Motet. Composed by
Wolfgang Amadeus Mozart.
Edited by Armin Kircher.
This edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Quis Te Comprehendat.
Gran Partita. Sacred,
Motets. Single Part,
Violin 1. KV Anh. 110. 4
pages. Duration 4
minutes. Carus Verlag #CV
51.361/11. Published by
Carus Verlag
(CA.5136111).
ISBN
9790007224998. Key: E
flat major. Language:
Latin.
Motet of an
unknown arranger (ca.
1820), based on th Adagio
of the Serenade KV 361
(Gran Partita). The motet
Quis te comprehendat,
K-Anhang 110, is based on
the Adagio in Mozart's
Wind Serenade K. 361, the
Gran Partita. The
arrangement of this
instrumental movement
with the addition of a
four-part choir deserves
to be regarded as a
successful example of the
practice of parody, on a
higher level than many
less accomplished
arrangements of the
period. As in most of
those cases the identity
of the arranger is
unknown, but his
sensitive treatment of
the original points to a
gifted musician.
Characteristic
accompanying figures are
given to the strings,
while the solo violin and
the organ appear
melodically. The
homophonic choral
setting, whose Latin
words are a religious
song of praise with no
specific liturgical
connection, is based on
the works harmonic
substance. The vocal
parts follow the
framework and compactly
fill out the accompanying
instrumental writing.
Score and part available
separately - see item
CA.5136100.
Composed
by Manfred Trojahn.
Stapled. Score. Composed
2009. 43 pages. Duration
21 minutes. Baerenreiter
Verlag #BA09378_00.
Published by Baerenreiter
Verlag (BA.BA09378).
ISBN 9790006539086.
32.5 x 25.5 cm
inches.
A modern
sequel to the music of
the Romantic era.
The first
movement hints at the
chromatic of
“Tristanâ€;
cantilena lines convey a
mournful scene. It is
succeeded by a brilliant
scherzo with the cryptic
title “Erste fremde
Szene†(First
Foreign/Unknown Scene
– one is invited
to solve this riddle),
while the third movement,
with its singing quality,
is related to the first.
The final movement, a
“Zweite fremde
Szeneâ€
(“Second
Foreign/Unknown
Sceneâ€), alludes to
the “last
dance†tradition,
with its ironic
undertones and the
copious use of sixths,
counterpointed with
tarantella rhythms.
A rewarding,
striking work, equally
valuable for concerts
combining older
compositions with new
works as for contemporary
music programmes.
Choral TBB chorus SKU: CF.CM9638 Composed by John Bennet. Arranged by Rus...(+)
Choral TBB chorus
SKU:
CF.CM9638
Composed by
John Bennet. Arranged by
Russell L. Robinson.
Fold. Performance Score.
4 pages. Duration 2
minutes. Carl Fischer
Music #CM9638. Published
by Carl Fischer Music
(CF.CM9638).
ISBN
9781491157107. UPC:
680160915668. 6.875 x
10.5 inches. Key: A
minor. English, English.
Original.
Robinson'
s TBB arrangement of this
beloved Bennett madrigal,
originally published for
four voices in 1599, has
been changed from the
original key of A minor
to the key of D minor,
making the ranges and
texture more
characteristic for TBB
voices. A wonderful
concert or festival
staple piece!. Weep, O
Mine Eyes is a classic
madrigal from the
Renaissance period (circa
1400-1650). Although John
Bennet's exact birth and
death dates are unknown,
we know that he was
English and composed
madrigals (non-sacred a
cappella pieces) in the
late 16th - early 17th
centuries. Although,
Bennet was not as
prolific as other
madrigal writers of the
time, such as Thomas
Morley, Weep, O Mine Eyes
has certainly stood the
test of time. Originally
published in a book of 17
madrigals for four voices
in 1599, this arrangement
for TBB voices has been
changed from the original
key of A minor to the key
of D minor, making the
ranges and texture more
characteristic for TBB
voices. The original
flavor of Bennet's
four-part setting has
been preserved, including
the counterpoint
(independent voices)
where each voice is of
equal importance. In
Renaissance style no
parts should over sing;
the beauty of the melodic
lines and text should
come through and over
singing will take away
from the beauty. The EE
vowel is sometimes
problematic in the word
weep. I suggest that you
produce the EE vowel with
OO on the lips and EE
inside the mouth for
better blend and to avoid
a horizontal spreading of
the vowel. Enjoy this
wonderful
madrigal!. Weep, O
Mine Eyes is a classic
madrigal from the
Renaissance period (circa
1400-1650). Although John
Bennet's exact birth and
death dates are unknown,
we know that he was
English and composed
madrigals (non-sacred a
cappella pieces) in the
late 16th - early 17th
centuries. Although,
Bennet was not as
prolific as other
madrigal writers of the
time, such as Thomas
Morley, Weep, O Mine Eyes
has certainly stood the
test of time.Originally
published in a book of 17
madrigals for four voices
in 1599, this arrangement
for TBB voices has been
changed from the original
key of A minor to the key
of D minor, making the
ranges and texture more
characteristic for TBB
voices.The original
flavor of Bennet's
four-part setting has
been preserved, including
the counterpoint
(independent voices)
where each voice is of
equal importance. In
Renaissance style no
parts should over sing;
the beauty of the melodic
lines and text should
come through and over
singing will take away
from the beauty.The EE
vowel is sometimes
problematic in the word
weep. I suggest that you
produce the EE vowel with
OO on the lips and EE
inside the mouth for
better blend and to avoid
a horizontal spreading of
the vowel.Enjoy this
wonderful madrigal!
Clarinet Sonatas Clarinette et Piano [Conducteur] Breitkopf & Härtel
Clarinet and piano SKU: BR.EB-32111 Urtext. Composed by Camillo Sc...(+)
Clarinet and piano
SKU: BR.EB-32111
Urtext. Composed
by Camillo Schumann. Solo
instruments; stapled.
Edition Breitkopf.
The
first edition of a
forgotten treasure
Sonata; Late-romantic.
Score. 68 pages.
Breitkopf and Haertel #EB
32111. Published by
Breitkopf and Haertel
(BR.EB-32111).
ISBN
9790004186763. 9 x 12
inches.
There are
many composers of whom it
is said today that they
had gone back in time or
had composed against
contemporary taste.
Today, the question
arises, though, as to
what of value is to be
extracted, rediscovered,
or re-edited. Camillo
Schumann (1872-1946) is
one of these nearly
forgotten composers. His
works are still largely
unknown today. Schumann's
tonal language combines
the Brahmsian sound scape
with the grand late
romantic Liszt school.
His piano pieces range
even to sounds
reminiscent of
Rachmaninoff and are of
tremendous power and
virtuosity. The
pronounced and inventive
melody makes the works
the testimony of a
composer who has not yet
come to the fore. His two
sonatas for clarinet and
piano have hitherto
remained completely
unknown. This is
astonishing, for they are
on the level of the
sonatas of Johannes
Brahms, who probably
contributed the most
essentially to this
genre. Surfacing as a
special treasure from the
estate of the Saxon
musicologist and
collector Harald Schurz
were the autographs of
both clarinet sonatas,
now to be published for
the first time. Remember
falling in love with the
expressive qualities of
the Brahms sonatas? You
can rekindle that feeling
with these works by
Camillo Schumann.
Commentators have
compared Schumann's works
not only to Brahms, but
also to Liszt and
Rachmaninoff. Run to your
shop and order
now.(Gregory Barrett, The
Clarinet)
Motet. Composed by
Wolfgang Amadeus Mozart.
Edited by Armin Kircher.
This edition: urtext.
Stuttgart Urtext Edition:
Mozart. Quis Te
Comprehendat. Gran
Partita. Sacred vocal
music, Motets. Set of
Orchestra Parts. KV Anh.
110. Duration 4 minutes.
Carus Verlag #CV
51.361/19. Published by
Carus Verlag
(CA.5136119).
ISBN
9790007145712. Key: E
flat major. Language:
Latin.
Motet of an
unknown arranger (ca.
1820), based on th Adagio
of the Serenade KV 361
(Gran Partita). The motet
Quis te comprehendat,
K-Anhang 110, is based on
the Adagio in Mozart's
Wind Serenade K. 361, the
Gran Partita. The
arrangement of this
instrumental movement
with the addition of a
four-part choir deserves
to be regarded as a
successful example of the
practice of parody, on a
higher level than many
less accomplished
arrangements of the
period. As in most of
those cases the identity
of the arranger is
unknown, but his
sensitive treatment of
the original points to a
gifted musician.
Characteristic
accompanying figures are
given to the strings,
while the solo violin and
the organ appear
melodically. The
homophonic choral
setting, whose Latin
words are a religious
song of praise with no
specific liturgical
connection, is based on
the works harmonic
substance. The vocal
parts follow the
framework and compactly
fill out the accompanying
instrumental writing.
Score and parts available
separately - see item
CA.5136100.
Motet. Composed by
Wolfgang Amadeus Mozart.
Edited by Armin Kircher.
This edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Quis Te Comprehendat.
Gran Partita. Sacred,
Motets. Choral Score. KV
Anh. 110. 4 pages.
Duration 4 minutes. Carus
Verlag #CV 51.361/05.
Published by Carus Verlag
(CA.5136105).
ISBN
9790007110918. Key: E
flat major. Language:
Latin.
Motet of an
unknown arranger (ca.
1820), based on th Adagio
of the Serenade KV 361
(Gran Partita). The motet
Quis te comprehendat,
K-Anhang 110, is based on
the Adagio in Mozart's
Wind Serenade K. 361, the
Gran Partita. The
arrangement of this
instrumental movement
with the addition of a
four-part choir deserves
to be regarded as a
successful example of the
practice of parody, on a
higher level than many
less accomplished
arrangements of the
period. As in most of
those cases the identity
of the arranger is
unknown, but his
sensitive treatment of
the original points to a
gifted musician.
Characteristic
accompanying figures are
given to the strings,
while the solo violin and
the organ appear
melodically. The
homophonic choral
setting, whose Latin
words are a religious
song of praise with no
specific liturgical
connection, is based on
the works harmonic
substance. The vocal
parts follow the
framework and compactly
fill out the accompanying
instrumental writing.
Score available
separately - see item
CA.5136100.
2-Part Choral (2-Part) SKU: HL.1136473 Arranged by Glenda E. Franklin. Sh...(+)
2-Part Choral (2-Part)
SKU: HL.1136473
Arranged by Glenda E.
Franklin. Shawnee Press.
Concert, Folk. Octavo.
Duration 175 seconds.
Published by Shawnee
Press (HL.1136473).
ISBN 9781705183243.
UPC: 196288113485.
6.75x10.5x0.029
inches.
An original
melody, paired with the
Scottish folk song
“The Water Is
Wide,†creates a
gently flowing choral for
2-part voices with
optional flute. The
original words speak of
sailing to places
unknown, sails filled
with a gentle breeze and
a winding river filled
with adventures yet
unknown. A fresh take on
a well-loved melody
creating a beautiful
ballad for young voices
to learn and
experience.
Motet. Composed by
Wolfgang Amadeus Mozart.
Edited by Armin Kircher.
This edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Quis Te Comprehendat.
Gran Partita. Sacred,
Motets. Single Part,
Cello/Double Bass. KV
Anh. 110. 2 pages.
Duration 4 minutes. Carus
Verlag #CV 51.361/14.
Published by Carus Verlag
(CA.5136114).
ISBN
9790007225025. Key: E
flat major. Language:
Latin.
Motet of an
unknown arranger (ca.
1820), based on th Adagio
of the Serenade KV 361
(Gran Partita). The motet
Quis te comprehendat,
K-Anhang 110, is based on
the Adagio in Mozart's
Wind Serenade K. 361, the
Gran Partita. The
arrangement of this
instrumental movement
with the addition of a
four-part choir deserves
to be regarded as a
successful example of the
practice of parody, on a
higher level than many
less accomplished
arrangements of the
period. As in most of
those cases the identity
of the arranger is
unknown, but his
sensitive treatment of
the original points to a
gifted musician.
Characteristic
accompanying figures are
given to the strings,
while the solo violin and
the organ appear
melodically. The
homophonic choral
setting, whose Latin
words are a religious
song of praise with no
specific liturgical
connection, is based on
the works harmonic
substance. The vocal
parts follow the
framework and compactly
fill out the accompanying
instrumental writing.
Score and part available
separately - see item
CA.5136100.
Concert Band (FULL SCORE) - Level 3.5 SKU: HL.4007480 One Village Unit...(+)
Concert Band (FULL SCORE)
- Level 3.5
SKU:
HL.4007480
One
Village United.
Composed by Thomas Doss.
Mitropa Music Concert
Band. Concert. Softcover.
Duration 480 seconds.
Mitropa Music
#2220-21-140M. Published
by Mitropa Music
(HL.4007480).
UPC:
196288058038.
Intro
duction: Like a dark
veil, an ominous sense of
foreboding takes hold
across the world. A
looming danger, one
previously unknown to
mankind, slowly
approaches, bringing our
daily lives to a grinding
halt. A perilous virus
gives us no choice other
than to stay in our
homes, leaving us unable
to work in our offices or
even visit family and
friends. Something that
has only been talked
about in history books is
coming to pass: a
pandemic! Bar 74: Like a
dark veil, an ominous
sense of foreboding takes
hold across the world. A
looming danger, one
previously unknown to
mankind, slowly
approaches, bringing our
daily lives to a grinding
halt. A perilous virus
gives us no choice other
than to stay in our
homes, leaving us unable
to work in our offices or
even visit family and
friends. Something that
has only been talked
about in history books is
coming to pass: a
pandemic! Bar 82: People
help each other out.
Neighbourly assistance
and support within one's
own family becomes more
apparent. We stand by
each other. Suddenly we
have the time for things
that we did not have
before. Time for
reflection... Bar 106: A
new era commences.
Finally, hope reappears.
We leave our houses, but
nothing is quite the same
anymore. With renewed
strength, people begin to
perceive the future in a
positive and optimistic
way once again. With
greater attention and
awareness of the here and
now, we feel that,
despite it all, we can be
happy.
(Complete Piano Sonatas, Volume 1). By Alexandr Skrjabin. Edited by Christoph Fl...(+)
(Complete Piano Sonatas,
Volume 1). By Alexandr
Skrjabin. Edited by
Christoph Flamm. For
piano. This edition:
Urtext edition.
Performance score,
Anthology (paperbound).
Text language: German,
English. 123 pages.
Published by Baerenreiter
Verlag
Motet. Composed by
Wolfgang Amadeus Mozart.
Edited by Armin Kircher.
This edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Quis Te Comprehendat.
Gran Partita. Sacred,
Motets. Single Part,
Violin 2. KV Anh. 110. 4
pages. Duration 4
minutes. Carus Verlag #CV
51.361/12. Published by
Carus Verlag
(CA.5136112).
ISBN
9790007225001. Key: E
flat major. Language:
Latin.
Motet of an
unknown arranger (ca.
1820), based on th Adagio
of the Serenade KV 361
(Gran Partita). The motet
Quis te comprehendat,
K-Anhang 110, is based on
the Adagio in Mozart's
Wind Serenade K. 361, the
Gran Partita. The
arrangement of this
instrumental movement
with the addition of a
four-part choir deserves
to be regarded as a
successful example of the
practice of parody, on a
higher level than many
less accomplished
arrangements of the
period. As in most of
those cases the identity
of the arranger is
unknown, but his
sensitive treatment of
the original points to a
gifted musician.
Characteristic
accompanying figures are
given to the strings,
while the solo violin and
the organ appear
melodically. The
homophonic choral
setting, whose Latin
words are a religious
song of praise with no
specific liturgical
connection, is based on
the works harmonic
substance. The vocal
parts follow the
framework and compactly
fill out the accompanying
instrumental writing.
Score and part available
separately - see item
CA.5136100.
(Muzio Clementi Opera Omnia - Volume XIV). By Muzio Clementi (1752-1832). Edited...(+)
(Muzio Clementi Opera
Omnia - Volume XIV). By
Muzio Clementi
(1752-1832). Edited by
David Rowland. Critical
commentary. 692 pages.
Published by Ut Orpheus
Ligne De Mélodie, Paroles et Accords [Fake Book] - Facile Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C
instrument. Format:
fakebook (spiral bound).
With vocal melody,
lyrics, piano
accompaniment, chord
names and leadsheet
notation. Hymn. Series:
Hal Leonard Fake Books.
494 pages. 9x12 inches.
Published by Hal Leonard.
Composed by Philip
Sparke. Debut Series
(Anglo). March. Set
(Score & Parts). Composed
2003. Anglo Music Press
#AMP 036-010. Published
by Anglo Music Press
(BT.AMP-036-010).
Composer Philip
Sparke has long been
fascinated by
history’s
pioneers. In all fields
of human activity, there
has been someone with
enormous vision who has
made the first step into
the unknown. Explorers
have found new lands,
doctors have discovered
new medicines and
scientists are pushing
the bounds of technology
ever further. But there
was always one
‘pathfinder’
, someone who was not
afraid of the unknown,
who dared to go one step
further than anyone
before him. The march is
dedicated those pioneers
who have risked
everything for the sake
of their
vision.
Pathfin
ders March - zu
deutsch Pfadfindermarsch
- wurde zu Ehren der
Pioniere der Geschichte,
wie Entdecker, Forscher
und Mediziner,
komponiert. Sie alle sind
die so genannten
Pfadfinder, die es als
erste wagten,
unerforschte Wege zu
beschreiten. Der
imponierende Marsch, der
das Trompetenregister
herausstreicht, bringt
Glanz in jedes Repertoire
und überzeugt sowohl
Musiker als auch das
Publikum.
Motet. Composed by
Wolfgang Amadeus Mozart.
Edited by Armin Kircher.
This edition: urtext. 2x
51.361/31 2 horns.
Stuttgart Urtext Edition:
Mozart. German title:
Quis Te Comprehendat.
Gran Partita. Sacred,
Motets. Set of Orchestra
Parts. KV Anh. 110. 4
pages. Duration 4
minutes. Carus Verlag #CV
51.361/09. Published by
Carus Verlag
(CA.5136109).
ISBN
9790007224981. Key: E
flat major. Language:
Latin.
Motet of an
unknown arranger (ca.
1820), based on th Adagio
of the Serenade KV 361
(Gran Partita). The motet
Quis te comprehendat,
K-Anhang 110, is based on
the Adagio in Mozart's
Wind Serenade K. 361, the
Gran Partita. The
arrangement of this
instrumental movement
with the addition of a
four-part choir deserves
to be regarded as a
successful example of the
practice of parody, on a
higher level than many
less accomplished
arrangements of the
period. As in most of
those cases the identity
of the arranger is
unknown, but his
sensitive treatment of
the original points to a
gifted musician.
Characteristic
accompanying figures are
given to the strings,
while the solo violin and
the organ appear
melodically. The
homophonic choral
setting, whose Latin
words are a religious
song of praise with no
specific liturgical
connection, is based on
the works harmonic
substance. The vocal
parts follow the
framework and compactly
fill out the accompanying
instrumental writing.
Score and parts available
separately - see item
CA.5136100.
Composed by Philip
Sparke. Debut Series
(Anglo). March. Score
Only. Composed 2003.
Anglo Music Press #AMP
036-140. Published by
Anglo Music Press
(BT.AMP-036-140).
Composer Philip
Sparke has long been
fascinated by
history’s
pioneers. In all fields
of human activity, there
has been someone with
enormous vision who has
made the first step into
the unknown. Explorers
have found new lands,
doctors have discovered
new medicines and
scientists are pushing
the bounds of technology
ever further. But there
was always one
‘pathfinder’
, someone who was not
afraid of the unknown,
who dared to go one step
further than anyone
before him. The march is
dedicated those pioneers
who have risked
everything for the sake
of their
vision.
Pathfin
ders March - zu
deutsch Pfadfindermarsch
- wurde zu Ehren der
Pioniere der Geschichte,
wie Entdecker, Forscher
und Mediziner,
komponiert. Sie alle sind
die so genannten
Pfadfinder, die es als
erste wagten,
unerforschte Wege zu
beschreiten. Der
imponierende Marsch, der
das Trompetenregister
herausstreicht, bringt
Glanz in jedes Repertoire
und überzeugt sowohl
Musiker als auch das
Publikum.
Composed by Antonin Dvorak (1841-1904). Edited by Katerina Nová. This edition...(+)
Composed by Antonin
Dvorak
(1841-1904). Edited by
Katerina Nová. This
edition:
urtext edition.
Paperback.
Choral score.
Baerenreiter
Verlag #BA10439.
Published by
Baerenreiter Verlag
Piano and orchestra SKU: FG.55011-372-5 Composed by Matthew Whittall. Stu...(+)
Piano and orchestra
SKU:
FG.55011-372-5
Composed by Matthew
Whittall. Study score.
Fennica Gehrman
#55011-372-5. Published
by Fennica Gehrman
(FG.55011-372-5).
ISBN
9790550113725.
Imag
es of the sea figure
prominently throughout my
life and memories: from
holidays on the Atlantic
coast during my Canadian
childhood to my current
Baltic home, and the
imagined, only later
experienced Mediterranean
of my ancestral heritage.
As an immigrant (son of
an immigrant) bound to
two northern countries,
the sea is emblematic of
my twin homelands, from
the expanses of water
surrounding them to those
separating them. A Mari
usque ad Mare. The sea is
also an enduring image of
the unknown, of expanses
unexplored, of the raw
power of nature and, for
too many currently, of
terror holding a hope of
refuge - or the pain of
loss. Such disparate
ideas were captured for
me in the seascapes of
the New York painter
MaryBeth Thielhelm, whom
I met in 2008 during a
residency on the Gulf of
Mexico. Her vast,
abstract, nearly
monochromatic depictions
of imaginary seas in
wildly varying moods were
the catalyst for a
concerto where the piano
is frequently far from a
hero battling a
collective, but rather
acts as a channel for
elemental forces surging
up from the orchestra,
floating - sometimes
barely so - on its
constantly shifting
surface. There are few
themes to speak of,
beyond a handful of
iconic ideas that
periodically cycle
upward. Rather, the
piano's material is
largely an ornamentation
of the more primal
rhythmic and harmonic
impulses from the
orchestra below - a
poetic interpretation, if
you will, of the more
immediate experience of
facing the vastness of
some unknown body of
water. The title
Nameless Seas is borrowed
from one of Thielhelm's
exhibitions, as are those
of the four movements,
which are bridged
together into two halves
of roughly equal weight -
one rhapsodic and free,
the other more
single-minded and direct,
separated only by a short
breath. The opening
movement, Nocturne, is
predominantly calm, if
brooding, darkness and
light alternating
throughout. Lyrical
arabesques sparkle over
gently lapping
cross-currents in the
strings and mirrored
timpani, the piano's full
power only rarely
deployed. The waves
gradually build, drawing
in the full orchestra for
a meeting of forces in
Land and Sea, a brighter,
more warmly lyrical scene
that unfolds in series of
dreamlike, sometimes even
nostalgic visions, which
for me carry strong
memories of sitting on
rocks above surging
Atlantic waves. The third
movement, Wake, is a
fast, perpetual-motion
texture of glinting,
darting rhythms and
sudden shafts of light,
with a prominent part for
the steel drums, limning
the piano's quicksilver
figurations. An ecstatic
climax crashes into a
solo cadenza that grows
progressively calmer and
more introspective rather
than virtuosic. Much of
the tension finally
releases into Unclaimed
Waters, a drifting,
meditative seascape in
which the piano is
progressively engulfed by
a series of ever-taller
waves, ultimately
dissolving into a
tolling, rippling
continuum of sound.
It has been a great
privilege to realize such
a long-held dream as this
piece, and to write it
for not one, but two
great pianists.
Risto-Matti Marin and
Angela Hewitt, both of
whose friendship and
support have been
unfailing and humbling,
share the dedication.
Nameless Seas was
commissioned by the
PianoEspoo festival and
Canada's National Arts
Centre, with the
premieres in Ottawa and
Helsinki led by Hannu
Lintu and Olari Elts.
Thanks are due also to
the Jenny and Antti
Wihuri fund, whose
generous grant provided
me with much-needed time,
and Escape to Create in
Seaside, Florida, the
source to which I
returned to do a large
part of the work.
Terra Incognita Ensemble de cuivres [Conducteur] - Intermédiaire/avancé De Haske Publications
Brass Band - Grade 6 SKU: BT.DHP-1155640-130 Unknown Land. Compose...(+)
Brass Band - Grade 6
SKU:
BT.DHP-1155640-130
Unknown Land.
Composed by Jan de Haan.
Concert and Contest
Collection Brass Band en
Fanfare. Score Only.
Composed 2015. De Haske
Publications #DHP
1155640-130. Published by
De Haske Publications
(BT.DHP-1155640-130).
English-German-French-
Dutch.
Download the
Digeridoo sound file
here.In five musically
and thematically
continuous parts, this
composition transports us
to foreign, fascinating
places - stepping into
the shoes of the
explorers who set off to
discover unknown lands
centuries ago. The test
piece for the Dutch Brass
BandChampionships 2015
(Challenge Section) holds
interesting solo parts
for flugelhorn and
trombone. An exciting
musical journey!
Clarinet Sonatas Clarinette et Piano [Conducteur] Breitkopf & Härtel
Clarinet and piano SKU: BR.EB-32112 Urtext. Composed by Camillo Sc...(+)
Clarinet and piano
SKU: BR.EB-32112
Urtext. Composed
by Camillo Schumann. Solo
instruments; stapled.
Edition Breitkopf. The
first edition of a
forgotten treasure.
Sonata; Late-romantic.
Score. 52 pages.
Breitkopf and Haertel #EB
32112. Published by
Breitkopf and Haertel
(BR.EB-32112).
ISBN
9790004186770. 9 x 12
inches.
There are
many composers of whom it
is said today that they
had gone back in time or
had composed against
contemporary taste.
Today, the question
arises, though, as to
what of value is to be
extracted, rediscovered,
or re-edited. Camillo
Schumann (1872-1946) is
one of these nearly
forgotten composers. His
works are still largely
unknown today. Schumann's
tonal language combines
the Brahmsian sound scape
with the grand late
romantic Liszt school.
His piano pieces range
even to sounds
reminiscent of
Rachmaninoff and are of
tremendous power and
virtuosity. The
pronounced and inventive
melody makes the works
the testimony of a
composer who has not yet
come to the fore. His two
sonatas for clarinet and
piano have hitherto
remained completely
unknown. This is
astonishing, for they are
on the level of the
sonatas of Johannes
Brahms, who probably
contributed the most
essentially to this
genre. Surfacing as a
special treasure from the
estate of the Saxon
musicologist and
collector Harald Schurz
were the autographs of
both clarinet sonatas,
now to be published for
the first time. Remember
falling in love with the
expressive qualities of
the Brahms sonatas? You
can rekindle that feeling
with these works by
Camillo Schumann.
Commentators have
compared Schumann's works
not only to Brahms, but
also to Liszt and
Rachmaninoff. Run to your
shop and order
now.(Gregory Barrett, The
Clarinet)
Bethlehem Babe Chorale SATB [Octavo] - Intermédiaire Jackman Music Corporation
By Unknown. Arranged by Donald H. Ripplinger. Text: unknown. For SATB Choir. Chr...(+)
By Unknown. Arranged by
Donald H. Ripplinger.
Text: unknown. For SATB
Choir. Christmas. Level:
Medium. Duration 3:15.
Published by Jackman
Music Corporation.
Terra Incognita Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire/avancé De Haske Publications
Brass Band - Grade 6 SKU: BT.DHP-1155640-030 Unknown Land. Compose...(+)
Brass Band - Grade 6
SKU:
BT.DHP-1155640-030
Unknown Land.
Composed by Jan de Haan.
Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Set (Score & Parts).
Composed 2015. De Haske
Publications #DHP
1155640-030. Published by
De Haske Publications
(BT.DHP-1155640-030).
English-German-French-
Dutch.
Download the
Digeridoo sound file
here.In five musically
and thematically
continuous parts, this
composition transports us
to foreign, fascinating
places - stepping into
the shoes of the
explorers who set off to
discover unknown lands
centuries ago. The test
piece for the Dutch Brass
BandChampionships 2015
(Challenge Section) holds
interesting solo parts
for flugelhorn and
trombone. An exciting
musical journey!
Mixed choir SKU: CA.210300 Composed by Various. Edited by Stefan Schuck. ...(+)
Mixed choir
SKU:
CA.210300
Composed by
Various. Edited by Stefan
Schuck. Sacred vocal
music, Psalms, German,
Psalms, Latin. Choral
collections. Conductor's
score, with CD. Sacred
vocal music, Psalms,
German, Psalms, Latin.
Choir Book. Carus Verlag
#CV 02.103/00. Published
by Carus Verlag
(CA.210300).
ISBN
9790007244668.
The
Choral Collection Psalms
contains over 50 settings
for mixed unaccompanied
choir from six centuries.
It is a true
treasure-trove of
compositions in various
styles and levels of
difficulty: with some
unknown new discoveries
and some classics of the
choral literature, the
selection will enrich
both worship and
concerts. The 150 psalms
of the Old Testament
express rejoicing, joy,
confidence, but also
lament, grief, anger, and
even doubt. The psalms
are present throughout
Christianity and Judaism
to this day, and are sung
worldwide in countless
settings. The Choral
Collection Psalms
displays the whole
stylistic and linguistic
variety ranging from
contemplative, simple
Anglican chant through
Russian Orthodox
homophony to virtuoso
motets with jazzy echoes.
The linguistic spectrum
is equally broad:
English, French, German
(some with added singable
English translation),
Estonian, Icelandic and,
of course, Latin psalm
settings are represented,
as well as works in
Church Slavonic and
Hebrew (both accompanied
by transliterations and a
singable German text).
The foreword (German /
English) offers many
hints regarding the
performance of the psalm
settings, and a detailed
index will help with
choosing appropriate
pieces for the liturgical
occasion according to the
Anglican, Protestant, or
Catholic calendar. Over
the last ten years editor
Stefan Schuck has
performed two psalm
compositions every week
in his NoonSong series in
Berlin. From the
resulting 800 works, he
has selected the most
interesting compositions
arranged according to
level of difficulty. The
choral director's volume
includes a CD with
recordings of selected
works, sung by sirventes
and conducted by the
editor, which will help
with learning and
rehearsing the
repertoire. over 50 psalm
settings from six
centuries for worship and
concert use stylistic
variety and mixed levels
of difficulty: from
Anglican Chant to
virtuoso motets for
four-part mixed choir,
some with organ/piano
accompaniment
transliterations and
German singing texts help
with practising
cross-cultural repertoire
liturgical classification
of all settings for
Catholic, Protestant, and
Anglican lectionary
includes many unknown
jewels such as Boze, Boze
moj (Cesar Cui), Jauschew
be seser eljaun (David
Rubin), and Schubert's
setting of Psalm 23 in
the first Hebrew version
CD recording (sirventes
berlin, cond. Stefan
Schuck) with a selection
of settings helps with
getting to know the
pieces economical choral
edition (editionchor)
available.