SATB vocal soli, SATB choir, 2 violins, basso continuo, [3 trombones]

SKU: CA.4005409

Composed by Wolfgang Amadeus Mozart. Arranged by Paul Horn. This edition: urtext. 1x 40.054/31 trombone 1, 1x 40.054/32 trombone 2, 1x 40.054/33 trombone 3. Stuttgart Urtext Edition: Mozart. Litaniae Lauretanae In B Rev.2002. Innovative practice aids, Litanies, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. Composed 1771. KV 109 (74e). 6 pages. Duration 11 minutes. Carus Verlag #CV 40.054/09. Published by Carus Verlag (CA.4005409).

ISBN 9790007059293. Key: B flat major. Language: Latin.

This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the church trio of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. Score and parts available separately - see item CA.4005400.

SATB vocal soli, SATB choir, 2 violins, basso continuo, [3 trombones]

SKU: CA.4005405

Composed by Wolfgang Amadeus Mozart. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Mozart. Litaniae Lauretanae In B Rev.2002. Innovative practice aids, Litanies, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Choral Score. Composed 1771. KV 109 (74e). Duration 11 minutes. Carus Verlag #CV 40.054/05. Published by Carus Verlag (CA.4005405).

ISBN 9790007059286. Key: B flat major. Language: Latin.

This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the church trio of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. Score available separately - see item CA.4005400.

SATB vocal soli, SATB choir, 2 violins, basso continuo, [3 trombones]

SKU: CA.4005449

Composed by Wolfgang Amadeus Mozart. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Mozart. Litaniae Lauretanae In B Rev.2002. Innovative practice aids, Litanies, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Organ. Composed 1771. KV 109 (74e). 8 pages. Duration 11 minutes. Carus Verlag #CV 40.054/49. Published by Carus Verlag (CA.4005449).

ISBN 9790007059330. Key: B flat major. Language: Latin.

This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the church trio of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. Score and part available separately - see item CA.4005400.

SATB vocal soli, SATB choir, 2 violins, basso continuo, [3 trombones]

SKU: CA.4005411

Composed by Wolfgang Amadeus Mozart. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Mozart. Litaniae Lauretanae In B Rev.2002. Innovative practice aids, Litanies, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 1. Composed 1771. KV 109 (74e). 4 pages. Duration 11 minutes. Carus Verlag #CV 40.054/11. Published by Carus Verlag (CA.4005411).

ISBN 9790007059309. Key: B flat major. Language: Latin.

This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the church trio of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. Score and part available separately - see item CA.4005400.

SATB vocal soli, SATB choir, 2 violins, basso continuo, [3 trombones]

SKU: CA.4005413

Composed by Wolfgang Amadeus Mozart. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Mozart. Litaniae Lauretanae In B Rev.2002. Innovative practice aids, Litanies, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Cello/Double Bass. Composed 1771. KV 109 (74e). 4 pages. Duration 11 minutes. Carus Verlag #CV 40.054/13. Published by Carus Verlag (CA.4005413).

ISBN 9790007059323. Key: B flat major. Language: Latin.

This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the church trio of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. Score and part available separately - see item CA.4005400.

SATB vocal soli, SATB choir, 2 violins, basso continuo, [3 trombones]

SKU: CA.4005412

Composed by Wolfgang Amadeus Mozart. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Mozart. Litaniae Lauretanae In B Rev.2002. Innovative practice aids, Litanies, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 2. Composed 1771. KV 109 (74e). 4 pages. Duration 11 minutes. Carus Verlag #CV 40.054/12. Published by Carus Verlag (CA.4005412).

ISBN 9790007059316. Key: B flat major. Language: Latin.

This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the church trio of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. Score and part available separately - see item CA.4005400.

ST vocal soli, SATB choir, 2 flutes, 2 horns, 2 violins, viola, basso continuo

SKU: CA.9125619

Hymnus de Nativitate Domini nostri Jesu Christi. Composed by Aemilian Rosengart. Edited by Andreas Traub. Complete orchestral parts. Sacred vocal music, Hymns. Set of Orchestra Parts. Duration 3 minutes. Carus Verlag #CV 91.256/19. Published by Carus Verlag (CA.9125619).

ISBN 9790007234706. Language: Latin.

As a contemporary of Haydn and Mozart, Rosengart reveals great stylistic diversity in his works. This Hymnus , in two sections, reveals his ability as a baroque composer, who concentrated on the musical embellishment of the liturgy. Christe redemptor omnium was performed to the glory of God in the monastic church at Ochsenhausen. Score and parts available separately - see item CA.9125600.

3-5 octave handbells with optional cello - Grade 3

SKU: BP.HB514

Arranged by Lloyd Larson. Handbell choir music. Handbell score. Beckenhorst Press #HB514. Published by Beckenhorst Press (BP.HB514).

3-5 octave handbell choir, optional cello, level 3. This graceful arrangement of two well-known hymns will find a place in church services and concerts throughout the year. A fanfare-like opening leads into a grand statement of the FINLANDIA tune, which gives way to a thin and delicate verse of It Is Well with My Soul before returning for a triumphant chordal ending with the original tune. The optional cello provides a beautiful contrasting sonority to the bells.

SATB and Organ

SKU: C4.9790902260398

O salutaris and Tantum ergo. Composed by Sydney Nicholson. Classical. Score. Crescendo Music Publications #9790902260398. Published by Crescendo Music Publications (C4.9790902260398).

ISBN 9790902260398. 8.27 x 11.7 inches.

One-time organist at Westminster Abbey and inaugural director of what is now the Royal School of Church Music, Sir Sydney Hugo Nicholson wrote a number of liturgical works and hymn tunes. The present edition is based on that issued by The Faith Press in 1930, and includes a handful of corrections.

ST vocal soli, SATB choir, 2 flutes, 2 horns, 2 violins, viola and basso continuo

SKU: CA.9125603

Hymnus de Nativitate Domini nostri Jesu Christi. Composed by Aemilian Rosengart. Edited by Andreas Traub. Coppenrath Series. Sacred vocal music, Hymns. Reduction for organ. 8 pages. Duration 3 minutes. Carus Verlag #CV 91.256/03. Published by Carus Verlag (CA.9125603).

ISBN 9790007129392. Language: Latin.

As a contemporary of Haydn and Mozart, Rosengart reveals great stylistic diversity in his works. This Hymnus , in two sections, reveals his ability as a baroque composer, who concentrated on the musical embellishment of the liturgy. Christe redemptor omnium was performed to the glory of God in the monastic church at Ochsenhausen. Score available separately - see item CA.9125600.

ST vocal soli, SATB choir, 2 flutes, 2 horns, 2 violins, viola and basso continuo

SKU: CA.9125614

Hymnus de Nativitate Domini nostri Jesu Christi. Composed by Aemilian Rosengart. Edited by Andreas Traub. Coppenrath Series. Violoncello/double bass. Sacred vocal music, Hymns. Single Part, Cello/Double Bass. 2 pages. Duration 3 minutes. Carus Verlag #CV 91.256/14. Published by Carus Verlag (CA.9125614).

ISBN 9790007234690. Language: Latin.

As a contemporary of Haydn and Mozart, Rosengart reveals great stylistic diversity in his works. This Hymnus , in two sections, reveals his ability as a baroque composer, who concentrated on the musical embellishment of the liturgy. Christe redemptor omnium was performed to the glory of God in the monastic church at Ochsenhausen. Score and part available separately - see item CA.9125600.

ST vocal soli, SATB choir, 2 flutes, 2 horns, 2 violins, viola and basso continuo

SKU: CA.9125613

Hymnus de Nativitate Domini nostri Jesu Christi. Composed by Aemilian Rosengart. Edited by Andreas Traub. Coppenrath Series. Viola. Sacred vocal music, Hymns. Single Part, Viola. 2 pages. Duration 3 minutes. Carus Verlag #CV 91.256/13. Published by Carus Verlag (CA.9125613).

ISBN 9790007234683. Language: Latin.

As a contemporary of Haydn and Mozart, Rosengart reveals great stylistic diversity in his works. This Hymnus , in two sections, reveals his ability as a baroque composer, who concentrated on the musical embellishment of the liturgy. Christe redemptor omnium was performed to the glory of God in the monastic church at Ochsenhausen. Score and part available separately - see item CA.9125600.

ST vocal soli, SATB choir, 2 flutes, 2 horns, 2 violins, viola and basso continuo

SKU: CA.9125649

Hymnus de Nativitate Domini nostri Jesu Christi. Composed by Aemilian Rosengart. Edited by Andreas Traub. Coppenrath Series. Organ. Sacred vocal music, Hymns. Single Part, Organ. 4 pages. Duration 3 minutes. Carus Verlag #CV 91.256/49. Published by Carus Verlag (CA.9125649).

ISBN 9790007234713. Language: Latin.

As a contemporary of Haydn and Mozart, Rosengart reveals great stylistic diversity in his works. This Hymnus , in two sections, reveals his ability as a baroque composer, who concentrated on the musical embellishment of the liturgy. Christe redemptor omnium was performed to the glory of God in the monastic church at Ochsenhausen. Score and part available separately - see item CA.9125600.

ST vocal soli, SATB choir, 2 flutes, 2 horns, 2 violins, viola and basso continuo

SKU: CA.9125611

Hymnus de Nativitate Domini nostri Jesu Christi. Composed by Aemilian Rosengart. Edited by Andreas Traub. Coppenrath Series. Violin 1. Sacred vocal music, Hymns. Single Part, Violin 1. 4 pages. Duration 3 minutes. Carus Verlag #CV 91.256/11. Published by Carus Verlag (CA.9125611).

ISBN 9790007234669. Language: Latin.

As a contemporary of Haydn and Mozart, Rosengart reveals great stylistic diversity in his works. This Hymnus , in two sections, reveals his ability as a baroque composer, who concentrated on the musical embellishment of the liturgy. Christe redemptor omnium was performed to the glory of God in the monastic church at Ochsenhausen. Score and part available separately - see item CA.9125600.

ST vocal soli, SATB choir, 2 flutes, 2 horns, 2 violins, viola and basso continuo

SKU: CA.9125612

Hymnus de Nativitate Domini nostri Jesu Christi. Composed by Aemilian Rosengart. Edited by Andreas Traub. Coppenrath Series. Violin 2. Sacred vocal music, Hymns. Single Part, Violin 2. 2 pages. Duration 3 minutes. Carus Verlag #CV 91.256/12. Published by Carus Verlag (CA.9125612).

ISBN 9790007234676. Language: Latin.

As a contemporary of Haydn and Mozart, Rosengart reveals great stylistic diversity in his works. This Hymnus , in two sections, reveals his ability as a baroque composer, who concentrated on the musical embellishment of the liturgy. Christe redemptor omnium was performed to the glory of God in the monastic church at Ochsenhausen. Score and part available separately - see item CA.9125600.

ST vocal soli, SATB choir, 2 flutes, 2 horns, 2 violins, viola and basso continuo

SKU: CA.9125600

Hymnus de Nativitate Domini nostri Jesu Christi. Composed by Aemilian Rosengart. Edited by Andreas Traub. This edition: Paperbound. Sacred vocal music, hymn. German title: Christe redemptor omnium. Sacred vocal music, Hymns. Full score. Duration 3 minutes. Carus Verlag #CV 91.256/00. Published by Carus Verlag (CA.9125600).

ISBN 9790007094591. Language: Latin.

As a contemporary of Haydn and Mozart, Rosengart reveals great stylistic diversity in his works. This Hymnus , in two sections, reveals his ability as a baroque composer, who concentrated on the musical embellishment of the liturgy. Christe redemptor omnium was performed to the glory of God in the monastic church at Ochsenhausen.

ST vocal soli, SATB choir, 2 flutes, 2 horns, 2 violins, viola and basso continuo

SKU: CA.9125605

Hymnus de Nativitate Domini nostri Jesu Christi. Composed by Aemilian Rosengart. Edited by Andreas Traub. Coppenrath Series. Sacred vocal music, Hymns. Choral Score. Duration 3 minutes. Carus Verlag #CV 91.256/05. Published by Carus Verlag (CA.9125605).

ISBN 9790007130145. Language: Latin.

As a contemporary of Haydn and Mozart, Rosengart reveals great stylistic diversity in his works. This Hymnus , in two sections, reveals his ability as a baroque composer, who concentrated on the musical embellishment of the liturgy. Christe redemptor omnium was performed to the glory of God in the monastic church at Ochsenhausen. Score available separately - see item CA.9125600.

Composed by Ruth Elaine Schram. Sacred. Lorenz Publishing Company #70/2129L. Published by Lorenz Publishing Company

Composed by David Lasky. Sacred. Lorenz Publishing Company #70/2182L. Published by Lorenz Publishing Company

SATB choir, basso continuo, [2 oboes, 2 horns, 2 violins, viola, cello, violone/double bass, bassoon]

SKU: CA.3909709

Zum Weihnachtsfest uber Ein Kindelein so lobelich. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. 2x 39.097/31 2 horns. Stuttgart Urtext Edition: Telemann-Archiv. German title: Missa Brevis Super Ein Kindelein So L. Sacred vocal music, Missa brevis in Latin, Christmas. Set of Orchestra Parts. Composed 1735. TVWV 9:5. 8 pages. Duration 10 minutes. Carus Verlag #CV 39.097/09. Published by Carus Verlag (CA.3909709).

ISBN 9790007133108. Language: Latin.

Telemann's Missa brevis on the Christmas hymn Ein Kindelein so lobelich is one of eleven surviving Latin Missae breves based on church hymns. The motetlike composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Gottlob Harrer, the successor to Johann Sebastian Bach as Thomaskantor, performed the mass in Leipzig at Christmas in 1750 and 1751 with an instrumental accompaniment and for this purpose he added two horns. They are included in the present edition as ad libitum parts. Score and parts available separately - see item CA.3909700.

SATB choir, basso continuo, [2 oboes, 2 horns, 2 violins, viola, cello, violone/double bass, bassoon]

SKU: CA.3909719

Zum Weihnachtsfest uber Ein Kindelein so lobelich. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Missa Brevis Super Ein Kindelein So L. Sacred vocal music, Missa brevis in Latin, Christmas. Set of Orchestra Parts. Composed 1735. TVWV 9:5. Duration 10 minutes. Carus Verlag #CV 39.097/19. Published by Carus Verlag (CA.3909719).

ISBN 9790007134754. Language: Latin.

Telemann's Missa brevis on the Christmas hymn Ein Kindelein so lobelich is one of eleven surviving Latin Missae breves based on church hymns. The motetlike composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Gottlob Harrer, the successor to Johann Sebastian Bach as Thomaskantor, performed the mass in Leipzig at Christmas in 1750 and 1751 with an instrumental accompaniment and for this purpose he added two horns. They are included in the present edition as ad libitum parts. Score and parts available separately - see item CA.3909700.

SATB choir, basso continuo, [2 oboes, 2 horns, 2 violins, viola, cello, violone/double bass, bassoon]

SKU: CA.3909700

Zum Weihnachtsfest uber Ein Kindelein so lobelich. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Missa Brevis Super Ein Kindelein So L. Sacred vocal music, Missa brevis in Latin, Christmas. Full score. Composed 1735. TVWV 9:5. 28 pages. Duration 10 minutes. Carus Verlag #CV 39.097/00. Published by Carus Verlag (CA.3909700).

ISBN 9790007097516. Language: Latin.

Telemann's Missa brevis on the Christmas hymn Ein Kindelein so lobelich is one of eleven surviving Latin Missae breves based on church hymns. The motetlike composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Gottlob Harrer, the successor to Johann Sebastian Bach as Thomaskantor, performed the mass in Leipzig at Christmas in 1750 and 1751 with an instrumental accompaniment and for this purpose he added two horns. They are included in the present edition as ad libitum parts.

SATB choir, basso continuo, [2 oboes, 2 horns, 2 violins, viola, cello, violone/double bass, bassoon]

SKU: CA.3909714

Zum Weihnachtsfest uber Ein Kindelein so lobelich. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Missa Brevis Super Ein Kindelein So L. Sacred vocal music, Missa brevis in Latin, Christmas. Single Part, Cello/Double Bass. Composed 1735. TVWV 9:5. 4 pages. Duration 10 minutes. Carus Verlag #CV 39.097/14. Published by Carus Verlag (CA.3909714).

ISBN 9790007215316. Language: Latin.

Telemann's Missa brevis on the Christmas hymn Ein Kindelein so lobelich is one of eleven surviving Latin Missae breves based on church hymns. The motetlike composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Gottlob Harrer, the successor to Johann Sebastian Bach as Thomaskantor, performed the mass in Leipzig at Christmas in 1750 and 1751 with an instrumental accompaniment and for this purpose he added two horns. They are included in the present edition as ad libitum parts. Score and part available separately - see item CA.3909700.

SATB choir, basso continuo, [2 oboes, 2 horns, 2 violins, viola, cello, violone/double bass, bassoon]

SKU: CA.3909711

Zum Weihnachtsfest uber Ein Kindelein so lobelich. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Missa Brevis Super Ein Kindelein So L. Sacred vocal music, Missa brevis in Latin, Christmas. Single Part, Violin 1. Composed 1735. TVWV 9:5. 4 pages. Duration 10 minutes. Carus Verlag #CV 39.097/11. Published by Carus Verlag (CA.3909711).

ISBN 9790007215286. Language: Latin.

Telemann's Missa brevis on the Christmas hymn Ein Kindelein so lobelich is one of eleven surviving Latin Missae breves based on church hymns. The motetlike composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Gottlob Harrer, the successor to Johann Sebastian Bach as Thomaskantor, performed the mass in Leipzig at Christmas in 1750 and 1751 with an instrumental accompaniment and for this purpose he added two horns. They are included in the present edition as ad libitum parts. Score and part available separately - see item CA.3909700.

SATB choir, basso continuo, [2 oboes, 2 horns, 2 violins, viola, cello, violone/double bass, bassoon]

SKU: CA.3909705

Zum Weihnachtsfest uber Ein Kindelein so lobelich. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Missa Brevis Super Ein Kindelein So L. Sacred vocal music, Missa brevis in Latin, Christmas. Choral Score. Composed 1735. TVWV 9:5. 12 pages. Duration 10 minutes. Carus Verlag #CV 39.097/05. Published by Carus Verlag (CA.3909705).

ISBN 9790007162115. Language: Latin.

Telemann's Missa brevis on the Christmas hymn Ein Kindelein so lobelich is one of eleven surviving Latin Missae breves based on church hymns. The motetlike composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Gottlob Harrer, the successor to Johann Sebastian Bach as Thomaskantor, performed the mass in Leipzig at Christmas in 1750 and 1751 with an instrumental accompaniment and for this purpose he added two horns. They are included in the present edition as ad libitum parts. Score available separately - see item CA.3909700.

SATB choir, basso continuo, [2 oboes, 2 horns, 2 violins, viola, cello, violone/double bass, bassoon]

SKU: CA.3909712

Zum Weihnachtsfest uber Ein Kindelein so lobelich. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Missa Brevis Super Ein Kindelein So L. Sacred vocal music, Missa brevis in Latin, Christmas. Single Part, Violin 2. Composed 1735. TVWV 9:5. 4 pages. Duration 10 minutes. Carus Verlag #CV 39.097/12. Published by Carus Verlag (CA.3909712).

ISBN 9790007215293. Language: Latin.

Telemann's Missa brevis on the Christmas hymn Ein Kindelein so lobelich is one of eleven surviving Latin Missae breves based on church hymns. The motetlike composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Gottlob Harrer, the successor to Johann Sebastian Bach as Thomaskantor, performed the mass in Leipzig at Christmas in 1750 and 1751 with an instrumental accompaniment and for this purpose he added two horns. They are included in the present edition as ad libitum parts. Score and part available separately - see item CA.3909700.

Concert Band/Harmonie

SKU: BT.DHP-1053796-140

Easter Fantasy. Composed by Michael Bilkes. Musica Sacra. Hymns and Chorals. Score Only. Composed 2005. 24 pages. De Haske Publications #DHP 1053796-140. Published by De Haske Publications (BT.DHP-1053796-140).

English-German-French- Dutch.

Based on traditional Easter chants Fantasia di Pasqua is a tremendous work to feature four of your players in a religiously inspired work. Often this work is performed in church concerts or religious situations and, as such, thecomposer suggests that the quartet may be utilised performing from two galleries_x001A_. This creates a wonderful double-choir effect that befits the Renaissance-like style of such great composers as Gabrieli. A truly inspired work tobring a touch of Renaissance class to your concerts.

In Fantasia di Pasqua speelt het (koper)kwartet een cruciale rol. De componist raadt aan dit kwartet vanuit een galerij te laten spelen: de zo gecreëerde dubbelkorigheid past bij de enigszins renaissancistische stijl van hetwerk. De gebruikte koraalmelodieën worden alle - veelal dansrijk - door het kwartet uitgevoerd in diverse cadansen, die mede door de dubbelkorigheid resulteren in een levendige en afwisselende uitvoering. Het kwartet hoeft nietper se te bestaan uit twee trompetten (cornetten) en twee trombones, maar kan naar believen worden samengesteld.

In seiner Fantasia di Pasqua verwendete Michael Bilkes traditionelle Osterlieder. Ein Quartett spielt hier eine entscheidende Rolle. Dies kann ein Blech- und/oder Holzbläserquartett sein, möglich ist auch ein Posaunenchor (der Komponist gibt hierzu Tipps). In Kirchen kommt die Fantasie besonders schön zur Geltung, wenn das Quartett von der Empore herab spielt. Der so kreierte Doppelchor-Effekt passt ausgezeichnet zum Renaissance ähnlichen Stil und verspricht eine sehr lebhafte und abwechslungsreiche Aufführung.

Fantasia di Pasqua est une fantaisie basée sur des mélodies chorales pascales, issues de la Renaissance. Un quatuor (cuivres/bois) joue un rôle primordial dans le développement de la pièce. La musique pascale étant essentiellement destinée être interprétée dans un lieu de culte, le compositeur préconise de placer le quatuor sur le balcon. Lâ??effet de double ch?ur ainsi créé donne la pièce un caractère varié et divertissant.

Fantasia di Pasqua, basata su melodie tradizionali, utilizza un quartetto, che riveste un ruolo fondamentale nello sviluppo del brano. Sono possibili varie combinazioni, come ad esempio un quartetto di ottoni e/o legni, come anche un coro di tromboni). Fantasia di Pasqua è scritta in uno stile simile alla musica rinascimentale, una scelta che si spiega con il fatto che la maggior parte delle melodie corali datano di questo periodo. Queste melodie danzanti, interpretate dal quartetto, segnano la trama del brano. La bellezza del doppio coro conferisce al brano un carattere variegato e divertente.

Fanfare Band

SKU: BT.DHP-1053796-020

Easter Fantasy. Composed by Michael Bilkes. Musica Sacra. Hymns & Chorals. Set (Score & Parts). Composed 2005. De Haske Publications #DHP 1053796-020. Published by De Haske Publications (BT.DHP-1053796-020).

English-German-French- Dutch.

Based on traditional Easter chants Fantasia di Pasqua is a tremendous work to feature four of your players in a religiously inspired work. Often this work is performed in church concerts or religious situations and, as such, the composer suggests that the quartet may be utilised performing from two ‘galleries’. This creates a wonderful double-choir effect that befits the Renaissance-like style of such great composers as Gabrieli. A truly inspired work to bring a touch of Renaissance class to your concerts.

In Fantasia di Pasqua speelt het (koper)kwartet een cruciale rol. De componist raadt aan dit kwartet vanuit een galerij te laten spelen: de zo gecreëerde dubbelkorigheid past bij de enigszins renaissancistische stijl van hetwerk. De gebruikte koraalmelodieën worden alle - veelal dansrijk - door het kwartet uitgevoerd in diverse cadansen, die mede door de dubbelkorigheid resulteren in een levendige en afwisselende uitvoering. Het kwartet hoeft nietper se te bestaan uit twee trompetten (cornetten) en twee trombones, maar kan naar believen worden samengesteld.

In seiner Fantasia di Pasqua verwendete Michael Bilkes traditionelle Osterlieder. Ein Quartett spielt hier eine entscheidende Rolle. Dies kann ein Blech- und/oder Holzbläserquartett sein, möglich ist auch ein Posaunenchor (der Komponist gibt hierzu Tipps). In Kirchen kommt die Fantasie besonders schön zur Geltung, wenn das Quartett von der Empore herab spielt. Der so kreierte Doppelchor-Effekt passt ausgezeichnet zum Renaissance ähnlichen Stil und verspricht eine sehr lebhafte und abwechslungsreiche Aufführung.

Fantasia di Pasqua est une fantaisie basée sur des mélodies chorales pascales, issues de la Renaissance. Un quatuor (cuivres/bois) joue un rôle primordial dans le développement de la pièce. La musique pascale étant essentiellement destinée être interprétée dans un lieu de culte, le compositeur préconise de placer le quatuor sur le balcon. L’effet de double chœur ainsi créé donne la pièce un caractère varié et divertissant.