| Three Trumpet Tunes for Organ Orgue MorningStar Music Publishers
Composed by Michael Helman. Wedding. MorningStar Music Publishers #10-298. Pub...(+)
Composed by Michael
Helman.
Wedding. MorningStar
Music
Publishers #10-298.
Published
by MorningStar Music
Publishers
$14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Credo for Organ and Trumpet: Settings for Festive Occasions Orgue, Trompette (duo) Augsburg Fortress
Composed by Wayne L Wold. Sacred. Solo collection with organ. Published by Augsb...(+)
Composed by Wayne L Wold.
Sacred. Solo collection
with organ. Published by
Augsburg Fortress
(AU.9781506413754).
$22.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Three Celebrated Trumpet Tunes, Vol. 2 - Facile GIA Publications
By Jean-Joseph Mouret, Various. Edited by Various. For Trumpet (C or piccolo Bb)...(+)
By Jean-Joseph Mouret,
Various. Edited by
Various. For Trumpet (C
or piccolo Bb) and Organ
accompaniment.
Instrumental. Sacred.
Level: Easy. Published by
GIA Publications.
$14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Three Baroque Trumpet Tunes Orgue, Trompette (duo) - Intermédiaire/avancé MorningStar Music Publishers
By S. Drummond Wolff. For keyboard and trumpet. Chamber Music. Level: Medium/Med...(+)
By S. Drummond Wolff. For
keyboard and trumpet.
Chamber Music. Level:
Medium/Medium-Difficult.
Published by MorningStar
Music Publishers.
$14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Three Tpt Tunes for Solo Tpt and Org - (Boyce) Orgue, Trompette (duo) MorningStar Music Publishers
By S. Drummond Wolff. For Organ and trumpet. Chamber Music. Level: Medium/Easy-M...(+)
By S. Drummond Wolff. For
Organ and trumpet.
Chamber Music. Level:
Medium/Easy-Medium.
Published by MorningStar
Music Publishers.
$14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Three Pieces from Ancient Tunes Orgue, Trompette (duo) SATB, Clavier Zimbel Press
Trumpet & Organ SKU: SU.80101288 For trumpet & Organ. Composed by ...(+)
Trumpet & Organ SKU:
SU.80101288 For
trumpet & Organ.
Composed by Stephen Kemp.
Brass, Trumpet.
Accompanied by Organ.
Score & Parts. Zimbel
Press #80101288.
Published by Zimbel Press
(SU.80101288).
Three short
pieces for trumpet and
organ based on familiar
plainchant tunes: Divinum
mysterium, Pange lingua,
and Te lucis ante
terminum. 20 pages
Published by: Zimbel
Press. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Fanfares, Trumpet Tunes, and Toccatas Orgue - Intermédiaire Lorenz Publishing Company
Composed by Craig A. Penfield. Sacred, Concert, General. Lorenz Publishing Co...(+)
Composed by Craig A.
Penfield. Sacred,
Concert,
General. Lorenz
Publishing
Company #70/2185L.
Published
by Lorenz Publishing
Company
$25.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Joyous Postludes for Organ Orgue - Intermédiaire/avancé Lorenz Publishing Company
Composed by David Lasky. Sacred. Lorenz Publishing Company #70/2182L. Publishe...(+)
Composed by David Lasky.
Sacred. Lorenz Publishing
Company #70/2182L.
Published
by Lorenz Publishing
Company
$33.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Three Preludes On English Hymn-Tunes Orgue Hinshaw Music Inc.
Arranged by Graham Farrell. (Organ Solo). Organ and Sacred. Level: Medium Advan...(+)
Arranged by Graham
Farrell. (Organ Solo).
Organ and Sacred. Level:
Medium Advanced Adult.
Duration 11 min, 18 sec.
Published by Hinshaw
Music Inc.
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Contrabass Clarinet,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Oboe 1, Oboe 2, Piccolo,
alto Saxophone, soprano
Saxophone, tenor
Saxophone SKU:
PR.165001000 Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Folio. Set of Score and
Parts.
4+24+24+16+8+4+4+24+12+12
+8+4+4+4+4+8+8+8+8+4+4+4+
4+8+8+8+8+8+8+8+8+4+16+4+
8+4+8+8+4+4+4+48 pages.
Duration 10 minutes, 41
seconds. Theodore Presser
Company #165-00100.
Published by Theodore
Presser Company
(PR.165001000). ISBN
9781491129241. UPC:
680160669776. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $150.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta,...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Bongos, Castanets,
Celesta, Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass
Clarinet, Contrabassoon,
English Horn, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3 and more. SKU:
PR.16500100F Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Sws. Full score. 48
pages. Duration 10
minutes, 41 seconds.
Theodore Presser Company
#165-00100F. Published by
Theodore Presser Company
(PR.16500100F). ISBN
9781491114421. UPC:
680160669783. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $25.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Strife Is O'er: 3 Easter Pieces for Brass Quartet, Timpani, and Organ - Intermédiaire MorningStar Music Publishers
Brass quartet, timpani, and organ (Trumpet I-II, Trombone I-II, Timpani, Organ) ...(+)
Brass quartet, timpani,
and organ (Trumpet I-II,
Trombone I-II, Timpani,
Organ) - Intermediate
SKU: MN.20-461
Composed by Daniel
Burton. Easter, 21st
Century. Instrument
parts. MorningStar Music
Publishers #20-461.
Published by MorningStar
Music Publishers
(MN.20-461). UPC:
688670204616. Exper
ienced church musician
Daniel Burton brings
creativity and
practicality to bear in
this delightful set of
three tunes. The organ
parts are of medium
difficulty, the brass
parts less so, leading to
an easy put-together and
very satisfying
result. $40.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Three Festive Trumpet Tunes MorningStar Music Publishers
Composed by Jerry Westenkuehler. For organ and optional trumpet. General. Modera...(+)
Composed by Jerry
Westenkuehler. For organ
and optional trumpet.
General. Moderately Easy.
Collection. Published by
MorningStar Music
Publishers
$19.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Three Chorale Preludes, Volume II Ensemble de cuivres Eighth Note Publications
By Various. Arranged by John McNally. Brass Ensemble - Trio; Trio. Renaissance. ...(+)
By Various. Arranged by
John McNally. Brass
Ensemble - Trio; Trio.
Renaissance. Duration
00:02:33
$10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
1 |