Nombreux débutant et les joueurs intermédiaires inférieurs sont intimidés ou mettre des oeuvres par certains des grands compositeurs, craignant que les pièces sont tout simplement trop difficiles d'essayer. À la rescousse vient la je peut jouer que ! série et cette fabuleuse édition fournit l'occasion de jouer ces pièces majestueuses et merveilleuses. Ce livre contient un grand choix soixante-neuf populaire pièces classiques de compositeurs haut du monde dans les arrangements piano de facile-à-play, complets avec les symboles de la corde. Il présente des oeuvres de Beethoven, Dvorak, Mozart, Haydn et Brahms et est plus adapté pour les pianistes de norme de grade 1-3. Allez, surprenez-vous, vous pouvez jouer que ! / Piano / 160 pages / Partition

Vol.2: Trios Ix a XVI. Par NAULAIS JEROME. Vol. 2: Trios Ix A Xvi / Niveau : 1er Cycle / Recueil / 3 Trompettes

The 21 pieces in this collection represent some of the best miniature masterworks in piano literature. These pieces were carefully selected not only for their overall quality and musicality, but because they advance very logically from the five-finger position pieces that preceded them in Pathways to Artistry: Masterworks, Book 1. For maximum benefit, students should work through the skills that are comprehensively presented in Pathways to Artistry: Technique, Book 2. / Piano

Coutris Benoit. Par DVORAK ANTONIN. / Niveau : 2 / Date parution : 2023-03-21/ Répertoire / 3 Trompettes

The Library Of Baroque Music is an enormously expansive collection of the greatest works produced during that prolific period that flourished between the Renaissance and Classical eras. All arranged for solo Piano, this volume features works drawn from all the major Baroque composers, including some of the greatest pieces of music ever composed. The progression and development of music during the Baroque period can be heard in these pieces, providing you not only with a window into musical history, but also many exciting additions to your repertoire. The retrospective 'Baroque' label was applied to a diverse range of European compositions-often combining a spirit of experimentation with elaborate new musical structures. Dominated primarily by the Harpsichord and Organ, this period also saw the rise and development of larger-scale forms such as the concerto and oratorio. This superb volume is comprised of Keyboard and ensemble works from all the major Baroque composers, arranged for Piano. Featuring Arne, Boyce, Buxtehude, Corelli, Couperin, Gibbons, Lully, Pachelbel, Purcell, Rameau and Vivaldi, the composers here include some of the most respected and revered figures in musical history. The Library Of Baroque Music spans compositions of many of these masters, ranging from Frescobaldi in the early 1600s to Pergolesi a century later, and the famous three - J.S. Bach, Handel and Domenico Scarlatti.Baroque music, so called for its ornateness, was characterised by a bold exploration of counterpoint and new harmonic possibilities. This was variously expressed through the work of perhaps fifty or so major European composers. By the time Baroque began to segue into a new Classical period around 1750 it had already irrevocably changed and expanded the possibilities of music. The works that precipitated this change are available to play in this single volume, perfect for pianists looking to expand their repertoire with both challenging and exciting music.In this thoroughly enjoyable Library Of Baroque Music, the triumphant progression of this period is illustrated in the best possible way - through the compositions themselves, forming the definitive Baroque collection for solo pianists. / Piano

La référence GB3436 de l'éditeur Billaudot dont l'auteur célèbre est Courbois Philippe, qui a pour titre AIR TRIOMPHAL, a été écrite et composée pour Trompette et Cornet et plus particulièrement pour 2 Trompettes Et Piano (Orgue). Cette partition musicale appartient à la catégorie Classique. / 2 Trompettes Et Piano (Orgue) / Partition

Journey Through the Classics Complete est une compilation commode de tous les 98 pièces de Livres 1-4 de cette série populaire.Les morceaux gradués sont présentées dans un ordre progressif et disposent d'une variété de plats classiques essentiel de fondation éducative tout étudiant de piano.Le répertoire authentique est idéale pour les auditions et récitals, et chaque niveau comprend un tableau de référence pratique avec la clé, compositeur, période stylistique, et les éléments énumérés défi pour chaque pièce.Qualité et la valeur de ce volume font un compagnon idéal pour toute méthode classique! / Piano

Jouez avec un trio de jazz professionnel grâce à ce livre+cd. 10 standards de jazz spécialement arrangés pour trompette avec 2 enregistrements audio de chaque morceau : une démo complète et un play-back vous permettant de jouer accompagné. / Trompette / Partition + Cd

Following on the success of her two operatic works for children and teens - Douce et Barbe Bleue, Les Fables Enchantées, Little Thummie and Cendrillon (based on Perrault), as well as the adaptation of Maupassant's short story The Dumpling (2014) - Isabelle Aboulker once again hits the bull's eye with Myla And The Boat-Tree, a commission from the Villecroze Music Academy. In 2015, this musical tale for Narrator, Children's Choir and Instrumental Accompaniment, was awarded the 'Music for Young Performers Prize? by the French Music Publishers Association. Both in the French version and Marci Meth's excellent English translation, it provides the material for an enthralling educational adventure in which children between the ages of five and eight are invited into their first experience of opera and choir singing.With her trademark finesse and sensitivity, the composer tells the story of a little girl dealing with the death of a person she'd cherished above all: her grandfather. Written for choir in unison, this tale wafts shimmering melodies over an instrumental accompaniment suffused in turn with gentle melancholy and light humour. An art that speaks from an open heart.The work was written in three versions:for Narrator, Children's Choir and Piano (AL30732)for Narrator, Children's Choir and Trio (Clarinet in Bb, Cello and Piano: AL30733)for Narrator, Children's Choir and instrumental ensemble (Flute, Oboe, Clarinet in Bb, Bassoon, Horn, Trumpet in C, Trombone, Percussion, 2 Violins, Alto, Cello, Bass: AL30734)Choral score: AL30743 / Choeur A L'Unison Et Piano

Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius balance between festive and reflective sections this Mass is one of Haydn’s most successful and inspired works. This work, which in addition to the usual Salzburg “church trio” includes two trumpets and timpani, belongs to the category of “Missa solemnis. ” The popular nickname Chiemsee-Messe is bound up with the history ofthe origins of the work. Haydn wrote the Mass for the musically gifted nun, Sebastiana Oswald, who belonged to the Benedictine cloister of Frauenchiemsee. This work soon found widespread acceptance beyond the originally intended sphere of its origins, as is indicated by the numerous copies found in Austrian convents. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale

Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius balance between festive and reflective sections this Mass is one of Haydn’s most successful and inspired works. This work, which in addition to the usual Salzburg “church trio” includes two trumpets and timpani, belongs to the category of “Missa solemnis. ” The popular nickname Chiemsee-Messe is bound up with the history ofthe origins of the work. Haydn wrote the Mass for the musically gifted nun, Sebastiana Oswald, who belonged to the Benedictine cloister of Frauenchiemsee. This work soon found widespread acceptance beyond the originally intended sphere of its origins, as is indicated by the numerous copies found in Austrian convents. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale

Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius balance between festive and reflective sections this Mass is one of Haydn’s most successful and inspired works. This work, which in addition to the usual Salzburg “church trio” includes two trumpets and timpani, belongs to the category of “Missa solemnis. ” The popular nickname Chiemsee-Messe is bound up with the history ofthe origins of the work. Haydn wrote the Mass for the musically gifted nun, Sebastiana Oswald, who belonged to the Benedictine cloister of Frauenchiemsee. This work soon found widespread acceptance beyond the originally intended sphere of its origins, as is indicated by the numerous copies found in Austrian convents. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarines, Timbales,

Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius balance between festive and reflective sections this Mass is one of Haydn’s most successful and inspired works. This work, which in addition to the usual Salzburg “church trio” includes two trumpets and timpani, belongs to the category of “Missa solemnis. ” The popular nickname Chiemsee-Messe is bound up with the history ofthe origins of the work. Haydn wrote the Mass for the musically gifted nun, Sebastiana Oswald, who belonged to the Benedictine cloister of Frauenchiemsee. This work soon found widespread acceptance beyond the originally intended sphere of its origins, as is indicated by the numerous copies found in Austrian convents. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale

Will Todd's Jazz Missa Brevis gives new life to the sung Latin Mass texts in an accessible, short setting which embraces a variety of jazz styles, from the swinging jazz waltz Kyrie to the up-beat Latin-groove Gloria. The smooth jazz ballad Sanctus, 7/8 Benedictus and soulful Agnus Dei complete this inspiring Mass setting. Underpinned by Todd's characteristic jazz harmonies and melodic craftsmanship, it is suitable for performance both liturgically and as part of a concert by mixed choirs of all abilities. The work can be accompanied by piano alone (as written or extemporised), jazz trio (piano, bass and drums) or jazz ensemble (alto saxophone, 2 trumpets and jazz trio - parts available separately). / Choeur Mixte (SATB) Et Ensemble