SATB choir, keyboard accompaniment

SKU: GI.G-008778

Composed by Noel Goemanne. Children. Sacred. Octavo. GIA Publications #008778. Published by GIA Publications (GI.G-008778).

UPC: 641151087788.

Tomas o Albinoni‚ Adagio has inspired this alluring choral adaptation by prolific composer No?´l Goemanne. Hints of this classic melody are found throughout the four-part texture. Beginning with a simple pulse in the keyboard, the men state the initial theme in unison and fifths. The vocal writing takes some interesting harmonic turns and contains wonderful solo passages. A keyboard interlude introduces a duet between soprano and tenor and leads us to a concluding homophonic choral section. Agnus Dei will also serve well as a concert performance piece.

(set of parts). By Allesandro Marcello (1669-1747). Edited by R. Hervig / H. Voxman. For Oboe, Orchestra. Musica Rara. Set of parts. 50 pages. Published by Breitkopf and Haertel

24 Piano Transcriptions - 2nd Edition (From Orchestral, Operatic, Vocal, and Chamber Works). Edited by Transcr. Robert Schultz. For Piano. This edition: 2nd. Masterworks; Piano Collection; Piano Supplemental. Alfred's Classic Editions. Masterwork. Advanced. Book. 124 pages. Published by Alfred Music

By Tomaso Albinoni (1671 - 1750). Arranged by David Marlatt. For Brass Quintet. Brass Ensemble - Quintet. Baroque. Level: Difficult. Duration 00:08:00. Published by Eighth Note Publications.

By Antonio Vivaldi; Arcangelo Corelli; Francesco Maria Veracini; Georg Philipp Telemann; George Frideric Handel; Giovanni Battista Pergolesi; Tomaso Albinoni. Edited by Frederick F. Polnauer. For Flute Solo, Piano. Classical. Solo part with piano reduction. 44 pages. Published by Theodore Presser Company.

Concert Band

SKU: HL.44004696

De Haske Concert Band CD. CD only. De Haske Publications #030363. Published by De Haske Publications (HL.44004696).

UPC: 073999208160.

Composed by Remo Giazotto, Tomaso Albinoni. Arranged by Jon Paige. Brookfield Easter Choral. Holy Week, Sacred, Lent. Octavo. 12 pages. Published by Brookfield Press (HL.249702).

Violin & orchestra

SKU: HH.HH029-MIN

Composed by Andrea Zani. Edited by J. Hirshberg and S. McVeigh. Violin & Orchestra. Miniature score. Edition HH Music Publishers #HH029-MIN. Published by Edition HH Music Publishers (HH.HH029-MIN).

ISBN 9790708024750.

This fine concerto shares its motto with Tomaso Albinoni's oboe concerto in G minor Op. 9 No. 8, published in 1722, and with Antonio Vivaldi's violin concerto in G minor, RV 317, published in 1729 as Op. 12 No. 1. It is very likely that Zani deliberately borrowed the beautiful motto as a homage to the famous masters; and the same motive recurs in the third movement in a subtle variant.

6 Konzerte nach Tomaso Albinoni, Giorgio Gentili, Joseph Meck, Giulio Taglietti und Giuseppe Torelli. By Walther, Johann Gottfried. Edited by Auler, Wolfgang. For Organ. Playing Score (paperbound). Published by Baerenreiter-Ausgaben (German import).

(12 Baroque Masterpieces). By Antonio Vivaldi, Tomaso Albinoni, Remo Giazotto, Giovanni Battista Marella, Ercole Pasquini, Francois Couperin, Jose Galles, Carl Philipp Emanuel Bach, Alessandro Marcello, Benedetto Marcello, Antonio Soler. Edited by Frederic Zigante. Arranged by Alexandre Lagoya. For 2 guitars. Score and part(s). 99 + pages. Published by Berben

For Violin and Continuo. Composed by Various. Edited by Cesare Fertonani. String. Softcover. 168 pages. Ricordi #NR141565. Published by Ricordi

Violin & orchestra

SKU: HH.HH029-IPT

Composed by Andrea Zani. Edited by J. Hirshberg and S. McVeigh. Violin & Orchestra. Set of parts. Edition HH Music Publishers #HH029-IPT. Published by Edition HH Music Publishers (HH.HH029-IPT).

ISBN 9790708024781.

This fine concerto shares its motto with Tomaso Albinoni's oboe concerto in G minor Op. 9 No. 8, published in 1722, and with Antonio Vivaldi's violin concerto in G minor, RV 317, published in 1729 as Op. 12 No. 1. It is very likely that Zani deliberately borrowed the beautiful motto as a homage to the famous masters; and the same motive recurs in the third movement in a subtle variant.

Violin & orchestra

SKU: HH.HH029-STR

Composed by Andrea Zani. Edited by J. Hirshberg and S. McVeigh. Violin & Orchestra. String set. Edition HH Music Publishers #HH029-STR. Published by Edition HH Music Publishers (HH.HH029-STR).

This fine concerto shares its motto with Tomaso Albinoni's oboe concerto in G minor Op. 9 No. 8, published in 1722, and with Antonio Vivaldi's violin concerto in G minor, RV 317, published in 1729 as Op. 12 No. 1. It is very likely that Zani deliberately borrowed the beautiful motto as a homage to the famous masters; and the same motive recurs in the third movement in a subtle variant.

Strings & basso continuo

SKU: HH.HH220-FSP

Composed by Francesco Navara. Edited by Adrian Chandler. Strings & Basso Continuo. Full score and parts. Edition HH Music Publishers #HH220-FSP. Published by Edition HH Music Publishers (HH.HH220-FSP).

ISBN 9790708059288.

Thes e two sonatas/sinfonias survive in Durham Cathedral Library as part of a collection of numerous late 17th and early 18th century Italian instrumental compositions which contain a substantial amount of music by other composers with Mantuan connections, Tomaso Albinoni and Marc’Antonio Ziani. MS M.175 contains a score of these works whilst MS M.193 holds a set of parts, although sadly the tenor viola part is missing. The parts, which are in the north European portrait format, were probably copied from the scores which are in the Italian oblong format and in a different hand. The scores possibly hail from a source close to the composer judging from the high degree of accuracy on behalf of the copyist and also due to the biographical information contained therein; the work in A minor records the date of 1697 and his post at the Mantuan court – Maestro di Cappella di S.A.S. di Mantova, whilst the work in C is inscribed Fatta per la Signora Cati, probably alluding to one of the ladies of the court.

Soprano voice & basso continuo

SKU: HH.HH143-FSP

Composed by Tomaso Giovanni Albinoni. Edited by Michael Talbot. Voice (Soprano) & Basso Continuo. Full score and parts. Duration 7 minutes. Edition HH Music Publishers #HH143-FSP. Published by Edition HH Music Publishers (HH.HH143-FSP).

ISBN 9790708041948.

This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is on the ever popular subject of the separation of lovers. It records the departure of Irene from 'Adria' the conventional Arcadian code word for Venice and doubtless was written to commemorate a genuine parting of, say, members of a court. Throughout, Albinoni maintains the simple, lightly elegiac mood that is the hallmark of his style.

Soprano voice & basso continuo

SKU: HH.HH152-FSP

Composed by Tomaso Giovanni Albinoni. Edited by Michael Talbot. Voice (Soprano) & Basso Continuo. Full score and parts. Edition HH Music Publishers #HH152-FSP. Published by Edition HH Music Publishers (HH.HH152-FSP).

ISBN 9790708059066.

This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is on the familiar subject of the separation of lovers. The protagonist is the male lover about to depart, who expresses pain at leaving his beloved, promises to remain true to her and finally begs her to dry her tears since he is confident that, somehow, they will be reunited. Unusually for Albinoni, there are three arias, the third of which is dance like in the composer's best faux naïf vein. The first aria is noteworthy for its vigorous bass line, whose jagged quality contrasts strongly with the smoothness of the vocal line.

Soprano voice & basso continuo

SKU: HH.HH141-FSP

Composed by Tomaso Giovanni Albinoni. Edited by Michael Talbot. Voice (Soprano) & Basso Continuo. Full score and parts. Duration 7 minutes. Edition HH Music Publishers #HH141-FSP. Published by Edition HH Music Publishers (HH.HH141-FSP).

ISBN 9790708041924.

This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is on the subject of the lover's separation from his (or it could be her) beloved, one of the most recurrent themes in the Baroque cantata. An introductory recitative expressing the pain of separation is followed by an extended aria in slow tempo that is among Albinoni's most accomplished and is remarkable for its modulations to distant keys. After a second recitative, which ends with a vivid evocation of Cupid's dart, we arrive at the lover's second aria, which is more tranquil in mood than the first, since he (or she) now looks forward to the expected reunion.

Soprano voice & basso continuo

SKU: HH.HH153-FSP

Composed by Tomaso Giovanni Albinoni. Edited by Michael Talbot. Voice (Soprano) & Basso Continuo. Full score and parts. Edition HH Music Publishers #HH153-FSP. Published by Edition HH Music Publishers (HH.HH153-FSP).

ISBN 9790708059073.

This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, takes the form of a lover's plea to Clori, who is proving 'hard to get'. He begs her finally to yield to his love. Even if she does not reciprocate it, she should at least soothe his pain temporarily by glancing in his direction. As so often in Baroque cantatas, the exaggerated emotion seems to be ironised to some extent: Albinoni and his poet simultaneously express and critically observe the lover's feelings. The two arias are nicely contrasted, the first containing a large amount of written in vocal ornamentation and the second, in contrast, conveying a bluff breeziness.

Soprano voice & basso continuo

SKU: HH.HH145-FSP

Composed by Tomaso Giovanni Albinoni. Edited by Michael Talbot. Voice (Soprano) & Basso Continuo. Full score and parts. Duration 7 minutes. Edition HH Music Publishers #HH145-FSP. Published by Edition HH Music Publishers (HH.HH145-FSP).

ISBN 9790708041962.

This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is on a more serious subject than most. Standing at the deathbed of Lidio, who has undeviatingly loved her without reciprocation all his life, Clori is stricken by remorse at her ingratitude and enjoins others to surrender to Cupid. As usual, Albinoni does not wallow in the lachrymose, but there is an affecting tenderness that suffuses the whole cantata.

Soprano voice & basso continuo

SKU: HH.HH146-FSP

Composed by Tomaso Giovanni Albinoni. Edited by Michael Talbot. Voice (Soprano) & Basso Continuo. Full score and parts. Duration 8 minutes. Edition HH Music Publishers #HH146-FSP. Published by Edition HH Music Publishers (HH.HH146-FSP).

ISBN 9790708041979.

This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is on the ever popular subject of a timid lover who, in the course of three arias and two recitatives, eventually plucks up the courage to declare his love openly. His progress from confusion via self pity to a growing confidence is charted in the well contrasted arias, which show Albinoni's lyrical gift at its best.

Soprano voice & basso continuo

SKU: HH.HH154-FSP

Composed by Tomaso Giovanni Albinoni. Edited by Michael Talbot. Voice (Soprano) & Basso Continuo. Full score and parts. Edition HH Music Publishers #HH154-FSP. Published by Edition HH Music Publishers (HH.HH154-FSP).

ISBN 9790708059080.

This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is on the common subject of a lover's jealousy. Clori falls in love with Fileno at first sight, but he proves unfaithful to her and a lovers' quarrel ensues. The music, by turns wistful and assertive, follows Clori's see sawing emotions, ending with a show of defiance. Albinoni's finely chiseled, undulating vocal line demonstrates his great gifts as a melodist.

Soprano voice & basso continuo

SKU: HH.HH150-FSP

Composed by Tomaso Giovanni Albinoni. Edited by Michael Talbot. Voice (Soprano) & Basso Continuo. Full score and parts. Edition HH Music Publishers #HH150-FSP. Published by Edition HH Music Publishers (HH.HH150-FSP).

ISBN 9790708059042.

This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, describes how Clori, seeing her beloved Clizio asleep in a grassy meadow, begs him to awake – since only then will her love pangs be stilled. The verse may be banal, but the lightness and grace of Albinoni’s setting turns it into something delightful – a precursor, almost, of the versions by Brahms and Wolf of In dem Schatten meiner Locken.

Soprano voice & basso continuo

SKU: HH.HH148-FSP

Composed by Tomaso Giovanni Albinoni. Edited by Michael Talbot. Voice (Soprano) & Basso Continuo. Full score and parts. Duration 7 minutes. Edition HH Music Publishers #HH148-FSP. Published by Edition HH Music Publishers (HH.HH148-FSP).

ISBN 9790708041993.

This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is a rare example, for this composer, of a Sujetkantate - the term coined by the music historian Eugen Schmitz for a cantata that re-enacts an episode taken from mythology or history. Here, the subject is Ariadne, who awakes to find her lover, Theseus, gone. Rushing to the shore, she sees his departing ship and curses his faithlessness - though not without betraying her continuing love for him. Albinoni rises to the occasion in music of power and eloquence.

Soprano voice & basso continuo

SKU: HH.HH149-FSP

Composed by Tomaso Giovanni Albinoni. Edited by Michael Talbot. Voice (Soprano) & Basso Continuo. Full score and parts. Duration 7 minutes. Edition HH Music Publishers #HH149-FSP. Published by Edition HH Music Publishers (HH.HH149-FSP).

ISBN 9790708059035.

This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is on the evergreen subject of unrequited love. Elmindo, whose overtures to Irene are producing no result, masochistically begs her to look at him. His game plan is to weep even more profusely as a result, thereby provoking her into taking pity on him and reciprocating his affections. This is Albinoni at his most wistful and charming - with enough ironic detachment to prevent the emotion from becoming overblown.

Soprano voice & basso continuo

SKU: HH.HH144-FSP

Composed by Tomaso Giovanni Albinoni. Edited by Michael Talbot. Voice (Soprano) & Basso Continuo. Full score and parts. Duration 7 minutes. Edition HH Music Publishers #HH144-FSP. Published by Edition HH Music Publishers (HH.HH144-FSP).

ISBN 9790708041955.

This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, belongs in spirit to the subgenre known as the lezione amorosa, or 'lesson in love'. The singer represents a lover who, in a homily addressed to his friend Fileno, reproaches his beloved for her doubts about his fidelity, a quality that he then proceeds to extol. As usual, Albinoni does not allow the mood to grow too intense: this is, after all, civilised conversation, not moral philosophy!

Soprano voice & basso continuo

SKU: HH.HH147-FSP

Composed by Tomaso Giovanni Albinoni. Edited by Michael Talbot. Voice (Soprano) & Basso Continuo. Full score and parts. Duration 7 minutes. Edition HH Music Publishers #HH147-FSP. Published by Edition HH Music Publishers (HH.HH147-FSP).

ISBN 9790708041986.

This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is the opening work of the set. A shepherd receives a glance that he believes to be significant from Irene, on whom he has set his affections. Was this glance genuinely meant or only teasing? In two recitatives and two arias, variously playful and reflective, Albinoni explores the possibilities.

Soprano voice & basso continuo

SKU: HH.HH142-FSP

Composed by Tomaso Giovanni Albinoni. Edited by Michael Talbot. Voice (Soprano) & Basso Continuo. Full score and parts. Duration 8 minutes. Edition HH Music Publishers #HH142-FSP. Published by Edition HH Music Publishers (HH.HH142-FSP).

ISBN 9790708041931.

This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is on the subject of the parting of lovers. Dalinda, forced to part from Tirsi, vows fidelity to him and asks for the same in return. With not only two da capo arias but also a final cavata (a fugue like section), this is one of Albinoni's more extended chamber cantatas, full of harmonic and tonal variety.