| Festive Overture Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1185865-140 City of the Pa...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.DHP-1185865-140
City of the
Pacific. Composed by
Satoshi Yagisawa. Concert
and Contest Collection
CBHA. Opening Pieces.
Score Only. Composed
2018. 17 pages. De Haske
Publications #DHP
1185865-140. Published by
De Haske Publications
(BT.DHP-1185865-140).
English-German-French-
Dutch. This work
was commissioned by the
civilian wind orchestra
Shimizu il compagno,
based in Shimizu City,
Shizuoka Prefecture,
Japan, as a commemorative
work for their 10th
Anniversary. The world
premiere was performed by
the ensemble, conducted
by Hiromichi Hamada in
2017. Having held
discussions with the head
of the orchestra,
Tomohiro Tsuji, and
members of the group,
Satoshi Yagisawa settled
on a central motif for
this commemorative work:
fellow, or
companion, in the
sense of the Italian
il compagno, which
features in the
orchestra’s name.
The work also strives to
describe the
characteristic
friendliness of Shimizu
city, a place known for
itswarmth and kindness
which is visible from
both Mount Fuji and the
sea. The composition is
written in
Yagisawa’s typical
dramatic style with an
atmosphere of
scintillating light and
lyrical warmth, making it
an excellent choice for
opening a concert.
Dit werk werd
geschreven ter
gelegenheid van het
tienjarig bestaan van
blaasorkest
“Shimizu il
compagno†uit de
stad Shimizu in de
Japanse prefectuur
Shizuoka. Het hoofdmotief
van de compositie is
vriendschap, op basis van
de Italiaanse term il
compagno de kameraad
uit de naam van het
orkest. Ook beschrijft
Festive Overture
de vriendelijkheid en
warmte die kenmerkend
zijn voor Shimizu, een
plaats die zichtbaar is
vanaf zowel de berg Fuji
als de zee. Het werk is
geschreven in
Yagisawa’s
typerende filmische
stijl, waardoor het een
uitstekende keuze is voor
de opening van een
concert.
Dieses
Werk wurde vom
städtischen
Blasorchester Shimizu il
compagno“ aus
Shimizu City in der
Präfektur Shizuoka in
Japan anlässlich
seines 10-jährigen
Bestehens in Auftrag
gegeben. Der Begriff
Gefährte im
Sinne des italienischen
Wortes il compagno
das auch im Namen des
Orchesters verwendet wird
wurde zum zentralen
Motiv. Das Werk möchte
außerdem die für
die Stadt Shimizu
typische Freundlichkeit
beschreiben, ein Ort, der
für seine Wärme und
Liebenswürdigkeit
bekannt ist und sowohl
vom Berg Fudschijama als
auch vom Meer aus zu
sehen ist. Die
Komposition ist in
Yagisawas typisch
filmischem Stil
geschrieben, wodurch sie
sich hervorragend für
die Eröffnungeines
Konzerts eignet.
Cette Å“uvre a
été commandée
l’occasion du
dixième anniversaire
de l’harmonie «
Shimizu il compagno »
de la ville de Shimizu,
préfecture de
Shizuoka, au Japon. Son
motif principal est le
camarade, ou
compagnon, dans le
sens de l’italien
il compagno qui
figure dans le nom de
l’orchestre.
L’œuvre
cherche aussi communiquer
l’ambiance
chaleureuse de la ville
de Shimizu, qui est
réputée pour son
hospitalité et sa
bienveillance et que
l’on aperçoit
aussi bien depuis le mont
Fuji que de la côte.
Typique du style
dramatique de Yagisawa,
cette composition est
idéale pour ouvrir un
concert. $27.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Festive Overture Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1185865-010 City of the Pa...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.DHP-1185865-010
City of the
Pacific. Composed by
Satoshi Yagisawa. Concert
and Contest Collection
CBHA. Opening Pieces. Set
(Score and Parts).
Composed 2018. De Haske
Publications #DHP
1185865-010. Published by
De Haske Publications
(BT.DHP-1185865-010).
English-German-French-
Dutch. This work
was commissioned by the
civilian wind orchestra
Shimizu il compagno,
based in Shimizu City,
Shizuoka Prefecture,
Japan, as a commemorative
work for their 10th
Anniversary. The world
premiere was performed by
the ensemble, conducted
by Hiromichi Hamada in
2017. Having held
discussions with the head
of the orchestra,
Tomohiro Tsuji, and
members of the group,
Satoshi Yagisawa settled
on a central motif for
this commemorative work:
fellow, or
companion, in the
sense of the Italian
il compagno, which
features in the
orchestraâ??s name. The
work also strives to
describe the
characteristic
friendliness of Shimizu
city, a place known for
itswarmth and kindness
which is visible from
both Mount Fuji and the
sea. The composition is
written in Yagisawaâ??s
typical dramatic style
with an atmosphere of
scintillating light and
lyrical warmth, making it
an excellent choice for
opening a concert.
Dit werk werd
geschreven ter
gelegenheid van het
tienjarig bestaan van
blaasorkest â??Shimizu
il compagnoâ? uit de
stad Shimizu in de
Japanse prefectuur
Shizuoka. Het hoofdmotief
van de compositie is
vriendschap, op basis van
de Italiaanse term il
compagno de kameraad
uit de naam van het
orkest. Ook beschrijft
Festive Overture
de vriendelijkheid en
warmte die kenmerkend
zijn voor Shimizu, een
plaats die zichtbaar is
vanaf zowel de berg Fuji
als de zee. Het werk is
geschreven in
Yagisawaâ??s typerende
filmische stijl, waardoor
het een uitstekende keuze
is voor de opening van
een
concert.
Dieses
Werk wurde vom
städtischen
Blasorchester Shimizu il
compagnoâ?? aus Shimizu
City in der Präfektur
Shizuoka in Japan
anlässlich seines
10-jährigen Bestehens
in Auftrag gegeben. Der
Begriff
Gefährte im
Sinne des italienischen
Wortes il compagno
das auch im Namen des
Orchesters verwendet wird
wurde zum zentralen
Motiv. Das Werk möchte
au�erdem die für die
Stadt Shimizu typische
Freundlichkeit
beschreiben, ein Ort, der
für seine Wärme und
Liebenswürdigkeit
bekannt ist und sowohl
vom Berg Fudschijama als
auch vom Meer aus zu
sehen ist. Die
Komposition ist in
Yagisawas typisch
filmischem Stil
geschrieben, wodurch sie
sich hervorragend für
die Eröffnungeines
Konzerts eignet.
Cette Å?uvre a
été commandée
lâ??occasion du
dixième anniversaire
de lâ??harmonie «
Shimizu il compagno »
de la ville de Shimizu,
préfecture de
Shizuoka, au Japon. Son
motif principal est le
camarade, ou
compagnon, dans le
sens de lâ??italien
il compagno qui
figure dans le nom de
lâ??orchestre.
Lâ??Å?uvre cherche
aussi communiquer
lâ??ambiance chaleureuse
de la ville de Shimizu,
qui est réputée
pour son hospitalité
et sa bienveillance et
que lâ??on aperçoit
aussi bien depuis le mont
Fuji que de la côte.
Typique du style
dramatique de Yagisawa,
cette composition est
idéale pour ouvrir un
concert. $137.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Choral Singing Step by Step Chorale [Partition] GIA Publications
(Eleven Concise Lessons for Individual or Choral Ensemble Use). By James Jordan....(+)
(Eleven Concise Lessons
for Individual or Choral
Ensemble Use). By James
Jordan. Sacred. Book. 86
pages. Published by GIA
Publications
$12.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hal Leonard Recorded Library 2014 - Elementary Edition (Joy of Singing To Go) Chorale Hal Leonard
| | |
| Requiem (Arman-Fassung) Carus Verlag
Violoncello/double bass part (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2...(+)
Violoncello/double bass
part (Soli SATB, Coro
SATB, 2 Corni di
bassetto, 2 Fg, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Bc)
SKU: CA.5165214
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. KV 626.
Duration 50 minutes.
Carus Verlag #5165214.
Published by Carus Verlag
(CA.5165214). ISBN
9790007313876. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozart’s Requiem.
“Another
one?†you might
ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Süßmayr
version. Yet such is the
enormous power of
Mozart’s score
that the challenge and
appeal of completing it
remain undiminished.
After two decades of
intensive study, Howard
Arman’s additions
to Mozart’s great
original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ
™s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozart’s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrument’s
unique sound is given an
opportunity to shine.
Arman’s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather – in the
spirit of Mozart –
on creating a sense of
drama and illuminating
the theme in all its
possible facets.
Mozart’s fragment
ends with the Hostias,
and so does
Arman’s
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to Süßmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanâ€
s version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike – and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozart’s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (Arman-Fassung) Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2
Corni di bassetto, 2 Fg,
2 Tr, 3 Trb, Timp, 2 Vl,
Va, Bc) SKU:
CA.5165209
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Set of
Orchestra Parts. KV 626.
Duration 50 minutes.
Carus Verlag #5165209.
Published by Carus Verlag
(CA.5165209). ISBN
9790007313838. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozart’s Requiem.
“Another
one?†you might
ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Süßmayr
version. Yet such is the
enormous power of
Mozart’s score
that the challenge and
appeal of completing it
remain undiminished.
After two decades of
intensive study, Howard
Arman’s additions
to Mozart’s great
original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ
™s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozart’s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrument’s
unique sound is given an
opportunity to shine.
Arman’s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather – in the
spirit of Mozart –
on creating a sense of
drama and illuminating
the theme in all its
possible facets.
Mozart’s fragment
ends with the Hostias,
and so does
Arman’s
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to Süßmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanâ€
s version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike – and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozart’s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $69.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (Arman-Fassung) Carus Verlag
2nd violin (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, ...(+)
2nd violin (Soli SATB,
Coro SATB, 2 Corni di
bassetto, 2 Fg, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Bc)
SKU: CA.5165212
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. KV 626.
Duration 50 minutes.
Carus Verlag #5165212.
Published by Carus Verlag
(CA.5165212). ISBN
9790007313852. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozart’s Requiem.
“Another
one?†you might
ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Süßmayr
version. Yet such is the
enormous power of
Mozart’s score
that the challenge and
appeal of completing it
remain undiminished.
After two decades of
intensive study, Howard
Arman’s additions
to Mozart’s great
original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ
™s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozart’s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrument’s
unique sound is given an
opportunity to shine.
Arman’s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather – in the
spirit of Mozart –
on creating a sense of
drama and illuminating
the theme in all its
possible facets.
Mozart’s fragment
ends with the Hostias,
and so does
Arman’s
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to Süßmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanâ€
s version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike – and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozart’s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2
Corni di bassetto, 2 Fg,
2 Tr, 3 Trb, Timp, 2 Vl,
Va, Bc) SKU:
CA.5165205
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Choral
Score. KV 626. Duration
50 minutes. Carus Verlag
#5165205. Published by
Carus Verlag
(CA.5165205). ISBN
9790007314286. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozart’s Requiem.
“Another one?” you
might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Süßmayr
version. Yet such is the
enormous power of
Mozart’s score that the
challenge and appeal of
completing it remain
undiminished. After two
decades of intensive
study, Howard Arman’s
additions to Mozart’s
great original show the
requisite care and
respect while
incorporating many new
insights.
Arman’
s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozart’s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrument’s unique
sound is given an
opportunity to shine.
Arman’s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather – in the spirit
of Mozart – on creating
a sense of drama and
illuminating the theme in
all its possible facets.
Mozart’s fragment ends
with the Hostias, and so
does Arman’s
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to Süßmayr, the
man who was closest to
Mozart at the time of his
death and whose efforts
to fill the blank
manuscripts still garner
our respect
today.
Arman’s
version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike – and
celebrated as offering a
scholarly, entirely fresh
perspective on Mozart’s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (Arman-Fassung) Carus Verlag
1st violin (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, ...(+)
1st violin (Soli SATB,
Coro SATB, 2 Corni di
bassetto, 2 Fg, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Bc)
SKU: CA.5165211
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. KV 626.
Duration 50 minutes.
Carus Verlag #5165211.
Published by Carus Verlag
(CA.5165211). ISBN
9790007313845. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozart’s Requiem.
“Another
one?†you might
ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Süßmayr
version. Yet such is the
enormous power of
Mozart’s score
that the challenge and
appeal of completing it
remain undiminished.
After two decades of
intensive study, Howard
Arman’s additions
to Mozart’s great
original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ
™s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozart’s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrument’s
unique sound is given an
opportunity to shine.
Arman’s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather – in the
spirit of Mozart –
on creating a sense of
drama and illuminating
the theme in all its
possible facets.
Mozart’s fragment
ends with the Hostias,
and so does
Arman’s
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to Süßmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanâ€
s version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike – and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozart’s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (Arman-Fassung) Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2
Corni di bassetto, 2 Fg,
2 Tr, 3 Trb, Timp, 2 Vl,
Va, Bc) SKU:
CA.5165219
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Set of
Orchestra Parts. KV 626.
Duration 50 minutes.
Carus Verlag #5165219.
Published by Carus Verlag
(CA.5165219). ISBN
9790007313883. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozart’s Requiem.
“Another one?” you
might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Süßmayr
version. Yet such is the
enormous power of
Mozart’s score that the
challenge and appeal of
completing it remain
undiminished. After two
decades of intensive
study, Howard Arman’s
additions to Mozart’s
great original show the
requisite care and
respect while
incorporating many new
insights.
Arman’
s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozart’s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrument’s unique
sound is given an
opportunity to shine.
Arman’s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather – in the spirit
of Mozart – on creating
a sense of drama and
illuminating the theme in
all its possible facets.
Mozart’s fragment ends
with the Hostias, and so
does Arman’s
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to Süßmayr, the
man who was closest to
Mozart at the time of his
death and whose efforts
to fill the blank
manuscripts still garner
our respect
today.
Arman’s
version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike – and
celebrated as offering a
scholarly, entirely fresh
perspective on Mozart’s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $240.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] Carus Verlag
Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Tim...(+)
Solo voices, SATB chorus,
orchestra (2 Corni di
bassetto, 2 Fg, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Bc)
SKU: CA.5165203
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Vocal
score. KV 626. Duration
50 minutes. Carus Verlag
#5165203. Published by
Carus Verlag
(CA.5165203). ISBN
9790007294243. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartâ??s Requiem.
â??Another one?â? you
might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Sü�mayr
version. Yet such is the
enormous power of
Mozartâ??s score that
the challenge and appeal
of completing it remain
undiminished. After two
decades of intensive
study, Howard Armanâ??s
additions to Mozartâ??s
great original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ?
?s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartâ??s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentâ??s unique
sound is given an
opportunity to shine.
Armanâ??s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather â?? in the spirit
of Mozart â?? on
creating a sense of drama
and illuminating the
theme in all its possible
facets. Mozartâ??s
fragment ends with the
Hostias, and so does
Armanâ??s completion.
For the four
following movements
(Sanctus to Communio) we
have nothing from Mozart,
and so here, where the
master is silent, Arman
finally returns to
Sü�mayr, the man who
was closest to Mozart at
the time of his death and
whose efforts to fill the
blank manuscripts still
garner our respect
today.
Armanâ??s
version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike â?? and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozartâ??s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (Arman-Fassung) Carus Verlag
Viola (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl,...(+)
Viola (Soli SATB, Coro
SATB, 2 Corni di
bassetto, 2 Fg, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Bc)
SKU: CA.5165213
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. KV 626.
Duration 50 minutes.
Carus Verlag #5165213.
Published by Carus Verlag
(CA.5165213). ISBN
9790007313869. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozart’s Requiem.
“Another one?” you
might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Süßmayr
version. Yet such is the
enormous power of
Mozart’s score that the
challenge and appeal of
completing it remain
undiminished. After two
decades of intensive
study, Howard Arman’s
additions to Mozart’s
great original show the
requisite care and
respect while
incorporating many new
insights.
Arman’
s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozart’s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrument’s unique
sound is given an
opportunity to shine.
Arman’s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather – in the spirit
of Mozart – on creating
a sense of drama and
illuminating the theme in
all its possible facets.
Mozart’s fragment ends
with the Hostias, and so
does Arman’s
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to Süßmayr, the
man who was closest to
Mozart at the time of his
death and whose efforts
to fill the blank
manuscripts still garner
our respect
today.
Arman’s
version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike – and
celebrated as offering a
scholarly, entirely fresh
perspective on Mozart’s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (Arman-Fassung) Carus Verlag
Organ (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl,...(+)
Organ (Soli SATB, Coro
SATB, 2 Corni di
bassetto, 2 Fg, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Bc)
SKU: CA.5165249
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. KV 626.
Duration 50 minutes.
Carus Verlag #5165249.
Published by Carus Verlag
(CA.5165249). Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozart’s Requiem.
“Another
one?†you might
ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Süßmayr
version. Yet such is the
enormous power of
Mozart’s score
that the challenge and
appeal of completing it
remain undiminished.
After two decades of
intensive study, Howard
Arman’s additions
to Mozart’s great
original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ
™s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozart’s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrument’s
unique sound is given an
opportunity to shine.
Arman’s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather – in the
spirit of Mozart –
on creating a sense of
drama and illuminating
the theme in all its
possible facets.
Mozart’s fragment
ends with the Hostias,
and so does
Arman’s
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to Süßmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanâ€
s version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike – and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozart’s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $28.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| When Johnny Comes Marching Home Orchestre à Cordes Alfred Publishing
Arranged by Sandra Dackow. Performance Music Ensemble; Single Titles; String Orc...(+)
Arranged by Sandra
Dackow. Performance Music
Ensemble; Single Titles;
String Orchestra.
Orchestra Expressions.
Folk. Score. 12 pages.
Duration 1:30. Alfred
Music #00-45825S.
Published by Alfred Music
(AP.45825S).
$9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| When Johnny Comes Marching Home Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
Arranged by Sandra Dackow. Part(s); Score; String Orchestra. Orchestra Expressio...(+)
Arranged by Sandra
Dackow. Part(s); Score;
String Orchestra.
Orchestra Expressions.
Folk. 148 pages.
Published by Alfred Music
(AP.45825).
$49.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Something More for the Girls Piano seul [Partition] - Facile Alfred Publishing
Arranged by Dan Coates. For Piano. Piano - Easy Piano Collection. Level: Easy Pi...(+)
Arranged by Dan Coates.
For Piano. Piano - Easy
Piano Collection. Level:
Easy Piano. Book. 92
pages. Published by
Alfred Publishing.
$12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| That is Solemn, We Have Ended Chorale SATB SATB, Piano Carl Fischer
Choral SATB choir, piano SKU: CF.CM9764 Two Poems by Emily Dickinson(+)
Choral SATB choir, piano
SKU: CF.CM9764
Two Poems by Emily
Dickinson. Composed
by Meredith Tompkins.
Duration 3 minutes, 51
seconds. Carl Fischer
Music #CM9764. Published
by Carl Fischer Music
(CF.CM9764). ISBN
9781491162521. UPC:
680160921270. Key: Eb
major. English. Emily
Dickinson. Emily
Dickinson's two poems
entitled Ending and
Dawn provide the ideal
backdrop for an
experience that begins in
darkness and ends in a
burst of light and
mystery. Meredith
Tompkins' interpretation
of the two texts centers
on the multi-faceted
meanings of each poem,
exploring themes of lost
youth, leaving home,
mortality, destiny and
hope. Audiences and
choirs alike will
experience Dickinson's
poignant words through
haunting melodies, vivid
text-painting, dynamic
contrast, minimalist
soundscapes and melodic
layering that gradually
builds to intense and
thought-provoking
conclusions.Ending:That
is solemn we have ended,
—Be it but a
play,Or a glee among the
garrets,Or a holiday,Or a
leaving home; or
later,Parting with a
worldWe have understood,
for betterStill it be
unfurled. Dawn:Not
knowing when the dawn
will comeI open every
door;Or has it feathers
like a bird,Or billows
like a shore? $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Christmas Carol Arrangements
Piano seul Hal Leonard
Classical Piano Sheet Music Series. Composed by Various. Piano. Christmas, Cla...(+)
Classical Piano Sheet
Music
Series. Composed by
Various.
Piano. Christmas,
Classical.
Softcover. Published by
Hal
Leonard
$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Glad Tidings! Orgue [Partition] Lorenz Publishing Company
(A Christmas Collection for Organ). By Dennis Eliot. For organ. Sacred: Christma...(+)
(A Christmas Collection
for Organ). By Dennis
Eliot. For organ. Sacred:
Christmas. 3-staff.
Collection. Published by
Lorenz Publishing Company
$33.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Red Dragon Sc/pts Orchestre d'harmonie - Avancé Hal Leonard
Concert Band/Harmonie (Score & Parts) - Grade 5 SKU: HL.44011311 Apunt...(+)
Concert Band/Harmonie
(Score & Parts) - Grade 5
SKU: HL.44011311
Apunte Sinfonico.
Composed by Ferrer
Ferran. IberMusica
Concert Band. Concert
Piece. Score Only.
Composed 2009. Hal
Leonard #IB049. Published
by Hal Leonard
(HL.44011311). UPC:
884088891466. 9x12
inches.
English(US)/Deutsch/Franc
ais/Nederlands. The
dragon is a mystical
monster that plays a
prominent role in legends
from around the world and
it still maintains its
timeless hold on
humanity. From a
destructive force in the
west to a messenger sent
from the gods in the
east, dragons have always
been a force of nature.
We now invite you to step
into the dark and
mysterious universe of
the Red Dragon, guardian
of untold treasures!
De draak. Als
mythisch monster komt hij
overal ter wereld voor in
talrijke verhalen en
legenden. Door de eeuwen
heen heeft dit monster de
mensen altijd
gefascineerd. Als
verscheurend ondier in de
westerse wereld maar ook
als boodschappervan de
goden in het Oosten
symboliseert hij de macht
over de elementen. Treed
binnen in het duistere,
geheimzinnige universum
van de rode draak en maak
kennis met de bewaker van
de legendarische
schat...
Der
Drache ist das mythische
Monster zahlreicher
Legenden aus praktisch
der ganzen Welt und
übt eine zeitlose
Faszination aus. Als
zerstorerisches Untier im
Abendland oder als
Botschafter der Gotter im
Orient symbolisiert er
die Macht über die
Elemente der Natur.
Treten Sie ein in das
düstere,
geheimnisvolle Universum
des roten Drachen, den
Wachter eines sagenhaften
Schatzes!
Monstre
fabuleux, le dragon est
present dans les legendes
de la quasi-totalite des
cultures et demeure
l'objet d'une fascination
intemporelle. Animal
malefique et destructeur
pour les Occidentaux ;
messager des dieux pour
les Orientaux, il est le
maitre des elements et
symbolise la puissance
des forces de la nature.
Entrez dans l'univers
sombre et mysterieux du
Dragon rouge.
Mostro fiabesco,
il drago e presente nelle
leggende di quasi tutte
le culture ed e l'oggetto
di un fascino senza
tempo. Animale malefi co
e distruttore per gli
occidentali, messaggero
degli Dei per gli
orientali, il drago e il
maestro degli elementi
che simbolizzano la forza
della natura. Entrate
nell'universo cupo e
misterioso del Drago
rosso, guardiano di un
favoloso tesoro. $184.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Anthology of Jazz Songs - Gold Edition Piano Facile [Partition] - Facile Hal Leonard
(E-Z Play Today #340). By Various. E-Z Play Today. Softcover. 256 pages. Publish...(+)
(E-Z Play Today #340). By
Various. E-Z Play Today.
Softcover. 256 pages.
Published by Hal Leonard
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 21 Etudes for Violoncello Violoncelle, Piano G. Henle
Score & Parts Cello SKU: HL.51481132 For Violoncello and Piano. Co...(+)
Score & Parts Cello
SKU: HL.51481132
For Violoncello and
Piano. Composed by
Jean-Louis Duport. Edited
by Norbert Gertsch. Henle
Music Folios. Classical.
Softcover. 42 pages. G.
Henle #HN1132. Published
by G. Henle
(HL.51481132). UPC:
840126989656.
9.0x12.0x0.35
inches. “More
than 20 years ago I was
called upon by friends,
artists, and aficionados
to write about fingerings
for the
violoncello,â€
then-famous Berlin
cellist Jean-Louis Duport
thus opens his
“Essai†from
1806, dedicated to
“Professeurs de
Violoncelle.†His
methodology
revolutionized cello
technique, and the 21
etudes printed in its
appendix are still
regarded today as perhaps
the most important set of
studies for all budding
cellists. Modelled after
the volumes of etudes for
violin, Henle is also
issuing the Urtext here,
together with all
original fingerings and
bowings, while also
offering alternatives by
the famous cellist and
teacher Wolfgang Emanuel
Schmidt. This edition
also offers a second
cello part provided by
Duport for
accompaniment.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
- error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
- preface in 3
languages with
information on the
genesis and history of
the work
- Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
- most beautiful music
engraving
- page-turns, fold-out
pages, and cues where you
need them
- excellent print
quality and
binding
- largest Urtext
catalogue
world-wide
- longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
$28.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Dan Coates: 2000-2005 Best Pop Songs - Easy Piano Piano, Voix et Guitare [Partition] - Facile Alfred Publishing
Composed by Dan Coates. Songbook for voice, easy piano and guitar (chords only)....(+)
Composed by Dan Coates.
Songbook for voice, easy
piano and guitar (chords
only). 168 pages.
Published by Alfred
Publishing.
$18.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Big Acoustic Guitar Chord Songbook Classic Country Music Sales
| | |
| Lorie Line - King of Kings: A Holiday Collection Piano seul Hal Leonard
By Lorie Line. Piano Solo Personality. Christmas. Softcover. 88 pages. Hal ...(+)
By Lorie Line. Piano Solo
Personality. Christmas.
Softcover. 88 pages. Hal
Leonard #TLP355.
Published by
Hal Leonard
$34.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 21st Century Rock Tab Slipcase Music Sales
| | |
1 ... 181 211 241 |