| Searle Tangos Vln2 - Avancé Schott
String Ensemble - advanced SKU: HL.49032850 Composed by Humphrey Searle. ...(+)
String Ensemble -
advanced SKU:
HL.49032850 Composed
by Humphrey Searle. This
edition: Folding. Sheet
music. Edition Schott.
Individual part. 4 pages.
Schott Music #ED 8915-12.
Published by Schott Music
(HL.49032850). ISBN
9790001140089.
9.0x12.0x0.01
inches. Das Angebot
an klassischer Literatur
fur Orchester, Kammer-
und Schulensembles ist
reichhaltig. Dagegen
sucht der Musikerzieher
oft vergebens nach
popularer Musik, die
seinem Ensemble Spass
macht. Die Reihe Modern
Strings bietet Stucke aus
verschiedenen
Stilbereichen (Rock,
Jazz, Pop) in
anspruchsvollem, aber
durchaus realisierbarem
Schwierigkeitsgrad. Die
Kompositionen konnen in
variabler Besetzung
gespielt werden, vom
Streichquartett bis zum
Streichorchester. $6.99 - Voir plus => Acheter | | |
| Searle Ragtimes Str Ensemble. Kb - Avancé Schott
String ensemble (KB(AD LIB)) - advanced SKU: HL.49032620 Composed by Hump...(+)
String ensemble (KB(AD
LIB)) - advanced SKU:
HL.49032620 Composed
by Humphrey Searle. Sheet
music. Edition Schott.
Individual part. 4 pages.
Schott Music #ED 8454-15.
Published by Schott Music
(HL.49032620). ISBN
9790001112659. Das
Angebot an klassischer
Literatur fur Orchester,
Kammer- und
Schulensembles ist
reichhaltig. Dagegen
sucht der Musikerzieher
oft vergebens nach
popularer Musik, die
seinem Ensemble Spass
macht. Die Reihe Modern
Strings bietet Stucke aus
verschiedenen
Stilbereichen (Rock,
Jazz, Pop) in
anspruchsvollem, aber
durchaus realisierbarem
Schwierigkeitsgrad. Die
Kompositionen konnen in
variabler Besetzung
gespielt werden, vom
Streichquartett bis zum
Streichorchester. $6.99 - Voir plus => Acheter | | |
| Searle Ragtimes Str Ensemble. Vln.2 - Avancé Schott
String ensemble (V2) - advanced SKU: HL.49032617 Composed by Humphrey Sea...(+)
String ensemble (V2) -
advanced SKU:
HL.49032617 Composed
by Humphrey Searle. Sheet
music. Edition Schott.
Individual part. 4 pages.
Schott Music #ED 8454-12.
Published by Schott Music
(HL.49032617). ISBN
9790001112628. Das
Angebot an klassischer
Literatur fur Orchester,
Kammer- und
Schulensembles ist
reichhaltig. Dagegen
sucht der Musikerzieher
oft vergebens nach
popularer Musik, die
seinem Ensemble Spass
macht. Die Reihe Modern
Strings bietet Stucke aus
verschiedenen
Stilbereichen (Rock,
Jazz, Pop) in
anspruchsvollem, aber
durchaus realisierbarem
Schwierigkeitsgrad. Die
Kompositionen konnen in
variabler Besetzung
gespielt werden, vom
Streichquartett bis zum
Streichorchester. $6.99 - Voir plus => Acheter | | |
| Searle Ragtimes Str Ensemble. Vla - Avancé Schott
String ensemble (VA) - advanced SKU: HL.49032618 Composed by Humphrey Sea...(+)
String ensemble (VA) -
advanced SKU:
HL.49032618 Composed
by Humphrey Searle. Sheet
music. Edition Schott.
Individual part. 4 pages.
Schott Music #ED 8454-13.
Published by Schott Music
(HL.49032618). ISBN
9790001112635. Das
Angebot an klassischer
Literatur fur Orchester,
Kammer- und
Schulensembles ist
reichhaltig. Dagegen
sucht der Musikerzieher
oft vergebens nach
popularer Musik, die
seinem Ensemble Spass
macht. Die Reihe Modern
Strings bietet Stucke aus
verschiedenen
Stilbereichen (Rock,
Jazz, Pop) in
anspruchsvollem, aber
durchaus realisierbarem
Schwierigkeitsgrad. Die
Kompositionen konnen in
variabler Besetzung
gespielt werden, vom
Streichquartett bis zum
Streichorchester. $6.99 - Voir plus => Acheter | | |
| Searle Tangos Vc - Avancé Schott
String Ensemble - advanced SKU: HL.49032852 Composed by Humphrey Searle. ...(+)
String Ensemble -
advanced SKU:
HL.49032852 Composed
by Humphrey Searle. This
edition: Folding. Sheet
music. Edition Schott.
Individual part. 4 pages.
Schott Music #ED 8915-14.
Published by Schott Music
(HL.49032852). ISBN
9790001140102.
9.0x12.0x0.01
inches. Das Angebot
an klassischer Literatur
fur Orchester, Kammer-
und Schulensembles ist
reichhaltig. Dagegen
sucht der Musikerzieher
oft vergebens nach
popularer Musik, die
seinem Ensemble Spass
macht. Die Reihe Modern
Strings bietet Stucke aus
verschiedenen
Stilbereichen (Rock,
Jazz, Pop) in
anspruchsvollem, aber
durchaus realisierbarem
Schwierigkeitsgrad. Die
Kompositionen konnen in
variabler Besetzung
gespielt werden, vom
Streichquartett bis zum
Streichorchester. $6.99 - Voir plus => Acheter | | |
| Chorale and Canzone Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band/Brass Band - Grade 2 SKU: BT.DHP-0981154-2...(+)
Concert
Band/Harmonie/Fanfare
Band/Brass Band - Grade 2
SKU:
BT.DHP-0981154-216
Based on 'From Highest
Heaven I Come to
Tell'. Composed by
Hans Leo Hassler,
Giovanni Taeggio.
Arranged by Jan de Haan.
Musica Sacra. Score Only.
Composed 1998. De Haske
Publications #DHP
0981154-216. Published by
De Haske Publications
(BT.DHP-0981154-216).
The words and
lyrics of the Christmas
Carol From Highest
Heaven I Come To Tell
were written by the great
Martin Luther (1483-1546)
and can be found in
The Hymns of Martin
Luther. Martin Luther
expressed radical views
which began the
reformation movement. His
followers protested at
the treatment given to
Martin Luther, the event
from which the term
'Protestant' was derived.
It was first published in
Joseph Klug's
Gesangsbuch in
around 1535. Add a
majestic Baroque feel to
any concert with this
simple yet effective
arrangement.
Diese
Bearbeitung des
berühmten Liedes
Vom Himmel hoch, da
komm' ich her von
Martin Luther stammt aus
der gewandten Feder von
Jan de Haan. In vier
Teilen verarbeitete er
die festliche Melodie und
machte sie für
variable Besetzung
spielbar. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Chorale and Canzone Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-0981154-015 B...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2 SKU:
BT.DHP-0981154-015
Based on 'From Highest
Heaven I Come to
Tell'. Composed by
Hans Leo Hassler,
Giovanni Taeggio.
Arranged by Jan de Haan.
Musica Sacra. Sacred. Set
(Score & Parts). Composed
1998. De Haske
Publications #DHP
0981154-015. Published by
De Haske Publications
(BT.DHP-0981154-015).
The words and
lyrics of the Christmas
Carol From Highest
Heaven I Come To Tell
were written by the great
Martin Luther (1483-1546)
and can be found in
The Hymns of Martin
Luther. Martin Luther
expressed radical views
which began the
reformation movement. His
followers protested at
the treatment given to
Martin Luther, the event
from which the term
'Protestant' was derived.
It was first published in
Joseph Klug's
Gesangsbuch in
around 1535. Add a
majestic Baroque feel to
any concert with this
simple yet effective
arrangement.
Diese
Bearbeitung des
berühmten Liedes
Vom Himmel hoch, da
komm' ich her von
Martin Luther stammt aus
der gewandten Feder von
Jan de Haan. In vier
Teilen verarbeitete er
die festliche Melodie und
machte sie für
variable Besetzung
spielbar. $110.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 11 Duets for Flute 2 Flûtes traversières (duo) [Partition + CD] - Intermédiaire Mel Bay
For 2 Flutes or Clarinet and Flute. Composed by Matthias Petzold. Clarinet, ...(+)
For 2 Flutes or Clarinet
and
Flute. Composed by
Matthias
Petzold. Clarinet, Flute,
Fife and Oboe, Music
Styles and
Regions, Classical, Jazz,
Solos and Duets. Book and
Insert with CD. 52 pages.
Published by Mel Bay
Publications, Inc
$22.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ein Hauch von Unzeit [Conducteur] Breitkopf & Härtel
Voice(s) solo SKU: BR.EB-8424 (Plainte sur la perte de la reflexion mu...(+)
Voice(s) solo SKU:
BR.EB-8424
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Arranged
by Klaus Huber. Voice;
stapled. Edition
Breitkopf. You will
need a copy of BG 1002
for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 8 pages.
Duration 20'. Breitkopf
and Haertel #EB 8424.
Published by Breitkopf
and Haertel (BR.EB-8424).
ISBN 9790004185254. 9
x 12 inches. World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109. $24.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Circus Bamboni Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 1.5 SKU: BT.DHP-1094775-015 Co...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 1.5 SKU:
BT.DHP-1094775-015
Composed by John Blanken.
Flexible 4 Series.
Original Light Music. Set
(Score & Parts). Composed
2009. De Haske
Publications #DHP
1094775-015. Published by
De Haske Publications
(BT.DHP-1094775-015).
9x12
inches. COME ONE
AND ALL! Come see the
great Circus Bamboni!
This four movement work,
with flexible four part
instrumentation (+ Drum
Kit), will amaze and
charm you like no other.
The first movement
features the band as it
tunes up and prepares for
the show. Then the
talented trapeze artists
make an appearance as
they fly through the sky
high above the audience.
The elephants parade
around the ring with
their very own
Elephant Samba and
the clowns follow leaving
you in stitches! A
thunderous chord and lots
of applause bring the
show to a breathtaking
finale.
Willkommen
im Zirkus Bamboni, der
sich hier in vier kurzen
Sätzen, komponiert
für eine
vierstimmig variable
Besetzung mit Schlagzeug,
präsentiert: Im ersten
Satz stimmt das
Zirkusorchester auf die
Vorstellung ein. Dann
schwingen die
Trapezkünstler zu
schwungvoller Musik durch
die Zirkuskuppel. Die
Elefanten beweisen mit
der Elephant Samba
Musikalität, bevor die
Clowns die Manege in
Aufruhr versetzen. Mit
einem donnernden
Schlussakkord, dem
verdienten Applaus, endet
die
Vorstellung.
Benve
nuti al Circo Bamboni che
in questa composizione si
presenta in quattro brevi
movimenti, composti per
strumentazione variabile
a quattro voci con
percussioni. Nel primo
movimento
l’orchestra intona
gli strumenti, mentre nel
secondo i trapezisti si
esibiscono in volteggi
spettacolari. In seguito
gli elefanti mostrano la
loro musicalit con
Elephant Samba,
prima che i pagliacci
regalino risate e
divertimento a tutti. Lo
spettacolo si chiude con
un potente accordo, il
molto meritato applauso
finale. $91.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Circus Bamboni [Conducteur] - Débutant De Haske Publications
4-Part Flexible Band - Grade 1.5 SKU: BT.DHP-1094775-216 Composed by John...(+)
4-Part Flexible Band -
Grade 1.5 SKU:
BT.DHP-1094775-216
Composed by John Blanken.
Flexible 4 Series.
Original Light Music.
Score Only. Composed
2009. 16 pages. De Haske
Publications #DHP
1094775-216. Published by
De Haske Publications
(BT.DHP-1094775-216).
9x12
inches. COME ONE
AND ALL! Come see the
great Circus Bamboni!
This four movement work,
with flexible four-part
instrumentation (+ drum
set), will amaze and
charm you like no other.
The fi rst movement
features the band as it
tunes up and prepares for
the show. Then the
talented trapeze artists
make an appearance as
they fly through the sky
high above the audience.
The elephants parade
around the ring with
their very own Elephant
Samba and the clowns
follow leaving you in
stitches! A thunderous
chord and lots of
applause bring the show
to a breathtaking
finale.
Willkommen
im Zirkus Bamboni, der
sich hier in vier kurzen
Sätzen, komponiert
für eine
vierstimmig variable
Besetzung mit Schlagzeug,
präsentiert: Im ersten
Satz stimmt das
Zirkusorchester auf die
Vorstellung ein. Dann
schwingen die
Trapezkünstler zu
schwungvoller Musik durch
die Zirkuskuppel. Die
Elefanten beweisen mit
der Elephant Samba
Musikalität, bevor die
Clowns die Manege in
Aufruhr versetzen. Mit
einem donnernden
Schlussakkord, dem
verdienten Applaus, endet
die
Vorstellung.
Benve
nuti al Circo Bamboni che
in questa composizione si
presenta in quattro brevi
movimenti, composti per
strumentazione variabile
a quattro voci con
percussioni. Nel primo
movimento
l’orchestra intona
gli strumenti, mentre nel
secondo i trapezisti si
esibiscono in volteggi
spettacolari. In seguito
gli elefanti mostrano la
loro musicalit con
Elephant Samba,
prima che i pagliacci
regalino risate e
divertimento a tutti. Lo
spettacolo si chiude con
un potente accordo, il
molto meritato applauso
finale. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ein Hauch von Unzeit Violoncelle [Conducteur] Breitkopf & Härtel
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo SKU:
BR.EB-9074
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Michael Bach. Arranged by
Michael Bach. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9074.
Published by Breitkopf
and Haertel (BR.EB-9074).
ISBN 9790004179499. 9
x 12 inches. World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: VIII version
for violoncello Tokyo:
October 14, 1989. $30.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Thump115S 15″ 1400W Powered Subwoofer Hal Leonard
SKU: HL.1105205 Mackie. Live Sound. Hal Leonard #2053707-00. Published by...(+)
SKU: HL.1105205
Mackie. Live Sound. Hal
Leonard #2053707-00.
Published by Hal Leonard
(HL.1105205).
Need extra
oomph in your system? The
compact 1400W 15″
Thump115S subwoofer not
only delivers the massive
bass you need, but it's
also the perfect match
for your Thump
loudspeaker system.
Custom selectable voicing
modes and a variable
crossover makes
optimization for your
system easy. Stereo
inputs plus High-Pass and
Full-Range outputs offer
plenty of configuration
flexibility. Integrated
top corner handles are
our most ergonomic design
yet making transport
easier than ever. Add a
Thump115S (or two, or
three) to your system and
really bring the rumble
to your next gig. $749.99 - Voir plus => Acheter | | |
| Ein Hauch von Unzeit [Conducteur] Breitkopf & Härtel
Trombone(s) solo SKU: BR.EB-9160 (Plainte sur la perte de la reflexion...(+)
Trombone(s) solo SKU:
BR.EB-9160
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Andrew Digby. Arranged by
Andrew Digby. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9160.
Published by Breitkopf
and Haertel (BR.EB-9160).
ISBN 9790004181966. 9
x 12 inches. World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109. $30.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Circus Bamboni Ensemble de cuivres [Conducteur et Parties séparées] - Débutant De Haske Publications
Brass Band - Grade 1.5 SKU: BT.DHP-1094775-030 Composed by John Blanken. ...(+)
Brass Band - Grade 1.5
SKU:
BT.DHP-1094775-030
Composed by John Blanken.
Flexible 4 Series.
Original Light Music. Set
(Score & Parts). Composed
2009. De Haske
Publications #DHP
1094775-030. Published by
De Haske Publications
(BT.DHP-1094775-030).
9x12
inches. COME ONE
AND ALL! Come see the
great Circus Bamboni!
This four movement work,
with flexible four-part
instrumentation (+ drum
set), will amaze and
charm you like no other.
The fi rst movement
features the band as it
tunes up and prepares for
the show. Then the
talented trapeze artists
make an appearance as
they fly through the sky
high above the audience.
The elephants parade
around the ring with
their very own Elephant
Samba and the clowns
follow leaving you in
stitches! A thunderous
chord and lots of
applause bring the show
to a breathtaking
finale.
Willkommen
im Zirkus Bamboni, der
sich hier in vier kurzen
Sätzen, komponiert
für eine
vierstimmig variable
Besetzung mit Schlagzeug,
präsentiert: Im ersten
Satz stimmt das
Zirkusorchester auf die
Vorstellung ein. Dann
schwingen die
Trapezkünstler zu
schwungvoller Musik durch
die Zirkuskuppel. Die
Elefanten beweisen mit
der Elephant Samba
Musikalität, bevor die
Clowns die Manege in
Aufruhr versetzen. Mit
einem donnernden
Schlussakkord, dem
verdienten Applaus, endet
die
Vorstellung.
Benve
nuti al Circo Bamboni che
in questa composizione si
presenta in quattro brevi
movimenti, composti per
strumentazione variabile
a quattro voci con
percussioni. Nel primo
movimento
l’orchestra intona
gli strumenti, mentre nel
secondo i trapezisti si
esibiscono in volteggi
spettacolari. In seguito
gli elefanti mostrano la
loro musicalit con
Elephant Samba,
prima che i pagliacci
regalino risate e
divertimento a tutti. Lo
spettacolo si chiude con
un potente accordo, il
molto meritato applauso
finale. $70.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ballets [Conducteur] - Facile De Haske Publications
5-Part Flexible Band - Grade 2 SKU: BT.DHP-1094725-216 From Balletti a...(+)
5-Part Flexible Band -
Grade 2 SKU:
BT.DHP-1094725-216
From Balletti a cinque
voci. Composed by
Giovanni Giacomo
Gastoldi. Arranged by
Robert van Beringen.
Flexible 5 Series.
Concert Piece. Score
Only. Composed 2009. 16
pages. De Haske
Publications #DHP
1094725-216. Published by
De Haske Publications
(BT.DHP-1094725-216).
9x12 inches.
English-German-French-Dut
ch. During the
second half of the 16th
century, Giovanni Giacomo
Gastoldi composed almost
entirely sacred works,
however it was with his
Balletti, not
published until 1591 and
1594, that he gained fame
and recognition. The
homophonic structure and
simple melodies conveyed
a charming sense of
naivety that became so
popular during this
period. Robert van
Beringen has arranged
Amor Vittorioso, La
Sirena,
L’Innamorato and
L’ardito with
five part flexible
instrumentation.
G
iovanni Giacomo Gastoldi
schrieb in der zweiten
Hälfte des 16.
Jahrhunderts vorwiegend
geistliche Musik,
berühmt wurde er aber
schon zu Lebzeiten durch
seine Balletti,
die er 1591 und 1594
veröffentlichte. Die
Tänze waren mit ihren
homophonen Strukturen und
einfachen Harmonien von
einer reizvollen
Naivität, die so gut
ankam, dass sie schon
damals in zehn Auflagen
im In- und Ausland
gedruckt wurden. Robert
van Beringen bearbeitete
die Sätze Amor
Vittorioso, La Sirena,
L’Innamorato und
L’ardito
für eine
fünfstimmig variable
Besetzung.
Il
compositore e cantore
Giovanni Giacomo Gastoldi
è entrato nella storia
grazie alla raccolta di
Balletti a cinque
voci (Venezia, 1591) che
conobbe un successo senza
eguali. Scritte per
cinque voci e strumenti,
queste melodie ballate
divennero popolari anche
all’estero
(Germania, Inghilterra),
e influenzarono
compositori quali Claudio
Monteverdi e Thomas
Morlez. Robert van
Beringen ha arrangiato
quattro estratti (Amor
Vittorioso, La Sirena,
L’Innamorato e
L’Ardito) per
ensemble a strumentazione
variabile (quattro
voci). $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ballets Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-1094725-015 F...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2 SKU:
BT.DHP-1094725-015
From Balletti a cinque
voci. Composed by
Giovanni Giacomo
Gastoldi. Arranged by
Robert van Beringen.
Flexible 5 Series.
Concert Piece. Set (Score
& Parts). Composed 2009.
De Haske Publications
#DHP 1094725-015.
Published by De Haske
Publications
(BT.DHP-1094725-015).
9x12 inches.
English-German-French-Dut
ch. During the
second half of the 16th
century, Giovanni Giacomo
Gastoldi composed almost
entirely sacred works,
however it was with his
Balletti, not
published until 1591 and
1594, that he gained fame
and recognition. The
homophonic structure and
simple melodies conveyed
a charming sense of
naivety that became so
popular during this
period. Robert van
Beringen has arranged
Amor Vittorioso, La
Sirena,
L’Innamorato and
L’ardito with
five part flexible
instrumentation.
G
iovanni Giacomo Gastoldi
schrieb in der zweiten
Hälfte des 16.
Jahrhunderts vorwiegend
geistliche Musik,
berühmt wurde er aber
schon zu Lebzeiten durch
seine Balletti,
die er 1591 und 1594
veröffentlichte. Die
Tänze waren mit ihren
homophonen Strukturen und
einfachen Harmonien von
einer reizvollen
Naivität, die so gut
ankam, dass sie schon
damals in zehn Auflagen
im In- und Ausland
gedruckt wurden. Robert
van Beringen bearbeitete
die Sätze Amor
Vittorioso, La Sirena,
L’Innamorato und
L’ardito
für eine
fünfstimmig variable
Besetzung.
Il
compositore e cantore
Giovanni Giacomo Gastoldi
è entrato nella storia
grazie alla raccolta di
Balletti a cinque
voci (Venezia, 1591) che
conobbe un successo senza
eguali. Scritte per
cinque voci e strumenti,
queste melodie ballate
divennero popolari anche
all’estero
(Germania, Inghilterra),
e influenzarono
compositori quali Claudio
Monteverdi e Thomas
Morlez. Robert van
Beringen ha arrangiato
quattro estratti (Amor
Vittorioso, La Sirena,
L’Innamorato e
L’Ardito) per
ensemble a strumentazione
variabile (quattro
voci). $98.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ballets Ensemble de cuivres [Conducteur et Parties séparées] - Facile De Haske Publications
Brass Band - early intermediate SKU: BT.DHP-1094725-030 From Balletti ...(+)
Brass Band - early
intermediate SKU:
BT.DHP-1094725-030
From Balletti a cinque
voci. Composed by
Giovanni Giacomo
Gastoldi. Arranged by
Robert van Beringen.
Flexible 5 Series.
Concert Piece. Set (Score
& Parts). Composed 2009.
De Haske Publications
#DHP 1094725-030.
Published by De Haske
Publications
(BT.DHP-1094725-030).
9x12 inches.
English-German-French-Dut
ch. During the
second half of the 16th
century, Giovanni Giacomo
Gastoldi composed almost
entirely sacred works,
however it was with his
Balletti, not
published until 1591 and
1594, that he gained fame
and recognition. The
homophonic structure and
simple melodies conveyed
a charming sense of
naivety that became so
popular during this
period. Robert van
Beringen has arranged
Amor Vittorioso, La
Sirena,
L’Innamorato and
L’ardito with
five part flexible
instrumentation.
G
iovanni Giacomo Gastoldi
schrieb in der zweiten
Hälfte des 16.
Jahrhunderts vorwiegend
geistliche Musik,
berühmt wurde er aber
schon zu Lebzeiten durch
seine Balletti,
die er 1591 und 1594
veröffentlichte. Die
Tänze waren mit ihren
homophonen Strukturen und
einfachen Harmonien von
einer reizvollen
Naivität, die so gut
ankam, dass sie schon
damals in zehn Auflagen
im In- und Ausland
gedruckt wurden. Robert
van Beringen bearbeitete
die Sätze Amor
Vittorioso, La Sirena,
L’Innamorato und
L’ardito
für eine
fünfstimmig variable
Besetzung.
Il
compositore e cantore
Giovanni Giacomo Gastoldi
è entrato nella storia
grazie alla raccolta di
Balletti a cinque
voci (Venezia, 1591) che
conobbe un successo senza
eguali. Scritte per
cinque voci e strumenti,
queste melodie ballate
divennero popolari anche
all’estero
(Germania, Inghilterra),
e influenzarono
compositori quali Claudio
Monteverdi e Thomas
Morlez. Robert van
Beringen ha arrangiato
quattro estratti (Amor
Vittorioso, La Sirena,
L’Innamorato e
L’Ardito) per
ensemble a strumentazione
variabile (quattro
voci). $72.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Bird Catalogue, Volume 7 Piano seul Leduc, Alphonse
Piano SKU: HL.48182068 The Buzzard, The Black Wheatear and the Curlew ...(+)
Piano SKU:
HL.48182068 The
Buzzard, The Black
Wheatear and the Curlew
Piano. Composed by
Olivier Messiaen. Leduc.
Classical. Softcover. 24
pages. Alphonse Leduc
#AL22947. Published by
Alphonse Leduc
(HL.48182068). UPC:
888680850975.
9.0x12.0x0.27
inches. “The
Bird Catalogue by Olivier
Messiaenis a set of 7
books with 13 pieces for
Piano composed between
1956 and 1958. Each
volume refers to a
special bird and to the
French region where the
bird is typically from.
The piece does not only
describe the bird, it
also depicts its
surroundings, such as
other birds, the
landscape of its area,
the colours and the
temperature. Book 1 - Le
Chocard des Alpes (Alpine
Chough) - Le Loriot
(Golden Oriole) IH Le
Merle Bleu (Blue Rock
Thrush) Book 2 - Le
Traquet Stapazin
(Black-Eared Wheatear)
Book 3 - La Chouette
Hulotte (Tawny Owl) -
L'Alouette Lulu (Wood
Lark) Book 4 - La
Rousserolle Effarvatte
(Reed Warbler) Book 5 -
L'Alouette Calandrelle
(Short-Toed Lark) - La
Bouscarle (Cetti's
Warbler) Book 6 - Le
Merle de Roche (Rock
Thrush) Book 7 - La Buse
Variable (Buzzard) - Le
Traquet Rieur (Black
Wheatear) - Le Courlis
Cendré (Curlew) As
mentioned above, this 7th
Volume focuses on the
buzzard, the black
wheatear and the curlew.
The first one, the
Buzzard represents ?La
matheysine? in the
Dauphiny area, the Black
Wheatear, the area of
Roussillion and the
Curlew, the west coast of
Brittany. The
interpretation of these
pieces requires a strong
level of ability on Piano
(upper advanced), due to
some complex techniques
required. Olivier
Messiaen (1908-1992) was
a French organist and
composer passionate about
Ornithology and one of
the most important
composers of his century.
Inspired by Japanese
music, he had a very
special way of composing
and his work can be
identified by its
complexity, its diatonic
aspect, its harmony with
limited transposition,
its colour and its
additive rhythms. He
composed many works
related to ornithology
and birdsong, including
the 'Treatise on rhythm,
colour and ornithology'
in 7 volumes.â€. $35.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Smoke on the Water [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
4-Part Flexible Ensemble and Percussion - intermediate SKU: BT.DHP-1165721-07...(+)
4-Part Flexible Ensemble
and Percussion -
intermediate SKU:
BT.DHP-1165721-070
As performed by Deep
Purple. Arranged by
Filip Ceunen. Music Box.
Pop & Rock. Set (Score &
Parts). Composed 2016. De
Haske Publications #DHP
1165721-070. Published by
De Haske Publications
(BT.DHP-1165721-070).
ISBN
9789043151641. The
1972 Deep Purple smash
hit Smoke on the
Water is probably one
of the most iconic rock
songs ever written. Based
on a true story, this
track is still very
popular across several
generations, even with
the youngsters of today.
This arrangement was
specifically arranged for
four-voiced flexible
ensemble in order to make
it possible for young and
beginning ensembles to
enjoy the magic of Deep
Purple.
Deep
Purple’s tophit
Smoke on the Water
uit 1972 is
waarschijnlijk een van de
meest iconische rocksongs
die ooit zijn geschreven.
Dit nummer, gebaseerd op
een waar gebeurd verhaal,
is nog altijd heel
populair onder
verschillende generaties,
zelfs bij de jongeren van
tegenwoordig. Deze
bewerking is speciaal
gearrangeerd voor
vierstemmige flexibele
bezetting om het voor
jonge en beginnende
ensembles mogelijk te
maken de magie van Deep
Purple te
beleven.
Der 1972
erschienene Superhit
Smoke on the Water
von Deep Purple ist
wahrscheinlich einer der
kultigsten Rocksongs, der
je geschrieben wurde.
Dieses Stück, das auf
einer wahren Begebenheit
basiert, ist über
mehrere Generationen
hinweg immer noch sehr
beliebt, sogar bei den
heutigen Jugendlichen.
Dieses Arrangement wurde
speziell für eine
vierstimmige variable
Besetzung geschrieben,
damit auch junge
Blasorchester den Zauber
von Deep Purple
genießen
können.
Le tube
de Deep Purple de 1972
Smoke on the Water
est probablement
l’une des chansons
rock les plus
emblématiques jamais
écrites. Inspiré de
faits réels, ce
thème est toujours
populaire de
génération en
génération, même
pour la jeunesse
d’aujourd’h
ui. Cet arrangement fut
réalisé
spécialement pour
ensemble flexible quatre
voix pour permettre aux
plus jeunes de jouir de
la magie de Deep Purple
dès le début.
Smoke on the
Water, del 1972, è
senza dubbio non solo il
brano più noto dei
Deep Purple, ma uno dei
brani più iconici
della storia del rock.
Ispirato
all’episodio
dell’incendio del
casinò di Montreaux
del 1971, con il suo riff
ha conquistato e continua
a conquistare generazioni
di appassionati.
L’arrangiamento
è per strumentazione
variabile a quattro voci.
Particolarmente indicato
per giovani organici. $42.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| the same is not the same Percussion [Conducteur] Breitkopf & Härtel
Percussion solo SKU: BR.EB-9405 Composed by Nicolaus A. Huber. Solo instr...(+)
Percussion solo SKU:
BR.EB-9405 Composed
by Nicolaus A. Huber.
Solo instruments; Folder.
Edition Breitkopf. World
premiere: Witten
(Wittener Tage fur neue
Kammermusik), April 22,
1978. Music post-1945;
New music (post-2000).
Score. Composed 1978. 16
pages. Duration 15'.
Breitkopf and Haertel #EB
9405. Published by
Breitkopf and Haertel
(BR.EB-9405). ISBN
9790004188798. 16.5 x
11.5 inches. My
composition for snare
drum forms a counter
piece to my series of
rhythmic pieces
(Darabukka for piano or
Morgenlied for large
orchestra). The dramatic
moment - tuned
instruments are treated
like rhythm instruments -
disappear entirely. The
inner contrast is
replaced by the tension
between the different
uses of the drum and a
relatively large number
of invariable performance
elements. Although the
snare drum was only
developed at the
beginning of the 19th
century, it has its roots
in an old and diverse
drum culture. The
technical aspects of this
composition are based on
various aspects of this
rich culture, both the
social customs as well as
the variety of different
performing techniques and
expressions. However, the
piece does not merely
quote - that would be
unhistorical - on the
contrary: The modern and
progressive, in so far as
I can observe this in our
social environment, is
quite evident, for as the
title of the piece tells
us the same is not the
same. (Nicolaus A. Huber,
1978 - translation:
Gabriele Hohmann) CDs:
Rainer Romer (percussion)
CD Ensemble Modern Medien
EMCD-012 Rainer Romer
(percussion) CD Coviello
COV 61003 LPs: Edith
Salmen LP Harmonia Mundi
DMR 1022-24 Martin Schulz
LP plane 88504
Bibliography: Schick ,
Tobias Eduard: Weltbezuge
in der Musik Mathias
Spahlingers (Beihefte zum
Archiv fur
Musikwissenschaft, Band
80), Stuttgart; Franz
Steiner 2018, here p.
102.
World
premiere: Witten
(Wittener Tage fur neue
Kammermusik), April 22,
1978. $43.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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