Compilation. Standards and workouts for making the transition from playing scales & chords. An excellent resource for beginning improv. Features slower tempos, easier changes, and specific tips on approaching soloing. Scales written for every chord change. Perfect for High School and College music directors! For more easy standards at easy tempos, see Volume 70 'Killer Joe. ' Eleven essential jazz standards and 3 important 'workout' tracks for the student ready to make the transition from playing scales, chords and exercises to playing popular jazz standards. This book is an excellent reference material that can be used as a resource for beginning improvisation actual tunes instead of exercises! Features slower tempos and easier changes. Each selection includes it's own specific tips and suggestions on how to approach soloing over it. Scales are written out for every chord change. / Rép International / Recueil / Tout Instrument

Jazz Play-Along Vol.70. Par KILLER JOE. Début/intermédiaire niveau Groovin ' Standards pour l'improvisateur de début/intermédiaire. Semblable à la populaire 54 Vol. ' Maiden Voyage ', ce volume nouveau répond aux besoins du joueur jazz pleins d'avenir qui est prêt à faire la transition entre les échelles et les accords improvisingal des changements de corde standard. Les sélections en vedette tempos plus lents et les changements plus faciles et chacun a une grande qui rend improvisant plus facile. Jamey Aebersold-piano - Tyrone Wheeler-basse - Steve Davis-batterie. / Rép International / Recueil / Tout Instrument

This set contains much variety... rock, modal, and swing tunes. Eight songs written by Herbie Hancock that range from the funky 'Watermelon Man' to the modal 'Maiden Voyage.' Beginning improvisors will find many of the songs on this set a real treat with many containing only 3 or 4 chords at relaxed tempos. Intermediate players will enjoy the variety of styles to choose from and advanced players can get into the unusual changes and faster tempos on other tunes. This, like Volumes 5, 17, and 54, is another great 'transitional' set to take you from learning your scales and chords to actually improvising on real jazz standards. The rhythm section is Kenny Barron, piano; Ron Carter, bass; Billy Hart, on drums.Cantaloupe Island - Watermelon Man - Maiden Voyage - Dolphin Dance - And What If I Don't - Jessica - Toys - Eye of The Hurricane

An easy-to-teach straight forward string method from three renowned pedagogues. A unique letter-note style of music notation is utilized which ensures a smooth transition from rote to note reading. Students are quickly introduced to ensemble playing and play a wide variety of fun-to-play melodies keys and modes. Strictly Strings features a carefully prepared lesson sequence which develops all players' abilities equally.

This easy-to-teach straightforward string method is designed to promote success in beginning string players through the joy of ensemble playing. A unique letter-note style of music notation ensures a smooth and successful transition to note reading. Students are introduced to ensemble playing with a wide variety of fun-to-play selections draw from international folk songs famous classical melodies familiar symphonic themes and new original compositions. Strictly Strings features a carefully prepared lesson sequence which effectively develops each player's abilities.This is the Violin book 2 which progresses from the skills and techniques covered inbook 1.

Par CURNOW JAMES. In 1868 William Francis Allen published a collection of spirituals, songs sung by slaves whilst they worked. This book started a flood of enthusiasm for the spiritual which continues to this day. Jubilation (a time for celebration) uses the spiritual 'My Lord, What A Morning' as the main melody for transitions and modulations throughout and to introduce three further spirituals: I'm Gonna Sing, Steal Away and Ev'ry Time I Feel the Spirit. / Niveau : 3 / Hymnes et chorals / Répertoire / Brass Band

from In Transit-The funny and poignant Broadway musical In Transit delivered a groundbreaking a cappella score. The music and lyrics were by a team including the creators of Pitch Perfect and Frozen. This music is hip and cool and exactly what singers looking to stretch and grow are looking for.

Transcriptions from Buckley's Banjo Guide of 1868. Par TWISS TIM. Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckley's Banjo Guide of 1868. This modern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, more refined plucking technique. James Buckley (1803 â' 1872), sometimes referred to as the 'Father of the Classical Banjo,â? was one of the most prolific transcribers of early banjo music. His compositions and arrangements were performed on the minstrel stage, andhis scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for the concert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even todayâ'all in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo in a lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio. Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckley's Banjo Guide of 1868. Thismodern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, morerefined plucking technique. James Buckley (1803 and ndash - 1872), sometimes referred to as the and ldquo - Father of the Classical Banjo, and rdquo - was one of the most prolific transcribers of early banjo music. His compositions andarrangements were performed on the minstrel stage, and his scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for theconcert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even today and ndash - all in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo ina lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio. / Niveau : Intermédiaire à Avancé / Musique traditionnelle d'Amérique du Nord / Date parution : 2018-05-04/ Recueil / 5-String Banjo

Traditional Irish And American Fiddle Tunes Arranged For Viola. Par HOFFHEIMER MICHAEL. Très probablement la plus grande collection de musique de violon pour alto jamais publié ! Contient une richesse de matériel pour violoneux cherchant une transition à l'alto et/ou les altistes à la recherche d'une collection de musique de violon traditionnel. Conçu pour atteindre la popularité croissante du rôle de la viola dans la musique folk, la musique dans ce livre sont regroupées en C, G, D, F, si bémol et doigté majeure de mi bémol. La musique dans ce livre est imprimée sur les Etats-majors parallèles. Le sommet est notation traditionnelle Alto dans la clef de l'alto tandis que le fond est la musique même dans la transposition de la notation de violon, permettant des violoneux qui lisent le g ou treble clef à jouer de l'alto par doigté il comme s'il s'agissait d'un violon. / Niveau : Intermédiaire / Fiddle Tunes - Solos / Recueil / Alto

for Large Wind Band Concert Band Signature Series. Par BARNES JAMES. Hope Arises is one of two new works requested in 2021 of composer James Barnes by Colonel Donald Schofield, to be written for the United States Air Force Band. It is a short piece intended to be used as an opener for AFB's tour concerts. It opens with a dramatic brass fanfare, based on consecutive perfect fourths first introduced by horns and euphoniums, followed by a short oboe solo. An ascending line in mallets and woodwind provide a rather celestial transition, taking the listener to a lively, melodic allegro, which is based on the same opening fourths. This allegro theme is developed until a return to the opening fanfare is powerfully re-announced in brass. The work concludes quite dramatically, and includes a return of the ascending line in woodwinds, mallets, harp and piano. / Date parution : 2023-07-31/ Répertoire / Concert Band