Woodwinds (3(picc).2.2.2 - 4.2.3.1 - kettle dr - hp - str)

SKU: BR.OB-4738-30

Tone Poem No. 3. Composed by Franz Liszt. Folder. Orchester-Bibliothek (Orchestral Library).

Franz Liszt's symphonic poem Les Preludes, written in 1854, follows the eponymous text from Alphonse de Lamartine's collection of poems Meditations poetiques.

Symphonic poem; Romantic. Set of parts. 124 pages. Duration 15'. Breitkopf and Haertel #OB 4738-30. Published by Breitkopf and Haertel (BR.OB-4738-30).

ISBN 9790004319963. 10 x 12.5 inches.

What else is our life but a series of preludes to that unknown Hymn, the first and solemn note of which is intoned by Death?Franz Liszts symphonic poem Les Preludes, written in 1854, follows the eponymous text from Alphonse de Lamartines collection of poems Meditations poetiques. It describes the fate of a man torn between the joys of love, a rustic idyll and a fierce struggle the latter serving to frame the work in the hymn-like Andante maestoso sections. Lamartines poem is printed in three languages in the present score.

Franz Liszt's symphonic poem Les Preludes, written in 1854, follows the eponymous text from Alphonse de Lamartine's collection of poems Meditations poetiques.

Double bass (3(picc).2.2.2 - 4.2.3.1 - kettle dr - hp - str)

SKU: BR.OB-4738-27

Tone Poem No. 3. Composed by Franz Liszt. Stapled. Orchester-Bibliothek (Orchestral Library).

Franz Liszt's symphonic poem Les Preludes, written in 1854, follows the eponymous text from Alphonse de Lamartine's collection of poems Meditations poetiques.

Symphonic poem; Romantic. Part. 8 pages. Duration 15'. Breitkopf and Haertel #OB 4738-27. Published by Breitkopf and Haertel (BR.OB-4738-27).

ISBN 9790004319956. 10 x 12.5 inches.

What else is our life but a series of preludes to that unknown Hymn, the first and solemn note of which is intoned by Death?Franz Liszts symphonic poem Les Preludes, written in 1854, follows the eponymous text from Alphonse de Lamartines collection of poems Meditations poetiques. It describes the fate of a man torn between the joys of love, a rustic idyll and a fierce struggle the latter serving to frame the work in the hymn-like Andante maestoso sections. Lamartines poem is printed in three languages in the present score.

Franz Liszt's symphonic poem Les Preludes, written in 1854, follows the eponymous text from Alphonse de Lamartine's collection of poems Meditations poetiques.

Violin 1 (3(picc).2.2.2 - 4.2.3.1 - kettle dr - hp - str)

SKU: BR.OB-4738-15

Tone Poem No. 3. Composed by Franz Liszt. Stapled. Orchester-Bibliothek (Orchestral Library).

Franz Liszt's symphonic poem Les Preludes, written in 1854, follows the eponymous text from Alphonse de Lamartine's collection of poems Meditations poetiques.

Symphonic poem; Romantic. Part. 12 pages. Duration 15'. Breitkopf and Haertel #OB 4738-15. Published by Breitkopf and Haertel (BR.OB-4738-15).

ISBN 9790004319918. 10 x 12.5 inches.

What else is our life but a series of preludes to that unknown Hymn, the first and solemn note of which is intoned by Death?Franz Liszts symphonic poem Les Preludes, written in 1854, follows the eponymous text from Alphonse de Lamartines collection of poems Meditations poetiques. It describes the fate of a man torn between the joys of love, a rustic idyll and a fierce struggle the latter serving to frame the work in the hymn-like Andante maestoso sections. Lamartines poem is printed in three languages in the present score.

Franz Liszt's symphonic poem Les Preludes, written in 1854, follows the eponymous text from Alphonse de Lamartine's collection of poems Meditations poetiques.

Violoncello (3(picc).2.2.2 - 4.2.3.1 - kettle dr - hp - str)

SKU: BR.OB-4738-23

Tone Poem No. 3. Composed by Franz Liszt. Stapled. Orchester-Bibliothek (Orchestral Library).

Franz Liszt's symphonic poem Les Preludes, written in 1854, follows the eponymous text from Alphonse de Lamartine's collection of poems Meditations poetiques.

Symphonic poem; Romantic. Part. 12 pages. Duration 15'. Breitkopf and Haertel #OB 4738-23. Published by Breitkopf and Haertel (BR.OB-4738-23).

ISBN 9790004319949. 10 x 12.5 inches.

What else is our life but a series of preludes to that unknown Hymn, the first and solemn note of which is intoned by Death?Franz Liszts symphonic poem Les Preludes, written in 1854, follows the eponymous text from Alphonse de Lamartines collection of poems Meditations poetiques. It describes the fate of a man torn between the joys of love, a rustic idyll and a fierce struggle the latter serving to frame the work in the hymn-like Andante maestoso sections. Lamartines poem is printed in three languages in the present score.

Franz Liszt's symphonic poem Les Preludes, written in 1854, follows the eponymous text from Alphonse de Lamartine's collection of poems Meditations poetiques.

Brass Band - Grade 3

SKU: BT.DHP-1135416-130

Composed by Jacob De Haan. Concert and Contest Collection Brass Band en Fanfare. Opening Pieces. Score Only. Composed 2013. 20 pages. De Haske Publications #DHP 1135416-130. Published by De Haske Publications (BT.DHP-1135416-130).

9x12 inches. English-German-French-Dut ch.

This work was composed for a series of concerts that were characterised by a variety of musical directions. These musical directions are captured in Campus Intrada, which was named after the Cultuurcampus in which the concerts took place. A typical fanfare-like section, a jazzy section and a section reminiscent of pop music are contained in this three-minute work.

Dit werk is gecomponeerd voor een reeks van concerten die zich kenmerken door diverse muzikale richtingen. Deze muzikale richtingen komen samen in Campus Intrada, vernoemd naar de Cultuurcampus waarin de concerten plaatsvonden. Jacob de Haan nam zowel een typisch fanfare-achtige gedeelte, een jazzy sectie als ook een sectie op die doet denken aan popmuziek in dit drie minuten durende werk.

Dieses Werk wurde speziell für eine Konzertreihe komponiert, die sich durch eine Vielfalt an musikalischen Richtungen auszeichnete. Diese Richtungen sind auch in Campus Intrada verrtreten, das nach dem Cultuurcampus“, in dem die Konzerte stattfanden, benannt wurde. So wurden ein typisch fanfareartiger Teil, ein jazziger und ein an Popmusik erinnernder Teil kurz und prägnant in einem dreiminütigen Werk zusammengefasst.

Cette pièce fut composée pour une série de concerts caractérisée par une multitude de styles de musique différents. Ces styles sont saisis dans Campus Intrada dont le titre est nommé selon le Cultuurcampus où les concerts ont eu lieu. Plusieurs sections différentes font partie de cette œuvre d’une longueur de trois minutes : l’une dans la forme d’une fanfare, une autre dans un style jazz et une dernière évoquant la musique pop.

Questo brano è stato composto per una serie di concerti chesi caratterizzano per la diversit di orientamenti musicali. Unpassaggio in forma di fanfara, un altro dai chiari accenti jazze una sezione che evoca la musica pop sono sapientementeintrecciati in questo brano dalla durata di 3,5 minuti.

5-Part Flexible Ensemble - intermediate

SKU: BT.DHP-1023182-070

Composed by Giuseppe Verdi. Arranged by Lorenzo Bocci. Music Box. Set (Score & Parts). Composed 2002. De Haske Publications #DHP 1023182-070. Published by De Haske Publications (BT.DHP-1023182-070).

La Donna è Mobile from Verdi’s opera Rigoletto has recently gained huge popularity through its performance by the three tenors, Domingo, Pavarotti and Carreras. Add a touch of class to any concert with this fabulous arrangement.

La Donna è Mobile ist eine Tenorarie aus der Oper Rigoletto von Giuseppe Verdi. Spätestens nachdem diese Melodie in die Werbung einzog sollte sie eigentlich jedermann bekannt sein. Eindrucksvoll arrangiert für eine variable fünfstimmige Besetzung wurde sie von Lorenzo Bocci.

Part 1 Fl Htb Cl. Si♭ Sax. S. Trp Part 2 Cor Angl. Cl. Si♭ Cl. Alto Sax. A. Trp Cor Part 3 Cl. Alto Sax. A. Sax. T. Basson Cor Trb Euph. Tuba T. Part 4 Sax. T. Basson Trb Euph. Tuba T. Part 5 Cl. Basse Sax. B. Basson Trb Euph. Tuba C. Cordes

Una delle arie più amabili e conosciute di Giuseppe Verdi, oggi può essere eseguita da un gruppo di strumenti a fiato con formazione variabile grazie a questo arrangiamento firmato Lorenzo Bocci.

SSA Choir

SKU: BT.MUSM570366088

Composed by Kerry Andrew. Hymns & Chorals. Vocal Score. 6 pages. University of York Music Press #MUSM570366088. Published by University of York Music Press (BT.MUSM570366088).

English.

Kerry Andrew 's Lullaby For The Witching Hour for three voices (SSA). Duration: 4 minutes Composed: 2004 Also published as part of UYMP's Songspin Songbook, ISMN M 57036 603 3. This piece was written as an introduction to a gig we did at the York Spring Festival in 2004. It sets my own text and is influenced by 'Our Prayer', heard on Brian Wilson's album Smile, as well as the Belgian/Central African a cappella group Zap Mama and the soundtrack to the film Belleville Rendez-Vous. It was first performed by Juice at York Spring Festival in May 2004.

Concert Band/Harmonie/Fanfare Band - easy

SKU: BT.GOB-000644-215

Composed by Peter Martin. Score Only. 12 pages. Gobelin Music Publications #GOB 000644-215. Published by Gobelin Music Publications (BT.GOB-000644-215).

‘Four Easy Dances’ is a four-part suite from Gobelin’s ’Flexy Band Collection’. This series is meant for starter ensembles, i.e. youth orchestras which may not have the full range of instruments available yet. Therefore, it is possible to combine various instruments. ‘Four Easy Dances’ comes from the ‘Flexy 3 Series’ and can in principle be played by only three instruments, completed with three percussion instruments. ‘Four Easy Dances’ consists of: 1. Hop, Skip and Jump, 2. Little Polka, 3. Spanish Dance (castanets are obligatory) and finally 4. Tango.

‘Four Easy Dances’ is een vierdelige suite uit de Gobelin ’Flexy Band Collection’. Deze serie is bedoeld voor beginnende ensembles, jeugdorkesten die mogelijk nog niet alle instrumenten in hun gelederen hebben. Er zijn diverse instrument-combinatiesmog elijk. ‘Four Easy Dances’ komt uit de ‘Flexy 3 Series’ en is in principe speelbaar met drie instrumenten, aangevuld met drie slagwerk instrumenten. ‘Four Easy Dances’ bestaat uit: 1. Hop, Skip and Jump, 2.Little Polka, 3. Spanish Dance (castagnetten verplicht) en tot slot 4. Tango.

Concert Band/Harmonie/Fanfare Band - easy

SKU: BT.GOB-000644-015

Composed by Peter Martin. Set (Score & Parts). 12 pages. Gobelin Music Publications #GOB 000644-015. Published by Gobelin Music Publications (BT.GOB-000644-015).

‘Four Easy Dances’ is a four-part suite from Gobelin’s ’Flexy Band Collection’. This series is meant for starter ensembles, i.e. youth orchestras which may not have the full range of instruments available yet. Therefore, it is possible to combine various instruments. ‘Four Easy Dances’ comes from the ‘Flexy 3 Series’ and can in principle be played by only three instruments, completed with three percussion instruments. ‘Four Easy Dances’ consists of: 1. Hop, Skip and Jump, 2. Little Polka, 3. Spanish Dance (castanets are obligatory) and finally 4. Tango.

‘Four Easy Dances’ is een vierdelige suite uit de Gobelin ’Flexy Band Collection’. Deze serie is bedoeld voor beginnende ensembles, jeugdorkesten die mogelijk nog niet alle instrumenten in hun gelederen hebben. Er zijn diverse instrument-combinatiesmog elijk. ‘Four Easy Dances’ komt uit de ‘Flexy 3 Series’ en is in principe speelbaar met drie instrumenten, aangevuld met drie slagwerk instrumenten. ‘Four Easy Dances’ bestaat uit: 1. Hop, Skip and Jump, 2.Little Polka, 3. Spanish Dance (castagnetten verplicht) en tot slot 4. Tango.

Flute [Trio-]

SKU: HL.14011531

Composed by Hans Abrahamsen. Music Sales America. Classical. Score. 20 pages. Music Sales #KP00379. Published by Music Sales (HL.14011531).

ISBN 9788759877104. 10.25x14.25x0.44 inches. Danish.

Hans Abrahamsen 's Flowersongs (1973) for three Flutes. Score. 'I wrote Flowersongs for three Flutes in the spring of 1973, when I was 20 years old. Looking back now, 40 years begins to feel like a really long time and sometimes I think that it is as if someone in 1973 is talking about a piece from 1933! But in spite of this long time, this is still a very important piece for me. In Flowersongs , along with works like '10 Preludes' for String Quartet and 'Stratifications' for Orchestra, I feel that I was on my way to finding my own voice in the middle of the music of the great Central European modernist tradition from the 50s and the reaction from the 60s of the new simplicity,minimalism and the possibility of poly-stilisme. The English title Flowersongs links to the flower power movement and the hippie culture of the 60s and the early 70s, and the work is trying to find the power inherent in this imaginary world. Many of my later works have titles in German, for example 'Winternacht' (1976/78), 'Nacht und Trumpeten' (1981) and much later 'Schnee' (2006-08). If we think of Flowersongs in German, it must be Blumenlieder, and to me it now sounds suddenly very different, more romantic and into the world of Schumann. Perhaps it is also a way in which to hear the piece? Another thing is that the correct English title is Flower Songs (as two words) and not as one word like in German or Danish. This is perhaps the German connection, as I incorrectly wrote the title as one word: but perhaps it is also a kind of naivety, which is also part of the work. I cannot help but carry with me to this day the ideas from my early works. For example, there are clear links in this work from the 8th Prelude from '10 Preludes' and to Canon 2a from 'Schnee' from 2008. This work is written for the wonderful ensemble recherche and it was meeting them that made me consider making a version of Flowersongs for Flute, Oboe and Clarinet.' - Hans Abrahamsen.

Orchestra Violin I, Violin II, Violin III (Viola T.C.), Viola, Cello, Bass, Piano - Grade 1

SKU: CF.FAS131F

Composed by Cooper Ford. Full score. 8 pages. Duration 1 minute, 46 seconds. Carl Fischer Music #FAS131F. Published by Carl Fischer Music (CF.FAS131F).

ISBN 9781491162989. UPC: 680160921737. Key: E minor.

At night, there are many possible dangers that lurk in the dark. With intense energy, this piece depicts the daring determination of protectors who keep watch in the night. The music is energetic and engaging, reinforcing foundational rhythms and techniques including staccato and changing dynamics. Written in three parts with Violin II doubling Viola and Cello doubling Bass, with optional Piano for support, all players will have the opportunity to play melodic material. Stay vigilant!

Bassoon

SKU: SU.94010764

For Bassoon. Composed by James Lee III. Woodwinds, Bassoon. Score. Subito Music Corporation #94010764. Published by Subito Music Corporation (SU.94010764).

Dedicated to Bryan Young, Principal Bassoon, Baltimore Chamber OrchestraBassoon Duration: 5'3 Composed: 2020 Published by: Subito Music Publishing PROGRAM NOTE: The year 2020 has definitely been a very challenging year with many upheavals. During this time of the COVID-19 health crisis, wearing masks, and high racial tensions, I decided to compose four short solo woodwind works for flute, oboe, clarinet, and bassoon, which represent the core woodwind section in an orchestra. I was inspired to compose these short pieces after I first heard Igor Stravinsky's three short pieces for clarinet, which totals a little more than four minutes in duration. I thought that it would be nice to highlight and honor my African-American male colleagues in the orchestral music world. I wanted to celebrate the fact that they are the principal player in the section of their respective orchestras. The short pieces are as follows: Principal Brother No. 1 for flute solo for Demarre McGill, Principal Flute of the Seattle Symphony Orchestra, Principal Brother No. 2 for oboe solo for Titus Underwood, Principal Oboe of the Nashville Symphony Orchestra, Principal Brother No. 3 for clarinet solo for Anthony McGill, Principal Clarinet of the New York Philharmonic, and Principal Brother No. 4 for bassoon solo for Bryan Young, Principal Bassoon of the Baltimore Chamber Orchestra. These works all begin with notes that are representative of their name; D for Demarre, B for Titus (ti in solfège starting on C), A for Anthony, and Bb for Bryan. There is also a rhythmic figure in the opening measures of each piece, which represent the utterance of their names. All four of these works are rhapsodic in nature with elements of improvisation. - James Lee III.

Flute

SKU: SU.94010761

For Flute. Composed by James Lee III. Woodwinds, Flute/Piccolo. Score. Subito Music Corporation #94010761. Published by Subito Music Corporation (SU.94010761).

Dedicated to Demarre McGill, Principal Flute, Seattle Symphony OrchestraFlute Duration: 6' Composed: 2020 Published by: Subito Music Publishing PROGRAM NOTE: The year 2020 has definitely been a very challenging year with many upheavals. During this time of the COVID-19 health crisis, wearing masks, and high racial tensions, I decided to compose four short solo woodwind works for flute, oboe, clarinet, and bassoon, which represent the core woodwind section in an orchestra. I was inspired to compose these short pieces after I first heard Igor Stravinsky's three short pieces for clarinet, which totals a little more than four minutes in duration. I thought that it would be nice to highlight and honor my African-American male colleagues in the orchestral music world. I wanted to celebrate the fact that they are the principal player in the section of their respective orchestras. The short pieces are as follows: Principal Brother No. 1 for flute solo for Demarre McGill, Principal Flute of the Seattle Symphony Orchestra, Principal Brother No. 2 for oboe solo for Titus Underwood, Principal Oboe of the Nashville Symphony Orchestra, Principal Brother No. 3 for clarinet solo for Anthony McGill, Principal Clarinet of the New York Philharmonic, and Principal Brother No. 4 for bassoon solo for Bryan Young, Principal Bassoon of the Baltimore Chamber Orchestra. These works all begin with notes that are representative of their name; D for Demarre, B for Titus (ti in solfège starting on C), A for Anthony, and Bb for Bryan. There is also a rhythmic figure in the opening measures of each piece, which represent the utterance of their names. All four of these works are rhapsodic in nature with elements of improvisation. - James Lee III.

Oboe

SKU: SU.94010762

For Oboe. Composed by James Lee III. Woodwinds, Oboe/Piccolo. Score. Subito Music Corporation #94010762. Published by Subito Music Corporation (SU.94010762).

Dedicated to Titus Underwood, Principal Oboe, Nashville Symphony OrchestraOboe Duration: 5' Composed: 2020 Published by: Subito Music Publishing PROGRAM NOTE: The year 2020 has definitely been a very challenging year with many upheavals. During this time of the COVID-19 health crisis, wearing masks, and high racial tensions, I decided to compose four short solo woodwind works for flute, oboe, clarinet, and bassoon, which represent the core woodwind section in an orchestra. I was inspired to compose these short pieces after I first heard Igor Stravinsky's three short pieces for clarinet, which totals a little more than four minutes in duration. I thought that it would be nice to highlight and honor my African-American male colleagues in the orchestral music world. I wanted to celebrate the fact that they are the principal player in the section of their respective orchestras. The short pieces are as follows: Principal Brother No. 1 for flute solo for Demarre McGill, Principal Flute of the Seattle Symphony Orchestra, Principal Brother No. 2 for oboe solo for Titus Underwood, Principal Oboe of the Nashville Symphony Orchestra, Principal Brother No. 3 for clarinet solo for Anthony McGill, Principal Clarinet of the New York Philharmonic, and Principal Brother No. 4 for bassoon solo for Bryan Young, Principal Bassoon of the Baltimore Chamber Orchestra. These works all begin with notes that are representative of their name; D for Demarre, B for Titus (ti in solfège starting on C), A for Anthony, and Bb for Bryan. There is also a rhythmic figure in the opening measures of each piece, which represent the utterance of their names. All four of these works are rhapsodic in nature with elements of improvisation. - James Lee III.

Clarinet

SKU: SU.94010763

For Clarinet. Composed by James Lee III. Woodwinds, Clarinet. Score. Subito Music Corporation #94010763. Published by Subito Music Corporation (SU.94010763).

Dedicated to Anthony McGill, Principal Clarinet, New York PhilharmonicClarinet Duration: 5'30 Composed: 2020 Published by: Subito Music Publishing PROGRAM NOTE: The year 2020 has definitely been a very challenging year with many upheavals. During this time of the COVID-19 health crisis, wearing masks, and high racial tensions, I decided to compose four short solo woodwind works for flute, oboe, clarinet, and bassoon, which represent the core woodwind section in an orchestra. I was inspired to compose these short pieces after I first heard Igor Stravinsky's three short pieces for clarinet, which totals a little more than four minutes in duration. I thought that it would be nice to highlight and honor my African-American male colleagues in the orchestral music world. I wanted to celebrate the fact that they are the principal player in the section of their respective orchestras. The short pieces are as follows: Principal Brother No. 1 for flute solo for Demarre McGill, Principal Flute of the Seattle Symphony Orchestra, Principal Brother No. 2 for oboe solo for Titus Underwood, Principal Oboe of the Nashville Symphony Orchestra, Principal Brother No. 3 for clarinet solo for Anthony McGill, Principal Clarinet of the New York Philharmonic, and Principal Brother No. 4 for bassoon solo for Bryan Young, Principal Bassoon of the Baltimore Chamber Orchestra. These works all begin with notes that are representative of their name; D for Demarre, B for Titus (ti in solfège starting on C), A for Anthony, and Bb for Bryan. There is also a rhythmic figure in the opening measures of each piece, which represent the utterance of their names. All four of these works are rhapsodic in nature with elements of improvisation. - James Lee III.

SSA Choir

SKU: BT.MUSM570206384

Composed by Elisabeth Lutyens. Classical. Vocal Score. 12 pages. University of York Music Press #MUSM570206384. Published by University of York Music Press (BT.MUSM570206384).

English.

Elisabe th Lutyens ' Of The Snow for three voices (SSA). Duration: 7 minutes Composed: 1974 Also published as part of UYMP's Songspin Songbook, ISMN M 57036 603 3. A lesser-known work by the formidable English composer, drawing on her serial tendencies and use of sparse, carefully-considered textures. The text is from F. Marten ’s ‘Voyage To Spitzbergen’, originally published in 1694, which describes in detail a whaling trip and meteorological/geological observations of the Norwegian island and its surroundings.

Solo voices, orchestra (4 Soprano Voice Solo, Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, Fl, 2 Ob, bassoon, 2 Hn, 2 Trp, v-solo, vc-solo, Str, Continuo)

SKU: BA.BA04062

Opera seria in three acts. Composed by George Frideric Handel. Edited by Terence Best. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series II, Volume 9,1. 1st version. Complete edition, Score. HWV 12A. Duration 3 hours. Baerenreiter Verlag #BA04062_00. Published by Baerenreiter Verlag (BA.BA04062).

ISBN 9790006495801. 33.1 x 25.6 cm inches. Text Language: Italian. Nicola Francesco Haym.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Soprano voice, mezzo voice, two tenor voices, orchestra

SKU: HH.HH405-FSC

Composed by Franz Joseph Haydn. Edited by Johannes Stoltz. Soprano, Mezzo, Two Tenors, Orchestra. Full score. Edition HH Music Publishers #HH405-FSC. Published by Edition HH Music Publishers (HH.HH405-FSC).

ISBN 9790708059110.

Foll owing on from the successful revival of Haydn’s most popular opera, Lo Speziale, at the Haydn Festival in Eisenstadt in 2001, this revised and completed version, in three acts, has been prepared by consulting the surviving fragments of Haydn’s manuscript, which was partly destroyed by a fire at the Esterháza Palace theatre in 1779.

Mixed Choir [SATB] - Grade 5

SKU: HL.14041389

Liber Canticorum Va. Composed by Vagn Holmboe. Large Choral. Hymns & Chorals. Vocal Score. Composed 2002. Edition Wilhelm Hansen #WH29767. Published by Edition Wilhelm Hansen (HL.14041389).

Latin.

The text for the choral work 'Hominis dies' is partly form the book of psalms, partly from Isaiah in the Latin translation of the Bible. The words are relevant today - they are about the fate of humanity - our fear of war and destruction, violence and polution. The choral work is divided in three parts, all of them introduced with a Halleluja. A Halleluja is most often a praise, but that is not the case in this work, where the suppressed and oppressed manking with this work express desperation and sorrow, but also hope.

The text for the choral work 'Hominis dies' is partly form the book of psalms, partly from Isaiah in the Latin translation of the Bible. The words are relevant today - they are about the fate of humanity - our fear of war and destruction, violence and polution.
The choral work is divided in three parts, all of them introduced with a Halleluja. A Halleluja is most often a praise, but that is not the case in this work, where the suppressed and oppressed manking with this work express desperation and sorrow, but also hope.

Concert Band/Harmonie/Fanfare Band - Grade 1.5

SKU: BT.GOB-000013-015

Composed by Patrick Millstone. Set (Score & Parts). 67 pages. Gobelin Music Publications #GOB 000013-015. Published by Gobelin Music Publications (BT.GOB-000013-015).

In ‘A Summer Holiday’ Patrick Millstone takes us with him on a journey.
After a year’s hard work we may finally enjoy a well-earned holiday.
The first part of this three-part composition has the appropriate title ‘On Tour’.
When we chose our holiday destination, the brochure said that it would be bathed in sunlight every day. Unfortunately, this turns out not to be the case. Somewhat melancholically, we play round games in our summer house on a ‘Rainy Day’.
However, the next day, when the sun again has driven away all the clouds, we naturally visit the ‘Crowded Beach’, where we enjoy both sun, sea and beach once again.

In ‘A Summer Holiday’ neemt Patrick Millstone ons mee op reis.
Na een jaar hard werken kunnen we van een welverdiende vakantie genieten.
Het eerste deel van deze driedelige compositie heeft de toepasselijke titel ‘On Tour’.
Bij het uitzoeken van de vakantie, stond in de folder dat onze bestemming zonovergoten zou zijn. Dit blijkt helaas niet alle dagen zo te zijn. Met enige weemoed zitten we in ons huisje wat gezelschapsspelletjes te doen opdeze ‘Rainy Day’.
Maar als de zon de wolken verdreven heeft, en dat is de volgende dag zo, gaan we natuurlijk met z’n allen naar de ‘Crowded Beach’, waar we genieten van zon, zee en strand.

Concert Band/Harmonie/Fanfare Band - Grade 1.5

SKU: BT.GOB-000013-215

Composed by Patrick Millstone. Score Only. 12 pages. Gobelin Music Publications #GOB 000013-215. Published by Gobelin Music Publications (BT.GOB-000013-215).

In ‘A Summer Holiday’ Patrick Millstone takes us with him on a journey.
After a year’s hard work we may finally enjoy a well-earned holiday.
The first part of this three-part composition has the appropriate title ‘On Tour’.
When we chose our holiday destination, the brochure said that it would be bathed in sunlight every day. Unfortunately, this turns out not to be the case. Somewhat melancholically, we play round games in our summer house on a ‘Rainy Day’.
However, the next day, when the sun again has driven away all the clouds, we naturally visit the ‘Crowded Beach’, where we enjoy both sun, sea and beach once again.

In ‘A Summer Holiday’ neemt Patrick Millstone ons mee op reis.
Na een jaar hard werken kunnen we van een welverdiende vakantie genieten.
Het eerste deel van deze driedelige compositie heeft de toepasselijke titel ‘On Tour’.
Bij het uitzoeken van de vakantie, stond in de folder dat onze bestemming zonovergoten zou zijn. Dit blijkt helaas niet alle dagen zo te zijn. Met enige weemoed zitten we in ons huisje wat gezelschapsspelletjes te doen opdeze ‘Rainy Day’.
Maar als de zon de wolken verdreven heeft, en dat is de volgende dag zo, gaan we natuurlijk met z’n allen naar de ‘Crowded Beach’, waar we genieten van zon, zee en strand.

(Book)

SKU: HL.1303101

Revised 4th Edition with Answers. Composed by Josephine Koh. Music Sales America. Classical, Theory. Softcover. Hal Leonard #WMP1636. Published by Hal Leonard (HL.1303101).

UPC: 196288173007.

This revised 4th edition of Practice in Music Theory Grade 6 comes complete with detachable Model Answers! The success of its previous editions for the past two decades has prompted the need for more definitive solutions. Based on the ABRSM theory examination syllabus, it is the first of three comprehensive coursebooks leading to Grade 8 and beyond. Students are guided to achieve a high theoretical standard, with competent knowledge in harmony, counterpoint, melodic writing and score analysis. The J Koh's instructional approach is academic and systematic; yet musically conceived with graphical layouts and selective examples. There are 2 parts to this coursebook. Part I - Harmony The principles of harmony are introduced here: 4-part writing, 2-part counterpoint, concepts of traditional chord progression, use of inversions, principles of voice-leading, and the use of non-harmony notes. Harmonic guidelines and rules are clearly explained with relevant examples. Exercises are progressively structured to ensure a strong grasp of the theoretical concepts. Part II - Melodic Composition and Analysis Meloic composition is taught through an analytical approach. The concepts of phrasing, use of motifs, modulations and melodic contour are illustrated with authentic extracts. By taking students through the works of the great masters, their technical skills are sharpened, enhanced with useful tools for the creative compositional process. Skills in score analysis involve the acquisition of sound musical knowledge - the study of forms, genres, history of western music that spans 4 centuries, along with the composersÂ’ works and styles. Appendices II and III provide guidance for basic research needed at this level. The essential and highly recommended reference texts are: Musical Forms and Terms and Understanding Orchestration, The Orchestra and Its Instruments.

Brass Band - easy

SKU: BT.GOB-000743-130

Composed by Peter Martin. Score Only. 6 pages. Gobelin Music Publications #GOB 000743-130. Published by Gobelin Music Publications (BT.GOB-000743-130).

‘Four Easy Dances’ is a four-part suite from Gobelin’s ’Flexy Band Collection’. This series is meant for starter ensembles, i.e. youth orchestras which may not have the full range of instruments available yet. Therefore, it is possible to combine various instruments. ‘Four Easy Dances’ comes from the ‘Flexy 3 Series’ and can in principle be played by only three instruments, completed with three percussion instruments. ‘Four Easy Dances’ consists of: 1. Hop, Skip and Jump, 2. Little Polka, 3. Spanish Dance (castanets are obligatory) and finally 4. Tango.

‘Four Easy Dances’ is een vierdelige suite uit de Gobelin ’Flexy Band Collection’. Deze serie is bedoeld voor beginnende ensembles, jeugdorkesten die mogelijk nog niet alle instrumenten in hun gelederen hebben. Er zijn diverse instrument-combinatiesmog elijk. ‘Four Easy Dances’ komt uit de ‘Flexy 3 Series’ en is in principe speelbaar met drie instrumenten, aangevuld met drie slagwerk instrumenten. ‘Four Easy Dances’ bestaat uit: 1. Hop, Skip and Jump, 2.Little Polka, 3. Spanish Dance (castagnetten verplicht) en tot slot 4. Tango.

Brass Band - easy

SKU: BT.GOB-000743-030

Composed by Peter Martin. Set (Score & Parts). 50 pages. Gobelin Music Publications #GOB 000743-030. Published by Gobelin Music Publications (BT.GOB-000743-030).

‘Four Easy Dances’ is a four-part suite from Gobelin’s ’Flexy Band Collection’. This series is meant for starter ensembles, i.e. youth orchestras which may not have the full range of instruments available yet. Therefore, it is possible to combine various instruments. ‘Four Easy Dances’ comes from the ‘Flexy 3 Series’ and can in principle be played by only three instruments, completed with three percussion instruments. ‘Four Easy Dances’ consists of: 1. Hop, Skip and Jump, 2. Little Polka, 3. Spanish Dance (castanets are obligatory) and finally 4. Tango.

‘Four Easy Dances’ is een vierdelige suite uit de Gobelin ’Flexy Band Collection’. Deze serie is bedoeld voor beginnende ensembles, jeugdorkesten die mogelijk nog niet alle instrumenten in hun gelederen hebben. Er zijn diverse instrument-combinatiesmog elijk. ‘Four Easy Dances’ komt uit de ‘Flexy 3 Series’ en is in principe speelbaar met drie instrumenten, aangevuld met drie slagwerk instrumenten. ‘Four Easy Dances’ bestaat uit: 1. Hop, Skip and Jump, 2.Little Polka, 3. Spanish Dance (castagnetten verplicht) en tot slot 4. Tango.

Orchestra String Orchestra - Grade 2.5

SKU: FJ.ST6502S

Score Only. Composed by Michael Praetorius. Arranged by Carrie Lane Gruselle. Series; String Orchestra. FJH Developing Strings. Masterwork Arrangement. Score. The FJH Music Company Inc #98-ST6502S. Published by The FJH Music Company Inc (FJ.ST6502S).

English.

This fantastic arrangement of dances from the 17th century Renaissance period includes three movements, beginning with La Bourée, a lively and spirited dance. The beautiful Pavane alternates between major and minor tonalities. The final movement, Spagnoletta and Courante, is in a lilting 6/8 time. Tenor drum is optional, but highly effective and approachable. A delightful journey into the past and an excellent way to develop independence between sections.

About FJH Developing Strings

Sl ightly more advanced than Beginning Strings, this series begins to involve more position work and a slightly more complex rhythmic figures. Rehearsal piano is often provided. Ideal for middle school and smaller high school programs. Grade 2 - 2.5

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Sleigh Bells, Snare Drum, Suspended Cymbal, Timpani and more. - Grade 1.5

SKU: CF.FPS161F

Composed by Joseph Benjamin Earp. Fps. Full score. 16 pages. Duration 2 minutes, 4 seconds. Carl Fischer Music #FPS161F. Published by Carl Fischer Music (CF.FPS161F).

ISBN 9781491161784. UPC: 680160920471.

PROGR AM NOTES Santa's Majesty is inspired by the promise and grandeur presented by Santa Claus. Many of us place our faith in legendary figures hoping for good to be shared with those around us in our lives. The intention of this work is to capture the majesty surrounding our beloved Saint Nicholas. NOTES TO CONDUCTOR The duration of the composition is two minutes at the marked tempo. Careful attention should be given to articulations, dynamic changes and phrasing throughout the work. The entire work should be felt in two even though it is marked in common time. Be sure not to breathe after any crescendo throughout the work. Measure 73 through measure 75 should give focus to the tenor voices. The last three quarter notes of the piece should be emphasized a little heavier with some space.
PROGRAM NOTESSanta’s Majesty is inspired by the promise and grandeur presented by Santa Claus. Many of us place our faith in legendary figures hoping for good to be shared with those around us in our lives. The intention of this work is to capture the majesty surrounding our beloved Saint Nicholas.NOTES TO CONDUCTORThe duration of the composition is two minutes at the marked tempo. Careful attention should be given to articulations, dynamic changes and phrasing throughout the work.The entire work should be felt in two even though it is marked in common time.Be sure not to breathe after any crescendo throughout the work.Measure 73 through measure 75 should give focus to the tenor voices.The last three quarter notes of the piece should be emphasized a little heavier with some space.

Oboe solo, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Trombone, Timpani, 4 Strings

SKU: CA.4057600

Composed by Hugo Schuncke. This edition: Paperbound. German title: Oboenkonzert. Full score. 120 pages. Duration 25 minutes. Carus Verlag #CV 40.576/00. Published by Carus Verlag (CA.4057600).

ISBN 9790007105976. Key: A minor. Language: all languages.

An oboe concerto from the romantic era? Embarassingly, due to the small amount of solo literature for the instrument from this period, this question often asked of oboists, must be answerded with a reference to the few small concert pieces and sets of variations available. The A minor Concerto by Hugo Schuncke, who was a musician at the Court of Stuttgart, fills a need. The work consists of three movements: a virtuoso Allegro, a pastorale Andante and a rhythmic, exciting Bolero in rondo form.

Oboe solo, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Trombone, Timpani, 4 Strings

SKU: CA.4057603

Oboenkonzert. Composed by Hugo Schuncke. This edition: Paperbound. Oboenkonzert. Piano reduction. 44 pages. Duration 25 minutes. Carus Verlag #CV 40.576/03. Published by Carus Verlag (CA.4057603).

ISBN 9790007105983. Key: A minor. Language: all languages.

An oboe concerto from the romantic era? Embarassingly, due to the small amount of solo literature for the instrument from this period, this question often asked of oboists, must be answerded with a reference to the few small concert pieces and sets of variations available. The A minor Concerto by Hugo Schuncke, who was a musician at the Court of Stuttgart, fills a need. The work consists of three movements: a virtuoso Allegro, a pastorale Andante and a rhythmic, exciting Bolero in rondo form. Score available separately - see item CA.4057600.

String Trio - intermediate

SKU: BT.DHP-1196082-070

Arranged by Nico Dezaire. De Haske Flexible String Trios. Set (Score & Parts). Composed 2019. De Haske Publications #DHP 1196082-070. Published by De Haske Publications (BT.DHP-1196082-070).

ISBN 9789043157131. English-German-French-Dut ch.

For string ensembles that play in various instrumentations, the Flexible String Trios Series offers an ingenious solution: the score contains three parts, each of which can be played by violin, viola or cello. This means that the pieces can be played in any combination of string instruments. Discover West End is a collection of arrangements of five famous melodies from popular musicals like The Phantom of the Opera.

Voor strijkersensembles die in wisselende bezettingen spelen biedt de Flexible String Trios serie een uitgekiend concept. In de partituur worden drie stemmen aangegeven, waarbij iedere stem door zowel viool, altviool of cello kan worden ingevuld. Op deze manier kunnen de stukken in allerlei combinaties van strijkinstrumenten worden gespeeld.

Discover West End is een collectie van vijf bekende nummers uit musicals zoals onder andere The Phantom of the Opera. De partijen zijn aantrekkelijk geschreven en blijven qua klank dicht bij het origineel. Discover West End bevat vijf uitdagende arrangementen heerlijk om te spelen en uitermate geschiktvoor uitvoeringen!

Für Streichensembles, die in wechselnden Besetzungen spielen, bietet die Serie De Haske Flexible String Trios ein ausgeklügeltes Konzept. Das Set enthält eine Partitur für drei Stimmen sowie neun Einzelstimmen für Violine, Viola und Violoncello. Auf diese Weise können allerlei Kombinationen von Streichinstrumenten gebildet werden, je nach verfügbaren Spielern. Discover West End präsentiert Bearbeitungen einiger berühmter Melodien aus populären Musicals wie etwa Das Phantom der Oper.

Pour les Ensembles Cordes qui jouent en instrumentation variable, la collection Flexible String Trios offre de multiples avantages : le set complet contient un conducteur trois voix et neuf parties séparées car chaque voix est déclinée pour chacun des trois instruments. Ceci signifie que toutes les combinaisons instrumentales pourront être envisagées.

Discover West End regroupe des mélodies les plus marquantes extraites des comédies musicales populaires comme Le Fantôme de l’Opéra. Les arrangements sont attrayants tout en restant fidèles au style des pièces originales.