Composed by David Shipps. Allegis. Orchestration, enhanced CD. Allegis #765762192607. Published by Allegis (LO.765762192607).

Bassoon, Cello, Clarinet, Double Bass, Flute, Harp, Horn 1, Horn 2, Oboe, Percussion, Piano, Piccolo, Timpani, Trombone 1, Trombone 2, Trumpet 1, Trumpet 2, Tuba, Viola, Violin 1, Violin 2

SKU: CF.CM8929INF

Replacement Parts. Arranged by Mark Hayes. Christmas and Holiday. Replacement Parts. With Standard notation. 28 pages. Carl Fischer Music #CM8929INF. Published by Carl Fischer Music (CF.CM8929INF).

Band Bass Clarinet, Bass Drum, Bass Trombone, Bassoon, Bells, Clarinet, Drum Set, Euphonium, Flute 1, Flute 2, Horn, Horn 2, Marimba, Oboe, Percussion, Piccolo, Trombone, Trumpet 1, Trumpet 2, Tuba, alto Saxophone, baritone Saxophone, tenor Saxophone

SKU: PR.115404240

Composed by Nkeiru Okoye. Set of Score and Parts. 24+4+4+8+4+4+4+4+4+4+4+4+ 4+4+6+8+1+2+4+8 pages. Duration 5 minutes. Theodore Presser Company #115-40424. Published by Theodore Presser Company (PR.115404240).

UPC: 680160687527.

ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'caccia, trumpet (tromba or horn da tirarsi), 2 violins, viola, basso continuo

SKU: CA.3104613

Cantata for the 10th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Paul Horn and Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Schauet Doch Und Sehet, Ob Irgend Ein. Sacred vocal music, Cantatas. Single Part, Viola. Composed 1723. BWV 46. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.046/13. Published by Carus Verlag (CA.3104613).

ISBN 9790007042998. Key: D minor. Language: German/English.

The opening chorus of the cantata Schauet doch und sehet (Look ye then and see now) is one of those movements by Bach which are much better known in their later guise: the first part of it became the Qui tollis of the Mass in B minor. But this movement is not the only high point of the cantata from Bach's earliest Leipzig period. Both the arias are also unusual: a bass aria depicting God's anger dramatically as a thundering storm, with strings and slide trumpet, which gives the movement a very special colour through its unexpected notes beyond the instrument's natural series, and an alto aria with two recorders, accompanied by just two oboi da caccia in unison, which take the role of the continuo as little basset instruments. Music almost not of this world! New revised edition. Score and part available separately - see item CA.3104600.

Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Faye Ferguson; Wolfgang Rehm. For flute 1/flute 2/oboe 1/oboe 2/clarinet 1/clarinet 2/bassoon 1/bassoon 2/horn 1/horn 2/clarin trumpet 1/clarin trumpet 2/timpani. This edition: Urtext edition. Stapled. Set of wind parts. KV 588. Published by Baerenreiter Verlag

ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'caccia, trumpet (tromba or horn da tirarsi), 2 violins, viola, basso continuo

SKU: CA.3104603

Cantata for the 10th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Paul Horn and Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Schauet Doch Und Sehet, Ob Irgend Ein. Sacred vocal music, Cantatas. Vocal score. Composed 1723. BWV 46. 32 pages. Duration 20 minutes. Carus Verlag #CV 31.046/03. Published by Carus Verlag (CA.3104603).

ISBN 9790007042943. Key: D minor. Language: German/English.

The opening chorus of the cantata Schauet doch und sehet (Look ye then and see now) is one of those movements by Bach which are much better known in their later guise: the first part of it became the Qui tollis of the Mass in B minor. But this movement is not the only high point of the cantata from Bach's earliest Leipzig period. Both the arias are also unusual: a bass aria depicting God's anger dramatically as a thundering storm, with strings and slide trumpet, which gives the movement a very special colour through its unexpected notes beyond the instrument's natural series, and an alto aria with two recorders, accompanied by just two oboi da caccia in unison, which take the role of the continuo as little basset instruments. Music almost not of this world! New revised edition. Score available separately - see item CA.3104600.

Instrumental Poster Series - Circle of Fifths composed by Phil Black. This edition: Paperback. Reference. Instrumental Poster series. Educational. Color poster. Text Language: English. 1 pages. Published by Santorella Publications

Concert Band Alto Saxophone, Baritone Saxophone, Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Euphonium, Flute, Horn, Oboe, Snare Drum, Suspended Cymbal, Tam-tam, Tambourine, Tenor, Tenor Saxophone, Timpani, Treble Baritone, Triangle, Trumpet, Tuba - Grade 1

SKU: CF.BPS24F

Composed by Sean O'Loughlin. SWS. Carl Fischer Beginning Performance Series. Classical. Full score. With Standard notation. 16 pages. Carl Fischer Music #BPS24F. Published by Carl Fischer Music (CF.BPS24F).

ISBN 9780825847523. UPC: 798408047528. 9 X 12 inches. Key: Bb major.

Using only the first six notes taught by most method books and no eighth notes in the wind parts, Sean O'Loughlin has crafted a tuneful and rewarding piece for beginning band. The march-like music covers moods that are heroic, reflective and triumphant in turn. Duration: 2' Key: Bb Ranges: Trumpet-A; Horn-C; Trombone-G.

Orchestra Bassoon, Clarinet, Contrabass, Flute, Horn 1, Horn 2, Oboe, Percussion, Timpani, Trumpet 1, Trumpet 2, Viola, Violin 1, Violin 2, Violoncello

SKU: CF.C448L

Composed by Máximo Flügelman. Large Score. 60 pages. Duration 14 minutes. Carl Fischer Music #C448L. Published by Carl Fischer Music (CF.C448L).

UPC: 680160920785.

Orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute, Guitar, Horn 1, Horn 2, Oboe 1, Oboe 2, Percussion, Piccolo, Suspended Cymbal, Triangle, Trumpet 1, Trumpet 2, Viola, Violin, Violin 1, Violin 2, Violoncello, Wood Block

SKU: PR.11642165S

Composed by Chen Yi. Study Score. Duration 10 minutes. Theodore Presser Company #116-42165S. Published by Theodore Presser Company (PR.11642165S).

UPC: 680160691944.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Gong, Horn 1, Horn 2, Jingle Bells, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Piccolo, Snare Drum and more. - Grade 3

SKU: CF.CPS243F

Incorporating The First Noel. Composed by Ed Kiefer. Sws. Cps. Full score. 24 pages. Duration 4:15. Carl Fischer Music #CPS243F. Published by Carl Fischer Music (CF.CPS243F).

ISBN 9781491158517. UPC: 680160917112. 9 x 12 inches.

This setting of The First Noel begins with a percussion intro and dissonant chords that lead to a beautiful flute duet. The melody is freely adapted and at times, outright changed, to give this arrangement a very different sound. Using rhythmic motives, tone clusters, altered melodies and all the sounds available for a concert band, the piece takes the audience on a journey that leads to a statement of the original tune at m. 118. Everyone gets the melody at some point. After a chorale-like section, the composition returns to the fast and upbeat sounds of the beginning. Your musicians and audience will love this unique version of this old-time favorite. When performing this piece, start dark and mysterious and let the sounds crescendo through the introduction all the way to m. 21, the first statement of the hymn. Make sure you keep the tempo moving so the arrangement does not lose excitement. Keep the flute duet, and later the trumpet duet, nice and light. At m. 118, play a little slower and in a standard chorale style, being careful to let the flute and oboe voices be heard. Let the low voices have the reins at m. 126 as they play the melody. Pick the tempo back up to the original tempo at m. 145 and push to the end. The main thing is to match articulation throughout the band--at the beginning and at the end, think light accents and separation, and at the chorale section at m. 118, more legato. Keeping everyone on the same page with articulation will be the key to making a great performance.
This setting of The First Noel begins with a percussion intro and dissonant chords that lead to a beautiful flute duet. The melody is freely adapted and at times, outright changed, to give this arrangement a very different sound. Using rhythmic motives, tone clusters, altered melodies and all the sounds available for a concert band, the piece takes the audience on a journey that leads to a statement of the original tune at m. 118. Everyone gets the melody at some point. After a chorale-like section, the composition returns to the fast and upbeat sounds of the beginning. Your musicians and audience will love this unique version of this old-time favorite.When performing this piece, start dark and mysterious and let the sounds crescendo through the introduction all the way to m. 21, the first statement of the hymn. Make sure you keep the tempo moving so the arrangement does not lose excitement. Keep the flute duet, and later the trumpet duet,nice and light. At m. 118, play a little slower and in a standard chorale style, being careful to let the flute and oboe voices be heard. Let the low voices have the reins at m. 126 as they play the melody. Pick the tempo back up to the original tempo at m. 145 and push to the end. The main thing is to matcharticulation throughout the band--at the beginning and at the end, think light accents and separation, and at the chorale section at m. 118, more legato. Keeping everyone on the same page with articulation will be the key to making a great performance.

(Soprano Feature). By Jayce John Ogren. For Soloist(s) with Concert Band (Flute 1, Flute 2, Oboe 1/2, Bb Clarinet 1, Bb Clarinet 2/3, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Bassoon 1/2, Horn 1, Horn 2, Bb Trumpet 1, Bb Trumpet 2/3, Trombone 1, Trombone 2/3, Euphonium, Tuba, String Bass, Piano (wind ). Grade 3. Score and parts. Duration 5:50. Published by C. Alan Publications

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Trombone 1, Trombone 2, Trumpet 1, Trumpet 2 and more. - Grade 3

SKU: CF.CPS238F

Composed by R. Alan Carter. Sws. Cps. Full score. 16 pages. Duration 2:20. Carl Fischer Music #CPS238F. Published by Carl Fischer Music (CF.CPS238F).

ISBN 9781491158173. UPC: 680160916771. 9 x 12 inches.

Wiregrass March was written to celebrate the southern portion of Georgia and Alabama known as Wiregrass Country, because of the type of grass that grows in this sandy soil. This march is written in the traditional style of Henry Fillmore. After a short introduction, the first strain has a light, happy melody with a simple flourish from the low brass. The second strain is highlighted by chromatic harmony to add depth. The new melodic content introduced by the low clarinets and euphonium first time through the trio add to the beauty of this march. This is followed by a flourish of brass to the end.
Wiregrass March was written to celebrate the southern portion ofGeorgia and Alabama known as Wiregrass Country, because of thetype of grass that grows in this sandy soil. This march is written inthe traditional style of Henry Fillmore. After a short introduction, thefirst strain has a light, happy melody with a simple flourish from thelow brass. The second strain is highlighted by chromatic harmony toadd depth. The new melodic content introduced by the low clarinetsand euphonium first time through the trio add to the beauty of thismarch. This is followed by a flourish of brass to the end.

Instrumental ensemble (flute 1, 2; oboe; clarinet 1, 2; bassoon; horn 1, 2; horn 3; trumpet 1, 2; trumpet 3; trombone 1, 2; trombone 3/tuba; *violin 1, 2; *viola; cello; string bass; percussion 1, 2; percussion 3/timpani; rhythm; harp; string reduction (*simplified parts includ)

SKU: WD.080689239472

Composed by David Clydesdale. Arranged by David Clydesdale. Choral collection. Sacred Choral, Christmas. Orchestration. Word Music #080689239472. Published by Word Music (WD.080689239472).

UPC: 080689239472.

Instrumental ensemble (flute 1, 2; oboe; clarinet; bassoon; horn 1, 2; horn 3; trumpet 1, 2; trumpet 3; trombone 1, 2; trombone 3/tuba; *violin 1, 2; *viola; cello; string bass; percussion 1, 2; percussion 3/timpani; rhythm; harp; string reduction (*simplified parts included)SKU: WD.080689420672

Composed by Russell Mauldin. Choral. Modern Christian. Orchestration. Word Music #080689420672. Published by Word Music (WD.080689420672).

UPC: 080689420672.

Orchestra Bass Trombone, Bassoon 1, Bassoon 2, Clarinet 1, Contrabass, Flute 2, Harp, Horn 1, Horn 2, Oboe 2, Percussion 1, Percussion 2, Piano, Piccolo, Timpani, Trumpet 1, Trumpet 2, Viola, Violin 1, Violin 2, Violoncello, tenor Trombone

SKU: PR.11640342L

For Orchestra. Composed by Clint Needham. Large Score. 54 pages. Duration 9 minutes. Theodore Presser Company #116-40342L. Published by Theodore Presser Company (PR.11640342L).

UPC: 680160687756.

The Body Electric draws its inspiration from great American poet, Walt Whitman's work I Sing the Body Electric. Two years earlier, while writing a setting of Whitman's Crossing Brooklyn Ferry for baritone and chamber orchestra, I became enamored with many of the poems from his collection, The Leaves of Grass. I had not revisited Whitman's poetry since high school and that distance provided a fresh look at Whitman's poetry. In the spring of 2009, I came back to this collection and decided to write another work inspired by Whitman's poetry, this time for chamber orchestra alone. Writing a work that attempted to capture the mood of this epic poem seemed impossible. Because of the inherent abstract nature of text-less music, writing a work that was a musical blow-by-blow of the poem seemed equally impossible. For me, the solution was to take three fragments of the poem and focus on conveying their particular moods. In the score, I have included the following lines at the beginning of each section: the Body electric, A divine nimbus exhales, and the Body at auction. the Body Electric was written for the 2009 Wellesley College Composers Conference and was premiered on the final concert of the conference with Jim Baker conducting. Clint Needham.
the Body Electric draws its inspiration from great American poet, Walt Whitman’s work I Sing theBody Electric. Two years earlier, while writing a setting of Whitman’s Crossing Brooklyn Ferry forbaritone and chamber orchestra, I became enamored with many of the poems from his collection,The Leaves of Grass. I had not revisited Whitman’s poetry since high school and that distanceprovided a fresh look at Whitman’s poetry. In the spring of 2009, I came back to this collectionand decided to write another work inspired by Whitman’s poetry, this time for chamber orchestraalone.Writing a work that attempted to capture the mood of this epic poem seemed impossible. Becauseof the inherent abstract nature of text-less music, writing a work that was a musical blow-by-blowof the poem seemed equally impossible. For me, the solution was to take three fragments of thepoem and focus on conveying their particular moods. In the score, I have included the followinglines at the beginning of each section: the Body electric, A divine nimbus exhales, and the Bodyat auction.the Body Electric was written for the 2009 Wellesley College Composers Conference and waspremiered on the final concert of the conference with Jim Baker conducting.Clint Needham.

Orchestra Bassoon 1, Bassoon 2, Cello, Clarinet 1, Clarinet 2, Double Bass, Flute 1, Flute 2, Horn 1, Horn 2, Oboe 1, Oboe 2, Percussion, Piano, Piccolo, Timpani, Trumpet 1, Trumpet 2, Viola, Violin 1, Violin 2

SKU: PR.11642172S

Concerto for Piano and Chamber Orchestra. Composed by Narong Prangcharoen. Study Score. Duration 0:24:00. Theodore Presser Company #116-42172S. Published by Theodore Presser Company (PR.11642172S).

UPC: 680160691906.

(For Chorus (S.A.T.B.), with Woodwind, Brass and Percussion - Choral Score). By Iain Hamilton. For SATB, Flute, Oboe, Clarinet, Horn, Tenor, Trumpet in C, Oboe, Clarinet, Bassoon, French Horn, Trumpet (in C), Trombone, Tuba, Percussion. Choral Part(s). Standard notation. Composed 28-Jan-74. 39 pages

Orchestra Bass Trombone, Bassoon, Chimes, Clarinet, Contrabass, Flute 1, Flute 2, Hand Drum, Horn 1, Horn 2, Oboe, Percussion 1, Percussion 2, Piano, Piccolo, Timpani, Triangle, Trombone, Trumpet 1, Trumpet 2, Viola, Violin 1, Violin 2, Violoncello, Xylophone

SKU: PR.11642162S

Composed by Elena Ruehr. Study Score. Duration 12 minutes. Merion Music #116-42162S. Published by Merion Music (PR.11642162S).

UPC: 680160692071.

Choir and band (Choir & Flute 1, 2/Piccolo; Oboe; Clarinet 1, 2; Bassoon; Horn 1, 2; Horn 3; Trumpet 1, 2; Trumpet 3; Trombone 1, 2; Trombone 3/Tuba; Percussion 1, 2; Percussion 3, 4; Harp; Rhythm; Violin 1, 2; Viola; Cello; String Bass)

SKU: WD.080689280474

Composed by David Clydesdale. Arranged by David Clydesdale. Choral. Sacred Anthem, Christmas. Orchestration. Word Music #080689280474. Published by Word Music (WD.080689280474).

UPC: 080689280474.

For BBb Tuba. With fingering chart and Circle of Fifths. Color poster. Published by Santorella Publications.

Edited by Thom Proctor. Educational instrumental collection (Tuba). Level: 3-5. 20 pages. Published by Belwin.

SAB vocal soli, SATB choir, [cornet, 3 trombones], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106409

Cantata for the 3rd day of Christmas. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. 1x 31.064/21 oboe d'amore, 1x 31.064/31 horn, 1x 31.064/32 trumpet 1, 1x 31.064/33 trumpet 2, 1x 31.064/34 trombone 1, 1x 31.064/35 trombone 2, 1x 31.064/36 trombone 3. German title: Sehet, welch eine Liebe 7. Sacred vocal music, Cantatas, Christmas. Set of Orchestra Parts. Composed 1723. BWV 64. 26 pages. Duration 24 minutes. Carus Verlag #CV 31.064/09. Published by Carus Verlag (CA.3106409).

ISBN 9790007043797. Key: E minor. Language: German/English. Text: Knauer, Johann Oswald. Text: Johann Oswald Knauer.

Score available separately - see item CA.3106400.

Arranged by Victor Lopez. Jazz Ensemble; Score. Jazz Beginnings Series. Christmas; Jazz; Sacred; Winter. 16 pages. Published by Alfred Music (AP.40336S).

SATB choir - Moderate

SKU: LP.765762174504

Arranged by Russell Mauldin. Anthems. Contemporary and Sacred. CD-ROM orchestration. Published by Lillenas Publishing Company (LP.765762174504).

UPC: 765762174504.

It's here: the first truly exciting version of this well-loved classic to come along in ages! The simple uncomplicated melody with minor overtones explodes into percussion licks fit for any drum line in this dynamic new arrangement. Arranger/Orchestrator Russell Mauldin keeps the choral writing accessible to choirs of all sizes and the orchestrations exciting and challenging. This is a must-have for your choir and sure to become a perennial favorite. Instrumentation: Flute 1 & 2 Oboe Clarinet 1 & 2 Horn 1 & 2 Trumpet 1 Trumpet 2 & 3 Trombone 1 & 2 Trombone 3 Percussion Snare Drums Timpani/Bass Drum Rhythm Violin 1 & 2 Viola Cello String Bass Substitute Instruments: Keyboard String Reduction; Soprano Sax (sub for Oboe); Alto Sax 1 & 2 (sub for Horn 1 & 2); Baritone T.C./Tenor Sax (sub for Trombone 1 & 2); Baritone Sax (sub for Trombone 3); Bassoon/Bass Clarinet (sub for Cello).

Trumpet and horn

SKU: P2.60032

Composed by Michael Kibbe. Chamber music. Published by Potenza Music (P2.60032).

This piece for trumpet and horn was originally composed in 1989 and was greatly recomposed 20 years later. Works for two brass instruments present a specific challenge for the composer. Player fatigue must be definitely factored into the writing. A fanfare-like opening sets the tone for the first movement, followed by a more lyric theme. The second movement has a chant quality about it, and brief cadenza passages for each instrument. The final movement is quite animated, with the two instruments often imitating each other at close time intervals.

Eb Horn, Euphonium & Piano (Organ) + CD Play Back / Play Along - Grade 2

SKU: MA.EMR-47938

Composed by Dennis Armitage and Marc Reift. Eb Horn, Euphonium & CD Playback (Play Along). Score and parts. Duration 12'03. Editions Marc Reift #EMR 47938. Published by Editions Marc Reift (MA.EMR-47938).

Wedding March (Mendelssohn) / Trumpet Voluntary (Clarke) / Aria (Bach) / Trumpet Tune (Purcell) / Bridal Chorus (Wagner).

Choir and orchestra (Choir & Flute 1, 2; Oboe; Clarinet 1, 2; Horn 1, 2; Horn 3; Trumpet 1, 2; Trumpet 3; Trombone 1, 2; Trombone 3/Tuba; Timpani; Harp; Rhythm; Violin 1; Violin 2; Viola; Cello; String Bass)

SKU: WD.080689910470

Composed by Daniel Semsen. Choral. Sacred Anthem. Orchestration. Word Music #080689910470. Published by Word Music (WD.080689910470).

UPC: 080689910470.

Orchestra Soli SSTB, SATB Choir/SATB, Fl, 2 Ob, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, 2 Va, Bc

SKU: CA.5165109

Completed and edited by Frieder Bernius & Uwe Wolf. Composed by Wolfgang Amadeus Mozart. Edited by Uwe Wolf, Frieder Bernius. Arranged by Frieder Bernius, Uwe Wolf. 1x 51.651/21 flute, 1x 51.651/22 oboe 1, 1x 51.651/23 oboe 2, 1x 51.651/24 bassoon 1, 1x 51.651/25 bassoon 2, 1x 51.651/31 horn 1, 1x 51.651/32 horn 2, 1x 51.651/33 trumpet 1, 1x 51.651/34 trumpet 2, 1x 51.651/35 trombone 1, 1x 51.651/36 trombone 2, 1x 51. Stuttgart Urtext Edition: Mozart. Missa In C Ed. Bernius,Wolf. Innovative practice aids, Sacred vocal music, Masses, Latin. Set of Orchestra Parts. KV 427. Duration 55 minutes. Carus Verlag #CV 51.651/09. Published by Carus Verlag (CA.5165109).

ISBN 9790007225278. Key: C minor. Language: Latin.

The C Minor Mass K. 427 by Wolfgang Amadeus Mozart is a fascinating work. But to speak of the Mass is inaccurate, for basically it is no more than a musical torso, full of enigmas and problems, yet full of magnificent music. It is hardly surprising that attempts have been made to create a performable version of Mozart's fragment since the 19th century. Depending on the date of reconstruction and background of the arranger, these attempts sound quite different, and often the individual style of the respective arranger can be clearly discerned. Now Frieder Bernius and Uwe Wolf have published a new edition of the Mozart mass which attempts to produce a performing version whilst maintaining the greatest respect for the available material, and without obscuring Mozart's musical manuscript with their own contributions. The joint version by Wolf, a renowned musicologist, and Bernius, an expert in historically-informed performance practice, is based on a thorough knowledge of Mozart's compositions, his notational habits, and church music practice of Mozart's day. At the same time it fully meets the requirements of today's performance practice. As well as the paperback full score, we are publishing a high-quality clothbound full score including a Facsimile Supplement with selected reproductions of the sources. A first recording of this version, with the Kammerchor Stuttgart and the Barockorchester Stuttgart conducted by Frieder Bernius, is also available. Score and parts available separately - see item CA.5165100.