Voice 4 (Bass)in B (Notviolin)(Tsecond romb,Tthird romb,horn-Bar,Euph,B-Tuba ) (4. Voice (Bass) in B (Treble clef) (2. Trombone, 3. Trombone, Baritone horn, Euphonium, B-Tuba))

SKU: BA.BA11242-49

Edited by Andreas Dewey, Bernhard Blitsch, and Richard Mailänder. Ring stitching. Eigenteil des Erzbistums Köln. Single part. 82 pages. Baerenreiter Verlag #BA11242_49. Published by Baerenreiter Verlag (BA.BA11242-49).

ISBN 9790006563630. 15 x 21 cm inches.

The acclaimed percussionist Christian Dierstein has joined forces with a research group at the Basel Academy of Music to examine the techniques of percussion playing from an innovative perspective. The main focus falls less on the instruments than on their sound producers: beaters, mallets, sticks, bows, specific manual techniques up to and including electronic pulse generators. This book describes all of them in detail and illustrates their range of application in carefully selected and annotated examples from the repertoire.

Many essays by guest authors such as Nicolaus A. Huber, Steven Schick, Fritz Hauser and Bernhard Wulff relate the performance descriptions to ongoing aesthetic debates. They reveal that sound production and interaction with sound-generating objects have moved centre stage in contemporary composition and its expanded concepts of material and performance. The result is a comprehensive reference book for composers and performers that will also serve as a source of inspiration for future innovative approaches in percussion playing.

The authors
Christian Dierstein completed his musical studies with Bernhard Wulff (Freiburg), Gaston Sylvestre (Paris) and Wassilios Papadopulus (Mannheim). A multiple prize-winner at music competitions, he has played percussion withEnsemble Recherchesince 1988 andTrio Accantosince 1994 together with Nic Hodges and Marcus Weiss. In addition he has been professor of percussion and contemporary chamber music at the Basel Academy of Music since 2001.

Michel Roth is professor of composition and music theatre at the Basel Academy of Music and a member of its research department. As a composer he is a regular guest at music festivals, recently with a focus on music theatre. In 2017 Barenreiter published hisTechniques of Trombone Playingco-written with Mike Svoboda. This was awarded theBest Editionprize by the German Music Publishers Association in 2018.

Jens Ruland studied percussion with Carlos Tarcha at the Cologne University of Music (2007-12) where he completed his performance and teaching degree with distinction. Since 2012 he has consolidated his studies with Christian Dierstein in Basel. He is a founding member ofhand werk(Cologne),232 percussion(Cologne),Ensem ble New4Art(Switzerland) and the music theatre duoAkt-tkA(Spain and Switzerland).

Composed by Alarcon. Concert Band. Opus III Series. Audio recording available separately (item CL.WFR874). Extra full score (oversized). Composed 2008. Duration 1 minute, 32 seconds. Published by Opus III Wind Orchestra Publications

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Hi-hat Cymbal, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Ride Cymbal, Snare Drum, Tambourine, Timpani, Trombone, Trumpet 1 and more. - Grade 2

SKU: CF.YPS232F

Composed by Mark Lortz. Sws. Yps. Full score. 16 pages. Duration 2 minutes, 5 seconds. Carl Fischer Music #YPS232F. Published by Carl Fischer Music (CF.YPS232F).

ISBN 9781491158197. UPC: 680160916795. 9 x 12 inches.

Jam on Top was commissioned by Thomas Wittig for the Forest Lakes Elementary School fifth grade band, under the direction of Amy Thornsen, in memory of beloved music teacher, Mr. Dominic (Nick) Selvi. Nick had a passion for jazz and loved playing the style with his students. This piece is written in a standard blues chord progression (with courtesy accidentals written to introduce the blues scale) and can be performed in a straight rock or a swing-jazz feel. Special care should be taken to play all articulations to ensure the proper style. Nick was a saxophonist, and m. 39 could feature a solo, duet, trio or a saxophone soli section. In addition, mm. 39a50 could be opened up to have multiple soloists perform the solo in the style of an open jazz vamp. The drum parts are written for multiple players or could feature one player on drum set and the others improvising on accessory instruments such as cowbell, shaker, tambourine, etc. It is my hope that the performers will use this piece learn about blues chord progressions, blues scales in a pop, rock or jazz style.
Jam on Top was commissioned by Thomas Wittig for the Forest Lakes Elementary School fifth grade band, under the direction of Amy Thornsen, in memory of beloved music teacher, Mr. Dominic (Nick) Selvi. Nick had a passion for jazz and loved playing the style with his students. This piece is written in a standard blues chord progression (with courtesy accidentals written to introduce the blues scale) and can be performed in a straight rock or a swing-jazz feel. Special care should be taken to play all articulations to ensure the proper style. Nick was a saxophonist, and m. 39 could feature a solo, duet, trio or a saxophone soli section. In addition, mm. 39-50 could be opened up to have multiple soloists perform the solo in the style of an open jazz vamp. The drum parts are written for multiple players or could feature one player on drum set and the others improvising on accessory instruments such as cowbell, shaker, tambourine, etc. It is my hope that the performers will use this piece learn about blues chord progressions, blues scales in a pop, rock or jazz style.
Jam on Top was commissioned by Thomas Wittig for the Forest Lakes Elementary School fifth grade band, under the direction of Amy Thornsen, in memory of beloved music teacher, Mr. Dominic (Nick) Selvi. Nick had a passion for jazz and loved playing the style with his students. This piece is written in a standard blues chord progression (with courtesy accidentals written to introduce the blues scale) and can be performed in a straight rock or a swing-jazz feel. Special care should be taken to play all articulations to ensure the proper style. Nick was a saxophonist, and m. 39 could feature a solo, duet, trio or a saxophone soli section. In addition, mm. 39–50 could be opened up to have multiple soloists perform the solo in the style of an open jazz vamp. The drum parts are written for multiple players or could feature one player on drum set and the others improvising on accessory instruments such as cowbell, shaker, tambourine, etc. It is my hope that the performers will use this piece learn about blues chord progressions, blues scales in a pop, rock or jazz style.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1063973-140

Arranged by Masato Myokoin. New Sounds for Concert Band. Original Light Music. Score Only. Composed 2006. 28 pages. De Haske Publications #DHP 1063973-140. Published by De Haske Publications (BT.DHP-1063973-140).

9x12 inches. English-German-French-Dut ch.

In 1942 Glenn Miller voluntarily joined the army and founded the Glenn Miller Army Air Force Band and with his music he kept up the morale of the troops. In December 1944 he boarded an aircraft in England that would never reach its destination (France) - the plane was never found. The patriotic legend of this great composer however lives on in his music. Pennsylvania 6-5000 was one of the greatest successes of his famous band and is as popular today as it was in the 1940s.

In 1942 meldde Glenn Miller zich aan voor het Amerikaanse leger en richtte hij de Glenn Miller Army Air Force Band op. Met zijn muziek hield hij de moraal van de troepen hoog. In december 1944 ging hij in Engeland aan boord van eenvliegtuig dat zijn bestemming (Frankrijk) niet zou bereiken - het toestel werd nooit gevonden. De patriottische legende van zijn persoon leeft echter voort in zijn muziek. Pennsylvania 6-5000 is nog altijd een van de grootstesuccessen van zijn vermaarde orkest.

Das Thema des bekannten Swing-Standards Pennsylvania 6-5000 entstand im Jahr 1940 während eines dreimonatigen Engagements des Glenn-Miller-Orchesters im New Yorker Hotel Pennsylvania. Bei diesem Thema handelte es sich um nichts anderes als die Vertonung der Telefonnummer des Hotels. Kurz nach dem Aufenthalt im Hotel wurde die Aufnahme des Stückes gemacht, das sich bis heute als absoluter Dauerbrenner erwiesen hat. Masato Myokoin arrangierte die flotte Swingnummer für Blasorchester.

En 1942, Glenn Miller se met au service des forces armées américaines et fonde le Glenn Miller Army Air Force Band. Il part pour l’Europe pour apporter un soutien moral aux troupes. Deux ans plus tard, il disparaît mystérieusement en Manche. Il reste pour le public une véritable légende et ses airs les plus célèbres sont dans toutes les mémoires. Pennsylvania 6-5000 reste l’un des plus grands succès de cet orchestre mythique.

Nel 1942, Glenn Miller si mette al servizio delle forze armate americane e fonda la Glenn Miller Air Force Band. Parte per l’Europa per sostenere moralmente le truppe e, due anni dopo, scompare misteriosamente nel Canale della Manica. Glenn Miller resta una vera leggenda e le sue arie sono celebri in tutto il mondo. Pennsylvania 6-5000 è uno dei più grandi successi di questa mitica orchestra.

Composed by Leo Nestor. For Soprano or Tenor solo, SATB choir, 2 obbligato Instruments (Mixed Voices). Year C: Epiphany of the Lord. Epiphany, Christmas, Services, Concerts, 20th Century. Medium. Octavo. Text Language: English. Published by E.C. Schirmer Publishing

2 violins and continuo, 2 flutes and continuo, 2 oboes and continuo

SKU: FZ.5906

Composed by Jean-Joseph Mouret. Edited by Department De Musique Ancienne Du C.N.S.M De Paris. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Score. Published by Anne Fuzeau Productions - France (FZ.5906).

ISBN 9790230659062. 24.00 x 33.00 cm inches.

This facsimile of an original by Jean-Joseph Mouret is part of our French classical music collection. Edition : Paris, l'Auteur, Boivin, Leclerc, 1737. Preface: Early music department of the C. N. S. M. D. de Paris (class of Irene Ginger and Jean Saint-Arroman): links between danse and music - choreographic proposals for certain dances - Mouret's ornamentation - Proposed ornamentation for the repeats of a saraband. Three separate instrumental parts: premier dessus, second dessus, continuo (instrumentation ad libitum , violins, flutes or oboes). These works are written as trio and may be performed by two dessus (violins, flutes or oboes) and basso continuo. They may also be played with a chamber orchestra formation. As the dance suites of theatrical works are artificial, 18 th century suites, written specially for dance, are rare.
Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.

Brass Ensemble, Trumpet, Trombone and Piano

SKU: HL.14027970

Composed by Poul Ruders. Music Sales America. Classical. Score. 16 pages. Edition Wilhelm Hansen #KP00263. Published by Edition Wilhelm Hansen (HL.14027970).

ISBN 9788759859353. 16.75x11.75x0.425 inches. English.

Break-Danc e is an obvious next of kin to the two Clarinet trios Vox In Rama and Tattoo For Three. This piece, however, combines the roaring despair of the first trio with the twisted rhythmical display of the latter. The title, of course, is a reference to the modern street-dance electric boogie, but the very music itself takes the naming most literally indeed: formally and rhythmically, after a straightforward head-on opening, it breaks into isolated, jagged fragments, winding up in a bouncing piano cadenza. Albeit not an obvious piano concerto, the piano part hovers in the front line, the same way the horizontal guy, ringing himself on the pavement, is doubtless an eye-catcher to passers-by. The springy 'body-language' that kicks off the piece suddenly stiffens and freezes into hard-edged blocks and the real 'dance of breaks' emerges into focus. Break-dance is commissioned by and dedicated to Yvar Mikhashoff and Spectrum. Arranged for 2 Trumpets, 3 Trombones, and Piano.

Concert band - Grade 2

SKU: CL.011-4605-00

March. Composed by Parker. Arranged by Glover. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR393). March. Score and set of parts. Composed 2017. Duration 2 minutes, 11 seconds. C.L. Barnhouse #011-4605-00. Published by C.L. Barnhouse (CL.011-4605-00).

Here’s a classic American march which is perfect for any concert! Limited ranges and technical demands make this a great march for middle school and smaller, less experienced high school bands. The first half features solid interplay between melody and countermelody instruments. The first trio features a solid melody ornamented by upper woodwinds, and a powerful finish giving the whole band a chance to shine. An excellent teaching tool for both march style and alla-breve, American Legion will have toes tapping from start to finish!

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Piano, flute, cello or piano, violin, cello (trio)

SKU: FZ.5887

Composed by Ignaz Josef Pleyel. Edited by Les Etudiants du C.E.F.E.D.E.M - Ile de France. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Score. Published by Anne Fuzeau Productions - France (FZ.5887).

ISBN 9790230658874. 24.00 x 33.00 cm inches.

This facsimile of an original by Ignace Pleyel is part of our French classical music collection. Edition : Paris, Sieber, 1788. Preface by students of the CeFEdeM-Ile-de-France: Pleyel's biography the works of Ignace Pleyel - Pleyel the music publisher - Pleyel the piano builder - the Salle Pleyel in rue Rochechouart - hints about the score. Three separate instrumental parts: piano - flute or violin - cello. The composer, publisher, and piano maker, Ignace Pleyel, holds an important place at the cusp of the 18th and 19th centuries. The quality of the compositions produced by this student of Haydn makes their republishing worthwhile.
Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.

String Trio (Score)

SKU: HL.48022790

Score. Composed by Mikko Heiniö. Boosey & Hawkes Scores/Books. Classical, Contemporary. Softcover. Hal Leonard #M550096240. Published by Hal Leonard (HL.48022790).

This string trio is a paraphrase: not only its name but its four-part structure and essential characters are derived from the eponymous poem by Lassi Nummi. In one respect, however, the music goes its own way: where Nummi has a sombre memento mori concluding each stanza, Heinio's trio breaks into a song, a canto, which is broader every time. Parts also available (item 48022791).

Piano - Level 3

SKU: DB.DM-00326

Nach dem Steichtrio op.3. Composed by Ludwig van Beethoven. Edited by Eugene Hartzell. Keyboard music. Diletto Musicale. Op. 3. Doblinger Music Publishers #DM-00326. Published by Doblinger Music Publishers (DB.DM-00326).

Beethovens vermutlich eigene Bearbeitung seines Streichtrios Op. 3 fur Klavier.

Piano SKU: HU.HN842 Composed by Maurice Ravel. Edited by Peter Jost. Piano Solo, Piano and Keyboard, Repertoire, Solos. Miroirs. 20th Century, Classical, Romantic. Softcover Book. 69 pages. G. Henle #HN842. Published by G. Henle (HU.HN842). 12.2 x 9.3 x 0.2 inches.

Treble recorder and basso continuo (cello ad libitum) - easy to intermediate

SKU: HL.49017077

Composed by Robert Valentine. Edited by Beatrice Ruf and Hugo Ruf. This edition: Saddle stitching. Sheet music. Woodwind. Book only. Op. 3. 36 pages. Schott Music #OFB 205. Published by Schott Music (HL.49017077).

ISBN 9790001148955. UPC: 841886009165. 9.0x12.0x0.137 inches.

Robert Valentine, born in Leicester around 1680, was one of the few English masters of Baroque music who achieved fame and enjoyed a high standing beyond the borders of his home country instead of within. He made his fortune in Italy where he seemed to have spent most of his lifetime. It is assumed that he returned to England in 1731. He died at an unknown place around 1735.Valentine was a talented composer. Apart from some concertos, he mainly wrote and published solo sonatas, trio sonatas and duets, works who clearly show his preference for the flute, he himself being a flutist.

Euphonium Trio - advanced

SKU: CY.CC2955

Composed by Henry Purcell. Arranged by Ralph Sauer. English Baroque. Coil bound score & parts. 88 pages. Cherry Classics #2955. Published by Cherry Classics (CY.CC2955).

ISBN 9790530057742.

Purc ell's Trio Sonatas of 1683 are a blend or hybrid of French and Italian Baroque 17th Century musical styles. The six Sonatas of Volume 1 alternate between major and minor keys. Each work consists of several short movements, ranging between melancholy and joyous.

Especial ly delightful are the dissonances that the composer intersperses throughout each work.

Each Sonata is about 6-7 minutes in length and they are an absolute delight to perform.

For advanced performers.
Part three is optional for Tuba.

Euphonium/Tuba Trio - Advanced

SKU: CY.CC3064

Composed by Henry Purcell. Arranged by Ralph Sauer. Classical. Score and Parts. Cherry Classics #CC3064. Published by Cherry Classics (CY.CC3064).

ISBN 9790530110416. 8.5 x 11 in inches.

Purcell's Trio Sonatas of 1683 are a blend or hybrid of French and Italian Baroque 17th Century musical styles. The six Sonatas of Volume 2 alternate between major and minor keys. Each work consists of several short movements, ranging between melancholy and joyous. Volume 2 is a continuation of the six sonatas from volume one, with more surprises and enjoyment for performers and listeners alike. Especially delightful are the dissonances that the composer intersperses throughout each work. Each Sonata is about 6-7 minutes in length and they are an absolute delight to perform. Part three may also be performed on Tuba. For advanced performers.

Concert Band/Harmonie/Fanfare and Saxophone Trio - Grade 3

SKU: BT.DHP-0910277-015

Composed by Harm Evers. Solo Spectrum. Original Light Music. Set (Score & Parts). Composed 1991. De Haske Publications #DHP 0910277-015. Published by De Haske Publications (BT.DHP-0910277-015).

Harm Evers schreef het swingende Saxophone Jubilee als eerbetoon aan Adolphe Sax, die ruim anderhalve eeuw geleden de saxofoon uitvond. De drie voorgeschreven saxofoonpartijen kunnen in verschillende combinaties worden gespeeld,zodat het werk goed uitvoerbaar is door vrijwel elk orkest dat over ten minste drie saxofonisten beschikt.

Vor mehr als 100 Jahren erfand der belgische Instrumentenbauer Adolphe Sax das nach ihm benannte Saxophon. Ihm zu Ehren schrieb Harm Evers das swingende Werk Saxophon Jubilee. Die Saxophonstimmen können in verschiedenen Kombinationen gespielt werden, so dass Ihr Blasorchester das Stück schon mit drei Saxophonisten aufführen kann. Ein schwungvoller Spaß, nicht nur für die Saxophonisten!

Saxophone Jubilee rend hommage au célèbre inventeur Adolphe Sax qui, vers 1840, décide de fabriquer un nouvel instrument qu’il baptise d’après son propre nom. Cette pièce pleine de fraîcheur met en valeur un trio de saxophones dont la composition peut varier (voix solistes éditées en Sib et Mib). Le rythme swing donne la pièce un effet sautillant et divertissant.

Piano Trio

SKU: BR.EB-9248

Composed by John Bull and Marton Illes. Chamber music; stapled. Edition Breitkopf.

World premiere: Karlsruhe (Festival Zeitfluss), October 31, 2013

New music (post-2000); Music post-1945. Score and parts. Composed 2013. 20 pages. Duration 9'. Breitkopf and Haertel #EB 9248. Published by Breitkopf and Haertel (BR.EB-9248).

ISBN 9790004185483. 9 x 12 inches.

Bei den ,,In Nomine-Stucken handelt es sich um die Gegenuberstellung von unterschiedlichen Zeitmassen. Die gedehnte Zeit des durchgehenden Cantus firmus ,,Gloria Tibi Trinitas, dem unterschiedlich schnelle, figurative Bewegungsablaufe entgegengesetzt werden, ist ein gutes Beispiel fur die Spannungserzeugung in der Musik. Die Uberlagerung von stark divergierenden Zeitmassen und Spannungstemperaturen ist eine Extremform der Polyphonie, die aus den Rahmen dieser heraustretend die gleichzeitige Anwesenheit unterschiedlicher musikalischer ,,Dimensionen spuren lasst. Das von mir mit dem Begriff ,,Polydimensionalitat beschriebene Phanomen ist beinahe in allen Epochen der Musikgeschichte anzutreffen: im Fruhen Mittelalter bei Perotin, Vitry oder spater bei den Komponisten der Ars subtilior, dann in der italienischen und niederlandischen Vokalpolyphonie, und in den Choralvorspielen von Bach ebenso wie spater bei Ives oder Ligeti. Dieses ,,Divergenzbedurfnis ist auch in mehreren meiner Werke wieder zu finden, und vielleicht ist das der entscheidende Grund, warum mich diese Bull-Stucke so sehr faszinieren. Ein anderer inspirierender Aspekt und der eigentliche ,,Casus belli der Instrumentationsarbeit ist das enorme, inharente Farbpotenzial der Stucke. Diese heterogenen Linientexturen lassen sich in der Kombination der drei Instrumente wie ungewohnlich flexible Orgelregister mischen und differenzieren. Es geht aber noch einen Schritt weiter: Durch die besondere Farbenverteilung treten einzelne Linien- und Motivfragmente aus der ansonsten geschmeidig in sich verwobenen Textur plastisch hervor oder eben in den Hintergrund. Dieses Verfahren lasst in das intimste Innere des Werkes blicken und verleiht ihm eine beinahe naturalistische Plastizitat und Haptik, wie wenn man eine noch nicht ganz reife, hellgrune Feige in ihrer, in Form und Farbe harmonischen Ruhe plotzlich auf- und unterbricht und von der unerwarteten Unruhe des stachelig, feurig wuchernden Fruchtfleisches fur einen Moment in analytisch beobachtende Aufregung gerat. (Marton Illes, 2013)

World premiere: Karlsruhe (Festival Zeitfluss), October 31, 2013.

Concert Band/Harmonie/Fanfare Band/Brass Band - Grade 2

SKU: BT.DHP-0950646-216

Composed by George Frideric Handel. Arranged by Jan de Haan. Musica Sacra. Concert Piece. Score Only. Composed 1995. De Haske Publications #DHP 0950646-216. Published by De Haske Publications (BT.DHP-0950646-216).

Tochter Zion, also known as See the Conquering Hero Comes, is the most famous chorus from the oratorio Judas Maccabaeus (1746) by the composer George Frideric Handel (1685-1759). The heroic epic based on the Biblical story about commander-in-chief Judas Maccabaeus, was used by Handel to celebrate the English victory over the rebellious Scottish. The first performance of this patriotic work - written in the pleasing, rich baroque style that Handel’s music is known for - was conducted by himself; the success was huge. The chorus See the Conquering Hero Comes was added later, in 1748, drawn from another oratorio (Joshua).

< I>Tochter Zion, ook bekend als See the Conquering Hero Comes, is het beroemdste koor uit het oratorium Judas Maccabaeus (1746) van de componist Georg Friedrich Händel (1685-1759). Het op het Bijbelse verhaal overlegeraanvoerder Judas de Maccabeeër gebaseerde heldenepos werd door Händel gebruikt om de overwinning van de Engelsen op de in opstand gekomen Schotten te vieren. De première van dit patriottische werk - geschreven in de aangename,rijke barokstijl waar Händels muziek om bekendstaat - werd door hemzelf gedirigeerd, het succes was enorm. In 1748 is het koor See the Conquering Hero Comes toegevoegd, dat afkomstig was uit een ander oratorium (Josua).

Tochter Zion, auch als See the Conquering Hero Comes bekannt, ist der berühmteste Choral aus dem Oratorium Judas Maccabaeus von Georg Friedrich Händel. Dieses Werk - das im gefälligen, üppig barocken Stil, der für Händels Musik typisch ist, geschrieben wurde - arrangierte der zeitgenössische niederländische Komponist Jan de Haan für Blechbläserquartett und Orgel.

Tochter Zion ( Toi la gloire) est le plus célèbre chœur de l’oratorio Judas Macchabée de Georg Friedrich Haendel (1685-1759). La création de cette œuvre patriotique a eu lieu sous la direction du compositeur. Écrite dans le style baroque, elle déploie toute la richesse et la subtilité de la musique d’Haendel. Judas Macchabée est couronné de succès.

SKU: HL.1155284

Five Decades in the Music Products Industry. Reference. Biography / Music Bisac, Biography / Personal Memoir, Biography/Composers & Musicians, Drum Reference. Hardcover. 340 pages. Duration 210 seconds. Hal Leonard #MLIPHC. Published by Hal Leonard (HL.1155284).

ISBN 9781888408591. UPC: 196288122579. 8.75x11.5x0.776 inches.

This memoir by Karl Dustman details his illustrious music industry career. Dustman began his professional career in music retail, leading to a sales forecaster for IBM. This opened the door to an executive position with Ludwig Drum Company where he spent 11 years in the marketing and educational departments. Executive-level stints with Gretsch, Hohner-Sonor-Sabian, Pearl, and Sonor gave Karl great insight into the percussion industry of the 1970's through the '80s, '90s, and into the current era, which he shares here in intimate detail. Striking out on his own as a marketing consultant, Karl worked not only with numerous music industry clients, but other businesses which further developed his skill set. Along the way, Karl authored numerous articles to share his percussion marketing expertise; many are included in the book's appendix. Also included are capsule histories of the Ludwig and Gretsch drum companies, and a good look at the inner workings of the Percussion Marketing Council for the past nineteen years. Pretty much anyone who has worked in the percussion industry over the last five decades has crossed paths with Karl Dustman. This book has been painstakingly written to provide insights and details to a career that spans over fifty-five years and continues to this day. The huge assortment of photos, internal documents, examples of the many different marketing, sales, promotional product launch materials, and massive trade show exhibits are included in each of the nine chapters. The personal stories and memorable moments illustrates an ever-changing industry filled with products, people, company mergers, brand acquisitions, and personal uncertainty for the future through five decades of career development. This could also serve as an industry textbook, illustrating the vast differences in the industry's retail, wholesale distribution, and manufacturing environments and workplaces. The journey is not limited to percussion but includes direct experiences with acoustic and digital pianos, electric, acoustic, and classical guitars, and even sound reinforcement.

Flute , viola & harp

SKU: HH.HH316-FSP

Composed by Luna Alcalay. Flute , Viola & Harp. Full score and parts. Edition HH Music Publishers #HH316-FSP. Published by Edition HH Music Publishers (HH.HH316-FSP).

ISBN 9790708092650.

Un sogno a tre for flute, viola and harp was written in 1990 for a trio of young instrumentalists and first performed in the USA. In the enigmatic words of the composer: the piece has no beginning, no middle and no end ... simply three musicians telling each other something and dreaming a little ... sound is arising and that is enough .... The three parts could be said to interact -- the harp creating a foundation, and the flute and viola forming a relief -- yet they never really meet, nor do they coalesce within the overall texture. Pitch and rhythm are strictly organized, but any attempt at dramatic development has been consciously avoided. The result, according to the composer, is a relief like mass that moves and sometimes stays still, the density of the events changing within and between each section. Despite the seemingly amorphous nature of Un sogno a tre, the structural unity of the piece is never in doubt.

Score and Parts Brass Quintet; Orchestra (Score & Parts)

SKU: HL.4008532

Brass Quintet and Orchestra – Grade 4/Solo 5, 9:24 Score and Part. Composed by Otto Schwarz. Symphonic Dimensions. Classical, Virtuoso. Softcover. Duration 564 seconds. Hal Leonard #SDP08523401. Published by Hal Leonard (HL.4008532).

ISBN 9798350109986. UPC: 196288178699.

The commission of the Pentaphonia Brass Quintet and the Haize Berriak Sakanako Musika Ekartea Concert Band from the Spanish Basque country was to write a piece for brass quintet and concert band. The work was conceived by Otto M Schwarz as a piece that moves through different styles in a manner similar to his concerto grosso. Thematic material is introduced by the quintet and then taken over by the band, and vice versa. Furthermore, the quintet doesn't always play together, but rather often as a trio or just a duet. Virtuoso solo passages complete the work. Brasserie is one of the very few works of its type and is sure to find a permanent place is the symphonic wind music repertoire.