Solo - Duet - Trio: Alto
Trombone, Tenor Trombone
& Bass Trombone
(optional: Piano / Organ
or CD Play Back / Play
Along) - Grade 1, Grade 2
SKU: MA.EMR-61469
Composed by Jirka Kadlec.
Score and parts. Duration
15'53. Editions Marc
Reift #EMR 61469.
Published by Editions
Marc Reift
(MA.EMR-61469).
1. O Come, All
Ye Faithful (Adeste
fideles) / 2. Good King
Wenceslas / 3. Kling,
Glockchen, Kling / 4. Il
est Ne le Divin Enfant /
5. The First Nowell / 6.
Hark, The Herald Angels
Sing / 7. Silent Night
(Stille Nacht - Voici
Noel) / 8. Les Anges dans
nos Campagnes / 9. Jingle
Bells / 10. In Dulci
Jubilo / 11. We Wish You
A Merry Christmas / 12 .
Go, Tell It On The
Mountain.
Composed by Behzad
Ranjbaran. Spiral.
Premiered by the
Philadelphia Orchestra,
Yannick Nezet-Seguin,
Music Director, Jeffrey
Khaner, flute; Verizon
Hall, Philadelphia.
Contemporary. Study
Score. With Standard
notation. Composed 2013.
126+126 pages. Duration
28 minutes. Theodore
Presser Company
#416-41515. Published by
Theodore Presser Company
(PR.416415150).
ISBN
9781598069020. UPC:
680160621743. 9 x 12
inches.
Inspired by
the alluring, human-like
sound of the Ney (a
Persian bamboo flute),
Ranjbaran aims
not only to highlight
the modern
flutist’s ability
to play agile and
brilliant passages, but
also to emulate the
delicate sound of the
Ney, particularly in
extended solo passages.
The three-movement
27-minute concerto was
commissioned by the
Philadelphia Orchestra
for its principal flutist
Jeffrey Khaner. The
piano reduction
(published separately)
was designed by the
composer to be practical
in
recital performances.
CONCERTO for Flute and
Orchestra has been
recorded for Naxos by
Érik Gratton
with the Nashville
Symphony conducted by
Giancarlo
Guerrero. The
melancholic tone of the
Ney (the Persian bamboo
flute) is known for its
alluring sound, emulating
the human voice. Â In
Persian literature, the
Ney is considered a
mystic instrument capable
of expressing deep human
emotions.In writing my
flute concerto, I aimed
not only to highlight the
modern flautist’s
ability to play agile and
brilliant passages but
also to emulate the
delicate sound of the
Ney, particularly in
extended solo flute
passages.Two prominent
characters permeate the
first movement of my
concerto. Â They are
marked in the score as
lamentoso, and con
spirito, expressing grief
and loss, and joy of
living respectively.
 The lament is mostly
expressed in several
extended cadenzas for
solo flute while the con
spirito consists of
robust and energetic fast
sections played by all
forces of the orchestra.
 Apart from these two
characters there are
moments of mystery,
comedy and the grotesque,
among others.In the
second movement, the
lyrical and poetic
character of the flute is
prominently presented in
dream-like passages
surrounded by shimmering
and tender orchestral
colors. Â The solo
flute is left out in an
agitated middle section
that references the first
movement. Â In the
third section of the
movement the solo flute
returns in meditative
fashion culminating in a
duet with the harp.The
third movement is written
as one continuous quasi
scherzo, challenging the
limits of agility and
brilliance of the flute.
 Some of the materials
from the earlier
movements are presented
again with joyous
character. Â The coda
elevates the concerto
into its brightest and
most festive character,
driving to the end with
relentless energy.
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. 1x 31.003/21 oboe
1, 1x 31.003/22 oboe 2,
1x 31.003/31 horn, 1x
31.003/32 trombone.
German title: Ach Gott,
wie manches Herzeleid 4.
Sacred vocal music,
Cantatas, Epiphany. Set
of Orchestra Parts.
Composed 1725. BWV 3. 12
pages. Duration 27
minutes. Carus Verlag #CV
31.003/09. Published by
Carus Verlag
(CA.3100309).
ISBN
9790007041434. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score and
parts available
separately - see item
CA.3100300.
Alto Trombone Solo or Duet & Piano (Organ) or CD Play Back / Play Along - Grade ...(+)
Alto Trombone Solo or
Duet & Piano (Organ) or
CD Play Back / Play Along
- Grade 2, Grade 3
SKU: MA.EMR-47044C
28 Christmas Carols /
28 Melodies de Noel.
Composed by Dennis
Armitage. 2 Alto
Trombones & CD Playback
(Play Along). Score and
parts. Duration 16'41.
Editions Marc Reift #EMR
47044C. Published by
Editions Marc Reift
(MA.EMR-47044C).
Possible
instrumentations: 2 Alto Trombones & CD
Play Back / Play
Along Alto Trombone &
CD Play Back / Play
Along.
Alto Trombone Solo or Duet & Piano (Organ) or CD Play Back / Play Along - Grade ...(+)
Alto Trombone Solo or
Duet & Piano (Organ) or
CD Play Back / Play Along
- Grade 2, Grade 3
SKU: MA.EMR-47009C
28 Christmas Carols /
28 Melodies de Noel.
Composed by Dennis
Armitage. 2 Alto
Trombones & CD Playback
(Play Along). Score and
parts. Duration 16'08.
Editions Marc Reift #EMR
47009C. Published by
Editions Marc Reift
(MA.EMR-47009C).
Possible
instrumentations: 2 Alto Trombones & CD
Play Back / Play
Along Alto Trombone &
CD Play Back / Play
Along.
Bass Trombone Solo or Duet & Piano (Organ) or CD Play Back / Play Along - Grade ...(+)
Bass Trombone Solo or
Duet & Piano (Organ) or
CD Play Back / Play Along
- Grade 2, Grade 3
SKU: MA.EMR-47008C
28 Christmas Carols /
28 Melodies de Noel.
Composed by Dennis
Armitage. 2 Bass
Trombones & CD Playback
(Play Along). Score and
parts. Duration 16'08.
Editions Marc Reift #EMR
47008C. Published by
Editions Marc Reift
(MA.EMR-47008C).
Possible
instrumentations: 2 Bass Trombones & CD
Play Back / Play
Along Bass Trombone &
CD Play Back / Play
Along.
Bass Trombone Solo or Duet & Piano (Organ) or CD Play Back / Play Along - Grade ...(+)
Bass Trombone Solo or
Duet & Piano (Organ) or
CD Play Back / Play Along
- Grade 2, Grade 3
SKU: MA.EMR-47045C
28 Christmas Carols /
28 Melodies de Noel.
Composed by Dennis
Armitage. 2 Bass
Trombones & CD Playback
(Play Along). Score and
parts. Duration 16'41.
Editions Marc Reift #EMR
47045C. Published by
Editions Marc Reift
(MA.EMR-47045C).
Possible
instrumentations: 2 Bass Trombones & CD
Play Back / Play
Along Bass Trombone &
CD Play Back / Play
Along.
By George Frideric Handel (1685-1759). Arranged by Robert Madeson. For trombone/...(+)
By George Frideric Handel
(1685-1759). Arranged by
Robert Madeson. For
trombone/euphonium duet
with piano. Duet music.
Grade 3. Published by
Cimarron Music Press .
Jazz Ensemble (Score & Parts) - Grade 3 SKU: HL.7013604 Composed by Charl...(+)
Jazz Ensemble (Score &
Parts) - Grade 3
SKU:
HL.7013604
Composed
by Charlie Parker.
Arranged by Mark Taylor.
Little Big Band Series.
Jazz. Softcover.
Published by Hal Leonard
(HL.7013604).
UPC:
840126909678.
9.0x12.0x0.24
inches.
Mark uses a
light samba feel to craft
a marvelous setting of
this Charlier Parker
standard for the little
big band format.
Perfectly scored tutti
ensemble figures are
contrasted with feature
spots for a duet of alto
sax and trumpet. Easy
flowing rhythms and
modest ranges make this
one easy to learn. The
Little Big Band Series
features arrangements
that are: Scored for 6
horns (3 saxes, 2
trumpets, trombone) plus
rhythm section; Include
additional optional parts
for alto, tenor and
trombone; Perfect for
smaller programs, or
additional ensemble
opportunities.
Vocal Duet (2 Med. Voices) SKU: HP.9141 Composed by Ken Medema. Arranged ...(+)
Vocal Duet (2 Med.
Voices)
SKU:
HP.9141
Composed by
Ken Medema. Arranged by
Arr. By Jack Schrader.
Piano Accompaniment with
Optional Orchestra. Vocal
Score. 12 pages. Hope
Publishing Company #9141.
Published by Hope
Publishing Company
(HP.9141).
UPC:
763628191412.
Origi
nal anthem Jack
Schrader's blues-gospel
setting of this ever
popular Ken Medema song
continues to be one of
the top-selling choral
pieces in our catalog.
Available in multiple
voicings. The
Orchestration by Don Hart
contains a Conductor's
Score and parts for:
Flute, Oboe, Clarinet,
Horn 1 & 2, Trumpets 1, 2
& 3, Trombone 1 & 2,
Trombone 3 & Tuba,
Percussion 1 & 2, Harp,
Rhythm, Violin 1 & 2,
Viola, Cello, and
Bass.
(Trombone/Baritone/Bassoo n/Tuba). Arranged by Victor LÌ_pez. For Trombone/Bari...(+)
(Trombone/Baritone/Bassoo
n/Tuba). Arranged by
Victor LÌ_pez. For
Trombone/Baritone/Bassoon
/Tuba. A & D Partbook;
Mixed Instruments -
Flexible Instrumentation.
U.Play.Plus. Solo--A,
Duet--B/C/D, Trio--C,
Quartet--D. Pop/Rock.
Grade 2.5; Grade 3. 24
pages. Published by
Alfred Music Publishing
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. German title: Ach
Gott, wie manches. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Viola. Composed 1725. BWV
3. 4 pages. Duration 27
minutes. Carus Verlag #CV
31.003/13. Published by
Carus Verlag
(CA.3100313).
ISBN
9790007041465. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score and
part available separately
- see item
CA.3100300.
For
Amplified Cello And
Chamber Winds.
Composed by Carter Pann.
Spiral. Premiered by Dr.
Tess Remy-Schumacher and
the UCO Winds.
Contemporary. Full score.
With Standard notation.
Composed 2015. 132 pages.
Duration 24 minutes.
Theodore Presser Company
#115-40231F. Published by
Theodore Presser Company
(PR.11540231F).
ISBN
9781491108413. UPC:
680160636907. 9x12
inches.
The High
Songs, a commission from
12 bands across the
country, became a
24-minute suite for
Amplified Cello and
Chamber Winds of five
movements, an
instrumental song cycle
featuring the solo cello
in high tessitura. The
calm opening (Nepenthe)
is followed by a big band
evocation (Moto
Perpetuo). Pann further
explores the ensemble
with Passacaglias and
Adjusting the Torque (a
nod to fellow composer
Michael Torke), then
finishes the suite with a
simple Song for Heidi,
which features a piano
duet. When Carter Pann
writes a substantial work
exploring the vitality
and colors of the wind
ensemble, the results are
guaranteed to be
ravishing.
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. German title: Ach
Gott, wie manches. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Violin 2. Composed 1725.
BWV 3. 4 pages. Duration
27 minutes. Carus Verlag
#CV 31.003/12. Published
by Carus Verlag
(CA.3100312).
ISBN
9790007041458. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score and
part available separately
- see item
CA.3100300.
Swing. Composed by
Louis Yule Brown and
Maynard Ferguson.
Arranged by Willie
Maiden. Sheet music.
Score and parts.
Handelsware #SMP 1187.
Published by Handelsware
(M7.SMP-1187).
As recorded by
the Maynard Ferguson
Orchestra on New Sounds
of Maynard Ferguson, This
Willie Maiden arrangement
takes a great tune and
puts it in an up-tempo
swing setting. The chart
has a bop-like melody
performed as a duet by
the alto saxophone and
trumpet at the beginning,
and then moves into the
ensemble. There is a solo
for alto saxophone,
followed by a roaring
shout chorus. There is
some high trumpet work (a
la Maynard), with
optional lower notes
included. As always,
Willie gives us another
incredible arrangement
sure to be loved by all
audiences! 5-4-4-3.
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. German title: Ach
Gott, wie manches. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Cello/Double Bass.
Composed 1725. BWV 3. 12
pages. Duration 27
minutes. Carus Verlag #CV
31.003/14. Published by
Carus Verlag
(CA.3100314).
ISBN
9790007041472. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score and
part available separately
- see item
CA.3100300.
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. German title: Ach
Gott, wie manches
Herzeleid. Sacred vocal
music, Cantatas,
Epiphany. Set of
Orchestra Parts. Composed
1725. BWV 3. Duration 27
minutes. Carus Verlag #CV
31.003/19. Published by
Carus Verlag
(CA.3100319).
ISBN
9790007135911. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score and
parts available
separately - see item
CA.3100300.
Composed by Phil Mehrens.
Arranged by Dave
Williamson. Anthems.
Contemporary and Sacred.
CD-ROM Anthem
Orchestration. Published
by Lillenas Publishing
Company
(LP.765762182707).
UPC:
765762182707.
Solo
and duet opportunities
with accessible choral
harmonies along with an
exciting orchestral score
from Dave Williamson make
Sovereign Lord a richly
satisfying celebration of
praise.
(Cornet/Trombone). By Georges Bizet (1838-1875). Arranged by Ph. Jordaans. For F...(+)
(Cornet/Trombone). By
Georges Bizet
(1838-1875). Arranged by
Ph. Jordaans. For
Flexible Duet (Trombone /
Trumpet/Cornet/Flugelhorn
/Baritone / Euphonium)
and Piano. Arrangements
of Classical Opera and
Operetta Overtures. Solo
Pieces. Grade 4
Trombone, Harp, Banjo Duet, Double Bass and Piano SKU: BT.MUSM570203352 C...(+)
Trombone, Harp, Banjo
Duet, Double Bass and
Piano
SKU:
BT.MUSM570203352
Composed by Jo Kondo.
Score Only. 17 pages.
University of York Music
Press #MUSM570203352.
Published by University
of York Music Press
(BT.MUSM570203352).
English.
For
trombone, prepaired
piano, Harp, 2 Banjos,
Double Bass Published
1972 First performance:
Tokyo, 1973, Norio Sato
(banjo), Ayako Shinozaki
(hp), Aki Takahashi
(pno), et al.
(Trumpet/Trombone/Clarine t). By Vincenzo Bellini (1801-1835). Arranged by Ph. J...(+)
(Trumpet/Trombone/Clarine
t). By Vincenzo Bellini
(1801-1835). Arranged by
Ph. Jordaans. For
Flexible Duet (Trombone /
Clarinet /
Trumpet/Cornet/Flugelhorn
/Baritone / Euphonium)
and Piano. Solo Pieces.
Grade 3. Published by
Molenaar Edition .
Trumpet/Trombone/Clarinet Bb Or C. By Franz Schubert. Arranged by P. De Rooij. F...(+)
Trumpet/Trombone/Clarinet
Bb Or C. By Franz
Schubert. Arranged by P.
De Rooij. For Flexible
Duet (Euphonium /
Trombone /
Trumpet/Cornet/Flugelhorn
/Baritone / Clarinet) and
Piano. Solo Pieces.
Level: Grade 2. Published
by Molenaar Edition
(Dutch import).
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. German title: Ach
Gott, wie manches
Herzeleid. Sacred vocal
music, Cantatas,
Epiphany. Choral Score.
Composed 1725. BWV 3. 12
pages. Duration 27
minutes. Carus Verlag #CV
31.003/05. Published by
Carus Verlag
(CA.3100305).
ISBN
9790007041410. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score
available separately -
see item CA.3100300.
Vocal ensemble (duet, 2 med voices) SKU: HP.8893 Composed by Bill Gaither...(+)
Vocal ensemble (duet, 2
med voices)
SKU:
HP.8893
Composed by
Bill Gaither and Gloria
Gaither. Arranged by Jack
Schrader. Piano
Accompaniment with
Optional Orchestra.
Easter Sunday. Vocal
score. 8 pages. Hope
Publishing Company #8893.
Published by Hope
Publishing Company
(HP.8893).
UPC:
763628188931. By William
& Gloria
Gaither.
Popular
worship song by
William & Gloria
Gaither The 'classic'
Gloria & Bill Gaither
song is showcased in this
gleaming, artistic
arrangement by Jack
Schrader. This standard
favorite has been given a
fresh, dignified
treatment and should meet
the needs of many choirs
during the Easter/Lenten
season, as well as many
other Sundays throughout
the church year. The
orchestration consists of
a Conductor's Score and
parts for: Flute, Oboe,
Clarinet, Trumpets 1, 2,
& 3, Horns 1 & 2,
Trombone 1, 2, and 3 (or
Sub. Tuba for Trombone
3), Percussion, Timpani,
Harp, Violins, Violas,
Cellos, and Basses.
Trombone, Harp, Banjo Duet, Double Bass and Piano SKU: BT.MUSM570203369 C...(+)
Trombone, Harp, Banjo
Duet, Double Bass and
Piano
SKU:
BT.MUSM570203369
Composed by Jo Kondo. Set
of Parts. University of
York Music Press
#MUSM570203369. Published
by University of York
Music Press
(BT.MUSM570203369).
English.
For
Trombone, prepaired
Piano, Harp, 2 Banjos,
Double Bass Published
1972 First performance:
Tokyo, 1973, Norio Sato
(banjo), Ayako Shinozaki
(hp), Aki Takahashi
(pno), et al.
Trombone BC - early intermediate SKU: BT.DHP-1013055-401 By Jaap Kastelei...(+)
Trombone BC - early
intermediate
SKU:
BT.DHP-1013055-401
By
Jaap Kastelein and
Michiel Oldenkamp. Horen,
Lezen en Spelen.
Educational Tool. Book
Only. Composed 2001. 24
pages. De Haske
Publications #DHP
1013055-401. Published by
De Haske Publications
(BT.DHP-1013055-401).
ISBN 9789043116282.
Dutch.
Dertien
duetten van onder anderen
Michiel Oldenkamp en Jaap
Kastelein (de makers van
de methode Horen,
lezen & spelen) Jacob
de Haan en Fons van Gorp.
De eenvoudige duetten in
diverse stijlen zijn ook
los van de methode
tegebruiken en bezorgen
de jonge muzikanten menig
uurtje speelplezier,
waarbij belangrijke
aspecten van het
musiceren spelenderwijs
naar voren komen. Inhoud:
Samen sterk •
It’s Swingtime
• De chef van Kiev
• Fanfare •
Luilekkerland•
Cool, Man • Beier
op de Balearen
e.a.
3 trombones or other bass-instruments - intermediate SKU: HL.49008213 ...(+)
3 trombones or other
bass-instruments -
intermediate
SKU:
HL.49008213
Also
as Duets playable.
Composed by Manfred
Schenk. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Playing score.
46 pages. Schott Music
#ED 8911. Published by
Schott Music
(HL.49008213).
ISBN
9790001124324.
9.0x12.0x0.15
inches.
These trios
offer all trombonists the
opportunity to extend
their stylistic range and
to practise playing
together in a group. The
pieces are already
effective as duets (first
and second parts). The
third part extends the
duets to trios and
contributes to a
full-sounding trombone
group. An accompanying
book is available for the
rhythm section with parts
for piano/keyboard,
guitar, bass and
drums.