Arranged for Flute (TWV 40: 26-37). Par TELEMANN GEORG PHILIPP. Georg Philipp Telemann composed thirty-six fantasias for solo instrument: twelve each for traverse flute, violin, and viola da gamba. While those for flute and violin belong to Telemann?s most popular works today, the fantasias for viola da gamba were unknown throughout much of recent history until a copy of these fantasias was rediscovered in 2015. For this edition, flautist Leona Rötzsch arranged the viola da gamba fantasias for solo flute, thereby complementing Telemann?s flute fantasias with another set of twelve. Carefully retaining Telemann?s tonal language, these viol works were made accessible for the flute by use of transpositions, diminutions, and broken chords. / Date parution : 2022-11-08/ Répertoire / Flûte Traversière

2-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same time also help develop the ability to listen and play along, thus making them an important enhancement to musical training. With 109 pop style melodies in two volumes Manfred Schmitz work provides comprehensive and diversified material which can be flexibly implemented in teaching single pupils, for group lessons and for ensemble classes. The instruments violin, viola, violoncello and flute can thus stay „among themselves“ or play music together in all imaginable instrumental combinations. 2 part: 23 MINI-Canons – from the very start - 37 Canons – for the progressing demands This collection is particularly well-suited for the playing together ofpupil and teacher, but it also works well in group lessons. A collection of canons for the first learning steps on the instrument as well as for more advanced levels of learning. Through the universal versions for viola, cello and flute, different instruments can also play together. / Niveau : Débutant à Intermédiaire / Contemporary - Solos / Recueil / Alto

Opus 77 & Opus141A. Par REGER MAX. «Je comprends parfaitement ce qui manque à notre musique d’aujourd’hui: un Mozart!» Avec ses trios composés dans un style volontairement classique, Reger espérait fournir la preuve du contraire à ces «ignorants» qui lui reprochaient son «manque d’âme» et sa «complexité». Il choisit une formation instrumentale tout à fait particulière pour ses Sérénades op. 77a et 141a: il laisse de côté les registres bas- les sonorités claires de la flûte, du violon et de l’alto dessinent des figures sonores enjouées, des mélodies plaisantes à l’oreille. Pourtant, le style propre de Reger reste partout sous-jacent. Ces deux sérénades, qui ne sont pas trop exigeantes sur le plantechnique, peuvent non seulement figurer au programme d’un concert, mais aussi constituer un divertissement bienvenu lors d’une réunion impromptue de musique de chambre. ? / Partition brochée / Répertoire / Flûte Traversière, Violon et Alto

L'oeuvre musicale qui a pour support une Partition a pour titre Arnold Duo For Flute And Viola. C'est une partition musicale qui est destinée aux joueurs de Flûte Traversière. Le détail de l'instrumentation Flûte Traversière vous permettra de savoir si cette partition correspond bien à ce que vous cherchez. Son style Classique vous permettra de découvrir ô combien la musique Classique est belle et enrichissante. / Flûte Traversière / Partition

for Flute, Oboe d'amore & Viola d'amore. Par TELEMANN GEORG PHILIPP. Flûte Traversière, Ob-d'a and Alto -d'a Soli - Strings - Basse Continue - Durée: 16 / oeuvre solo et Orchestre / Répertoire / Parties Orchestrales

Chant For Columbanus was composed by Irish pianist and conductor Barry Douglas. It is arranged for Quintet: Flute, Violin, Viola, Cello and Piano, and this item features the Score and Parts.Having studied numerous instruments as a child and going on to study under impressive teachers, Douglas went on to win some prestigious prizes for his playing, perhaps most notably winning gold in the International Tchaikovsky Competition. After making a number of acclaimed recordings of his interpretations of other composers' work, Douglas turned his own skilled hand to composition, producing this brilliant work that was commissioned to mark the 400th anniversary of Bangor being granted a town charter. / Flûte, Violon, Alto, Violoncelle Et Piano

Easy Popular Movie Instrumental Solos is an accessible selection of movie hits for the beginning student, with simple notation and a play-along CD. Available for flute, clarinet, alto saxophone, tenor saxophone, trumpet, horn in F, trombone, violin, viola, cello and piano accompaniment. Believe (The Polar Express); Come So Far (Hairspray); Gonna Fly Now (Rocky Balboa); Hedwig's Theme (Harry Potter and The Sorcerer's Stone); In Dreams (Lord of the Rings: The Fellowship of the Ring); James Bond Theme (Casino Royale); Over the Rainbow (The Wizard of Oz); The Pink Panther Theme (The Pink Panther); Raiders' March (Raiders of the Lost Ark); Way Back Into Love (Music and Lyrics)

Flute, Violin, Viola, Cello. Music Partner Play-along CD available, see MP 17a / Flûte Traversière(S) Et Autres Instruments

Arranger: Wiese Henrik The flute part may also be taken by the transverse flute, oboe or violin and the piano part by the harpsichord.

The Flute Collection. Par SCHUMANN ROBERT. Remarks in his household books indicate that Robert Schumann (1810–1856) composed the Märchenbilder (Fairy-Tale Pictures) for piano and viola (or violin) op. 113 in just four days between 1st and 4th March, 1851, in Düsseldorf. Schumann only gradually came to the title Märchenbilder. The four pieces are unified by their shared opus number and keys (D minor, F major, D minor, D major), but the first edition published them in two volumes (Vol. 1: Nos. 1 and 2; Vol. 2: Nos. 3 and 4). Clearly, the Märchenbilder op. 113 do not need to be performed as a group but can be played in pairs or individually. The present arrangement is based upon the viola part. The viola's ambitus, when transposed up an octave, matches that of the flute. Solutions from the violin part have also been used on occasion. The double stops in the second piece were, for example, already simplified in the violin version. At such points the violin part provides a model for further simplifications in the flute part. A later, corrected edition of the first print served as the source of the current edition./ Répertoire / Flûte Traversière et Piano