Softcover/Media Online

SKU: HL.346460

Music Pro Guides. Audio Technology. Softcover Media Online. 304 pages. Published by Rowman & Littlefield (HL.346460).

ISBN 9781538137239. UPC: 840126924466. 7.5x9.25x0.701 inches. Harry Gold and Ryan Rey Contributions by Frank D. Cook and Eric Kuehnl.

Learn the basics of recording, editing, and mixing using Logic Pro X, a favorite audio platform of musicians everywhere. Filled with tips and insights, Audio Production Basics with Logic Pro X will guide you every step of the way. With this book and the included media files, you'll get practical, hands-on experience. We cover everything from setting up your computer to the fundamentals of audio production, including: Basic Digital Audio Workstation operations and audio hardware options; Principles of sound production and microphone use; Essential Logic concepts and operations; MIDI fundamentals for playing and performing with virtual instruments; Multi-track recording and signal processing techniques; Mixing your project and using automation; Outputting your final mixdown. Logic Pro X software is very powerful and easy to use once you know the basics. Take the first step now, with Audio Production Basics with Logic Pro X.

Chorus (with soloists) and piano (solos: MezTTTBarBarB - choir: SATTBB - 3(3picc)3(cor ang).3(B-clar).3(dble bsn) - 4.3.3.1 - timp.perc - hp - cel.org - str - stage music: 1.2.2.2 - 2.2.corn.0.0 - timp.perc(2) - pno - db - low bell)

SKU: BR.EB-9432

Musical-phantastic Comedy in 3 Acts with a Postlude. Composed by Ferruccio Busoni. Choir. Edition Breitkopf. Opera; Music theatre; Early modern; Late-romantic. Piano/Vocal Score. Breitkopf and Haertel #EB 9432. Published by Breitkopf and Haertel (BR.EB-9432).

ISBN 9790004189092. 0 x 0 inches.

Duration: full evening Text by the composer basesd on E.T.A. Hoffmann's tale of the same name from Serapionsbrudern Translation: ital. (G. Trampus), La sposa sorteggiata Place and time: Berlin, um 1820 Characters: Der Kommissionsrat Voswinkel (baritone) - Albertine, his daughter (mezzo-soprano) - Thusman, Freier (tenor) - Edmund Lehsen, paintor, Freier (tenor) - Baron Bensch, Freier (tenor) - the goldsmith Leonhard (baritone) - the jew Manasse (bass) - the valet Voswinkels - crowd, a Chancre (silent parts) In Busoni's musical evolution, this work marks an important phase of radical change after works inspired by Brahms and Verdi. The composer's compositional style became increasingly revolutionary between the sketch of the shport score (1908) and the completion of the orchestral score (1911).Busoni took the greatest care in preparing the definitive form of the work. He asserted that there was invention in every bar, and assigned an important role to the use of music from other sources: the Hebrew march from Rossini's Mose, for example, or a German dance by Mozart, military music, American-Indian pentatonic music, Gregorian plainchant, melodies from the synagogue and even quotes from his own works. With these stylistic means, Busoni followed Hoffmann's serapiontic principle and came closer to his idea of a timeless world music without borders.

Orchestra (2 flutes (2nd flute doubling piccolo), 2 oboes, 2 clarinets in bb, 2 bassoons, 4 french horns in f, 2 trumpets in c, 2 trombones, 1 bass trombone, 1 tuba, percussion 1: small beijing opera gong, marimba, tam-tam, japanese high, wood block, percussion 2: s)

SKU: PR.416415110

For Violin And Orchestra. Composed by Chen Yi. Contemporary. Full score. With Standard Notation. Duration 10 minutes. Theodore Presser Company #416-41511. Published by Theodore Presser Company (PR.416415110).

UPC: 680160621286.

Commi ssioned by Kennesaw State University Symphony Orchestra in 2012, Chinese Rap for violin and orchestra is premiered by Prof. Helen Kim as the soloist and the KSUSO led by Prof. Michael Alexander at Bailey Center in KSU, GA on Feb. 17, 2014. The work is inspired by Chinese folk musical story telling, Quyi, in a form of mixed reciting and singing style, with interludes played by percussion and plucking instruments in accompaniment. The folk musical story telling is sung in dialects from different geographic regions. I mixed all these elements in a complex three-part form, with an introduction, a cadenza in the middle, and a coda as the frame in the structure. The melodies are delicate and leisurely, and the rhythmic parts are energetic, vivid and lively. There are big contrasts between sections, which are juxtaposed and connected smoothly and congenially.
Commissio ned by Kennesaw State University Symphony Orchestra in 2012,Chinese Rap for violin and orchestra is premiered by Prof. Helen Kim as thesoloist and the KSUSO led by Prof. Michael Alexander at Bailey Center inKSU, GA on Feb. 17, 2014. The work is inspired by Chinese folk musical storytelling, Quyi, in a form of mixed reciting and singing style, with interludesplayed by percussion and plucking instruments in accompaniment. The folkmusical story telling is sung in dialects from different geographic regions. Imixed all these elements in a complex three-part form, with an introduction, a cadenza in the middle, and a coda as the frame in the structure. The melodies are delicate and leisurely, and the rhythmic parts are energetic, vivid and lively. There are big contrasts between sections, which are juxtaposed and connected smoothly and congenially.

Orchestra (2 flutes (2nd flute doubling piccolo), 2 oboes, 2 clarinets in bb, 2 bassoons, 4 french horns in f, 2 trumpets in c, 2 trombones, 1 bass trombone, 1 tuba, percussion 1: small beijing opera gong, marimba, tam-tam, japanese high, wood block, percussion 2: s)

SKU: PR.41641511L

For Violin And Orchestra. Composed by Chen Yi. Contemporary. Large Score. With Standard Notation. Duration 10 minutes. Theodore Presser Company #416-41511L. Published by Theodore Presser Company (PR.41641511L).

UPC: 680160621293.

Commi ssioned by Kennesaw State University Symphony Orchestra in 2012, Chinese Rap for violin and orchestra is premiered by Prof. Helen Kim as the soloist and the KSUSO led by Prof. Michael Alexander at Bailey Center in KSU, GA on Feb. 17, 2014. The work is inspired by Chinese folk musical story telling, Quyi, in a form of mixed reciting and singing style, with interludes played by percussion and plucking instruments in accompaniment. The folk musical story telling is sung in dialects from different geographic regions. I mixed all these elements in a complex three-part form, with an introduction, a cadenza in the middle, and a coda as the frame in the structure. The melodies are delicate and leisurely, and the rhythmic parts are energetic, vivid and lively. There are big contrasts between sections, which are juxtaposed and connected smoothly and congenially.
Commissio ned by Kennesaw State University Symphony Orchestra in 2012,Chinese Rap for violin and orchestra is premiered by Prof. Helen Kim as thesoloist and the KSUSO led by Prof. Michael Alexander at Bailey Center inKSU, GA on Feb. 17, 2014. The work is inspired by Chinese folk musical storytelling, Quyi, in a form of mixed reciting and singing style, with interludesplayed by percussion and plucking instruments in accompaniment. The folkmusical story telling is sung in dialects from different geographic regions. Imixed all these elements in a complex three-part form, with an introduction, a cadenza in the middle, and a coda as the frame in the structure. The melodies are delicate and leisurely, and the rhythmic parts are energetic, vivid and lively. There are big contrasts between sections, which are juxtaposed and connected smoothly and congenially.

SSAA Choir

SKU: HL.14005841

Composed by Hugo Cole. Music Sales America. Classical. Choral Score. Music Sales #NOV510610. Published by Music Sales (HL.14005841).

Hugo Cole (1917-1995) was a British composer, cellist, and music critic. He studied under Herbert Howells at the Royal College of Music and with Nadia Boulanger in Paris. He is best remembered for writing several operas and choral works, as well as much chamber music, but he also wrote a series of pedagogical Cello books and had a successful career as a music critic for The Guardian and Country Life.

Cole's Magnificat was set in the key of G major, and first published in 1957. It is scored for Female or Boys' Choir (SSAA) with Piano accompaniment.

Piano

SKU: BT.MI0302

Al pianoforte. Composed by Federico Dattino. Pop & Rock. Book with CD. Composed 2019. Play Music Italy #MI0302. Published by Play Music Italy (BT.MI0302).

Italian.

Quest'o pera presenta una serie di accompagnamenti ed assoli di pianoforte nello stile Rock ’n’ Roll. Scoprirete quindi delle ritmiche nel più puro stile Rock ‘n’ Roll dell’epoca. Si tratta di veri standards, decisamente intramontabili, in cui sono esposti i diversi procedimenti armonici e ritmici propri di questo stile. Suonerete poi degli assoli indiavolati, con tutte le caratteri-stiche proprie del Rock ‘n’ Roll: timing, velocit , energia, punti di tensione e di stasi, intervalli ripetuti, acciaccature… Il tutto nello spirito di Jerry Lee Lewis o Little Richard passando per Ray Charles… e tanti altri ancora! Per ogni accompagnamento ed assolo, troverete 5registrazioni diverse sul CD MP3 allegato, distribuite nel modo seguente: il pianoforte da solo, a velocit normale poi ridotta, la stessa parte di pianoforte suonata però sulla sua base musicale ed infine la sola base musicale, prima a velocit normale, poi ridotta... per permettere ad ognuno di suonare secondo il proprio ritmo, il proprio livello e le proprie capacit . Ossia più di 4 ore di musica in tutto!

Chorus (with soloists) and piano (solos: 2S2Mez6TBar7B - choir: SSAATB - 2(picc).2(cor ang).2(Bb-clar).2(dble bsn) - 4.2.3.0 - timp.perc(3) - hp - cel - str - stage music: trp.2tbne.perc)

SKU: BR.EB-9429

A Chinese Fable in 2 Acts after Carlo Gozzi. Composed by Ferruccio Busoni. Choir. Edition Breitkopf. Opera; Music theatre; Early modern. Piano/Vocal Score. Duration 85'. Breitkopf and Haertel #EB 9429. Published by Breitkopf and Haertel (BR.EB-9429).

ISBN 9790004189061. 0 x 0 inches. German / Italian.

Text by the composer based on a drama by Carlo GozziTranslation: engl. (L. Salter), ital. (O. Previtali)Place: Im aussersten Orient. Vor dem Stadttor Pekings, Thronsaal im Kaiserpalast, das Frauengemach TurandotsCharacters: Altoum, Kaiser (bass) - Turandot, seine Tochter (soprano) - Adelma, ihre Vertraute (mezzo-soprano) - Kalaf, Sohn des Timur, ein Prinz (tenor) - Barak, sein Getreuer (baritone) - Die Koniginmutter von Samarkand, eine Mohrin (soprano) - Truffaldino, Haupt der Eunuchen (tenor) - Pantalone, Minister (bass) - Tartaglia, Minister (bass) - Acht Doktoren (4 tenors, 4 basses) - Eine Vorsangerin (mezzo-soprano) - Der Scharfrichter (stumme Rolle)Busoni's work, which antedates Puccini's famous setting by a few years, seems rather cool in com-parison to the later piece. Busoni tones down the colors of his orientalisms and totally eschews sentimental lyricism. His strengths lie especially in the scintillating, unfathomable characters and in a music that hovers in an ambivalent manner between brightness and darkness, sadness and humor, danger and harmlessness. This work of art makes its references clear: Gozzi's play about the murderous princess is peopled with familiar commedia dell'arte figures, and one is not quite sure whether this mixture of fun and danger gives a more relaxed feeling to the activity on the stage or whether it does not do precisely the opposite, adding the irreconcilable perspective of a gondola trip on the edge of a bottomless gulf. Busoni is more faithful to Gozzi than Puccini and thus to the gracious levity that hovers over the excesses of the action. His mild chinoiseries repeatedly lead to a Neo-Classicism inspired by Venetian folklore. (Hans-Klaus Jungheinrich, 1985) Turandot was premiered with Arlecchino in Zurich on 11 May 1917.

by Costel Puscoiu. For flute. solos. Classic. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 120 pages. Published by Mel Bay Publications, Inc.

Composed by Leo Delibes (1836-1891). Arranged by Frank J. Halferty. For string orchestra. Concert String Orchestra. Grade 3 . Score and parts. Published by Kendor Music Inc

By ABRSM. For saxophone, piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

By ABRSM. For saxophone, piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

Harmonica

SKU: BT.MUSMI0140

Diatonica e Cromtica. Tuition. Book with CD. Composed 2015. Play Music Italy #MUSMI0140. Published by Play Music Italy (BT.MUSMI0140).

Italian.

Questâ €™opera vi permetter di acquisire una maggiore padronanza dell’armonica, sia cromatica che diatonica, in ambito blues.

Books and Journals

SKU: UT.APS-1

Edited by Fulvia Morabito and Michela Niccolai. Paperback (Soft Cover). Ad Parnassum Studies. Classical. Books and Journals. Ut Orpheus #APS 1. Published by Ut Orpheus (UT.APS-1).

ISBN 9788881094530. 6.5 x 9.5 inches.

Introduz ione di Julian Rushton. Saggi di Diana Bickley, Claudio Bolzan, Guillaume Bordry, Laura Cosso, Katharine Ellis, Roberto Illiano, Michela Niccolai, Mark A. Pottinger, Alban Ramaut, Cécile Reynaud, Julian Rushton, Lesley A. Wright


Thi s volume inaugurates the series of Studies of the twice-yearly journal Ad Parnassum. A Journal of 18th and 19th-Century Instrumental Music. These publications are devoted to individual composers who have made a significant impact in the field of instrumental music. In this way they remain securely within the journal’s area of interest, though without actually imposing strict limits on the specific themes treated, given that the entire output of the composers concerned may be taken into account, not just the instrumental music. As in the case of Hector Berlioz (Côte-St. André, 1803 - Paris, 1869), the composer chosen for the present volume. This collection of miscellaneous studies ranges widely, therefore, from his instrumental production to the operas, also taking in his contributions to music criticism and the theoretical literature.

Chamber Music violin, piano

SKU: CF.FE192

Composed by Louise Talma. Set of Score and Parts. With Standard notation. 18+8 pages. Carl Fischer Music #FE192. Published by Carl Fischer Music (CF.FE192).

ISBN 9780825877568. UPC: 798408077563. 9.5 x 13 inches.

The Pytheas Center for Contemporary Music notes: Talma was the first woman to receive two Guggenheims, the first woman elected to the National Institute of Arts and Letters (1974), the first American woman to have a full-scale opera performed in Germany, the first American to teach at Fontainebleau, and the first woman to receive the Sibelius Medal for composition. This is only the highlights of a long life of composing. Talma spent a good amount of time at the MacDowell Colony, where she wrote many of her finest works, including the Violin Sonata. Having studied composition with Nadia Boulanger over 17 summers in her youth, Talma dedicated the Sonata to her former teacher and long-time friend on the occasion of Boulanger's 75th birthday. The single movement reflects Talma's style in 1962, with more than a passing nod to 12-tone construction. For advanced performers. Duration: 16'.

Chamber ensemble and piano

SKU: FG.55011-828-7

Composed by Iiro Rantala. Classical, jazz. Study score. Fennica Gehrman #55011-828-7. Published by Fennica Gehrman (FG.55011-828-7).

Iiro Rantala's Veneziana for chamber ensemble and piano (2021-2022) is a 50 minute long program about all things Venice; how famous composers were affected by the city, how they affected the city and became part of the Venetian Story – told with an Iiro twist. The meeting of Prokofiev and Diaghilev turns into a real nutcracker ballet Romeo and Steve, whilst Mozart loses his mojo when visiting Venice. Monteverdi starts and Verdi completes the waltz boom - and Sibelius finds his national romantic melancholy again.

Veneziana is scored for wind and string quintets and a pianist. This product is a study score (A4 sized, spiral bounding). The performance material is available for hire from the publisher.

Content s:
1. Gondol Ride to St. Mark’s Square
2. Romeo and Steve
3. Monteverdi and His Ideas
4. Vivaldi’s ADHD
5. Sibelius in Venice
6. Mozart Loses His Mojo
7. Casanova and Lorenzo
8. Morte a Venezia

Iiro Rantala (b. 1970) is a pianist, a composer, and most likely Finland's best known jazz musician internationally. Rantala is also known for his compositions for musicals and the tv-shows he has hosted. In addition Rantala has composed music for films, television and more recently, for the stage. Rantala’s second opera, Die Zaubermelodika was a commission by the Komische Oper Berlin. His double concerto Joy of Life has been programmed by numerous orchestras. The fast-and-furious Seven o’clock Overture has been dubbed as Finnish Candide Overture.

5-Part Flexible Ensemble - intermediate

SKU: BT.DHP-1023180-070

Composed by Gioachino Rossini. Arranged by Lorenzo Bocci. Music Box. Set (Score & Parts). Composed 2002. De Haske Publications #DHP 1023180-070. Published by De Haske Publications (BT.DHP-1023180-070).

Rossini's William Tell is arranged here by Lorenzo Bocci for wind quintet with variable instrumentation. The various parts are written in the keys of C, Bb, Eb and F and, for the lower brass, in treble and bass clef, enabling anycombination of Oboe, Flute, Clarinet, Trumpet, Soprano Sax, Fugelhorn, Cornet, Alto Sax, Alto Clarinet, English Horn, French Horn, Tenor Sax, Trombone, Baritone, Euphonium, Bassoon, Eb Bass, Bb Bass and Bass Clarinet to play thisexciting piece.

Das bekannte schnelle Finale aus der Ouvertüre von Wilhelm Tell in einer fünfstimmig variablen Besetzung von Lorenzo Bocci ist ein reines Spielvergnügen und ein Hörgenuss für das Publikum.

Part 1 Fl Htb Cl. Si♭ Sax. S. Trp Part 2 Fl Cor Angl. Cl. Si♭ Cl. Alto Sax. A. Trp Cor Part 3 Cl. Alto Sax. T. Basson Cor Trb Euph. Part 4 Sax. T. Basson Trb Euph. Part 5 Cl. Basse Sax. B. Basson Trb Euph. Tuba

La famosissima melodia dell’opera, arrangiata da Lorenzo Bocci, per permettervi di esibirvi in pubblico col vostro quintetto sorprendendo chi vi ascolta con l’incalzare di questa trascinante musica.

Parts. Composed by Giuseppe Verdi (1813-1901). Edited by Anselm Gerhard. Henle Music Folios. Classical. Softcover. 69 pages. G. Henle #HN1588. Published by G. Henle

Voice

SKU: AP.6-416909

Composed by Giuseppe Verdi. Complete Score. Dover Edition. Masterwork; Romantic. Score. 256 pages. Dover Publications #06-416909. Published by Dover Publications (AP.6-416909).

ISBN 9780486416908. English.

Remarkable for its bold characterization, color, atmosphere, and dramatic plot, Verdi's 1851 opera was an immediate success upon its Venice debut, and it remains a staple of the repertoire to this day. The tale of a despised hunchback and his beloved daughter marked the first appearance of the tragic jester in Italian opera and provided Verdi with a subject well suited to his talents.

Written by Amanda Vick Lethco, Morton Manus, Willard A. Palmer. For piano. Format: piano solo songbook. With standard notation, fingerings, illustrations and introductory text. Solos. Series: Alfred's Basic Piano Library. 32 pages. 9x12 inches. Published by Alfred Publishing.

By Ennio Morricone. This edition: MLR716. Piano. Softcover with CD. 46 pages. Published by Ricordi.

(Serie III - Europe). Edited by Frederique Thouvenot, Suzi Mohlmeier. For Recorder. Facsimiles. Methodes and Traites. Grade 0. 1085 pages

Orchestra Solo soprano voice, solo tenor voice, SATB chorus (div.), 2 Fl, 2 Ob, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb, Oficleide (Tb), Timp, Arpa, 2 Vl, Va, Vc, Cb - Grade 3

SKU: CA.2718712

Composed by Georges Bizet. Edited by Marc Rigaudière. Composed 1858. 8 pages. Duration 20 minutes. Carus Verlag #2718712. Published by Carus Verlag (CA.2718712).

ISBN 9790007303549. Latin.

As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic “Te Deum laudamus”, to the skillful choral fugue of “Fiat misericordia tua”, and the opening's powerful recapitulation, the composition shows no trace of the difficulties that beset the young Bizet by his own admission before he finally completed the work in 1858.

In the extensive trilingual preface to this Urtext edition, editor Marc Rigaudière illuminates the circumstances surrounding the composition of the Te Deum, a work which occupies a singular position in Bizet’s œuvre. The edition is based on the composer’s autograph score — the work's only surviving source. For the first time, this work is available with all performance parts.