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Studies For Beginning (HINSCHE SIEGFRIED)
40.80
Studies For Beginning (HINSCHE SIEGFRIED)
Instruments à Vent en Si et (various Parties provi
[Partition]
-
Débutant
Uetz Music
Arrangeur: Siegfried Hinsche. Par HINSCHE SIEGFRIED. / Niveau : Débutant / Et...
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Arrangeur: Siegfried Hinsche. Par HINSCHE SIEGFRIED. / Niveau : Débutant / Etude / Instruments à Vent en Si et (various Parties provi
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Folk Songs And Marches (HINSCHE SIEGFRIED)
40.80
Folk Songs And Marches (HINSCHE SIEGFRIED)
Instruments à Vent en Si et (various Parties provi
[Partition]
Uetz Music
Arrangeur: Siegfried Hinsche. Par HINSCHE SIEGFRIED. / Répertoire / Instruments...
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Arrangeur: Siegfried Hinsche. Par HINSCHE SIEGFRIED. / Répertoire / Instruments à Vent en Si et (various Parties provi
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Christmas Songs For Beginning Wind Band (HINSCHE SIEGFRIED)
40.80
Christmas Songs For Beginning Wind Band (HINSCHE SIEGFRIED)
Instruments à Vent en Si et (various Parties provi
[Partition]
-
Débutant
Uetz Music
Arrangeur: Siegfried Hinsche. Par HINSCHE SIEGFRIED. / Niveau : Débutant / R...
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Arrangeur: Siegfried Hinsche. Par HINSCHE SIEGFRIED. / Niveau : Débutant / Répertoire / Instruments à Vent en Si et (various Parties provi
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Children Songs For Beginning Wind Band (HINSCHE SIEGFRIED)
40.80
Children Songs For Beginning Wind Band (HINSCHE SIEGFRIED)
Instruments à Vent en Si et (various Parties provi
[Partition]
-
Débutant
Uetz Music
Arrangeur: Siegfried Hinsche. Par HINSCHE SIEGFRIED. / Niveau : Débutant / R...
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Arrangeur: Siegfried Hinsche. Par HINSCHE SIEGFRIED. / Niveau : Débutant / Répertoire / Instruments à Vent en Si et (various Parties provi
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Genius Of Scott Joplin (UBOLDI A)
25.00
Genius Of Scott Joplin (UBOLDI A)
Album Various Instruments Gr. et Pers.
[Partition]
Ricordi
Par UBOLDI A. / GIUDICI C.. / Répertoire / Album Various Instruments Gr. et Per...
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Par UBOLDI A. / GIUDICI C.. / Répertoire / Album Various Instruments Gr. et Pers.
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Popular Songs (HINSCHE SIEGFRIED)
40.80
Popular Songs (HINSCHE SIEGFRIED)
Instruments à Vent en Si et (various Parties provi
[Partition]
Uetz Music
Arrangeur: Siegfried Hinsche. Par HINSCHE SIEGFRIED. Popsongs Für Anfängerblas...
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Arrangeur: Siegfried Hinsche. Par HINSCHE SIEGFRIED. Popsongs Für Anfängerblasorchester/ Répertoire / Instruments à Vent en Si et (various Parties provi
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My Heart Will Go On-90S Love Songs (HORNER JAMES / VARIOUS)
15.30
My Heart Will Go On-90S Love Songs (HORNER JAMES / VARIOUS)
Piano, Voix et Guitare
[Partition]
I.M.P.
Par HORNER JAMES / VARIOUS. 10 great hits arranged for Piano, Vocal and Guitar s...
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Par HORNER JAMES / VARIOUS. 10 great hits arranged for Piano, Vocal and Guitar songs including Angels, I Will Always Love You and Something About The Way You Look Tonight. / Pop & rock / Recueil / Piano, Chant et Guitare
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Sacred Duets Various Voices
23.90
Sacred Duets Various Voices
Voix seule
[Partition]
Hal Leonard
Référence unique par son ISBN 73999289800 cette partition musique n'est autre ...
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Référence unique par son ISBN 73999289800 cette partition musique n'est autre que Sacred Duets Various Voices qui a été composée pour Voix. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Hal Leonard. La référence catalogue de cette oeuvre est HL00328980. / Rép Classique / Recueil / Voix
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Invocation Various Instruments/Score/Partsption/Ptiesmfb271
48.80
Invocation Various Instruments/Score/Partspt ion/Ptiesmfb271
En Français
Divers
[Partition]
Leduc, Alphonse
La référence AL28594 de l'éditeur Leduc dont l'auteur célèbre est Starer Ro...
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La référence AL28594 de l'éditeur Leduc dont l'auteur célèbre est Starer Robert, qui a pour titre Invocation Various Instruments/Score/PartsPtion/PtiesMfb271, a été écrite et composée pour Diverses Formations. Cette partition musicale appartient à la catégorie Classique. / Divers / Partition
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Music for Children Vol. 4 (ORFF CARL / KEETMAN GUNILD)
16.41
Music for Children Vol. 4 (ORFF CARL / KEETMAN GUNILD)
Voix, Flûte à Bec et Percussion
[Conducteur]
Schott
Minor: Bordun. Par ORFF CARL / KEETMAN GUNILD. Carl Orff devoted much of his lif...
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Minor: Bordun. Par ORFF CARL / KEETMAN GUNILD. Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of 'Music for Children' by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Hall/Walter Edition Based on Volumes 1, 2 and 4 of the original German Edition 'musik für Kinder', english adaption with additional material by Doreen Hall and Arnold Walter./ Recueil / Voix, Flûte à Bec et Percussion
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Orgelwerke (HAENDEL GEORG FRIEDRICH)
42.29
Orgelwerke (HAENDEL GEORG FRIEDRICH)
Orgue
Barenreiter
Par HAENDEL GEORG FRIEDRICH. In terms of layout and musical text, this scholarly...
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Par HAENDEL GEORG FRIEDRICH. In terms of layout and musical text, this scholarly-critical performing edition of George Frideric Handels Complete Organ Works is based on the complete edition volumes of the composers keyboard music edited by Terence Best as part of the HalleHandel Edition (HHA). The HHA Critical Commentary forms the basis of this edition, which however differs from the HHA volumes in two respects. Firstly, it gathers together, for the first time, all of Handel works for which it can be solidly argued that they were composedfor the organ. The centre piece is a set of twelve handwritten fugues deriving directly from his immediate surroundings and published here, for the first time, as a unified cycle. Secondly, our edition presents plausible alternative readings fromvarious sources in the main body of the music. In the HHA these readings, all of which definitely or presumably stem from the composer, are merely listed in the critical commentary. - A detailed Foreword contains a description of the sources, followed by comments on the individual works. In addition this edition includes contemporary organ dispositions and a Critical Commentary. - Scholarly-critical edition based on the Urtext of the Halle Handel Edition (HHA) - First single-volume edition of Handels organ works - Includes all variant readings from the sources which have previously only been available in the Critical Commentary of the HHA - Detailed Foreword (Ger/Eng) with short descriptions of each source and a Critical Commentary (Ger/Eng) - With contemporary organ dispositionsContents:Fuga I in C minor HWV 610Fuga II in G minor HWV 605Fuga III in B-flat major HWV 607Fuga IV in F minor HWV 433/2Fuga V in E minor HWV 429/1Fuga VI in G major HWV 606Fuga VII in D minor HWV 428/2Fuga VIII in A minor HWV 609Fuga IX in B minor HWV 608Fuga X in F-sharp minor HWV 431/3Fuga XI in F major HWV 427/4Fuga XII in F major HWV 611“Fuga in E major” HWV 612“O the pleasure of the plains” in G major HWV 474“Jesu meine Freude” in G minor HWV 480 A scholarly-critical performing edition of George Frideric Handel 's Complete Organ Works based on the Halle Handel Edition (HHA). First single-volume edition of Handel 's Organ works Includes all variant readings from the sources which have previously only been available in the Critical Commentary of the HHA Detailed Foreword (Ger/Eng) with short descriptions of each source and a Critical Commentary (Ger/Eng) With contemporary Organ dispositions In terms of layout and musical text, this Barenreiter edition is based on the complete volumes of the composer's Keyboard music edited by TerenceBest as part of the HHA. The Halle Handel Edition's Critical Commentary forms the basis of this edition, which however differs from the HHA volumes in two respects. Firstly, it gathers together, for the first time, all of Handel 's works for which it can be solidly argued that they were composed for the Organ. The centre piece is a set of twelve handwritten fugues deriving directly from the composer's immediate surroundings and published here, for the first time, as a unified cycle. Secondly, this Barenreiter edition presents plausible alternative readings from various sources in the main body of the music. In the HHA these readings, all of which definitely or presumably stem from the composer, are merely listed in the critical commentary. Contents: Fuga I in C minor HWV 610 Fuga II in G minor HWV 605 Fuga III in B-flat major HWV 607 Fuga IV in F minor HWV 433/2 Fuga V in E minor HWV 429/1 Fuga VI in G major HWV 606 Fuga VII in D minor HWV 428/2 Fuga VIII in A minor HWV 609 Fuga IX in B minor HWV 608 Fuga X in F-sharp minor HWV 431/3 Fuga XI in F major HWV 427/4 Fuga XII in F major HWV 611 Fuga in E major HWV 612 O the pleasure of the plains in G major HWV 474 Jesu meine Freude in G minor HWV 480/ Répertoire / Orgue
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The Art Of Successful Rhythm (GORDON ANDREW D)
26.90
The Art Of Successful Rhythm (GORDON ANDREW D)
Piano seul
-
Intermédiaire
ADG Productions
Par GORDON ANDREW D.. The Art Of Successful Rhythm Piano/Keyboard Playing by And...
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Par GORDON ANDREW D.. The Art Of Successful Rhythm Piano/Keyboard Playing by Andrew D. Gordon is for keyboardists and pianists that need a practical approach to playing in various styles such as: blues, rock, jazz, latin, gospel and rhythm and blues, whether accompanying a singer, solo instrumentalist or playing in a band. There are 19 different 36 measure examples showing many great ways of voicing chords and playing various rhythmic patterns. The one hour cassette consists of melody, rhythm Keyboard part, Bass and Drums so that you can hear how the rhythm Keyboard part is played in conjunction with the other instruments. The Art Of Successful Rhythm Piano/Keyboard Playing by Andrew Gordon is for keyboardists and pianists that need a practical approach to play in various styles such as: Blues, Rock, Jazz, Latin, Gospel and Rhythm and Blues, whether accompanying a singer, solo instrumentalist or playing in a band. There are 19 different 36 measure examples showing many great ways of voicing chords and playing various rhythmic patterns. The recording consists of melody, rhythm keyboard part, bass and drums so that you can hear how the rhythm keyboard part is played in conjunction with the other instruments. / Niveau : 3 / Etude / Piano
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Vive La Vie (CHATROU PAUL)
18.71
Vive La Vie (CHATROU PAUL)
Flûte traversière et Piano
Metropolis Music Publishers
Par CHATROU PAUL. Paul Chatrou, born in the Netherlands, studied piano and compo...
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Par CHATROU PAUL. Paul Chatrou, born in the Netherlands, studied piano and composition in Utrecht. He played in various ensembles for which he also composed music. He is teaching the piano and composition both private and in various educational institutions. As a composer, he works mainly freelance. He writes both instrumental and vocal compositions in a romantic style based on classical technique. Paul Chatrou, born in the Netherlands, studied piano and composition in Utrecht. He played in various ensembles for which he also composed music. He is teaching the piano and composition both private and in various educational institutions. As a composer, he works mainly freelance. He writes both instrumental and vocal compositions in a romantic style based on classical technique./ Répertoire / Flûte Traversière et Piano
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Astor (CHATROU PAUL)
20.00
Astor (CHATROU PAUL)
Violoncelle, Piano
Metropolis Music Publishers
Par CHATROU PAUL. Paul Chatrou, born in the Netherlands, studied piano and compo...
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Par CHATROU PAUL. Paul Chatrou, born in the Netherlands, studied piano and composition in Utrecht. He played in various ensembles for which he also composed music. He is teaching the piano and composition both private and in various educational institutions. As a composer, he works mainly freelance. He writes both instrumental and vocal compositions in a romantic style based on classical technique. Paul Chatrou, born in the Netherlands, studied piano and composition in Utrecht. He played in various ensembles for which he also composed music. He is teaching the piano and composition both private and in various educational institutions. As a composer, he works mainly freelance. He writes both instrumental and vocal compositions in a romantic style based on classical technique./ Répertoire / Violoncelle et Piano
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Sämtliche Orgelwerke Band 8 (BACH JOHANN SEBASTIAN)
38.60
Sämtliche Orgelwerke Band 8 (BACH JOHANN SEBASTIAN)
Orgue
[Partition + CD]
Breitkopf & Härtel
Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Bo...
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Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Board: Werner Breig/ Pieter Dirksen/ Reinmar Emans music text faithful to the sources and reflecting the current status of Bach research developed for musical practice through the cooperation of scholars and performers contains all of Bach's keyboard works that require an independent pedal manual contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty features comprehensive introductions, extensive source descriptions and text-critical notes features supplementary material illustrated synoptically on CD-ROM (in printable quality) brochure, in large format (32 x 25 cm) and compact music engraving, clear, easy to read, with convenient page turns 'The Breitkopf edition is obviously preferable if you're buying new copies. The series so far has been most impressive.' (Clifford Bartlett, Early Music Review) Subscription Conditions A subscription is only possible for the complete collection. The subscription price of the volumes is 20% lower than the final sales price. A subscription can begin at any time. The subscription obliges the subscriber to purchase the entire collection. The New Edition of Bach's Complete Organ Works With repertoire works, musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the organ works of Johann Sebastian Bach, which are available today in various editions. Among them is that of Heinz Lohmann, which Breitkopf and Härtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status, historically informed, edited with performers in mind: More than 40 years later, the demands made on a new Urtext edition of Bach's organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources, aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study, teaching and concert performance are, in addition to the above-mentioned demands, such external criteria as format, paper, convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition, beginning in 2010, also contains all keyboard works with pedal and the 'dubious works' that are hardly dubious anymore The edition of Johann Sebastian Bach's organ works which Breitkopf and Härtel is beginning to publish in fall 2010 wants to do justice to these demands. Next to the core contents of the repertoire, it will also feature all of the master's 'clavier' works which require an independent pedal. Moreover, it will include all authentic early versions as well as the fragmentarily transmitted works. As to the dubious works, it will contain those which can be attributed to Bach today with considerable certainty. It offers incerta, early, and alternative versions on CD-ROM In this work group, the new edition uses for the first time the modern forms of editorial technique with which the synoptical depiction of various versions is made possible on CD-ROM. Thanks to the collaboration with the EDIROM project, which is a leader in the field of digital scientific editorial technique, the edition offers new types of solutions. Incerta, early, and alternative versions that cannot be included in the printed volumes for reasons of size or problems of authenticity, are published on CD-ROM, supplied with comments, and depicted synoptically. Thus, after comparing the versions, the player can decide upon a different version than the one printed in the volume, and can make a high-quality print-out of it. The texts and comments customary to the 'Breitkopf Urtext' editions comprehensive introductions, extensive source descriptions and text-critical observations can be found in the printed version of the volumes. Edited by a competent team: With Werner Breig (Erlangen), Pieter Dirksen (Culemborg/Netherlands) and Reinmar Emans (Bochum), a.o. we have brought together a team that guarantees the highest expertise in various domains. Further Bach experts such as Sven Hiemke (Hamburg), David Schulenberg (Boston) and Jean-Claude Zehnder (Basel) were also enlisted for the edition of single volumes. Werner Breig (* 1932) studied Evangelical church music in Berlin as well as musicology in Erlangen and Hamburg. He obtained his doctorate in 1962 and completed his habilitation (postdoctoral lecturing qualification) in 1973. He then devoted himself to musicology at the Universities of Freiburg i. Br, Karlsruhe, Wuppertal and Bochum. Since his retirement in 1997 he has been living in Erlangen. Between 1997 and 2007 Breig was appointed General Editor of the complete edition of Richard Wagners letters. He is the author of many publications and editions, particularly of early clavier and organ music by Heinrich Schütz and Johann Sebastian Bach, but also of Richard Wagner and Arnold Schoenberg. Furthermore he is the author of the Bach article in the dictionary Die Musik in Geschichte und Gegenwart (MGG, 2nd edition). Pieter Dirksen (* 1961) studied organ, harpsichord and musicology. His 1996 doctoral thesis on Sweelinck's keyboard music was awarded the Praemium Erasmianum. Dirksen has since published many studies on, and editions of, several masters of the 17th century (Sweelinck, Bull, Cornet, Scheidt, Scheidemann, Buxtehude, Luebeck, Johann Christoph Bach) as well as Johann Sebastian Bach. In collaboration with Harald Vogel, he edited Sweelinck's Complete Works for Keyboard Instrument (4 volumes, Breitkopf and Härtel). Dirksen is a member of the academic board of the Bach-Jahrbuch as well as a sought-after harpsichordist, organist and continuo player in international ensembles. Dirksen issued a number of much-acclaimed solo recordings (Sweelinck, Scheidemann, Boehm, Louis Couperin, Bach-Vivaldi, Bachs Art of Fugue and Goldberg Variations). Edison Winner 2003. Reinmar Emans (* 1953) studied musicology in Bonn and wrote his doctoral thesis on the cantatas and canzonettas of Giovanni Legrenzi in 1982. From 1983 to 2008 he was an academic staff member of the Johann-Sebastian-Bach-Institut Göttingen, and temporarily deputy of the managing director. He has taught in Bochum, Marburg, Detmold, Cologne and Hamburg, and has been a freelance contributor to various music periodicals. In 2000 he was responsible for the conception and direction of the Thuringian state exhibition 'Der junge Bach: Weil er nicht aufzuhalten' in Erfurt. He has conducted research and produced publications on opera and the cantata in 17th-century Italy, on stylistic development in the music of Johann Sebastian Bach, and on editorial philology./ Répertoire / Orgue
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Astor (CHATROU PAUL)
20.00
Astor (CHATROU PAUL)
Accordéon et Piano
Metropolis Music Publishers
Par CHATROU PAUL. Paul Chatrou, born in the Netherlands, studied piano and compo...
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Par CHATROU PAUL. Paul Chatrou, born in the Netherlands, studied piano and composition in Utrecht. He played in various ensembles for which he also composed music. He is teaching the piano and composition both private and in various educational institutions. As a composer, he works mainly freelance. He writes both instrumental and vocal compositions in a romantic style based on classical technique. Paul Chatrou, born in the Netherlands, studied piano and composition in Utrecht. He played in various ensembles for which he also composed music. He is teaching the piano and composition both private and in various educational institutions. As a composer, he works mainly freelance. He writes both instrumental and vocal compositions in a romantic style based on classical technique./ Répertoire / Accordéon et Piano
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Blues Piano Practice Session V (GORDON ANDREW D)
33.60
Blues Piano Practice Session V (GORDON ANDREW D)
Piano seul
[Partition + Accès audio]
ADG productions
Par GORDON ANDREW D.. I have created various Blues riffs and has transposed them...
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Par GORDON ANDREW D.. I have created various Blues riffs and has transposed them into all 12 keys along with backing tracks to practice with giving you the student a fun way of learning how to play in all keys. We all learned how to play our scales in all 12 keys so I have taken that concept and applied it to learning to play the Blues so that you can try to become equally adept at playing in as many keys as possible. I have heard from teachers who have used my ?100 Ultimate Blues Riffs? book who will only allow a student to move on to the next riff once they have mastered playing the riff they are working on in all 12 keys, certainly a great but challenging musical exercise. Each of the riffs are either 2 or 4 measures in length that are notated and recorded around the cycle of 4th.s Also, there is a notation page whereby the riff is being used in a 12 bar blues progression so that you can see how to apply the riff to a real world situation. Each riff has been recorded 4 times: 1. Piano with rhythm tracks recorded around the cycle of 4th.s 2. Rhythm tracks recorded around the cycle of 4th.s to practice with 3. Piano with rhythm tracks recorded in a 12 bar blues progression in a designated key. 4. Rhythm tracks recorded in a 12 bar blues progression in the same key. Reasons for practicing in all 12 keys. Often a singer cannot reach certain notes in the key that you have learned the song in, therefore you will probably be asked to change the key of the song which you can do with confidence knowing all 12 keys. Having the knowledge of playing in all 12 keys, it will then become easier to learn new songs, whatever key they are in. Blues often use the keys of C, F, G, Bb, Eb, Guitar music often uses the keys of E, A, D, by learning as many keys as possible will enable you to adapt to the musical situation you are playing in. Taking riffs, chord progressions etc. through all 12 keys is a great ear training tool relying on your ears to play in keys that you are not used to before the muscle memory sets in. Practicing in all 12 keys is a great exercise for the brain, it is obviously hard work but the more you do it the benefits will become apparent. By practicing in all 12 keys you will start to see various musical patterns evolve that will help you speed up the process of learning music. It is my hope that as you practice playing in the various keys you will eventually not need the music and be able to transpose in your head. / Date parution : 2022-09-07/ Etude / Piano
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Country Guitar Styles - 2Nd Edition
34.20
Country Guitar Styles - 2Nd Edition
Guitare
[Partition + Accès audio]
Hal Leonard
Learn those beautiful hot licks and fingerpicking patterns of country music. You...
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Learn those beautiful hot licks and fingerpicking patterns of country music. You'll learn all about the various types of country music, from classic to current-from Western Swing to bluegrass and everywhere between. Get beyond the cowboy chords to more complex arrangements, signature opening licks, and solos that characterize today's country hits. Online audio tracks illustrate these licks and concepts in context, and the book shows you exactly how to play them. You will learn how to play: Single and double-note lead style: Rhythm guitar styles: String bending, including single-, double-, and triple-note bends: Triadic pedal steel styles: Fingerpicking technique: Western swingstyle: Bluegrass lead and rhythm style: Sound effects, to make your guitar sound like a marimba, Theremin, banjo, and more! Learn those beautiful hot licks and fingerpicking patterns of country music. You'll learn all about the various types of country music, from classic to current-from Western Swing to bluegrass and everywhere between. Get beyond the cowboy chords to more complex arrangements, signature opening licks, and solos that characterize today's country hits. Online audio tracks illustrate these licks and concepts in context, and the book shows you exactly how to play them. You will learn how to play: Single and double-note lead style: Rhythm guitar styles: String bending, including single-, double-, and triple-note bends: Triadic pedal steel styles: Fingerpicking technique: Western swingstyle:Bluegrass lead and rhythm style: Sound effects, to make your guitar sound like a marimba, Theremin, banjo, and more! Learn those beautiful hot licks and fingerpicking patterns of country music. You'll learn all about the various types of country music, from classic to current-from Western Swing to bluegrass and everywhere between. Get beyond the cowboy chords to more complex arrangements, signature opening licks, and solos that characterize today's country hits. Online audio tracks illustrate these licks and concepts in context, and the book shows you exactly how to play them. You will learn how to play: Single and double-note lead style: Rhythm guitar styles: String bending, including single-, double-, and triple-note bends: Triadic pedal steel styles: Fingerpicking technique: Western swingstyle: Bluegrass lead and rhythm style: Sound effects, to make your guitar sound like a marimba, Theremin, banjo, and more!/ Etude / Guitare
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Bass Soloing : A Look Inside Scales
42.11
Bass Soloing : A Look Inside Scales
Basse Electrique
[Partition]
Bill's Music Shelf
Although there are many fine scale books on the market, none of them are really ...
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Although there are many fine scale books on the market, none of them are really for INSIDE the scales to explore the various intervals, harmonized scales in triads and diatonic 7ths, and neighbor tones to achieve some chromaticism. This book helps to employ multiple-use scales (modes) by superimposing them over the given chords to expand and color them. A variety of chord progressions, taken from various forms, are used in the ideas for soloing with a complete analysis. Covers harmonized scales of the major, ascending melodic minor and the harmonic minor. Explains how to go inside the scales, the nomenclature of each, such as the various intervals, neighbor tones, triads and diatonic 7ths that the scales generate, and most importantly, how to employ them in a music situation, such as soloing, rhythm section and composition. Written in standard notation and bass TAB. Free audio downloads are available for use with this title. / Basse Electrique / 120 pages / niveau : Intermédiaire / Partition - Format: 11 X 8,5
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Idol - Piano Book
19.80
Idol - Piano Book
Piano seul
[Partition]
Yamaha
Various Arrangements on a Theme. Par YOASOBI. YOASOBI, the Japanese duo known fo...
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Various Arrangements on a Theme. Par YOASOBI. YOASOBI, the Japanese duo known for their catchy melodies, lyrics that resonate with listeners, and captivating vocals that immerse audiences in the world of their songs, has been making waves in the music industry, setting various JPOP charts abuzz. Their hit song 'Idol', which achieved worldwide success, is now available in the Various Arrangements on a Theme series, allowing piano players to enjoy it in their preferred arrangement. The book brings you the globally acclaimed hit song 'Idol', the theme song of the Japanese Anime 'Oshi no Ko' or 'My Favorite Idol', with five different piano arrangements to suit your preferences: Easy Solo, Intermediate Solo, Advanced Solo, Intermediate Piano and Vocal, and Beginner and Intermediate Piano Duet. These arrangements cater to a wide range of skill levels. You can start with the easy arrangements for beginners and progress to the intermediate level, where the score includes both Japanese and English lyrics. This allows you to compare the lyrics between the two languages while singing, adding an extra layer of enjoyment to your music experience. Explore five different piano arrangements and your unique way of enjoying the song! / Date parution : 2023-10-31/ Recueil / Piano
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Essential Scales And Studies (DUNCAN CRAIG)
15.20
Essential Scales And Studies (DUNCAN CRAIG)
Violon
Mel Bay
Par DUNCAN CRAIG. This valuable supplement has been written to present essential...
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Par DUNCAN CRAIG. This valuable supplement has been written to present essential scales and scale studies for the beginning student. The scales are presented in various rhythms and patterns, including arpeggios. All of the various patterns presented can be used with each scale. The fingerings included present viable ways to approach the scales, but other fingerings can be explored. Various rhythms and bowings may also be applied to practicing the scales. All major scales are presented in two and three octave patterns. All minor scales are presented in three octave patterns. Chromatic scales of two and three octaves are also included. These scales can form an important part of any violin student's practice. / Niveau : Débutant à Intermédiaire / All Styles - Technic / Etude / Violon
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Fantasy In F Minor, K. 608
34.20
Fantasy In F Minor, K. 608
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Hal Leonard
These two extraordinary works of late Mozart, KV 594 and KV 608, were both compo...
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These two extraordinary works of late Mozart, KV 594 and KV 608, were both composed to fulfill a commission for a memorial exhibit in Vienna, to be played in a 'mechanical clock organ.? The term 'fantasy? or 'fantasia? came to be affixed to these works later, and is more descriptive and less cumbersome than the term Mozart listed in his own catalogue, 'Ein Stüke für ein Orgelwerk in ein Uhr.? They are also variously titled 'Adagio und Allegro in f für ein Orgelwerk? and 'Allegro und Andante (Fantasie in f) für eine Orgelwaltze.?The first of these, composed between the monumental String Quintet in D and the Piano Concerto in Bb KV 595, is an A-B-A form, comprised of an f minor Adagio opening and closing, with a contrapuntal Allegro at its heart. KV 608 is more complicated, opening with an f minor section reminiscent of a French Overture, followed by a fugue in f minor, then an Andante aria, followed by a return to the opening and then a more complex version of the fugue.Despite the frustration that Mozart expressed (in a letter to Constanze) with the sound world of these mechanical devices, KV 594 and 608 are remarkable works which stand at an intersection, incorporating what he learned about counterpoint studying at the foot of Bach, while looking ahead to the emotional and harmonic poignancy of Schubert. / Quintette A Vent
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Fantasy In F Minor, K. 594
34.20
Fantasy In F Minor, K. 594
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Hal Leonard
These two extraordinary works of late Mozart, KV 594 and KV 608, were both compo...
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These two extraordinary works of late Mozart, KV 594 and KV 608, were both composed to fulfill a commission for a memorial exhibit in Vienna, to be played in a 'mechanical clock organ.? The term 'fantasy? or 'fantasia? came to be affixed to these works later, and is more descriptive and less cumbersome than the term Mozart listed in his own catalogue, 'Ein Stüke für ein Orgelwerk in ein Uhr.? They are also variously titled 'Adagio und Allegro in f für ein Orgelwerk? and 'Allegro und Andante (Fantasie in f) für eine Orgelwaltze.?The first of these, composed between the monumental String Quintet in D and the Piano Concerto in Bb KV 595, is an A-B-A form, comprised of an f minor Adagio opening and closing, with a contrapuntal Allegro at its heart. KV 608 is more complicated, opening with an f minor section reminiscent of a French Overture, followed by a fugue in f minor, then an Andante aria, followed by a return to the opening and then a more complex version of the fugue.Despite the frustration that Mozart expressed (in a letter to Constanze) with the sound world of these mechanical devices, KV 594 and 608 are remarkable works which stand at an intersection, incorporating what he learned about counterpoint studying at the foot of Bach, while looking ahead to the emotional and harmonic poignancy of Schubert. / Quintette A Vent
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A Century Of Piano Music: Grades 1-4 Selected And Edited By Richard Deering
31.50
A Century Of Piano Music: Grades 1-4 Selected And Edited By Richard Deering
Piano seul
Bosworth
A Century Of Piano Music contains pieces graded accordingly to difficulty, origi...
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A Century Of Piano Music contains pieces graded accordingly to difficulty, originally written variously for concert hall, class, festival or home: miniatures and more extended pieces that show off each composer at their best. Every major artistic movement can be discerned in this collection of easy and accessible piano works by some of the biggest names in British music of the twentieth century. As an aid to preparation and interpretation, there is a short explanatory paragraph on each piece. Generally, fingering has been added, though not in pieces where several alternatives would be viable. / Piano
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