Ernest J Moeran (1894-1950) was an English composer, who followed th...(+)
Ernest J
Moeran (1894-1950)
was an English composer,
who followed the
tradition of R. Vaughan
Williams and John Ireland
by collecting,
preserving, and using
many folk songs, mainly
from Norfolk, Suffolk,
and Ireland
Vocal and Piano - Grade 3 SKU: HL.14023409 Composed by Per Norgard. Music...(+)
Vocal and Piano - Grade 3
SKU: HL.14023409
Composed by Per Norgard.
Music Sales America.
Classical. Book
[Softcover]. Composed
2002. 20 pages. Edition
Wilhelm Hansen #WH30072.
Published by Edition
Wilhelm Hansen
(HL.14023409).
ISBN
9788759879689.
10
Danish Songs 1955-1987,
for Voice and Piano (or
keyboard) is a collection
printed in 1989,
consisting of earlier
songs in new versions.
Two songs are from 9
Danske Sange. Opus 14
(Overstaet angst,Mit lov,
mit lille trae - Vedi's
Vuggevise), the rest from
different vocal works.
The composer arranged the
songs in three section:
Nature: 1. Du skal plante
et trae. Text: Piet Hein
2. aret. Text: Ole Sarvig
3. Stjernespejl. Text: Ib
Michael Man: 4. Mit lov,
mit lille trae (Vedi's
Vuggevise). Text:
Johannes V. Jensen 5.
Overstaet angst. Text:
Halfdan Rasmussen 6.
Landskabsbillede. Text:
Thorkild Bjornvig 7.
Sangleg.Text: Ole
Sarvig.
Flute, Clarinet and Oboe SKU: HL.14043012 Composed by Hans Abrahamsen. Mu...(+)
Flute, Clarinet and Oboe
SKU: HL.14043012
Composed by Hans
Abrahamsen. Music Sales
America. Classical.
Softcover. Composed 2014.
Edition Wilhelm Hansen
#WH31940. Published by
Edition Wilhelm Hansen
(HL.14043012).
ISBN
9788759829271.
Hans
Abrahamsen 's Flowersongs
(2012 version) for Flute,
Oboe and Clarinet. Score.
'I wrote Flowersongs for
three Flutes in the
spring of 1973, when I
was 20 years old. Looking
back now, 40 years begins
to feel like a really
long time and sometimes I
think that it is as if
someone in 1973 is
talking about a piece
from 1933! But in spite
of this long time, this
is still a very important
piece for me. In
Flowersongs , along with
works like '10 Preludes'
for String Quartet and
'Stratifications' for
Orchestra, I feel that I
was on my way to finding
my own voice in the
middle of the music of
the great Central
European modernist
tradition from the 50s
and the reaction from the
60s of thenew simplicity,
minimalism and the
possibility of
poly-stilisme. The
English title Flowersongs
links to the flower power
movement and the hippie
culture of the 60s and
the early 70s, and the
work is trying to find
the power inherent in
this imaginary world.
Many of my later works
have titles in German,
for example 'Winternacht'
(1976/78), 'Nacht und
Trumpeten' (1981) and
much later 'Schnee'
(2006-08). If we think of
Flowersongs in German, it
must be Blumenlieder, and
to me it now sounds
suddenly very different,
more romantic and into
the world of Schumann.
Perhaps it is also a way
in which to hear the
piece? Another thing is
that the correct English
title is Flower Songs (as
two words) and not as one
word like in German or
Danish. This is perhaps
the German connection, as
I incorrectly wrote the
title as one word, but
perhaps it is also a kind
of naivety, which is also
part of the work. I
cannot help but carry
with me to this day the
ideas from my early
works. For example, there
are clear links in this
work from the 8th Prelude
from '10 Preludes' and to
Canon 2a from 'Schnee'
from 2008. This work is
written for the wonderful
ensemble recherche and it
was meeting them that
made me consider making a
version of Flowersongs
for Flute, Oboe and
Clarinet.' - Hans
Abrahamsen.
Flute, Clarinet and Oboe SKU: HL.14043011 Composed by Hans Abrahamsen. Mu...(+)
Flute, Clarinet and Oboe
SKU: HL.14043011
Composed by Hans
Abrahamsen. Music Sales
America. Classical.
Softcover. Composed 2014.
Edition Wilhelm Hansen
#WH31940A. Published by
Edition Wilhelm Hansen
(HL.14043011).
ISBN
9788759829288.
9.7x14.0x0.079
inches.
Hans
Abrahamsen 's Flowersongs
(2012 version) for Flute,
Oboe and Clarinet. Parts.
'I wrote Flowersongs for
three Flutes in the
spring of 1973, when I
was 20 years old. Looking
back now, 40 years begins
to feel like a really
long time and sometimes I
think that it is as if
someone in 1973 is
talking about a piece
from 1933! But in spite
of this long time, this
is still a very important
piece for me. In
Flowersongs , along with
works like '10 Preludes'
for String Quartet and
'Stratifications' for
Orchestra, I feel that I
was on my way to finding
my own voice in the
middle of the music of
the great Central
European modernist
tradition from the 50s
and the reaction from the
60s of thenew simplicity,
minimalism and the
possibility of
poly-stilisme. The
English title Flowersongs
links to the flower power
movement and the hippie
culture of the 60s and
the early 70s, and the
work is trying to find
the power inherent in
this imaginary world.
Many of my later works
have titles in German,
for example 'Winternacht'
(1976/78), 'Nacht und
Trumpeten' (1981) and
much later 'Schnee'
(2006-08). If we think of
Flowersongs in German, it
must be Blumenlieder, and
to me it now sounds
suddenly very different,
more romantic and into
the world of Schumann.
Perhaps it is also a way
in which to hear the
piece? Another thing is
that the correct English
title is Flower Songs (as
two words) and not as one
word like in German or
Danish. This is perhaps
the German connection, as
I incorrectly wrote the
title as one word, but
perhaps it is also a kind
of naivety, which is also
part of the work. I
cannot help but carry
with me to this day the
ideas from my early
works. For example, there
are clear links in this
work from the 8th Prelude
from '10 Preludes' and to
Canon 2a from 'Schnee'
from 2008. This work is
written for the wonderful
ensemble recherche and it
was meeting them that
made me consider making a
version of Flowersongs
for Flute, Oboe and
Clarinet.' - Hans
Abrahamsen.
Flute [Trio-] SKU: HL.14011531 Composed by Hans Abrahamsen. Music Sales A...(+)
Flute [Trio-]
SKU:
HL.14011531
Composed
by Hans Abrahamsen. Music
Sales America. Classical.
Score. 20 pages. Music
Sales #KP00379. Published
by Music Sales
(HL.14011531).
ISBN
9788759877104.
10.25x14.25x0.44 inches.
Danish.
Hans
Abrahamsen 's Flowersongs
(1973) for three Flutes.
Score. 'I wrote
Flowersongs for three
Flutes in the spring of
1973, when I was 20 years
old. Looking back now, 40
years begins to feel like
a really long time and
sometimes I think that it
is as if someone in 1973
is talking about a piece
from 1933! But in spite
of this long time, this
is still a very important
piece for me. In
Flowersongs , along with
works like '10 Preludes'
for String Quartet and
'Stratifications' for
Orchestra, I feel that I
was on my way to finding
my own voice in the
middle of the music of
the great Central
European modernist
tradition from the 50s
and the reaction from the
60s of the new
simplicity,minimalism and
the possibility of
poly-stilisme. The
English title Flowersongs
links to the flower power
movement and the hippie
culture of the 60s and
the early 70s, and the
work is trying to find
the power inherent in
this imaginary world.
Many of my later works
have titles in German,
for example 'Winternacht'
(1976/78), 'Nacht und
Trumpeten' (1981) and
much later 'Schnee'
(2006-08). If we think of
Flowersongs in German, it
must be Blumenlieder, and
to me it now sounds
suddenly very different,
more romantic and into
the world of Schumann.
Perhaps it is also a way
in which to hear the
piece? Another thing is
that the correct English
title is Flower Songs (as
two words) and not as one
word like in German or
Danish. This is perhaps
the German connection, as
I incorrectly wrote the
title as one word: but
perhaps it is also a kind
of naivety, which is also
part of the work. I
cannot help but carry
with me to this day the
ideas from my early
works. For example, there
are clear links in this
work from the 8th Prelude
from '10 Preludes' and to
Canon 2a from 'Schnee'
from 2008. This work is
written for the wonderful
ensemble recherche and it
was meeting them that
made me consider making a
version of Flowersongs
for Flute, Oboe and
Clarinet.' - Hans
Abrahamsen.
54 Songs, including 8 Cycles or Sets - Medium/Low Voice. By Gerald Finzi. This e...(+)
54 Songs, including 8
Cycles or Sets -
Medium/Low Voice. By
Gerald Finzi. This
edition: M051934010.
Boosey and Hawkes Voice.
Softcover. 224 pages.
Published by Boosey and
Hawkes.
Madrigals and Partsongs by Clifford Bartlett. Arranged by John Rutter. For SATB ...(+)
Madrigals and Partsongs
by Clifford Bartlett.
Arranged by John Rutter.
For SATB choir, mainly a
cappella. Mixed Voices.
Oxford Choral Classics
Collections. Secular,
Choral Collection. Vocal
score. 384 pages.
Published by Oxford
University Press
The First Leon Chorale Unison [CD d'accompagnement] Brentwood-Benson
By Dennis Allen, Nan Allen. For Unison/2PT. Modern Christian. Sacred. Accompanim...(+)
By Dennis Allen, Nan
Allen. For Unison/2PT.
Modern Christian. Sacred.
Accompaniment Track
(Musical) - CD. Duration
30 minutes. Published by
Brentwood-Benson Music
Publishing.
Baritone Voice and Piano SKU: BT.PMC3865 Baritone and piano. Compo...(+)
Baritone Voice and Piano
SKU: BT.PMC3865
Baritone and
piano. Composed by
Morten Lauridsen. Score
Only. Composed 2011. 12
pages. Peermusic
Classical #PMC3865.
Published by Peermusic
Classical (BT.PMC3865).
The Two Songs
on American Poems were
composed in late May and
early June of 2011 by
candlelight at my rustic
waterfront cabin on a
remote island off the
northwest coast of
Washington State. It was
in this locale that I
havecompleted a number of
works over the years,
including the Lux
Aeterna, O Magnum
Mysterium, Nocturnes,
Canticle/O Vos Omnes and
others. Prayer was
written in memory of
Michael Jasper Gioia,
Dana and Mary Gioia's
infant son, whosebrief
life was tragically ended
by SIDS.Mr. Gioia served
as Chair of the National
Endowment for the Arts
from 2003-2010 and has
authored several books of
poems, numerous
anthologies, articles,
essays and two opera
libretti. Amonghis many
awards are the American
Book Award and
Presidential Citizens
Medal. He currently holds
the Judge Widney Chair of
Poetry and Public Policy
at the University of
Southern California. Sure
on this Shining Night was
originallycomposed as a
choral piece, the third
movement of my Nocturnes
on poems by Rilke, Neruda
and Agee. Rod Gilfry, an
international star of
opera, recital and
musical theater,
premiered the mixed duet
version with his
daughter, Carin,in 2009.
He is Professor of Vocal
Studies at the USC
Thornton School of Music.
Both he and Mr. Gioia are
national treasures. The
Two Songs are designed as
a pair but may be sung
independently - when
paired, Sure On This
ShiningNight should begin
immediatelyfollowing the
final, sustained chord of
Prayer with no break in
between the songs. Both
of these songs, premiered
by Mr. Gilfry accompanied
by the composer at a USC
Visions & Voices tribute
to DanaGioia on September
27, 2011, have their
roots in the American
musical theater and
should be sung as
such.
Choir Secular SKU: PE.EP73335 For Children's Voices and Piano. Com...(+)
Choir Secular
SKU:
PE.EP73335
For
Children's Voices and
Piano. Composed by
Emily Howard. Edition
Peters. Choral Octavo. 12
pages. Edition Peters
#98-EP73335. Published by
Edition Peters
(PE.EP73335).
ISBN
9790577022765.
English.
Two
Songs after Friday
Afternoons by Emily
Howard is a 5-minute work
for children's choir and
piano. With texts by
Selma Dimitrijevic the
two songs are
called
1. Big
Bums
2
. Pi (A
Pie?)
Two
Songs after Friday
Afternoonswere
commissioned by Opera
North in celebration of
Benjamin Britten's
100th
anniversary. The works
were premiered on 22
November 2013 at the
Howard Assembly Room,
Leeds by Opera North's
Children's Chorus,
Scotton Lingerfield
Primary School, Old Earth
Primary School, Our Lady
and St Peter Roman
Catholic Primary School,
Monkwood Primary School,
conducted by Justin Doyle
with Anthony Kraus,
piano.
Unison/Two-Part Chorus - early intermediate Composed by Various. Growing in Gr...(+)
Unison/Two-Part Chorus -
early
intermediate
Composed by Various.
Growing
in Grace. General,
Christmas,
Easter, Thanksgiving,
Palm
Sunday. Book/CD.
Celebrating
Grace #730023201.
Published by
Celebrating Grace
Voice, piano SKU: FG.55011-895-9 Composed by Jean Sibelius. Classical, Ch...(+)
Voice, piano
SKU:
FG.55011-895-9
Composed by Jean
Sibelius. Classical,
Christmas music. Score.
Fennica Gehrman
#55011-895-9. Published
by Fennica Gehrman
(FG.55011-895-9).
ISBN
9790550118959.
The
Urtext edition (2023) of
Jean Sibelius’ Five
Christmas Songs op. 1 for
voice and piano is based
on the critical edition
presented in the volume
VIII/2 Works for Solo
Voice Vol. 2 of Jean
Sibelius Works (JSW)
edited by Jukka
Tiilikainen. The lyrics
are included in Swedish,
Finnish and
English.
Sakari
Ylivuori's introduction
illuminates the history
of the beloved songs: May
1, 1913 was cold and wet.
Jean Sibelius
(1865–1957) spent the
day at home at Ainola
composing two Christmas
songs: settings of poems
for children by Zachris
Topelius. The two songs
born on that chilly
spring day were Nu står
jul vid snöig port (Now
stands Yule at the snowy
gate) and Nu så kommer
julen (Now is Christmas
coming). He then put them
together with three
Christmas carols he had
earlier composed and gave
the set the imposing Opus
number 1. He had
previously considered
giving the distinction to
various other works, but
from 1915 onwards the
Five Christmas Songs had
the honour of heading his
catalogue.
[...]
Contents
Nu står jul vid snöig
port • Joulu saapuu
portin luo • Now stands
Yule at the snowy gate [F
major] Nu så kommer
julen • Tervehtii jo
meitä joulu armahin •
Now is Christmas coming
[e minor] Det mörknar
ute • Jo joutuu ilta
• O’er hill and dale
[F major] Julvisa •
En etsi valtaa, loistoa
• Christmas song [G
major] On hanget
korkeat, nietokset •
Visst drivor höga som
skyn vi ha • The
shining snows are driving
high [F major].
ISBN 076923688X. With vocal melody, piano accompaniment, lyrics, chord names and...(+)
ISBN 076923688X. With
vocal melody, piano
accompaniment, lyrics,
chord names and
instructional text.
Gospel and Learn To Play.
9x12 inches.
HOW TO PLAY HYMNS AND
GOSPEL SONGS IN
EVANGELISTIC STYLES, is
presented in three
sections. The first
section presents how to
play hymns in Basic
Chorale Style. The second
section presents how to
play hymns in Full
Chorale and Accompaniment
Styles. The third section
is a collection of
well-loved standard
Gospel hymns, already
arranged for you, using
the three Styles taught
in sections one and two.
HOW TO PLAY HYMNS AND
GOSPEL SONGS IN
EVANGELISTIC STYLES, is
not for the beginner. For
the beginner there are
books in the DAVID CARR
GLOVER Sacred Music
Library, Primer and
Levels I-VI.
Duets, Yellow (Book II) - Pace Duet Piano Education (Two French Songs and I Saw ...(+)
Duets, Yellow (Book II) -
Pace Duet Piano Education
(Two French Songs and I
Saw Three Ships).
Arranged by David
Ferguson. For
Piano/Keyboard. Pace Duet
Piano Education. Lee
Roberts Music #2246.
Published by Lee Roberts
Music
We Are United (Split Track Accompaniment CD) by Meredith Graham. Arranged by Pam...(+)
We Are United (Split
Track Accompaniment CD)
by Meredith Graham.
Arranged by Pam Andrews.
For Unison/2-part choir.
Brentwoood Kids Music.
Sacred, Modern Christian.
Easy. Accompaniment CD
(split track). Published
by Brentwood-Benson Music
Publishing
(30 Echo Songs for Young Singers (Kit)). Composed by Sally K. Albrecht and Jay A...(+)
(30 Echo Songs for Young
Singers (Kit)). Composed
by Sally K. Albrecht and
Jay Althouse. Unison
Choir. This edition: CD
Kit. Book; CD;
Classroom/Pre-School;
General Music and
Classroom Publications;
Reproducible. I Sing, You
Sing. 64 pages. Published
by Alfred Music
Book/Online Audio Piano/Keyboard - Young Beginner - Pre-Reading SKU: HL.14656...(+)
Book/Online Audio
Piano/Keyboard - Young
Beginner - Pre-Reading
SKU: HL.1465615
Composed by Various.
Piano for the Very
Beginner. Christmas,
Holiday. Softcover Audio
Online. Published by Hal
Leonard (HL.1465615).
ISBN 9798350127058.
UPC:
196288212508.
Desig
ned with the beginner in
mind, Christmas Songs for
the Very Beginner
features popular,
easy-to-play melodies in
pre-staff notation,
perfect for those in
their first months of
learning. Arrangements
consist of simple
rhythms, letter names
inside each note, minimal
hand movement, and no
page turns. This book is
a perfect supplement for
students needing extra
playing material, with
each song including
playing tips and
fingering diagrams. The
songs are presented in
order of difficulty. The
written piano
accompaniments can be
played by a teacher or
friend, or you can play
along with the recorded
accompaniments. The price
of this book includes
access to audio tracks of
the accompaniments, for
download or streaming,
using the unique code
provided on page 1. The
book also includes over
five pages of music
activities including
coloring fun, music math,
and a Christmas countdown
for more fun! Songs
include: All I Want for
Christmas Is My Two Front
Teeth ⢠Away in a
Manger ⢠Do You Hear
What I Hear ⢠Feliz
Navidad ⢠Happy
Holiday ⢠Here Comes
Santa Claus ⢠Jingle
Bell Rock ⢠Let It
Snow! Let It Snow! Let It
Snow! ⢠Where Are
You Christmas? â¢
You're a Mean One, Mr.
Grinch â¢Âand
more.
By David Amram. For high voice, piano. 1.Who Is Sylvia?(fromTwo Gentlemen of Ver...(+)
By David Amram. For high
voice, piano. 1.Who Is
Sylvia?(fromTwo Gentlemen
of Verona); 2.Take,Oh
Take Those Lips
Away(fromMeasure for
Measure); 3.Lullaby(The
Spotted Snake)(fromA
Midsummer Night's Dream);
4.Ophelia's
Song(fromHamlet)(unaccomp
anied voice)(Eng).
Published by C.F. Peters.