation.
48 pages. Composers
Library Editions
#490-01164. Published by
Composers Library
Editions (PR.490011640).
UPC: 680160602599. 8.5
x 11
inches. Inspired by
the two- and three-part
inventions of Bach,
Baksa's 36 Canonic
Inventions were composed
in the early 1980s but
are now available
complete in two volumes.
Each two voice invention
is followed by a three
voice invention in the
same key so that the
result is somewhat like
the Master of Master's
Preludes and Fugues. Many
of these pieces were
premiered by
Harpsichordist Elaine
Comparone but they are
equally suitable for
performance on piano or
pianoforte. --American
composer Lee Hoiby once
asked me where I learned
to write counterpoint. I
told him that I learned
by writing my Canonic
Inventions.-- (Robert
Baksa). $44.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Canonic Inventions Vol. 1 Piano seul [Conducteur] Composers Library Editions
Chamber Music Piano SKU: PR.490011630 Inventions 1-18. Composed by...(+)
Chamber Music Piano
SKU: PR.490011630
Inventions 1-18.
Composed by Robert Baksa.
Full score. With Standard
notation. 48 pages.
Composers Library
Editions #490-01163.
Published by Composers
Library Editions
(PR.490011630). UPC:
680160599387. 8.5 x 11
inches. Inspired by
the two and three part
inventions of Bach,
Baksa's 36 Canonic
Inventions were composed
in the early 1980s but
are now available
complete in two volumes.
Each two voice invention
is followed by a three
voice invention in the
same key so that the
result is somewhat like
the Master of Master's
Preludes and Fugues. Many
of these pieces were
premiered by
Harpsichordist Elaine
Comparone but they are
equally suitable for
performance on piano or
pianoforte. American
composer Lee Hoiby once
asked me where I learned
to write counterpoint. I
told him that I learned
by writing my Canonic
Inventions. (Robert
Baksa). $44.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Complete Piano Works Piano seul Breitkopf & Härtel
Piano SKU: BR.EB-9450 Sonatas, Individual Piano Pieces, Variations - U...(+)
Piano SKU:
BR.EB-9450
Sonatas, Individual
Piano Pieces, Variations
- Urtext. Composed by
Dame Ethel Mary Smyth.
Solo instruments;
Softcover. Edition
Breitkopf. Romantic;
Late-romantic. Sheet
Music. 96 pages.
Breitkopf and Haertel #EB
9450. Published by
Breitkopf and Haertel
(BR.EB-9450). ISBN
9790004189276. 9 x 12
inches. It is quite
amazing that the piano
works of the English
composer Ethel Smyth had
remained unpublished
until 2003. All of them
were written during her
Leipzig study years after
1877, a period that Ethel
Smyth herself described
as the happiest time of
her life. In Leipzig, she
met such musical giants
as Brahms, Clara
Schumann, Dvorak, Grieg
and Tchaikovsky. It
should come as no
surprise that these
encounters left stylistic
traces in Ethel Smyth's
piano oeuvre.Smyth wrote
the three piano sonatas
in 1877, yet they are
stylistically diverse:
Smyth raced through a
kind of musico-historical
evolution. Her point of
departure was Haydn and
Mozart, who clearly
inspired her sonata in C
major. It was followed by
the impassionate sonata
in C sharp minor, which
was inspired by the
actress Marie Geistinger.
The two-movement fragment
in D major, reflecting
Ethel Smyth's admiration
for Brahms, concludes the
sonatas.Most of the other
piano pieces borrow their
atmosphere and titles
from Baroque models
(dance movements, genre
pieces) and are
technically undemanding.
They have been arranged
in this edition in order
of progressive
difficulty.
It is
quite amazing that the
piano works of the
English composer Ethel
Smyth had remained
unpublished to this day.
She wrote all of these
pieces during her years
of study in Leipzig,
after 1877. $61.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Celtic Piano Collection Piano seul [Partition + Accès audio] - Intermédiaire ADG productions
Composed by Allan Alexander. Spiral bound. Celtic/Piano Instruction. Book and Do...(+)
Composed by Allan
Alexander. Spiral bound.
Celtic/Piano Instruction.
Book and Downloadable
audio. Duration 70
minutes. Published by ADG
Productions
(1)$22.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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