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Laverne A. - Chords In Motion - Piano
24.60
Laverne A. - Chords In Motion - Piano
Piano seul
Jamey Aebersold Jazz
Noted jazz pianist, composer, recording artist and educator Andy LaVerne has dra...
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Noted jazz pianist, composer, recording artist and educator Andy LaVerne has drawn from his decades of experience playing with master musicians from Getz to Lovano to create this comprehensive compendium of contemporary moving voicings. Quartal, quintal, drop 2, dominant 7b9/diminished, triadic, whole tone and chromatic performance proven voicings pioneered by McCoy Tyner, Chick Corea, Herbie Hancock, and Andy himself are presented and fleshed out in all twelve keys. This book picks up where others leave off, enabling you to replace static chords with voicings that move melodically, dramatically, and gracefully over the entire range of the keyboard. Firmly rooted in contemporary jazz theory, the emphasis is on practical performance applications. Andy ties it all together with illustrations of comping choruses for five standard jazz tunes. Chords in Motion satisfies a long awaited need in actual comping situations, and shows you how to move chords through varying harmonic rhythms. FINALLY ' a book that gives you moving voicings, and sets them in motion in all twelve keys. Chords in Motion is a valuable resource for all keyboardists, arrangers, and instrumentalists. Activate, animate, and energize your comping with this encyclopedic volume. 156 pages, spiral bound for easy opening. Andy carries the flame of jazz piano tradition and just great music. He always inspires me. Chick Corea This is a great book! I am going to sit down and play through this!! I am always telling my non-piano playing students how important it is to work with (and internalize) the sounds that we live with all our lives as Jazz musicians. Coltrane spent years sitting at the piano and so should all of us!!! John Patitucci Berklee College of Music One thing about Andy'he is complete as can be and has been consistently so for years in both his teaching materials and playing. He is completely knowledgeable in such a way that when I play with him, I know he KNOWS!! Plus he is one of the smoothest and polished of players around. Great book'encyclopedic in content. Dave Liebman Founder, Artistic Director, International Association of Schools of Jazz (IASJ) I've played and recorded with Andy LaVerne many times over the years and in many different settings and he's always come up with the hippest, most interesting chords in the most musical way! His way of playing and looking at chords inspires me as a drummer and his rhythm section partner to play things that are in turn inspiring to the rest of the band. This book, helps musicians, understand, in a clear thoughtful presentation, how to go about getting this together. Billy Drummond Jazz Drummer, Educator, Juilliard, NYU Chords in Motion is an outstanding and comprehensive guide by Andy LaVerne, whose encyclopedic knowledge, decades of experience and brilliance as a performer and educator make this an invaluable handbook of modern jazz piano harmony. Its user-friendly, intelligent design enables musicians to expand their harmonic palette and potentially transform their playing, writing and arranging. Chords in Motion is an invaluable contribution to jazz musicians! Lynne Arriale Jazz Pianist, Composer, Educator, Associate Professor of Jazz Piano, Director of Small Ensembles, University of North Florida Chords in Motion is exactly the book I'd expect from Andy LaVerne. It's clear, openhearted and inspiring, as has been every conversation I've had with Andy over the years. Long a fan of his playing, I have enjoyed this look behind the curtain at how Andy LaVerne formulated his signature style. One other thing -- any pianist, no matter his/her approach, will gain insight into what will surely be new and exciting musical directions. Pete Malinverni Jazz Pianist, Educator, Director of Jazz Studies, SUNY Purchase College Conservatory of Music What a great resource for expanding the harmonic palette! Chords in Motion is a must have for the aspiring young jazz pianist as well as the seasoned veteran. Another winner from Andy! Paul Schmeling Jazz Pianist, Educator, Chair Emeritus, Piano Department, Berklee College of Music In Chords in Motion, I recognize chords and sounds that have inspired me to compose and play: harmony from the music of Chick Corea, Herbie Hancock and McCoy Tyner. This book is well organized, and from the beginning gets you playing. Each chord structure is explained and developed. There is plenty to practice. I especially like the exercises using contrary motion, arpeggiation and pivot, and the application to tunes. The reader will be tempted to stop on every page and compose. I found the Lost Chord, but won't tell you the page number. Bert Ligon Jazz Pianist/Guitarist, Composer, Arranger, Educator, Director of Jazz Studies, University of South Carolina Ever wonder how to move harmony around instead of repeating the same chord voicing over and over' Then Chords in Motion is a must have book for you! Andy has included a ton of information that will open up your comping and should keep you busy with new ideas for a long time! I highly recommend it! Dan Haerle Jazz Pianist, Composer, Author, Educator, Professor Emeritus, University of North Texas Chords in Motion is an essential guide to expanding one's conception of modern Jazz Piano Harmony. Andy LaVerne has managed to outline in a very practical and concise way, modern principles of piano chord voicings, as they pertain to the Jazz Pianist's primary group function of comping. David Hazeltine Jazz Pianist, Composer, Educator, SUNY Purchase College Conservatory of Music Chords in Motion should be fun to take into the practice room to explore new ways of sustaining harmonies over the entire register of the piano. It is encyclopedic and thorough in its content. No stone is left unturned! Stephany Tiernan Pianist, Composer, Educator, Chair, Piano Department, Berklee College Of Music Chords In Motion is an excellent practicing resource that provides a garden of harmonic sonorities for a musician to choose and explore at the piano. I like the way that Andy has made the information accessible to any level of student. I look forward to discovering some different sounds with this book. Phil DeGreg Jazz Pianist, Author, Educator, University of Cincinnati College Conservatory of Music I am delighted to recommend Andy LaVerne's Chords In Motion to aspiring jazz pianists! Andy is a superb pianist, very capable of addressing this topic. Prior to pianists like McCoy Tyner, Herbie Hancock, Bill Evans, and others, most pianists were content to have acquired a small handful of chord voicings, generally with the chord roots on the bottom of the voicings. Though 'rootless voicings' were adopted in later years, they were primarily for the left hand and generally only used the 3rd or 7th on the bottom. But now the serious jazz pianist needs to be able to move his or her voicings in a more diatonic manner, as shown in Andy's book. Jerry Coker Jazz Saxophonist, Author, Educator Andy LaVerne's Chords in Motion is a study of encyclopedic scope on the use of harmonies based on fourth intervals in the context of jazz harmony. There is a wealth of information in terms of voicings, voice leading and chord/scale relationships and their application to common harmonic formulae (ii-V, etc.) and the chord progressions used in blues and common standard tunes. Jazz musicians interested in this vocabulary should find this book to be a useful launching pad for exploring this important corner of the world of jazz harmony. Bill Dobbins Jazz Pianist, Composer, Arranger, Author, Educator, Professor of Jazz Studies, Conductor, Coordinator Jazz Composition and Arranging, Eastman School of Music Chords in Motion is a highly detailed, informative and filling-in-the-gap text. It's an important and welcome addition to the jazz piano literature, which can be applied to any level of proficiency. Stefan Karlsson Jazz Pianist, Educator, Professor/Jazz Studies Division, University of North Texas Fantastic pianist Andy LaVerne has put together an amazing, detailed, and incredibly comprehensive guide for effectively implementing quartal and related voicings. He has honed in on the 'secret' to using these structures musically and creatively: moving the voicings through changes in logical and interesting ways. Clearly presented, extremely thorough, and loaded with information, Chords in Motion is a must-have for any pianist! Martin Bejerano Jazz Pianist, Composer, Educator, Assistant Professor, Jazz Piano, Frost School of Music University of Miami Chords in Motion is an in-depth look at fourth and related voicings that give an atmosphere that you want to improvise on. We play over the voicing, not the chord symbol. Chords in Motion targets that modal atmosphere that horn players love playing over. Love this book - can't wait to start practicing it! Jerry Bergonzi Jazz Saxophonist, Composer, Author, Educator, New England Conservatory I was thrilled when Jazz Piano Great Mulgrew Miller agreed to write a quote for this book. I was deeply saddened to hear of Mulgrew's passing just days before publication. All who loved Mulgrew and his music will sorely miss him, and are grateful for the rich musical legacy he left us. Rest easy, Mulgrew. Andy LaVerne
24.60 EUR - vendu par Woodbrass
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Creative Saxophone Duets + Cd (SANTIN KELLIE / CLARK CHERYL)
20.40
Creative Saxophone Duets + Cd (SANTIN KELLIE / CLARK CHERYL)
Saxophone
[Partition + CD]
-
Débutant
Oxford University Press
Par SANTIN KELLIE / CLARK CHERYL. Pour les débutants de tous âges Progression...
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Par SANTIN KELLIE / CLARK CHERYL. Pour les débutants de tous âges Progression claire et systématique Compagnon de livres Saxophone Creative 26 pièces qui reflètent la progression du livre tuteur Se concentre sur les styles de musique contemporaine Premiers pas dans les compétences en développement jouant ensemble Saxophone et soutien drumkit pour chaque duo sur CD - comprend des versions pour alto et ténor instruments. Kellie Santin est largement reconnue pour sa voix unique sur le saxophone alto. Grandement influencé par Charlie Parker, Paul Desmond et d'autres, son style de jeu combine technique exceptionnelle avec un sens aigu de la mélodie et une capacité infectieuse de la rainure. Kellie actuellement en cours de saxophone à l'Institut Littéraire Ville de Londres. Kellie freelances aussi avec un large éventail d'artistes tels que Nina Ferro et al Démarrer. Cheryl Clark est un musicien accompli qui se spécialise au saxophone, hautbois, flûte et clarinette. Un membre régulier des groupes phares grands à Melbourne, Cheryl a fait des tournées avec des actes internationaux, dont Ray Charles et Jerry Lewis. Cheryl a également joué avec l'Orchestre symphonique de Melbourne, l'Australie Pops Orchestra et l'Orchestre de l'Etat de Victoria. Elle a fait de nombreuses apparitions à la télévision et a travaillé dans des comédies musicales et des sessions d'enregistrement commercial, y compris les enregistrements et les bandes sonores de film commercial. / Niveau : Très Facile / Recueil / Saxophone
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Fifty Years Of Hits : Vol.One
59.70
Fifty Years Of Hits : Vol.One
Piano, Voix et Guitare
Amsco Wise Publications
100 songs from the past half-century, arranged for Piano, Vocal and Guitar in th...
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100 songs from the past half-century, arranged for Piano, Vocal and Guitar in this Volume One of Fifty Years Of Hits. Featuring some of the greatest songs spanning decades, genres and entire musical eras, this massive will be a mainstay on any musician's music stand.Featuring many of The Beatles' finest tracks, Fifty Years Of Hits also runs through Joni Mitchell's career, and includes songs by Leonard Cohen and Dusty Springfield. Moving from the early years to the 1990s and Britpop, the book features Piano, Vocal and Guitar arrangements of Oasis and Travis, before moving into the current pop world with Taylor Swift, Ed Sheeran, Jessie J, Little Mix and Emeli Sandé, among many many more. / Piano/Vocal/Guitare (PVG)
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Longest Cocktail Party, The
29.00
Longest Cocktail Party, The
Divers
Alfred Publishing
Apple Records was a noble experiment created in the spirit of the 1960s by four ...
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Apple Records was a noble experiment created in the spirit of the 1960s by four musicians who came to represent everything that was best about those tumultuous, experimental, and liberating times. The Beatles started out with the greatest of intentions, but reality soon got in the way. Much has been written about this period in the history of The Beatles' evolution and dissolution---some of it true, some of it wildly exaggerated, but not much of it first-hand. The Longest Cocktail Party is a rare exception. Written by Richard DiLello, who served as Apple Record's 'House Hippie' from 1968 to 1970, this unusual first-hand glimpse into The Beatles' empire humorously chronicles the stranger-than-life stories that were to become legendary, including visits by the Hell's Angels and endless tales of celebrity antics. Alfred Music is proud to offer this latest edition, which features a new and insightful foreword by the author. Originally published by Playboy Press in 1972, The Longest Cocktail Party has proven itself a timeless chronicle of this most colorful period in pop history. / Divers
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The Complete Resource For Community Choirs (BURNS ALISON / PARTINGTON GITIKA)
78.60
The Complete Resource For Community Choirs (BURNS ALISON / PARTINGTON GITIKA)
Voix seule
[Partition + CD]
Oxford University Press
The Complete Resource for Community Choirs. Par BURNS ALISON / PARTINGTON GITIKA...
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The Complete Resource for Community Choirs. Par BURNS ALISON / PARTINGTON GITIKA. 43 flexible songs, from simple unison to four parts, by established writers and arrangers Ideal for community choirs of all types and school groups of 11+ years Vast range of repertoire, including well-known pop songs, traditional songs from around the world, contemporary songs, protest songs, and rounds Diverse themes, including Peace and Reflection, Liberty and Freedom, and Celebrations Warm-ups and practical tips on working with amateur singers and the natural voice Supporting rehearsal plans for each song, from the basis of learning by ear Copiable pages CD containing MP3s of learning tracks (providing individual vocal parts) and backing tracks for some pieces Recordings of full performances available to download Community Voiceworks is an unrivalled collection of fun, reflective, empowering, and moving songs in the practical Voiceworks format. With five sections covering a variety of life's key themes, there is something for everyone - from classic hits such as 'Sitting on the Dock of the Bay', 'If I had a hammer', 'Walking on Sunshine', and 'Something Inside So Strong' to well-known traditional songs and new works by acclaimed choir leaders. The CD provides recordings of individual parts, allowing non-readers to learn aurally, and song sheets are photocopiable. A truly inclusive collection for all groups who love singing together, regardless of experience!/ Recueil / Voix
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The Ultimate Buskers Book 2
29.30
The Ultimate Buskers Book 2
Ligne De Mélodie, (Paroles) et Accords
[Partition]
Faber Music Limited
A second collection of 100 fantastic songs includes classic hits form the 1960s ...
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A second collection of 100 fantastic songs includes classic hits form the 1960s to the present day. With full top line arrangements in their original keys this is an ideal resource for buskers everywhere and suitable for any occasion. The book also includes melody line, lyrics and guitar chords boxes as well as vocal harmonies, instrumental cues and solos./ Recueil / Ligne de Mélodie, Paroles et Accords
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The New Big Acoustic Guitar Songbook
23.90
The New Big Acoustic Guitar Songbook
Paroles et Accords
-
Intermédiaire
Hal Leonard
The New Big Acoustic Guitar Songbook is a vast collection of 73 acoustic classic...
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The New Big Acoustic Guitar Songbook is a vast collection of 73 acoustic classics arranged for Guitar and Lyrics.This songbook includes hits from a mixed collection of some of the biggest stars of all time including John Lennon, Adele, Blur, Jake Bug and many more. / Guitare
23.90 EUR - vendu par LMI-partitions
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All-Jazz Real Book Bb
56.50
All-Jazz Real Book Bb
Instruments en Sib
[Partition + CD]
Sher Music Company
CD inclus avec le livre contient 37 mélodies plus de 200 chansons et 550 pages ...
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CD inclus avec le livre contient 37 mélodies plus de 200 chansons et 550 pages ! 64 Classic Jazz, Jazz contemporain 98, 5 afro-cubains et 12 Latin Jazz. 2 Degrés est,/ Recueil / Instruments en Sib
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All-Jazz Real Book Eb
56.50
All-Jazz Real Book Eb
Instruments en Mib
[Partition + CD]
Sher Music Company
CD inclus avec le livre contient 37 mélodies plus de 200 chansons et 550 pages ...
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CD inclus avec le livre contient 37 mélodies plus de 200 chansons et 550 pages ! 64 Classic Jazz, Jazz contemporain 98, 5 afro-cubains et 12 Latin Jazz. 2 Degrés est,/ Recueil / Instruments en Mib
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All-Jazz Real Book C
56.50
All-Jazz Real Book C
Instruments en Do
[Partition + CD]
Sher Music Company
CD inclus avec le livre contient 37 mélodies plus de 200 chansons et 550 pages ...
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CD inclus avec le livre contient 37 mélodies plus de 200 chansons et 550 pages ! 64 Classic Jazz, Jazz contemporain 98, 5 afro-cubains et 12 Latin Jazz. 2 Degrés est, / Rép International / Recueil / Instruments en Do
56.50 EUR - vendu par LMI-partitions
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The Complete Ukulele Player - Book - Download Card
31.50
The Complete Ukulele Player - Book - Download Card
Ukulele
[Partition + Accès audio]
-
Facile
Amsco Wise Publications
Written by established educator David Harrison, The Complete Ukulele Player is t...
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Written by established educator David Harrison, The Complete Ukulele Player is the most in-depth and comprehensive introduction to playing this fantastic instrument. Taking you from being an absolute beginner to playing scales, harmony and your first tunes, this is the essential volume for anyone interested in learning the Ukulele.If you have no prior experience with musical instruments, or you do, but not on the Ukulele, then The Complete Ukulele Player is the ideal book for you. With comprehensive advice, clear diagrams, numerous photographs and invaluable tips, this book will take you from not even knowing how to hold the Ukulele to feeling right at home. The Complete Ukulele Player begins your journey with an introduction, a short history of the instrument and how to choose one. When you've got your first Ukulele, you'll find out the anatomy of the instrument, which accessories you might need, how to hold it and how to tune it. After you've mastered the practicalities, it'll be time to make music! This tuition book begins by using easy 3-chord songs like Dylan's Blowin' In The Wind, Love Me Do by The Beatles, before moving on to songs with diminished chords like Patsy Cline's Crazy, transposition with Jambalaya and more advanced strumming techniques with Norwegian Wood. The benefit of using popular songs in this way is to enhance musicality at the same time as teaching theoretical concepts. It's easy to pick up a Ukulele and strum a few chords, but with The Complete Ukulele Player chords and harmony are explored in much more depth and detail than in other books. Different chord voicings and techniques are explained and made clear in relation to songs, making learning easier and more enjoyable. Van Morrison's Brown-Eyed Girl is used as an introduction to tablature, and by the end of the book you'll have mastered notes, scales, basic fingerpicking, palm muting, different strumming patterns and more advanced chords.A final truly unique addition to The Complete Ukulele Player is the accompanying download card, giving you access to over a hundred studio-quality demonstration and backing tracks, helping you learn by listening and ear-training. The three hours of audio comprises basically everything that you would need to hear from the book itself, in easy to use tracks that you can download to your computer.So if you're new to the Ukulele and you are looking for a place to start, look no further than The Complete Ukulele Player. Featuring all the essential theoretical knowledge you will need, along with famous and popular tunes to play, this is the ideal beginning tuition book that will put the inimitable Ukulele at your fingertips. If you are looking for even more tunes to play with your newly-learned skills, check out The Complete Ukulele Player Songbook 1 and Songbook 2. These songbooks each contain 16 favourite tunes in the same format as this tuition book, making them the perfect companion for budding Uke players. / Ukulélé
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Contact (VAN NUETEN GUY)
28.00
Contact (VAN NUETEN GUY)
Piano seul
Metropolis Music Publishers
Par VAN NUETEN GUY. Contact by Guy Van Nueten originated from the feeling of bei...
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Par VAN NUETEN GUY. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten./ Répertoire / Piano
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Enjoy The Recorder 1A (BONSOR BRIAN)
34.50
Enjoy The Recorder 1A (BONSOR BRIAN)
Flûte à Bec, Piano
Par BONSOR BRIAN. The best way to learn any instrument is to have lessons from a...
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Par BONSOR BRIAN. The best way to learn any instrument is to have lessons from a good, experienced teacher. Although, happily, the number of such teachers is constantly growing, the recorder is still frequently taught by enthusiastic but inexperienced teachers and many players start by teaching themselves. This series of books sets out to help learners of all ages in all three situations. Experienced teachers, who may choose to disregard much of the text as personal demonstration is always clearer than the written word, will find exercises and fine tunes a-plenty to support their own mathod at each stage. The less experienced willbenefit from many valuable teaching hints culled from long experience and may rely on the books to lead to a sound playing technique and a mastery of simple notation. Those learning by themseves - and I started in this way - are urged to work carefully and systematically through the books, taking plenty of time to assimilate each point before moving on. For them, without the personal model provided by a live teacher, it is vitally important to listen as often as possible to fine players, in person or on record, so that they have in their mind's ear a clear notion of the kind of sound they would like to produce. But however they start, I can only wish that all who use these books will derive as much pleasure and musical satisfaction and gain as many lasting and valued friendships as I have through this most subtle, delightful and sociable of instruments. (Brian Bonsor) ?...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken? (Oliver James, Contact Magazine) These two tutors, with accompanying teacher's books, are for newcomers to the instrument who are beginning on the treble and so assume no previous knowledge either of the instrument or of musical notation./ Recueil / Flûte à Bec et Piano
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Enjoy The Recorder 2A (BONSOR BRIAN)
34.50
Enjoy The Recorder 2A (BONSOR BRIAN)
Flûte à bec Alto, Piano
Schott
Par BONSOR BRIAN. The best way to learn any instrument is to have lessons from a...
(+)
Par BONSOR BRIAN. The best way to learn any instrument is to have lessons from a good, experienced teacher. Although, happily, the number of such teachers is constantly growing, the recorder is still frequently taught by enthusiastic but inexperienced teachers and many players start by teaching themselves. This series of books sets out to help learners of all ages in all three situations. Experienced teachers, who may choose to disregard much of the text as personal demonstration is always clearer than the written word, will find exercises and fine tunes a-plenty to support their own mathod at each stage. The less experienced willbenefit from many valuable teaching hints culled from long experience and may rely on the books to lead to a sound playing technique and a mastery of simple notation. Those learning by themseves - and I started in this way - are urged to work carefully and systematically through the books, taking plenty of time to assimilate each point before moving on. For them, without the personal model provided by a live teacher, it is vitally important to listen as often as possible to fine players, in person or on record, so that they have in their mind's ear a clear notion of the kind of sound they would like to produce. But however they start, I can only wish that all who use these books will derive as much pleasure and musical satisfaction and gain as many lasting and valued friendships as I have through this most subtle, delightful and sociable of instruments. (Brian Bonsor) “...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken“ (Oliver James, Contact Magazine) These two tutors, with accompanying teacher's books, are for newcomers to the instrument who are beginning on the treble and so assume no previous knowledge either of the instrument or of musical notation. / Pédagogie / Recueil / Flûte à Bec Alto et Piano
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Considering Matthew Shepard (JOHNSON CRAIG HELLA)
34.20
Considering Matthew Shepard (JOHNSON CRAIG HELLA)
Chorale SATB
Hal Leonard
Par JOHNSON CRAIG HELLA. Perhaps one of the most important major works of our ti...
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Par JOHNSON CRAIG HELLA. Perhaps one of the most important major works of our time. The Chicago Tribune wrote: Moving among styles ranging from Lutheran hymnody to blues to Broadway, this modern-day Passion will move many listeners to tears even as it reaches beyond tragedy to peace, understanding and forgiveness. For the advanced choir looking to make an impact on students and community this is worth every bit of effort it requires./ Répertoire / SATB
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Omnibook For B-Flat Instruments (ROLLINS SONNY)
46.10
Omnibook For B-Flat Instruments (ROLLINS SONNY)
Instruments en Sib
[Fake Book]
Hal Leonard
Par ROLLINS SONNY. The Sonny Rollins Omnibook celebrates the bebop legend that w...
(+)
Par ROLLINS SONNY. The Sonny Rollins Omnibook celebrates the bebop legend that worked with Miles, Monk, MJQ, and many others. His solo work has earned him many accolades, including Grammy Awards, election into the American Academy of Arts and Sciences, an Edward MacDowell Medal, and the Medal of Arts from President Barack Obama. This collection features 50 of his best, including: Airegin - All the Things You Are - Almost like Being in Love - Bouncing with Bud - Doxy - Ev'ry Time We Say Goodbye - I'll Remember April - Just in Time - Namely You - Oleo - On a Slow Boat to China - St. Thomas - Solid - Sonnymoon for Two - Vierd Blues - Woodyn' You - and more./ Recueil / Instruments en Sib
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Cinema Classics
23.00
Cinema Classics
Saxophone Tenor
[Partition + CD]
Alfred Publishing
Movie themes have their own special appeal. Their role is to convey and amplify ...
(+)
Movie themes have their own special appeal. Their role is to convey and amplify the atmosphere and emotions of moving pictures. In many cases they take on a life of their own and it is such titles as these, classics in their own right, which we selected for this book.With a lot of effort and patience in both arranging this broad musical palette and recording the play-along CD, Alfred Music Publishing have been able to create play-alongs that are live studio recordings. Through this we can make a broad spectrum of styles accessible to the player, be it a classical orchestra, a jazz orchestra, a jazz combo, a rock and pop band or any of the possible line-ups in between.We are especially proud to have top-class musicians of the contemporary European music scene on our recordings. Their unique interpretations make it a worthwhile experience to just listen to the tracks, let alone having yourself accompanied by top notch musicians. The chord symbols are meant for accompaniment by a teacher or duet partner so that the themes can be played independently from the CD. This is why the symbols are shown in concert pitch, even in the editions for transposed instruments (i.e. clarinet, alto and tenor saxophone). The chord symbols also make it possible to perform tunes from 'Cinema Classics' live with a duet partner or band. / Saxophone Tenor
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Cinema Classics
24.20
Cinema Classics
Saxophone Alto
[Partition + CD]
Alfred Publishing
Movie themes have their own special appeal. Their role is to convey and amplify ...
(+)
Movie themes have their own special appeal. Their role is to convey and amplify the atmosphere and emotions of moving pictures. In many cases they take on a life of their own and it is such titles as these, classics in their own right, which we selected for this book.With a lot of effort and patience in both arranging this broad musical palette and recording the play-along CD, Alfred Music Publishing have been able to create play-alongs that are live studio recordings. Through this we can make a broad spectrum of styles accessible to the player, be it a classical orchestra, a jazz orchestra, a jazz combo, a rock and pop band or any of the possible line-ups in between.We are especially proud to have top-class musicians of the contemporary European music scene on our recordings. Their unique interpretations make it a worthwhile experience to just listen to the tracks, let alone having yourself accompanied by top notch musicians. The chord symbols are meant for accompaniment by a teacher or duet partner so that the themes can be played independently from the CD. This is why the symbols are shown in concert pitch, even in the editions for transposed instruments (i.e. clarinet, alto and tenor saxophone). The chord symbols also make it possible to perform tunes from 'Cinema Classics' live with a duet partner or band. / Saxophone Alto
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SONNY ROLLINS - OMNIBOOK C INSTRUMENTS
37.50
SONNY ROLLINS - OMNIBOOK C INSTRUMENTS
Instruments en Do
Hal Leonard
The Sonny Rollins Omnibook celebrates the bebop legend that worked with Miles, M...
(+)
The Sonny Rollins Omnibook celebrates the bebop legend that worked with Miles, Monk, MJQ, and many others. His solo work has earned him many accolades, including Grammy Awards, election into the American Academy of Arts and Sciences, an Edward MacDowell Medal, and the Medal of Arts from President Barack Obama. This collection features 50 of his best, including: Airegin ? All the Things You Are ? Almost like Being in Love ? Bouncing with Bud ? Doxy ? Ev'ry Time We Say Goodbye ? I'll Remember April ? Just in Time ? Namely You ? Oleo ? On a Slow Boat to China ? St. Thomas ? Solid ? Sonnymoon for Two ? Vierd Blues ? Woodyn' You ? and more.
Airegin
All The Things You Are
Almost Like Being In Love
Blue Seven
Bouncing With Bud
But Not For Me
Compulsion
Dance Of The Infidels
Dig
Down
Doxy
Ev'ry Time We Say Goodbye
52nd Street Theme
I Know That You Know
I Remember You
I Want To Be Happy
I'll Remember April
I'll Take Romance
In Your Own Sweet Way
Just In Time
The Last Time I Saw Paris
Mambo Bounce
Moving Out
Namely You
No Moe
Old Devil Moon
Oleo
On A Slow Boat To China
Out Of The Blue
Pent Up House
Raincheck
St. Thomas
The Scene Is Clean
Scoops
The Serpent's Tooth
Solid
Sonnymoon For Two
Strode Rode
Tenor Madness
There Will Never Be Another You
Toot, Toot, Tootsie! (Good-bye!)
Tune Up
Valse Hot
Vierd Blues
Wail
What Is This Thing Called Love'
When Your Lover Has Gone
Whispering
Woodyn' You
You Stepped Out Of A Dream
/ Partitions jazzandblues / Tous instruments par tonalité / Instrument en do / HAL LEONARD
37.50 EUR - vendu par Woodbrass
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Das Lied von der Erde (MAHLER GUSTAV)
91.90
Das Lied von der Erde (MAHLER GUSTAV)
Soli [AT] et Orchestre
Breitkopf & Härtel
Par MAHLER GUSTAV. The Song of the Earth , composed in the summer of 1908, is Ma...
(+)
Par MAHLER GUSTAV. The Song of the Earth , composed in the summer of 1908, is Mahler’s best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very end, Mahler continued to refine the extremely differentiated instrumentation, as is evident in numerous retouchings in the autograph score and engraver’s model. It is therefore all the more regrettable that he was neither able to perform his “Symphony in Songs” himself nor that he was involved in its printing. Unfortunately, in the posthumously published first edition of 1912 and the subsequent editions edited by Erwin Ratz and Karl Heinz Füssl, many questions remained unanswered, while other were answered in a dubious way. The edition is the first text-critical one of the work on a scientifically sound basis. It offers not only a more reliable musical text, but also systematically and lucidly prepared information on the sources, their transmission and evaluation. All editorial decisions have been documented in a transparently comprehensible manner – in particular those leading to new audible results. Work-related notes on performance practice, which for the first time include Mahler’s conducting indications, offer valuable, indispensable interpretive aids. In addition to the regular five clarinet parts, the set of parts includes two additional parts (3rd clarinet/E b clarinet, bass clarinet/3rd clarinet in places where the latter plays E b clarinet) to allow performances with only four clarinets. The completely revised piano reduction reproduces the orchestral texture true to the score without losing sight of playability. Both Mahler’s piano autograph and the piano reduction by Wöss, which was commissioned by the composer himself, served as an inspiration for this. / Date parution : 2022-07-23/ Répertoire / Soli [AT] et Orchestre
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Das Lied von der Erde (MAHLER GUSTAV)
309.80
Das Lied von der Erde (MAHLER GUSTAV)
Soli [AT] et Orchestre
Breitkopf & Härtel
Par MAHLER GUSTAV. The Song of the Earth , composed in the summer of 1908, is Ma...
(+)
Par MAHLER GUSTAV. The Song of the Earth , composed in the summer of 1908, is Mahler’s best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very end, Mahler continued to refine the extremely differentiated instrumentation, as is evident in numerous retouchings in the autograph score and engraver’s model. It is therefore all the more regrettable that he was neither able to perform his “Symphony in Songs” himself nor that he was involved in its printing. Unfortunately, in the posthumously published first edition of 1912 and the subsequent editions edited by Erwin Ratz and Karl Heinz Füssl, many questions remained unanswered, while other were answered in a dubious way. The edition is the first text-critical one of the work on a scientifically sound basis. It offers not only a more reliable musical text, but also systematically and lucidly prepared information on the sources, their transmission and evaluation. All editorial decisions have been documented in a transparently comprehensible manner – in particular those leading to new audible results. Work-related notes on performance practice, which for the first time include Mahler’s conducting indications, offer valuable, indispensable interpretive aids. In addition to the regular five clarinet parts, the set of parts includes two additional parts (3rd clarinet/E b clarinet, bass clarinet/3rd clarinet in places where the latter plays E b clarinet) to allow performances with only four clarinets. The completely revised piano reduction reproduces the orchestral texture true to the score without losing sight of playability. Both Mahler’s piano autograph and the piano reduction by Wöss, which was commissioned by the composer himself, served as an inspiration for this. / Date parution : 2022-07-23/ Répertoire / Soli [AT] et Orchestre
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Das Lied von der Erde (MAHLER GUSTAV)
179.10
Das Lied von der Erde (MAHLER GUSTAV)
Soli [AT] et Orchestre
[Conducteur]
Breitkopf & Härtel
Par MAHLER GUSTAV. The Song of the Earth , composed in the summer of 1908, is Ma...
(+)
Par MAHLER GUSTAV. The Song of the Earth , composed in the summer of 1908, is Mahler’s best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very end, Mahler continued to refine the extremely differentiated instrumentation, as is evident in numerous retouchings in the autograph score and engraver’s model. It is therefore all the more regrettable that he was neither able to perform his “Symphony in Songs” himself nor that he was involved in its printing. Unfortunately, in the posthumously published first edition of 1912 and the subsequent editions edited by Erwin Ratz and Karl Heinz Füssl, many questions remained unanswered, while other were answered in a dubious way. The edition is the first text-critical one of the work on a scientifically sound basis. It offers not only a more reliable musical text, but also systematically and lucidly prepared information on the sources, their transmission and evaluation. All editorial decisions have been documented in a transparently comprehensible manner – in particular those leading to new audible results. Work-related notes on performance practice, which for the first time include Mahler’s conducting indications, offer valuable, indispensable interpretive aids. In addition to the regular five clarinet parts, the set of parts includes two additional parts (3rd clarinet/E b clarinet, bass clarinet/3rd clarinet in places where the latter plays E b clarinet) to allow performances with only four clarinets. The completely revised piano reduction reproduces the orchestral texture true to the score without losing sight of playability. Both Mahler’s piano autograph and the piano reduction by Wöss, which was commissioned by the composer himself, served as an inspiration for this. / Date parution : 2022-07-23/ Répertoire / Soli [AT] et Orchestre
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Das Lied von der Erde (MAHLER GUSTAV)
3254.90
Das Lied von der Erde (MAHLER GUSTAV)
Soli [AT] et Orchestre
[Conducteur et Parties séparées]
Breitkopf & Härtel
Par MAHLER GUSTAV. The Song of the Earth , composed in the summer of 1908, is Ma...
(+)
Par MAHLER GUSTAV. The Song of the Earth , composed in the summer of 1908, is Mahler’s best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very end, Mahler continued to refine the extremely differentiated instrumentation, as is evident in numerous retouchings in the autograph score and engraver’s model. It is therefore all the more regrettable that he was neither able to perform his “Symphony in Songs” himself nor that he was involved in its printing. Unfortunately, in the posthumously published first edition of 1912 and the subsequent editions edited by Erwin Ratz and Karl Heinz Füssl, many questions remained unanswered, while other were answered in a dubious way. The edition is the first text-critical one of the work on a scientifically sound basis. It offers not only a more reliable musical text, but also systematically and lucidly prepared information on the sources, their transmission and evaluation. All editorial decisions have been documented in a transparently comprehensible manner – in particular those leading to new audible results. Work-related notes on performance practice, which for the first time include Mahler’s conducting indications, offer valuable, indispensable interpretive aids. In addition to the regular five clarinet parts, the set of parts includes two additional parts (3rd clarinet/E b clarinet, bass clarinet/3rd clarinet in places where the latter plays E b clarinet) to allow performances with only four clarinets. The completely revised piano reduction reproduces the orchestral texture true to the score without losing sight of playability. Both Mahler’s piano autograph and the piano reduction by Wöss, which was commissioned by the composer himself, served as an inspiration for this. / Date parution : 2022-07-23/ Répertoire / Soli [AT] et Orchestre
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Singer's Musical Theatre Anthology - Volume 5
59.70
Singer's Musical Theatre Anthology - Volume 5
Voix Tenor, Piano
Hal Leonard
Tenor Book/Online Audio. Par . The world's most trusted source for authentic edi...
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Tenor Book/Online Audio. Par . The world's most trusted source for authentic editions of theatre music for singers has expanded with yet another volume. Many of the songs are found in no other collections. The 40 songs in each volume are in the original keys, excerpted from vocal scores and piano/conductor rehearsal scores. Includes both recent shows and a deeper look into classic musicals. Contents: ANNIE: Easy Street · BARNUM: Bigger Isn't Better · CHILDREN OF EDEN: Lost in the Wilderness · CITY OF ANGELS: Stay with Me · DIRTY ROTTEN SCOUNDRELS: Great Big Stuff · DO I HEAR A WALTZ': Take the Moment · THE DROWSY CHAPERONE: I Am Aldolpho · GODSPELL: Alas for You o GREASE: Mooning · GREY GARDENS: Body Beautiful Beale · Drift Away · HAIRSPRAY: The Nicest Kids in Town · Hairspray · JERSEY BOYS: December 1963 (Oh, What a Night) · Can't Take My Eyes Off of You · THE LAST FIVE YEARS: Shiksa Goddess · Moving Too Fast · THE LIGHT IN THE PIAZZA: Il mondo era vuoto · Passeggiata · LITTLE WOMEN: Take a Chance on Me · MOVIN' OUT: She's Got a Way · Summer, Highland Falls · MYTHS AND HYMNS: Saturn Returns · Hero and Leander · ON THE TWENTIETH CENTURY: I Have Written a Play · THE PIRATE QUEEN: I'll Be There · THE PRODUCERS: Springtime for Hitler · Heil Myself · RENT: What You Own · SONGS FOR A NEW WORLD: She Cries · SPRING AWAKENING: Left Behind · TARZAN: Two Worlds · Strangers like Me · THOROUGHLY MODERN MILLIE: What Do I Need with Love · TICK, TICK ... BOOM!: 30/90 · Sunday · URBAN COWBOY: It Don't Get Better Than This · WEST SIDE STORY: Something's Coming · Maria. / Date parution : 2023-08-12/ Recueil / Ténor
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Halcyon Days
31.50
Halcyon Days
Piano, Voix et Guitare
-
Intermédiaire
Amsco Wise Publications
This Songbook for Piano, Vocal and Guitar is the ultimate collection of pieces f...
(+)
This Songbook for Piano, Vocal and Guitar is the ultimate collection of pieces from Ellie Goulding's 3rd studio album, Halcyon Days. Perfect for any 'Goulddigger' or budding Ellie Goulding wannabe.Halcyon Days also includes Ellie Goulding's 1st ever number one single, Burn. This ground breaking track beat the likes of Lady GAGA, and stayed in the number one position for three consecutive weeks.Also included in this vast collection is How Long Will I Love You. This sentimental and moving piece is perfectly suited to Ellie's delicate and expressive voice. This piece also featured in the romantic drama, About Time. This incredibly moving film was written and directed by Richard Curtis, best known for his hit film Love Actually.Watch Ellie's How Long Will I Love You music video (featuring scenes from About Time) here: / Piano/Vocal/Guitare (PVG)
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