Piano trio - intermediate SKU: HL.49016763 Composed by Kurt Noack. Arrang...(+)
Piano trio - intermediate
SKU: HL.49016763
Composed by Kurt Noack.
Arranged by Wolfgang
Birtel. This edition:
Saddle stitching. Sheet
music. Misc. Score and
parts. Op. 5. 20 pages.
Schott Music #ED20106.
Published by Schott Music
(HL.49016763).
ISBN
9790001146173. UPC:
884088204570.
9.25x12.0x0.087
inches.
The only
work still known today by
Noack, 'Heinzelmannchens
Wachtparade' [Parade of
the Brownies] Op. 5 was
called a 'character
piece' by the composer
himself, and this 'marche
en miniature' conveys wit
and good humour from the
beginning; you can
immediately imagine a
picture of the brownies
tripping along! The
second part of the trio
offers an ironical and
very effectie ending with
its enticing harmonies
and surprising
effects.
Performed by Dave Matthews Band, compiled by Mark Wood. Instructional book (viol...(+)
Performed by Dave
Matthews Band, compiled
by Mark Wood.
Instructional book
(violin excerpts only)
for violin. With
instructional text. 32
pages. Published by
Cherry Lane Music.
Clarinet in Bb and piano - easy to intermediate SKU: HL.49016979 Composed...(+)
Clarinet in Bb and piano
- easy to intermediate
SKU: HL.49016979
Composed by Kurt Noack.
Arranged by Wolfgang
Birtel. This edition:
Saddle stitching. Sheet
music. Woodwind Solo.
Single sheet. Op. 5. 10
pages. Schott Music
#ED09794. Published by
Schott Music
(HL.49016979).
ISBN
9790001146258.
The
only work still known
today by Noack,
'Heinzelmannchens
Wachtparade' [Parade of
the Brownies] Op. 5 was
called a 'character
piece' by the composer
himself, and this 'marche
en miniature' conveys wit
and good humour from the
beginning; you can
immediately imagine a
picture of the brownies
tripping along! The
second part of the trio
offers an ironical and
very effectie ending with
its enticing harmonies
and surprising
effects.
Tenor saxophone and piano - Intermediate-Advanced SKU: FT.FM298 Composed ...(+)
Tenor saxophone and piano
- Intermediate-Advanced
SKU: FT.FM298
Composed by Carl
Reinecke. Arranged by
Robert Rainford. Arranged
for Tenor Saxophone and
Piano. Score and Parts.
Forton Music #FM298.
Published by Forton Music
(FT.FM298).
ISBN
9790570481972.
Orig
inally for viola and
piano, these three pieces
make a fantastic addition
to the repertoire of this
instrument. The Romanze
has a glorious flowing
melody over rich,
rippling arpeggiated
harmonies in the piano
part. The second movement
has the character of a
scherzo, with a light
tripping tune in compound
time contrasted with a
more harmonic section in
duple time. The third
movement is subtitled
‘Eine Humoreske', and
starts with light
arpeggio figures before
the second theme takes
over in the style of an
alpine folk tune until
the arpeggios return to
rush to the end. Covering
a wide range of notes and
keys this needs a
confident approach but
well rewards the player
for their investment.
By Dave Matthews Band. Piano/Vocal/Chords Songbook (Arrangements for piano and v...(+)
By Dave Matthews Band.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords).
Softcover. 242 pages.
Published by Cherry Lane
Music.
SATB choir SKU: ST.EM18 Composed by Thomas Tomkins. Edited by Edmund H Fe...(+)
SATB choir
SKU:
ST.EM18
Composed by
Thomas Tomkins. Edited by
Edmund H Fellowes.
Library Volumes. Edited
Edmund Fellowes. Revised
Thurston Dart. Paperback.
Madrigals. Collection.
Stainer & Bell Ltd.
#EM18. Published by
Stainer & Bell Ltd.
(ST.EM18).
ISBN
9790220216930.
Thou
gh better known as a
composer of church and
keyboard music, Tomkins
wrote secular vocal music
that offers a compendium
of all the various
styles: canzonets,
balletts, madrigals and
'sacred songs'. Each was
dedicated to one of his
relatives, a friend or a
colleague. The names of
these 28 dedicatees form
a fascinating list at the
end of the
book.
CONTENTS
Adieu, ye city-poisoning
towers (SSATB)
Cloris, whenas I woo
(SSATB) Come,
shepherds sing with me
(SSATB) Fond men,
that do so highly prize
(SST (or A)) Fusca,
in thy starry eyes
(SSATB) How great
delight (SST) It is
my well-beloved's voice
(SSATTB) Love, cease
tormenting (SSA (or
T)) Music divine
(SSATTB) No more I
will thy love (SATB)
O let me die for true
love (SATB) O let me
live for true love
(SATB) Oft did I
marle (SSAATB) Our
hasty life away dost post
(SST) Oyez! Has any
found a lad? (SATB)
Phyllis, now cease to
move me (SSATB)
Phyllis, yet see him
dying (SSATB) See,
see the shepherds' Queen
(SSATB) Sure there is
no god of love (SSA)
The fauns and satyrs
tripping (SSATB) To
the shady woods
(SSATB) Too much I
once lamented (SSATB)
Turn unto the Lord
(SSATTB) Was ever
wretch tormented? (ST (or
A) TB) Weep no more,
thou sorry Boy (SATB)
When David heard
(SAATB) When I
observe (SSAATB) Woe
is me (SSATBB) Yet
again, as soon revived
(SAT (or A) B).
Piano - Beginner SKU: FP.FCG01 Composed by George Coulter. Published by F...(+)
Piano - Beginner
SKU:
FP.FCG01
Composed by
George Coulter. Published
by Forsyths Publications
(FP.FCG01).
ISBN
979-0-57050-016-1.
38 well known melodies
suitable for both
children and adult
beginners, suggested
grade 0-1. George
Coulter's facility for
simplifying well known
tunes and making them
accessible to the
beginner is the essence
of the tremendous
popularity of his albums
and tutor.
Guitar - Beginning SKU: MB.31103M Third Edition. Bluegrass, Wire b...(+)
Guitar - Beginning
SKU: MB.31103M
Third Edition.
Bluegrass, Wire bound.
World. Book and online
audio. 236 pages. Mel Bay
Publications, Inc
#31103M. Published by Mel
Bay Publications, Inc
(MB.31103M).
ISBN
9781513468792. 8.75x11.75
inches.
Adam Granger
self-published the first
edition of
Grangerâ??s Fiddle
Tunes for Guitar in
1979. A second edition
was published in 1994.
Now Mel Bay Publications
presents the third
edition of the
book.
This 236-page book
is the most extensive and
best-documented
collection of fiddle
tunes for the flatpicking
guitar player in
existence, and includes
reels, hoedowns,
hornpipes, rags,
breakdowns, jigs and
slip-jigs, presented in
Southern, Northern,
Irish, Canadian, Texas
and Old-time
styles.
There are 508
fiddle tunes referenced
under 2500 titles and
alternate titles. The
titles are fully indexed,
making the book doubly
valuable as a reference
book and a source
book.
In this new
edition, all tunes are
typeset, instead of being
handwritten as they were
in the previous editions,
making the tabs easier to
read.
The tunes in
Grangerâ??s Fiddle
Tunes for Guitar are
presented in Easytab, a
streamlined tablature
notation system designed
by Adam specifically for
fiddle
tunes.
The book comes
with a link which gives
access to mp3 recordings
by Adam of all 508 tunes,
each played once at a
moderate tempo, with
rhythm on one channel and
lead on the
other.
Also included in
Grangerâ??s Fiddle
Tunes for Guitar are
instructions for reading
Easytab, descriptions of
tune types presented in
the book, and primers on
traditional flatpicking
and rhythm guitar.
Additionally, there are
sections on timing,
ornamentation, technique,
and fingering, as well as
information on tune
sources and a history of
the
collection.
Mel Bay also
offers The Granger
Collection, by Bill
Nicholson, the same 508
tunes in standard music
notation.
The Secret 1 Piano, 6 mains - Intermédiaire Faber Music Limited
(Intermezzo). By Leonard Gautier. Edited by Fanny Waterman. Arranged by Corneliu...(+)
(Intermezzo). By Leonard
Gautier. Edited by Fanny
Waterman. Arranged by
Cornelius Gurlitt. For
Piano. Piano Trio (1
Piano, 6 Hands); Sheet;
Trio. Faber Edition.
Intermediate
(20 Famous Tunes from Ireland With a CD of performances and backin). By Various....(+)
(20 Famous Tunes from
Ireland With a CD of
performances and backin).
By Various. Edited by
Patrick Steinbach.
Arranged by Heiko
R�¼hmkorff. For
Violin. String. Softcover
with CD. 28 pages. Schott
Music #ED21378. Published
by Schott Music
Chamber Music Piano, soprano Saxophone SKU: PR.164002950 Fantasy after...(+)
Chamber Music Piano,
soprano Saxophone
SKU:
PR.164002950
Fantasy after
Mendelssohn. Composed
by Dan Welcher. Sws. Set
of Score and Parts. 20+8
pages. Duration 10
minutes. Theodore Presser
Company #164-00295.
Published by Theodore
Presser Company
(PR.164002950).
ISBN
9781491114568. UPC:
680160633449. 9 x 12
inches.
Dan
Welcher’s
fascinating work for
soprano sax is both a
refraction of
Mendelssohn’s
music for A Midsummer
Night’s Dream, and
his own incidental music
to Shakespeare’s
comedy. The work’s
title, AS LIGHT AS BIRD
FROM BRIER, quotes from
Oberon (King of the
Fairies) invoking revelry
at the play’s
climactic wedding scene.
Welcher’s fantasy
skips among the most
beloved themes of
Mendelssohn’s
Midsummer – giving
the saxophonist quite a
workout, and the listener
a midsummer
delight. AS LIGHT AS
BIRD FROM BRIER is
loosely based on
Shakespeare’s play
A Midsummer
Night’s Dream,
which has haunted me
since I was nine years
old. My parents
subscribed me to The
Children’s Record
Guild, and every month a
new 78rpm vinyl record
would arrive in the mail.
They were mostly fairy
tales and “kids
lit,†but in this
case it was a very
condensed performance of
the actual play, with
Mendelssohn’s
music. I loved it
immediately, and still do
– I saw a
performance in 2014 at
the Stratford Festival
that literally stalks my
dreams.When I was
commissioned by
saxophonist Stephen Page
to compose a work for
soprano saxophone and
piano two years later, I
channeled Mendelssohn as
an inspiration:
specifically, the
Overture, the Scherzo,
the Intermezzo, the
fairy’s song
“You spotted snakes
with double
tongue,†and the
Rustics’ Dance.
But it’s not a
pastiche – most of
the music is completely
my own, though attentive
listeners will detect
snatches of
Mendelssohn’s
haunting score
throughout.This piece
joins MILL SONGS and
FLORESTAN’S FALCON
among works honoring my
favorite 19th-century
composers (in those
cases, Schubert and
Schumann) without ripping
them off. As Stravinsky
did in his ballet
Pulcinella, I have
borrowed fragments of
melody from a much-loved
composer, and made a
fabric of harmonies and
scales that are
genetically related to
Mendelssohn, but
unmistakably Welcher.In
this work, the
saxophonist is Puck
– skittish,
dazzlingly fast, and
brilliant in the outer
parts, and a mischievous
Cupid in the long,
central Love Song.
(Remember how Puck
anoints Titania’s
eyes with the juice from
a magic flower, which
causes her to fall in
love with Bottom the
weaver, who has been
bewitched and wears a
donkey’s head?)
The music traces
Puck’s magic
flight, the finding of
the flower,
Titania’s
love-scene with Bottom
and her fairies, and the
rustic players –
whose rehearsal of the
funniest
play-within-the-play in
literature is interrupted
by Puck’s dirty
tricks.I greatly enjoyed
the process of writing
this piece, and often
found myself quite moved
even as I was writing
it... which rarely
happens. Stephen Page,
who commissioned the
work, is a consummate
artist (and a bit of a
Puck himself). The title
comes from
Oberon’s final
speech in the
play:Through the house,
give glimmering light,By
the dead and drowsy
fire.Every elf and fairy
spriteHop as light as
bird from brier,And this
ditty, after me,Sing, and
dance it trippingly.
Voice(s) with various inst. SKU: BR.KM-2469 Composed by Nicolaus A. Huber...(+)
Voice(s) with various
inst.
SKU:
BR.KM-2469
Composed
by Nicolaus A. Huber.
Voice.
Kammermusik-Bibliothek
(Chamber Music Library).
World premiere:
Hannover (Biennale Neue
Musik), May 23, 1997
Music post-1945; New
music (post-2000).
Performance score.
Composed 1997. 20 pages.
Duration 15'. Breitkopf
and Haertel #KM 2469.
Published by Breitkopf
and Haertel (BR.KM-2469).
ISBN 9790004503003. 11
x 14.5
inches.
Jeder kennt
,,The Large Glass, the
Bride Stripped Bare by
her Bachelors, Even
(272,5 X 175,8 cm), an
dem Marcel Duchamp acht
Jahre lang, von 1915 bis
1923, arbeitete und es
doch unvollendet liess.
Dazu veroffentlichte er
1934 ,,The Green Box, in
der sich eine Menge
Texte, Berechnungen,
Fotos und Skizzen als
Vorstudien zum ,,Grossen
Glas befinden. Obwohl
Andre Breton von einer
zynischen und
mechanistischen
Interpretation der Liebe
sprechen zu konnen
glaubte, ist neben der
beeindruckenden
Genauigkeit der
verschiedenen
konzeptionellen Ideen
eher das Dunkle, das
nicht direkt Deutbare,
das eigentlich
Entscheidende an dieser
Arbeit. Da gibt es die
beiden Glaser - das obere
die Braut, das untere die
Junggesellen -, neun
,,Malic Moulds, eine
,,Chocolate Grinder,
einen ,,Milky Way,
,,Oculist Witnesses (mit
funf konzentrisch
angeordneten Kreisen),
neun ,,Shots etc. Auch in
meiner Komposition gibt
es Oben und Unten sowie
deren Zusammentreffen
(,,Path of Illuminating
Gas) bis hin zu zwei
gegenschlagenden
Beckentellern, eine
Zweiteilung in
Metall-Instrumente und
andere, ,,neun
Taktabtastungen,
,,lautlose Fenster usw.
Vor allem aber ist der
Text, den der Sopran
singt, wunderbar
anschmiegsam. Er braucht
keine ,,Deutung, erfullt
in jedem Augenblick des
Auftauchens seinen Sinn;
kann also musikalisch
auseinandergezogen, in
einen ubergeordnet
determinierten Verlauf
eingepasst werden. The
Bride accepts this
strippingby the
bachelors, since she
suppliesthe love gasoline
to the sparks of
thiselectrical stripping;
moreover, shefurthers her
complete nudity by adding
tothe 1 st focus of
sparks (electrical
stripping) the 2nd focus
of sparks of the
desire-magneto.
Blossoming. Die Braut
akzeptiert dies
Entkleidendurch die
Junggesellen, seitdem sie
denLiebeskraftstoff
liefert zu den Funken
diesesspannungsgeladenen
Entkleidens, mehr noch,
sietreibt ihre
vollstandige Nacktheit
voran, indem siedem
ersten Funkensprung
(spannungsgeladenesEntkle
iden) den zweiten des
Begierde-Magnetzundershin
zufugt. Aufbluhen.
(Marcel Duchamp: Text aus
,,The Green Box) Ich
bevorzuge jedoch ein
Horen ganz ahnlich dem
Verstehen, das Gloria
Moure in ihrem
Marcel-Duchamp-Buch
anspricht: ,,The Large
Glass thus seems to be a
celebration of the
pre-Socratic paradox of
reality (if it exists, it
is not comprehensible;
and if it is, it is
inexpressible). (Gloria
Moure: Marcel Duchamp,
New York 1988, S. 19)
(Nicolaus A. Huber, 24.
Marz
1997)Bibliography:Huber,
Nicolaus A.: THIRTY ARE
BETTER THAN ONE (A.
Warhol), in: Neue Musik
und andere Kunste, hrsg.
von Jorn Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 50),
Mainz u.a.: Schott 2010,
pp. 220-235.
World
premiere: Hannover
(Biennale Neue Musik),
May 23, 1997.
Arches Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1.5-2 SKU: CF.FAS26 Full Score....(+)
Orchestra String
Orchestra - Grade 1.5-2
SKU: CF.FAS26
Full Score.
Composed by Sean
O'Loughlin. Carl Fischer
First Plus String
Orchestra Series. Score
and Parts. With Standard
notation. 12 pages. Carl
Fischer Music #FAS26.
Published by Carl Fischer
Music (CF.FAS26).
ISBN
9780825854811. UPC:
798408054816. 8.5 X 11
inches. Key: D
major.
Arches
em> is a piece for the
developing string
orchestra that derives
its title from the
national park in Utah. I
visited the Arches
National Monument in June
of 2003 during a
cross-country trip. The
Delicate Arch is the
recognizable landmark
from this beautiful
national park. In order
to see this remarkable
natural formation up
close, you have to hike a
trail of over two miles.
The music in this piece
is inspired by my journey
to see the arch. Once
there, you are treated to
a vast panoramic view of
the golden Utah landscape
that leaves one
breathless.
Arches is an
effective piece in
teaching
pizzicato
playing as a melodic
device. Most often,
pizzicato is
used as an effect or
punctuation mark to
larger melodic ideas.
There is a brief arco
section to provide
contrast and build up to
the dramatic return of
the main
pizzicato
melody. Each section in
the ensemble has a
statement of the melody.
It is important to think
linearly in addition to
vertically when playing
these pizzicato
lines. Forward motion is
of up-most importance in
terms of making musical
phrases out of these
pizzicato
lines. Arches
is a piece for the
developing string
orchestra that derives
its title from the
national park in Utah. I
visited the Arches
National Monument in June
of 2003 during a
cross-country trip. The
Delicate Arch is the
recognizable landmark
from this beautiful
national park. In order
to see this remarkable
natural formation up
close, you have to hike a
trail of over two miles.
The music in this piece
is inspired by my journey
to see the arch. Once
there, you are treated to
a vast panoramic view of
the golden Utah landscape
that leaves one
breathless.
Arches is an
effective piece in
teachingA
pizzicato
playing as a melodic
device. Most often,A
pizzicato is
used as an effect or
punctuation mark to
larger melodic ideas.
There is a brief arco
section to provide
contrast and build up to
the dramatic return of
the mainA
pizzicato
melody. Each section in
the ensemble has a
statement of the melody.
It is important to think
linearly in addition to
vertically when playing
theseA pizzicato
lines. Forward motion is
of up-most importance in
terms of making musical
phrases out of theseA
pizzicatoA
lines. Arches
is a piece for the
developing string
orchestra that derives
its title from the
national park in Utah. I
visited the Arches
National Monument in June
of 2003 during a
cross-country trip. The
Delicate Arch is the
recognizable landmark
from this beautiful
national park. In order
to see this remarkable
natural formation up
close, you have to hike a
trail of over two miles.
The music in this piece
is inspired by my journey
to see the arch. Once
there, you are treated to
a vast panoramic view of
the golden Utah landscape
that leaves one
breathless.
Arches is an
effective piece in
teachingA
pizzicato
playing as a melodic
device. Most often,A
pizzicato is
used as an effect or
punctuation mark to
larger melodic ideas.
There is a brief arco
section to provide
contrast and build up to
the dramatic return of
the mainA
pizzicato
melody. Each section in
the ensemble has a
statement of the melody.
It is important to think
linearly in addition to
vertically when playing
theseA pizzicato
lines. Forward motion is
of up-most importance in
terms of making musical
phrases out of theseA
pizzicatoA
lines. Arches
is a piece for the
developing string
orchestra that derives
its title from the
national park in Utah. I
visited the Arches
National Monument in June
of 2003 during a
cross-country trip. The
Delicate Arch is the
recognizable landmark
from this beautiful
national park. In order
to see this remarkable
natural formation up
close, you have to hike a
trail of over two miles.
The music in this piece
is inspired by my journey
to see the arch. Once
there, you are treated to
a vast panoramic view of
the golden Utah landscape
that leaves one
breathless.
Arches is an
effective piece in
teaching
pizzicato
playing as a melodic
device. Most often,
pizzicato is
used as an effect or
punctuation mark to
larger melodic ideas.
There is a brief arco
section to provide
contrast and build up to
the dramatic return of
the main
pizzicato
melody. Each section in
the ensemble has a
statement of the melody.
It is important to think
linearly in addition to
vertically when playing
these pizzicato
lines. Forward motion is
of up-most importance in
terms of making musical
phrases out of these
pizzicato
lines. Arches is
a piece for the
developing string
orchestra that derives
its title from the
national park in Utah. I
visited the Arches
National Monument in June
of 2003 during a
cross-country trip. The
Delicate Arch is the
recognizable landmark
from this beautiful
national park. In order
to see this remarkable
natural formation up
close, you have to hike a
trail of over two miles.
The music in this piece
is inspired by my journey
to see the arch. Once
there, you are treated to
a vast panoramic view of
the golden Utah landscape
that leaves one
breathless. Arches is an
effective piece in
teaching pizzicato
playing as a melodic
device. Most often,
pizzicato is used as an
effect or punctuation
mark to larger melodic
ideas. There is a brief
arco section to provide
contrast and build up to
the dramatic return of
the main pizzicato
melody. Each section in
the ensemble has a
statement of the melody.
It is important to think
linearly in addition to
vertically when playing
these pizzicato lines.
Forward motion is of
up-most importance in
terms of making musical
phrases out of these
pizzicato
lines. Arches is a
piece for the developing
string orchestra that
derives its title from
the national park in
Utah. I visited the
Arches National Monument
in June of 2003 during a
cross-country trip. The
Delicate Arch is the
recognizable landmark
from this beautiful
national park. In order
to see this remarkable
natural formation up
close, you have to hike a
trail of over two miles.
The music in this piece
is inspired by my journey
to see the arch. Once
there, you are treated to
a vast panoramic view of
the golden Utah landscape
that leaves one
breathless.Arches is an
effective piece in
teaching pizzicato
playing as a melodic
device. Most
often, pizzicato is
used as an effect or
punctuation mark to
larger melodic ideas.
There is a brief arco
section to provide
contrast and build up to
the dramatic return of
the main pizzicato
melody. Each section in
the ensemble has a
statement of the melody.
It is important to think
linearly in addition to
vertically when playing
these pizzicato lines.
Forward motion is of
up-most importance in
terms of making musical
phrases out of
these pizzicato lin
es.
Music from the Motion Picture Soundtrack. Composed by Marc Shaiman and Scott W...(+)
Music from the Motion
Picture
Soundtrack. Composed by
Marc
Shaiman and Scott
Wittman.
Easy Piano Songbook.
Movies,
Children, Disney.
Softcover.
74 pages. Published by
Hal
Leonard
Sleddin' Hill Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Concert band - Grade 2 SKU: CL.024-4453-00 Composed by Shaffer. Young Con...(+)
Concert band - Grade 2
SKU:
CL.024-4453-00
Composed by Shaffer.
Young Concert Band.
Rising Band Series for
Developing Bands! Audio
recording available
separately (item
CL.WFR390). Score and set
of parts. Composed 2016.
Duration 2 minutes. C.L.
Barnhouse #024-4453-00.
Published by C.L.
Barnhouse
(CL.024-4453-00).
Who
doesn’t remember
the thrill of a sled ride
on a snowy day down the
longest and steepest
hill? Time to get your
warmest jacket on and tie
your boots tight for a
trip down Sleddin’
Hill! The perilous
journey begins by leading
us into a playful melody
in the trumpets. As the
sled picks up speed we
add woodwinds and clever
percussion sound effects.
The ever-increasing tempo
reflects the momentum of
the sled culminating in
an exhilarating finish
when the sled finally
comes to an abrupt stop.
Everyone will enjoy this
trip down Sleddin’
Hill..
Music from the Motion Picture Soundtrack. Composed by Marc Shaiman and Scott W...(+)
Music from the Motion
Picture
Soundtrack. Composed by
Marc
Shaiman and Scott
Wittman.
Piano/Vocal/Guitar
Songbook.
Movies, Children, Disney.
Softcover. 104 pages.
Published by Hal Leonard
Chamber Music English Horn, Oboe SKU: CF.WF229 15 Pieces for Oboe and ...(+)
Chamber Music English
Horn, Oboe
SKU:
CF.WF229
15 Pieces
for Oboe and English
Horn. Composed by
Gustave Vogt. Edited by
Kristin Jean Leitterman.
Collection - Performance.
32+8 pages. Carl Fischer
Music #WF229. Published
by Carl Fischer Music
(CF.WF229).