(Keyboard and Organ Works from Copied Sources / Toccatas). By Johann Jakob F...(+)
(Keyboard and Organ Works
from
Copied Sources /
Toccatas). By
Johann Jakob Froberger
(1616-
1667). Edited by Siegbert
Rampe. For organ, piano,
harpsichord. This
edition:
Urtext. Performance
score.
Text language: German,
English. 76 pages.
Published
by Baerenreiter Verlag
Absolute Music Quatuor de Saxophones: 4 saxophones [Conducteur et Parties séparées] Carl Fischer
For Saxophone Quartet (Full Score and Parts). By David Carlson. Wind quartet. Fo...(+)
For Saxophone Quartet
(Full Score and Parts).
By David Carlson. Wind
quartet. For Saxophone
Quartet. Carl Fischer
Chamber Music Edition.
Premiered by the San
Fransico Saxophone
Quartet. Score and parts.
40 pages. Published by
Carl Fischer.
Chanson Tcheque 2 Guitares (duo) [Conducteur] - Intermédiaire Lemoine, Henry
2 guitars - Level 3 SKU: LM.26273 Composed by Milan Tesar. Vladimir Mikul...(+)
2 guitars - Level 3
SKU: LM.26273
Composed by Milan Tesar.
Vladimir Mikulka.
Classical. Score. 17 + 17
pages. Editions Henry
Lemoine #26273. Published
by Editions Henry Lemoine
(LM.26273).
Hal Leonard Student Piano Library. Composed by Various. Educational Piano Librar...(+)
Hal Leonard Student Piano
Library. Composed by
Various. Educational
Piano Library.
Instruction, Recital,
Method. Softcover Audio
Online. 48 pages.
Published by Hal Leonard
Lynn Freeman Olson Signature Collection - Volume 2 (Exceptional Piano Solos for ...(+)
Lynn Freeman Olson
Signature Collection -
Volume 2 (Exceptional
Piano Solos for
Developing Pianists). By
Lynn Freeman Olson.
Edited by Elizabeth
Gutierrez. For solo
piano. With historical
recordings by the
composer. Late Elementary
to Early Intermediate.
Book and CD. Standard
notation. Published by
Carl Fischer
Toccata (Atalanta) Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Boosey and Hawkes
Composed by Aurelio Bonelli (1569-1620). Arranged by Shelley Hanson. Windepend...(+)
Composed by Aurelio
Bonelli
(1569-1620). Arranged by
Shelley Hanson.
Windependence
Apprentice Adv.
Softcover.
Boosey and Hawkes
#M051663613.
Published by Boosey and
Hawkes
Violin - difficult SKU: HL.49007298 Violin Solo. Composed by Karl ...(+)
Violin - difficult
SKU: HL.49007298
Violin Solo.
Composed by Karl Amadeus
Hartmann. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Composed 1927.
15 pages. Duration 15'.
Schott Music #ED7520.
Published by Schott Music
(HL.49007298).
ISBN
9790001078573. UPC:
073999873399.
9.0x12.0x0.057
inches.
2 Pianos SKU: HL.14018850 Composed by Kenneth Leighton. Music Sales Ameri...(+)
2 Pianos
SKU:
HL.14018850
Composed
by Kenneth Leighton.
Music Sales America.
Classical. Book
[Softcover]. 100 pages.
Music Sales #NOV100353.
Published by Music Sales
(HL.14018850).
ISBN
9780711986008.
9.0x12.0x0.295
inches.
The
Prelude, Hymn And Toccata
1987 is dedicated to, and
was commissioned by the
Nettle-Markham Piano Duo.
It was the second work to
have been written for
them by the composer, the
first being the Sonata
For Piano Duet Op.92.
This twenty minute work
begins with Leighton's
typical preludial
double-dotted rhythms and
contrapuntal textures; it
develops into dark,
passionate music and
erupts into single and
double cadenzas. The
gentle Hymn is ushered in
quietly and unfolds in
long, rhapsodic sections,
building up to more
climactic cadenzas before
dissolving gradually to
an ethereal conclusion.
The Toccata finale shows
Leighton's masterly piano
writing and contrasts
biting, rhythmic motifs
with sweeping, yearning
elegiac phrases.
Guitar - very easy to easy SKU: HL.49044752 Mein erstes Konzart: 44 le...(+)
Guitar - very easy to
easy
SKU:
HL.49044752
Mein
erstes Konzart: 44
leichte Gitarrenstucke
aus 5 Jahrhunderten.
Edited by Bruno
Szordikowski and Peter
Ansorge. This edition:
Saddle stitching. Sheet
music. Guitar. Die
Auswahl der uberwiegend
originalen Werke ist nach
Epochen gegliedert und
bietet so auch ein
kleines Panorama der
Geschichte der Gitarren-
und Lautenmusik von John
Dowland uber Gaspar Sanz
bis zu Leo Brouwer.
Children, Classical,
German Edition.
Softcover. 32 pages.
Schott Music #ED 22050.
Published by Schott Music
(HL.49044752).
ISBN
9783795749576. UPC:
841886023826.
9.0x12.0x0.14
inches.
Giving your
first concert is a
special occasion for any
young musician,
motivating players to
keep working at their
instrument and music
making. Making this a
positive experience
involves choosing pieces
that are technically and
musically manageable, so
we have chosen 44 easy
and well-known solo
pieces, all tried and
tested in lessons and
youth music competitions.
This selection of works
mainly written for the
guitar is arranged in
periods of composition,
providing a little window
on the history of guitar
and lute music. TEXT IN
GERMAN AND ENGLISH.
(On a Theme from The Old Maid and the Thief). Composed by Gian Carlo Menotti (...(+)
(On a Theme from The Old
Maid
and the Thief). Composed
by
Gian Carlo Menotti
(1911-).
Edited by Albert Mendoza.
For
Piano. Book; Masterworks;
Piano Solo. Alfred
Masterwork
Edition. Form: Toccata.
20th
Century; Masterwork.
Advanced.
16 pages. Published by
Alfred
Music
(for Solo Violin). Composed by Johann Sebastian Bach (1685-1750). Arranged by St...(+)
(for Solo Violin).
Composed by Johann
Sebastian Bach
(1685-1750). Arranged by
Stuart Carlson. For
Violin. LKM Music.
Softcover. 10 pages.
Lauren Keiser Music
Publishing #S510009.
Published by Lauren
Keiser Music Publishing
By Giovanni Battista Vitali (1632-1692). Edited by Alessandro Bares. For solo vi...(+)
By Giovanni Battista
Vitali (1632-1692).
Edited by Alessandro
Bares. For solo violin.
This edition: Paperback.
I piaceri del violino.
Baroque. Published by
Musedita Edizioni
Musicali
By Johann Sebastian Bach (1685-1750). Arranged by Donald Hunsberger. Concert Ban...(+)
By Johann Sebastian Bach
(1685-1750). Arranged by
Donald Hunsberger.
Concert Band. Concert
Band; Masterworks. Donald
Hunsberger Wind Library.
Form: Transcription.
Baroque; Masterwork
Arrangement. Grade 4.
Score. 84 pages.
Published by Alfred Music
Publishing
(75 Early / Late Intermediate Selections to Develop Technique and Musicianship)....(+)
(75 Early / Late
Intermediate Selections
to Develop Technique and
Musicianship). Edited by
Maurice Hinson. For
Piano. Piano Collection.
Essential Keyboard
Repertoire. Masterwork.
Early Intermediate / Late
Intermediate. Book. 144
pages. Published by
Alfred Music Publishing
Chamber Music Clarinet, Flute, Piano, Violin, Violoncello SKU: PR.11441271S(+)
Chamber Music Clarinet,
Flute, Piano, Violin,
Violoncello
SKU:
PR.11441271S
For
Flute, Clarinet, violin,
Cello, and Piano.
Composed by Chen Yi. Poem
by Du Fu (712-770 in Tang
Dynasty). Premiered at
Merkin Hall in New York.
Contemporary. Full score.
With Standard notation.
Composed 2004. 45 pages.
Duration 12 minutes.
Theodore Presser Company
#114-41271S. Published by
Theodore Presser Company
(PR.11441271S).
UPC:
680160587094. 8.5 x 11
inches. Poem by Du Fu
(712-770 in Tang
Dynasty).
It's like
the welcome rain on a
quiet spring night that
nurtures the budding
seeds, our new society is
pushing us forward to the
new future. This music
reflects the scenes and
the expression according
to the meaning of the
poem when it's being
unfolded line by line.
Although the tempo is set
60-70 quarter notes per
minute throughout (played
vividly, never slow
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehersal A and B
(measures 1 - 41)
represents the first four
lines of the poem. The
woodwind instruments
response to the rustling
of fast moving notes on
muted string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high piano gestures. The
music in Rehersal C and D
(measures 42-87)
represents the next two
lines of the poem. It's
so dark, a little light
in the boat is shimmering
on the lake... The
breathy key slaps on the
flute creates a
mysterious atmosphere, in
a dialogue with other
instruments. The cello
glissandi recite the poem
in the tone of Mandarin,
echoed by the string
harmonics. The music in
Rehersal E, F, G (m 88 -
161) is a toccata,
starting with the piano,
which builds up a big
shape, to reach the
climax in m. 116, and
keeps the vivid scene
towards the coda
(Rehersal H, m. 162 - the
end), which stands on the
energetic peak at the end
of the
piece. Commissioned by
the Music From Copland
House ensemble, supported
by a grant from the
NYSCA’s
Composer’s
Commissions program in
2002, my mixed ensemble
piece Happy Rain on a
Spring Night is written
for all five instruments
in the ensemble: flute,
clarinet, violin, cello
and piano, and premiered
on Oct. 18, 2004, at
Merkin Hall in New York.
 The musical
imagination came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in the
Tang Dynasty. Happy
Rain on a Spring Nightby
Du Fu (712-770 in the
Tang Dynasty)Â Happy
rain comes in time,When
spring is in its
prime.With night breeze
it will fall,And quietly
moisten all.Clouds darken
wild roads,Light
brightens a little
boat.Saturated at
dawn,With flowers
blooming the
town. (English
translation by Chen Yi
from the original poem in
Chinese) It’s
like the welcome rain on
a quiet spring night that
nurtures the budding
seeds; our new society is
pushing us forward to the
new future. Â The music
reflects the scenes and
the expression according
to the meaning of the
poem when it’s
being unfolded line by
line. Â Although the
tempo is set 60-70
quarter notes per minute
throughout (played
vividly, never slowing
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures 1-41)
represents the first four
lines of the poem.
 The woodwind
instruments respond to
the rustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high piano gestures.
 The music in
Rehearsal C and D
(measures 42-87)
represents the next two
lines of the poem.
 It’s so dark,
a little light in the
boat is shimmering on the
lake... Â The breathy
key slaps on the flute
create a mysterious
atmosphere, in a dialogue
with other instruments.
 The cello glissandi
recite the poem in the
tone of Mandarin, echoed
by the string harmonics.
 The music in
Rehearsal E, F and G (m
88-161) is a toccata,
starting with the piano,
which builds up a big
shape, to reach the
climax in m. 116, and
keeps the vivid scene
towards the coda
(Rehearsal H, m.
162-192), which stands on
the energetic peak at the
end of the
piece. According to
the principle of the
Golden Section, I have
constructed the piece
with two large parts (m.
1-115 and m. 116-192).
 The GS falls onto the
beginning of the climax
section of the piece,
which is exciting and
loud. Â All
subdivisions of the
structures coincide with
the numbers of
proportions based on the
GS principle. Â The
music has textures
changed according to the
proportional arrangement
throughout the
piece. First Part (m.
1-115, total 115
measures), including two
sectionsSection I (m.
1-69, total 69 measures),
including two
divisionsFirst Division
(m. 1-41, total 41
measures), including two
subdivisions:Subdivision
I (m. 1-25, total 25
measures)Rehearsal A,
violin triplets + cello
metalic sound in small
intervals, followed by
woodwinds.Subdivision II
(m. 26-41, total 16
measures)Rehearsal B,
cello triplets + violin
metallic sound in small
intervals, overlapped by
woodwinds.Second Division
(m. 42-69, total 28
measures)Rehearsal C,
breathy key slaps on
flute, in dark.Section II
(m. 70-115, total 46
measures), including two
divisionsFirst Division
(m. 70-87, total 18
measures)Rehearsal D,
soft cello reciting,
followed by string
harmonics & woodwind
“echoâ€
passages.Second Division
(m. 88-115, total 28
measures)Rehearsal E,
starts to buildup the
excitement, with piano
toccata in the beginning.
When it reachesthe
patterns on the top of
the keyboard, the lowest
passages on piano and
cello punch in, andreview
the pitch material with
small intervals.Second
Part (m.116-192, total 77
measures), including two
sectionsSection I (m.
116-161, total 46
measures), including two
divisionsFirst Division
(m. 116-133, total 18
measures)Rehearsal F, the
excitement reaches the
climax, GS located. All
instruments join
in.Second Division (m.
134-161, total 28
measures)Rehearsal G,
combination of E and F,
continue to
buildup.Section II (m.
162-192, total 31
measures)Rehearsal H,
coda, keep the excitement
on the peak.
Composed by Johann Sebastian Bach (1685-1750). Edited by Dr. Hans Bischoff. ...(+)
Composed by Johann
Sebastian
Bach (1685-1750). Edited
by
Dr. Hans Bischoff. For
Piano. Book; Masterworks;
Piano Collection. Alfred
Masterwork Edition. Form:
Toccata. Baroque;
Masterwork; Recital.
Advanced. 100 pages.
Published by Alfred Music