Concert Band - Grade 3

SKU: AP.44926S

Sketches from Down Under. Composed by Roland Barrett. Concert Band; Performance Music Ensemble; Single Titles. Belwin Concert Band. Form: Medley; Overture. Multicultural. Score. 32 pages. Duration 3:30. Belwin Music #00-44926S. Published by Belwin Music (AP.44926S).

UPC: 038081518855. English.

Drawing its inspiration from the land down under and featuring quotations from the traditional Australian tunes Waltzing Matilda, Bound for South Australia, and Advance Australia Fair in a glorious overture-style medley, this composition salutes the spirit, diversity, and proud heritage of the people of Australia. The musical emotions alternate between the hauntingly beautiful, reverent themes and the joyous, even raucous, folk tunes building to a glorious conclusion. (3:30).

Sketches from Down Under. Composed by Roland Barrett. Concert Band; Part(s); Score. Belwin Concert Band. Form: Medley; Overture. Multicultural. 268 pages. Published by Belwin Music (AP.44926).

41 Traditional Pieces. Edited by Ros Stephen. Strings, Repertoire, Collections. Schott World Music. Argentinian Tango and Folk Tunes for Violin. Softcover Book and CD. Schott Music #ED13379. Published by Schott Music

String Orchestra string orchestra (88555) with optional piano - Grade 2

SKU: KN.08907S

Composed by Traditional. Arranged by Steve Frackenpohl. Solo or Ensemble. Voyager String Orchestra. Kendor Music Inc #08907S. Published by Kendor Music Inc (KN.08907S).

UPC: 822795089073.

This wonderful medley of three traditional Australian songs in contrasting styles is scored with 2nd Violin and viola playing the same part and cello and bass together on their part. Interesting program notes about the songs are provided in the score. Duration 2:30.

String Orchestra string orchestra (88555) with optional piano - Grade 2

SKU: KN.8907

Composed by Traditional. Arranged by Steve Frackenpohl. Voyager String Orchestra. Score and set of parts. Duration 2 minutes, 30 seconds. Kendor Music Inc #8907. Published by Kendor Music Inc (KN.8907).

UPC: 822795089073.

This wonderful medley of three traditional Australian songs in contrasting styles is scored with 2nd Violin and viola playing the same part and cello and bass together on their part. Interesting program notes about the songs are provided in the score. Duration 2:30.

By Michael Story and Mike Story. Concert Band. Concert Band. Belwin Concert Band. Grade 3. Conductor Score. 20 pages. Published by Belwin Publishing

By Michael Story and Mike Story. Concert Band. Concert Band. Belwin Concert Band. Grade 3. Conductor Score and Parts. 246 pages. Published by Alfred Music Publishing

Grade 2

SKU: CL.011-2016-02

Traditional Australian Song. Arranged by Shaffer. Young Concert Band. Audio recording available separately (items CL.WFR324 & CL.WFR195). Extra score. Composed 1987. C.L. Barnhouse #011-2016-02. Published by C.L. Barnhouse (CL.011-2016-02).

The film Crocodile Dundee’ as well as the Americas Cup Races have served to heighten our interest in Australia. Certainly, no song is more identified with that country than the wonderful Waltzing Matilda.

Brass quintet - advanced

SKU: CY.CC2845

Composed by Herbert L. Clarke. Arranged by Geoffrey Bergler. American early 20th Century. Score and parts. Published by Cherry Classics (CY.CC2845).

Cornet solos are an important part of the American Brass tradition. The Southern Cross is one of Clarke's most well known Cornet solos and was written in 1911, dedicated to the Australians and first recorded by the composer with Orchestra the next year for Victor Records.
During 1911, Clarke was the solo Cornetist of the Sousa Band while the band was on a world tour that included visits to South Africa, Tazmania and Australia from March through to August.
Below is a photo of the Sousa band from their 1911 tour. Clarke is sitting in the front row 5th in from the right with his moustache and his Cornet on his lap. He assuredly composed this solo to perform on that tour. The Southern Cross is a constellation that is only seen from the southern hemisphere and features the five stars of the Cross from the 1901 design of the Australian flag.

This 5-minute virtuosic arrangement by Geoffrey Bergler features not only the Cornet, but a bit of all the other four members of the Brass Quintet.
Instrumentat ion is for:
2 Trumpets in B-flat (Trumpet 1 solo, Trumpet 2 also plays Piccolo)
Horn,
Tr ombone
Tuba/Bass Trombone
The sound track below features Mr. Bergler from his student days as Cornet soloist

Orchestra - Grade 1

SKU: AP.46676

Arranged by Sandra Dackow. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Orchestra Expressions. Form: Waltz. Folk; Traditional; World. Score and Part(s). 66 pages. Alfred Music #00-46676. Published by Alfred Music (AP.46676).

UPC: 038081535135. English. Australian Traditional.

Botany Bay, arranged by Sandra Dackow, is a wonderful piece that is correlated with Orchestra Expressions, Book 1. Your students will enjoy the opportunity to play and sing! Everyone gets to experience a pizzicato accompaniment and the beautiful melody. This piece will be the highlight of any concert or festival program and a great way to introduce the waltz style to your beginning orchestra. This title is available in MakeMusic Cloud.

About Orchestra Expressions

< p>Play great songs such as Over the Rainbow, Batman, This Land Is Your Land, and Star Wars (Main Title). Listen to and play a variety of styles of music: popular, traditional, classical, folk and patriotic. Read and write music; compose and improvise. Perform in a concert and play for your family and friends. Be a conductor of the orchestra. Learn about composers, such as Antonin Dvorak, Johann Pachelbel, Jacques Offenbach, Pytor Ilyich Tchaikovsky, Giuseppe Verdi, George M. Cohan, George Frideric Handel, Ludwig van Beethoven, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Giacomo Puccini, Georges Bizet, Neal Hefti, and John Williams. Discover how music and art are related. Learn about a variety of musical ensembles including string orchestra, full orchestra, mariachi band, steel drum band, dixieland jazz band, rock band, and more. Play music from around the world, including North America, Europe, Latin America, Asia, and Africa.

Orchestra - Grade 1

SKU: AP.46676S

Arranged by Sandra Dackow. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Orchestra Expressions. Form: Waltz. Folk; Traditional; World. Score. 12 pages. Alfred Music #00-46676S. Published by Alfred Music (AP.46676S).

UPC: 038081535142. English. Australian Traditional.

Botany Bay, arranged by Sandra Dackow, is a wonderful piece that is correlated with Orchestra Expressions, Book 1. Your students will enjoy the opportunity to play and sing! Everyone gets to experience a pizzicato accompaniment and the beautiful melody. This piece will be the highlight of any concert or festival program and a great way to introduce the waltz style to your beginning orchestra. This title is available in MakeMusic Cloud.

About Orchestra Expressions

< p>Play great songs such as Over the Rainbow, Batman, This Land Is Your Land, and Star Wars (Main Title). Listen to and play a variety of styles of music: popular, traditional, classical, folk and patriotic. Read and write music; compose and improvise. Perform in a concert and play for your family and friends. Be a conductor of the orchestra. Learn about composers, such as Antonin Dvorak, Johann Pachelbel, Jacques Offenbach, Pytor Ilyich Tchaikovsky, Giuseppe Verdi, George M. Cohan, George Frideric Handel, Ludwig van Beethoven, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Giacomo Puccini, Georges Bizet, Neal Hefti, and John Williams. Discover how music and art are related. Learn about a variety of musical ensembles including string orchestra, full orchestra, mariachi band, steel drum band, dixieland jazz band, rock band, and more. Play music from around the world, including North America, Europe, Latin America, Asia, and Africa.

4 Part Variable Wind Ensemble with Percussion - intermediate

SKU: BT.DHP-1216326-070

Arranged by Wil van der Beek. Music Box. Folk Music. Set (Score & Parts). Composed 2021. De Haske Publications #DHP 1216326-070. Published by De Haske Publications (BT.DHP-1216326-070).

ISBN 9789043162067. English-German-French-Dut ch.

1. Emerald Isle, in this part, the musical spotlight focuses in on the green island of Ireland and its great wealth of traditional folk music. The piece opens with the air ‘My Lodging Is on the Cold Ground’, also known under the title ‘Believe Me, If All Those Endearing Young Charms’ (bars 5-24). Next, we hear another well-known air ‘The Minstrel Boy’ (bars 29-44). Finally, the air ‘The Groves of Blarney’, possibly better known as ‘The Last Rose of Summer’ (bars 53-68) is heard. Each air is heralded by a short introduction and brought to an end by a short conclusion. 2. Old Kentucky Memories, following an introduction of 14 bars all attention is claimed by the song ‘My Old Kentucky Home’. As the piece goes on, snippets of memories emerge, fleetingly, surfacing fast, but quickly disappearing again: this is musically featured by way of small motifs and themes from other songs. These can be heard briefly, and then they disappear, musing on Old Kentucky until the introduction returns to end the piece. 3. Uppland, is a province in Sweden that had a rich folk music culture, like the whole of Sweden, that boasts many songs and dances. A notable amount of these songs and dances have been composed in minor keys, three of which feature in this part. First, we hear ‘Svensk folkvisa’(bars 1-38), followed by the famous ‘Värmlandsvisanà ¢â‚¬â„¢ (bars 39-67) and then brought to an end by ‘Vexelsang’ (bars 68-end). 4. Ratatouille, in this part, no folk songs of just one country or one province are featured. This piece is a mishmash (or ratatouille), a hotchpotch of three folk songs with no significant relation at all. In succession, we hear a song from Russia (bars 1-30), one from Japan (bars 31-58) and one from Australia (bars 59-end). The composer of the Russian song titled ‘The Nightingale’ is Alexander Alyabyev (1787 1851), but the composers of the Japanese song titled ‘Sakura’ and the Australian ‘Waltzing Matilda’ are unknown.

1. Emerald Isle, in dit deel zijn de muzikale schijnwerpers gericht op het groene eiland Ierland, op de grote rijkdom aan traditionele volksmuziek. Het werkje opent met de air ‘My Lodging Is on the Cold Ground’, ook bekend onder de titel ‘Believe Me, If All Those Endearing Young Charms’ (maat 5-24). Daarna volgt de bekende air ‘The Minstrel Boy’ (maat 29-44). En ten slotte horen we nog de air ‘The Groves of Blarney’, misschien beter bekend als ‘The Last Rose of Summer’ (maat 53-68). Elke air wordt voorafgegaan door een korte inleiding en beëindigd met een korte afsluiting. 2. Old Kentucky Memories, na een inleiding van 14 maten (deels ook als afsluiting van dit deel gebruikt) wordt alle aandacht opgeëist door de song ‘My Old Kentucky Home’. Al gauw doemen er echter flarden van herinneringen op, vluchtig, snel opkomend, maar ook weer snel verdwijnend: dit krijgt muzikaal gestalte door middel van motiefjes en thema’s uit andere songs. Deze zijn even hoorbaar en dan weer vlug verdwenen... Mijmeren over Old Kentucky dus... 3. Uppland, is een provincie in Zweden met een rijke muziekcultuur, zoals heel Zweden trouwens ruim bedeeld is met volksliederen en volksdansen. Opvallend veel van deze liederen en dansen zijn gecomponeerd in mineurtoonsoorten. Dit is ook het geval met de drie voor dit deel uitgekozen songs: als eerste ‘Svensk folkvisa’(maat 1-38), gevolgd door het bekende ‘Värmlandsvisanà ¢â‚¬â„¢ (maat 39-67) en tot besluit ‘Vexelsang’ (maat 68-slot). 4. Ratatouille, in dit deel worden geen volksliedjes van één land of één provincie belicht. Dit werkje is een ‘ratjetoe’ (ratatouille), een allegaartje van drie folksongs die onderling geen enkel verband met elkaar hebben: de enige overeenkomst is dat ze alle drie als volksmuziek bestempeld kunnen worden. Achtereenvolgens klinkt er een lied uit Rusland (maat 1-30), uit Japan (maat 31-58) en uit Australië (maat 59-slot). Van het Russische lied met de titel ‘De nachtegaal’ is de componist bekend: dat is Aleksandr Aljabjev (1787 1851). Van het Japanse lied ‘Sakura’ en de Australische song ‘Waltzing Matilda’ kennen we niet de componist niet.

1. Emerald Isle, in diesem Abschnitt richtet sich die musikalische Aufmerksamkeit auf die grüne Insel Irland mit ihrem großen Reichtum an traditioneller Volksmusik. Das Stück beginnt mit der Melodie My Lodging Is on the Cold Ground“, auch bekannt unter dem Titel Believe Me, If All Those Endearing Young Charms“ (Takt 5-24). Anschließend erklingt die bekannte Melodie The Minstrel Boy“ (Takt 29-44). Schließlich ist The Groves of Blarney“, vielleicht bekannter unter dem Titel The Last Rose of Summer“ (Takt 53-68), zu hören. Jede Melodie wird durch eine kurze Einleitung angekündigt und mit einem kurzen Nachspiel beendet. 2. Old Kentucky Memories, nach einer 14 Takte dauerndern Einleitung tritt das Lied My Old Kentucky Home“ in den Mittelpunkt. Im weiteren Verlauf des Stücks erscheinen bruchstückhafte Erinnerungen, die fast so schnell wieder verschwinden, wie sie auftauchen. Dies wird musikalisch durch kleine Motive und Themen aus anderen Liedern dargestellt. Diese sind kurz zu hören und verschwinden dann, während man über Old Kentucky nachdenkt, bis die Einleitung wieder erklingt, die zum Schluss des Stückes führt. 3. Uppland, ist eine schwedische Provinz, die wie ganz Schweden eine reiche Volksmusikkultur mit vielen Liedern und Tänzen hat. Eine große Anzahl der Lieder und Tänze, von denen drei in diesem Abschnitt enthalten sind, stehen in Moll-Tonarten. Zuerst hören wir Svensk folkvisa“ (Takt 1-38), darauf erklingt das berühmte Värmlandsvisan“ (Takt 39-67) und am Ende Vexelsang“ (Takt 68-end). 4. Ratatouille, in diesem Abschnitt werden nicht die Volkslieder eines einzigen Landes oder einer einzigen Provinz vorgestellt, sondern das Stück ist ein Mischung (oder Ratatouille“) aus drei Volksliedern, die keinerlei Beziehung zueinander haben. Zunächst erklingt ein Lied aus Russland (Takt 1-30), dann eines aus Japan (Takt 31-58) und zum Schluss eines aus Australien (Takt 59-Ende). Der Komponist des russischen Liedes mit dem Titel The Nightingale“ ist Alexander Alyabyev (1787 1851). Die Komponisten des japanischen Liedes Sakura“ und der australischen Melodie Waltzing Matilda“ sind unbekannt.

1. Emerald Isle (Île d’émeraude), cette première partie met en vedette la verdoyante île d’Irlande et son riche patrimoine de musique folklorique traditionnelle. Elle s’ouvre avec « My Lodging Is on the Cold Ground », un air également connu sous le titre « Believe Me, If All Those Endearing Young Charms » (mesures 5-24). Vient ensuite un autre air célèbre, « The Minstrel Boy » (mesures 29-44), lui-même suivi de « The Groves of Blarney », peut être mieux connu sous le titre « The Last Rose of Summer » (mesures 53-68). Chaque air est annoncé par une courte introduction et s’achève avec une courte conclusion. 2. Old Kentucky Memories (Souvenirs du vieux Kentucky), après une introduction de 14 mesures, toute l’attention se porte sur la chanson « My Old Kentucky Home ». A fil de la pièce, des fragments de souvenirs fugaces émergent, disparaissant aussi vite qu’ils se présentent : cette impression est créée par le biais de courts motifs et thèmes empruntés d’autres chansons. On les entend brièvement puis ils s’estompent, comme de lointains souvenirs du vieux Kentucky, jusqu’ une reprise de l’introduction pour conclure la pièce. 3. Uppland, est une province suédoise aux riches traditions musicales, tout comme l’ensemble de la Suède, qui compte de nombreuses danses et chansons. Beaucoup sont en tonalité mineure, et cette partie en comprend trois. La première est « Svensk folkvisa » (mesures 1-38), qui est suivie de « ‘Värmlandsvisan » (mesures 39-67), et la pièce s’achève avec « Vexelsang » (mesure 68 jusqu’ la fin). 4. Ratatouille, cette dernière partie ne comprend pas d’air provenant d’un seul pays. C’est un méli-mélo, une « ratatouille » de trois chansons folkloriques sans aucun lien. Il y a d’abord une chanson russe, « Le Rossignol » (mesures 1-30), puis « Sakura », originaire du Japon (mesures 31-58) et, enfin, « Waltzing Matilda », venue d’Australie (mesure 59 jusqu’ la fin). La chanson russe est d’Alexander Alyabyev (1787-1851), mais nous ignorons les auteurs des deux autres chansons.

For Church Services and Concerts. Edited by Gross, Uwe-Karsten; Gottsche, Gunther Martin. For Organ. Collection. Published by Baerenreiter-Ausgaben (German import).

Jazz Piano Edition Piano, Book 2. Composed by Sam Wedgwood. Piano. Jazz. Softcover Audio Online. 24 pages. Hal Leonard #EVC034. Published by Hal Leonard

Fanfare Band - Grade 4

SKU: BT.AMP-440-020

Composed by Philip Sparke. Anglo Music Midway Series. Concert March. Set (Score & Parts). Composed 2016. Anglo Music Press #AMP 440-020. Published by Anglo Music Press (BT.AMP-440-020).

English-German-French- Dutch.

Salute to the Victor is in traditional march form and contains, as a tribute to Victor Grieve who was a devotee of English music (in particular that of Sir Edward Elgar), a short quote from Elgar’s Sea Pictures in the trio. Salute to the Victor was commissioned by Helen, Alex and James Grieve for the Golden Kangaroos (Hornsby Concert Band) from Sydney, Australia, in memory of their parents, Louise and Victor Grieve, Founder and Director.

Salut e to the Victor is een werk in traditionele marsvorm. Als eerbetoon aan Victor Grieve, een liefhebber van Engelse muziek (met name die van Sir Edward Elgar), bevat het in het trio een kort citaat uit Sea Pictures van die componist. Salute to the Victor is gecomponeerd in opdracht van Helen, Alex en James Grieve, voor de Golden Kangaroos (Hornsby Concert Band) uit Sydney, Australië, ter herinnering aan hun ouders, Louise en Victor Grieve de oprichtster en dirigent.

Salut e to the Victor ist in einer traditionellen Marschform komponiert. Das Stück enthält im Trio ein kurzes Zitat aus Elgars Sea Pictures als Tribut an Victor Grieve, der ein Verehrer der englischen Musik (insbesondere der Musik von Sir Edward Elgar), war. Salute to the Victor wurde von Helen, Alex und James Grieve für die Golden Kangaroos (Hornsby Concert Band) aus Sydney/Australien in Erinnerung an ihre Eltern Louise und Victor Grieve, den Gründer und ehemaliger Leiter der Golden Kangaroos, in Auftrag gegeben.

Salute to the Victor est en forme traditionnelle de marche et, en hommage Victor Grieve, un passionné de la musique anglaise (en particulier celle de Sir Edward Elgar), contient une courte citation de Sea Pictures de ce dernier dans le trio. Salute to the Victor fut commandé par Helen, Alex et James Grieve pour les Golden Kangaroos (Hornsby Concert Band) de Sydney, Australie, en mémoire de leurs parents, Louise et Victor Grieve, fondateur et directeur.

Fanfare Band - Grade 4

SKU: BT.DHP-0971085-020

Composed by Jacob De Haan. Inspiration Series. Festive and Solemn Music. Set (Score & Parts). Composed 1997. De Haske Publications #DHP 0971085-020. Published by De Haske Publications (BT.DHP-0971085-020).

Jacob de Haan was commissioned to compose this concert piece by the St. Peters Wind Symphony from Brisbane, Australia. Ross Roy is the monumental late 19th century villa where St. Peters Lutheran College was founded in 1945. The villa has always remained the school symbol. In this composition, Jacob de Haan sees the Ross Roy as a metaphor for the years spent at school (a monument in time), where one's personality is formed. So, the opening theme the artist calls the Ross Roy theme initially has monumental characteristics.The rhythmic motion, which strides along in the lower register and percussion at the beginning of the next section is typical of Tempo di Marcia. Thismovement, accompanied by repetitions of sound, is a metaphor for the structure and discipline in school. This is the introduction to a march theme, symbolic of passing through the classes up to the final examinations.Then, the Ross Roy theme is dealt with again, now in a playful, humorous variation. As if the composer is saying there should also be time for a smile in school. The same theme can be heard in major key and a slower tempo in the following section, expressing pride and self-confidence. This is also the introduction to the expressive middle section that represents love, friendship and understanding.We then return to the march theme in a slightly altered construction. The oriental sounds, constituting the modulation to the final theme, are symbols of the diversity of cultures in the school. The characteristic final theme first sounds solemn, but turns into a festive apotheosis. It is no coincidence that the final cadence is reminiscent of the close to a traditional overture, for the school years can be considered the overture to the rest of one's life. The premiere of Ross Roy was conducted by Jacob de Haan in Brisbane, on August 22, 1997.

Ross Roy is de naam van de monumentale villa in Brisbane (Australië) waar in 1945 het St. Peters Lutheran College is gesticht. In opdracht van het collegeorkest componeerde Jacob de Haan dit gevarieerde concertwerk vol metaforen. De structuur en discipline van de school horen we in de met toonherhaling gepaard gaande ritmische beweging in basregister en slagwerk. Het volgende, martiale thema staat symbool voor het doorlopen van de klassen. Een schertsende, humoristische versie van het hoofdthema ontbreekt niet: op school moet immers ook tijd zijn voor vrolijkheid. Het karakteristieke slotthema mondt uit in een feestelijke apotheose.

Ross Roy ist der Name einer monumentalen Villa in Brisbane, Australien, in der 1945 das St. Peter Lutheran College gegründet wurde. Im Auftrag dieses Schulorchesters komponierte Jacob de Haan dieses Konzertwerk, das voll von Metaphern ist. Die Struktur und Disziplin dieser Schule hören wir in der mit Tonwiederholungen gepaarten rhythmischen Bewegung des Bassregisters und des Schlagwerks. Das folgende martialische Thema steht als Symbol für das Durchlaufen der Klassen bis zum Ende der Schulzeit. Eine scherzhafte, humoristische Version des Hauptthemas darf nicht fehlen, denn in der Schule muss auch Zeit für kleine Späße und Lachen sein! Das charakteristische Schlussthemamündet in einem festlichen Höhepunkt.

Ross Roy est le symbole grandiose de l’excellence du compositeur. L’œuvre tient son nom de l’imposante villa éponyme située Brisbane en Australie et qui abrite en ses murs le Collège Saint Pierre, une institution luthérienne fondée en 1945. C’est pour l’Orchestre d’Harmonie de cet établissement que Jacob de Haan composa cette œuvre riche en métaphores. « J’ai tenté de décrire les valeurs de cette école. Ainsi, le thème initial se développe-t-il sur un motif rythmique imposant qui alterne entre les instruments graves et la batterie. Ce motif symbolise l’autorité et le cadre structuré de l’école. On retrouve ce thème plusieurs reprises et notamment sousune forme humoristique et espiègle : nous découvrons les bons côtés de l’école, la joie des élèves, les sentiments de fierté, d’amour et d’amitié. Autre élément thématique, une marche qui symbolise la progression des élèves dans leur cursus pour arriver leurs examens de fin d'étude. » En guise de conclusion, Jacob de Haan nous offre un thème grandiose qui s’élargit en apothéose.

Concert Band/Harmonie - Grade 4

SKU: BT.AMP-440-140

Composed by Philip Sparke. Anglo Music Midway Series. Concert March. Score Only. Composed 2016. 24 pages. Anglo Music Press #AMP 440-140. Published by Anglo Music Press (BT.AMP-440-140).

English-German-French- Dutch.

Salute to the Victor is in traditional march form and contains, as a tribute to Victor Grieve who was a devotee of English music (in particular that of Sir Edward Elgar), a short quote from Elgar’s Sea Pictures in the trio. Salute tothe Victor was commissioned by Helen, Alex and James Grieve for the Golden Kangaroos (Hornsby Concert Band) from Sydney, Australia, in memory of their parents, Louise and Victor Grieve, Founder and Director.

Salut e to the Victor is een werk in traditionele marsvorm. Als eerbetoon aan Victor Grieve, een liefhebber van Engelse muziek (met name die van Sir Edward Elgar), bevat het in het trio een kort citaat uit Sea Pictures van die componist.Salute to the Victor is gecomponeerd in opdracht van Helen, Alex en James Grieve, voor de Golden Kangaroos (Hornsby Concert Band) uit Sydney, Australië, ter herinnering aan hun ouders, Louise en Victor Grieve de oprichtster en dirigent.

Salut e to the Victor ist in einer traditionellen Marschform komponiert. Das Stück enthält im Trio ein kurzes Zitat aus Elgars Sea Pictures als Tribut an Victor Grieve, der ein Verehrer der englischen Musik (insbesondere der Musik vonSir Edward Elgar), war. Salute to the Victor wurde von Helen, Alex und James Grieve für die Golden Kangaroos (Hornsby Concert Band) aus Sydney/Australien in Erinnerung an ihre Eltern Louise und Victor Grieve, den Gründer und ehemaliger Leiterder Golden Kangaroos, in Auftrag gegeben.

Salute to the Victor est en forme traditionnelle de marche et, en hommage Victor Grieve, un passionné de la musique anglaise (en particulier celle de Sir Edward Elgar), contient une courte citation de Sea Pictures de ce dernier dansle trio. Salute to the Victor fut commandé par Helen, Alex et James Grieve pour les Golden Kangaroos (Hornsby Concert Band) de Sydney, Australie, en mémoire de leurs parents, Louise et Victor Grieve, fondateur et directeur.

Brass Band - Grade 4

SKU: BT.AMP-440-030

Composed by Philip Sparke. Anglo Music Midway Series. March. Set (Score & Parts). Composed 2016. Anglo Music Press #AMP 440-030. Published by Anglo Music Press (BT.AMP-440-030).

English-German-French- Dutch.

Salute to the Victor is in traditional march form and contains, as a tribute to Victor Grieve who was a devotee of English music (in particular that of Sir Edward Elgar), a short quote from Elgar’s Sea Pictures in the trio. Salute to the Victor was commissioned by Helen, Alex and James Grieve for the Golden Kangaroos (Hornsby Concert Band) from Sydney, Australia, in memory of their parents, Louise and Victor Grieve, Founder and Director.

Salut e to the Victor is een werk in traditionele marsvorm. Als eerbetoon aan Victor Grieve, een liefhebber van Engelse muziek (met name die van Sir Edward Elgar), bevat het in het trio een kort citaat uit Sea Pictures van die componist. Salute to the Victor is gecomponeerd in opdracht van Helen, Alex en James Grieve, voor de Golden Kangaroos (Hornsby Concert Band) uit Sydney, Australië, ter herinnering aan hun ouders, Louise en Victor Grieve de oprichtster en dirigent.

Salut e to the Victor ist in einer traditionellen Marschform komponiert. Das Stück enthält im Trio ein kurzes Zitat aus Elgars Sea Pictures als Tribut an Victor Grieve, der ein Verehrer der englischen Musik (insbesondere der Musik von Sir Edward Elgar), war. Salute to the Victor wurde von Helen, Alex und James Grieve für die Golden Kangaroos (Hornsby Concert Band) aus Sydney/Australien in Erinnerung an ihre Eltern Louise und Victor Grieve, den Gründer und ehemaliger Leiter der Golden Kangaroos, in Auftrag gegeben.

Salute to the Victor est en forme traditionnelle de marche et, en hommage Victor Grieve, un passionné de la musique anglaise (en particulier celle de Sir Edward Elgar), contient une courte citation de Sea Pictures de ce dernier dans le trio. Salute to the Victor fut commandé par Helen, Alex et James Grieve pour les Golden Kangaroos (Hornsby Concert Band) de Sydney, Australie, en mémoire de leurs parents, Louise et Victor Grieve, fondateur et directeur.