3 oboes (flutes, violins), viola and basso continuo

SKU: M7.BP-752

Composed by Johann Gottlieb Janitsch. Sheet music. Score and parts. Op. 5. Amadeus Verlag #BP 752. Published by Amadeus Verlag (M7.BP-752).

ISBN 9790015075209.

Violin (or Flute or Oboe) and Piano

SKU: M7.BRP-1833

Composed by Eugene Godecharle. Sheet music. Score and parts. Op.3/5. MDS (Music Distribution Services) #BRP 1833. Published by MDS (Music Distribution Services) (M7.BRP-1833).

2 trumpets, horn, trombone and tuba

SKU: M7.KECF-23

Composed by Arcangelo Corelli. Arranged by Peter Bernard Smith. This edition: Saddle stitching. Sheet music. Score and parts. 20 pages. MDS (Music Distribution Services) #KECF 23. Published by MDS (Music Distribution Services) (M7.KECF-23).

ISBN 9790502360238. German English.

This work is what one would call in economy a Joint venture - a posthumous co-production of Arcangelo Corelli and Peter B. Smith. The first bars were composed by the Italian master of Baroque Music and originates from the Gavotte of his Violin Sonata in F op.5 Nr. 10. From bar 9 onwards, the contemporary British Composer Peter B. Smith has developed this theme in period style. Despite ist originfor a string Instrument, the work seems to be just ideal for this combination and unfolds with brass players Baroque Grandeur.

2 flutes (violins)

SKU: M7.BP-1177

Composed by Georg Philipp Telemann. Edited by Winfried Michel. Sheet music. Performance score. Op. 5. Amadeus Verlag #BP 1177. Published by Amadeus Verlag (M7.BP-1177).

ISBN 9790015117701.

(Baroque, Classical and Romantic Favorites, Wedding Music). By Various. Arranged by Daniel Kelley. String quartet, woodwind quartet, piano quintet, mixed quartet, clarinet quartet. For French Horn or English Horn. Quartets. Music for Four series. Baroque / Classical. Intermediate/Advanced. Partbook - part 3. Published by Last Resort Music Publishing

By George Frideric Handel (1685-1759). Edited by Harry Joelson. For 2 violins and basso continuo. Score and parts. Published by Amadeus Verlag

2 flutes (violins) and basso continuo

SKU: M7.BP-2285

Composed by Georg Philipp Telemann. Edited by Bernhard Pauler. Sheet music. Score and parts. Amadeus Verlag #BP 2285. Published by Amadeus Verlag (M7.BP-2285).

ISBN 9790015228506.

3 Cello's - early intermediate

SKU: BT.EMBZ14930

By Arpad Pejtsik. EMB Chamber Music for Violoncellos. Educational Tool. Book Only. Composed 2014. 40 pages. Editio Musica Budapest #EMBZ14930. Published by Editio Musica Budapest (BT.EMBZ14930).

The latest volume of this popular series extends the repertoire of beginner and intermediate cello students with excellent transcriptions of works by music history's three great Bs. Árpád Pejtsik, the editor of the series, has transcribed the Trio Sonata in G Major for Flute, Violin and Basso continuo by Bach (BWV 1038), a witty bagatelle by Beethoven (WoO 56) and two archaizing piano works (Sarabande, op. posth. 5 no. 2, Gavotte, op. posth. 3 no. 1) by Brahms for three cellos. While intermediate instrumental skills are required due to the use of higher positions when in the upper two parts, the lower part can be performed by beginner cellists. Interpretation is helped byfingerings and bowings provided by the editor.

The latest volume of the popular series extends the repertoire of beginner and intermediate cello students with excellent transcriptions of works by music historys three great Bs.
Árpád Pejtsik, the editor of the series, has transcribed for three cellos the Trio Sonata in G Major for Flute, Violin and Continuo by Bach, a witty bagatelle by Beethoven and two works originally written for the piano (Sarabande,Gavotte ) by Brahms in his youth. While at least intermediate instrumental skills are required due to the use of higher positions when playing the top parts, the bottom parts can be performed by beginner cellists. Interpretation is helped by thefingering and bowing being provided by the editor.

Der neueste Band dieser beliebten Serie verfolgt das Ziel, das Repertoire der Celloschüler der Anfänger- und Mittelstufe mit ausgezeichneten Transkriptionen von Werken der drei großen Bs der Musikgeschichte zu bereichern. Árpád Pejtsik, der Herausgeber der Serie, bearbeitete neben Bachs Triosonate in G-Dur für Flöte, Violine und Basso continuo (BWV 1038) eine geistreiche Bagatelle von Beethoven (WoO 56) und zwei archaisierende Klavierstücke von Brahms (Sarabande, op. posth. 5 no. 2, Gavotte, op. posth. 3 no. 1) für drei Celli.

2 violins and basso continuo (harpsichord, piano); cello (viola da gamba) ad libitum - intermediate

SKU: HL.49000150

Composed by Antonio Caldara. Arranged by Frederick F. Polnauer. This edition: Saddle stitching. Sheet music. Antiqua (Chamber Music). Classical. Op. 1/5. 28 pages. Schott Music #ANT 25. Published by Schott Music (HL.49000150).

ISBN 9790001001403. UPC: 073999358933. 9.0x12.0x0.084 inches.

Composed by Franz Joseph Haydn (1732-1809). Edited by Alessandro Bares / Leonardo Bares. Paperback. I piaceri del violino. Classical. Score and set of parts. Published by Musedita Edizioni Musicali (M8.HA-5-23).

Mixed Trios. By Various. Arranged by Daniel Kelley. For Parts 1-3 in C. Trios. Music for Three. Classical / Baroque. Level: Intermediate/Advanced. Score. Published by Last Resort Music Publishing.

Mixed Trios. By Various. Arranged by Daniel Kelley. For Cello or Bassoon. Trios. Music for Three. Classical / Baroque. Level: Intermediate/Advanced. Part 3. Published by Last Resort Music Publishing.

Mixed Trios. By Various. Arranged by Daniel Kelley. For Clarinet in Bb. Trios. Music for Three. Classical / Baroque. Level: Intermediate/Advanced. Part 2. Published by Last Resort Music Publishing.

(Mixed Trios). By Various. Arranged by Daniel Kelley. For viola. Trios. Music for Three. Classical / Baroque. Intermediate/Advanced. Part 2

(Mixed Trios). By Various. Arranged by Daniel Kelley. For Clarinet in Bb. Trios. Music for Three. Classical / Baroque. Intermediate/Advanced. Part 1

Chorus and piano (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - str - bc)

SKU: BR.EB-32091

Cantata based on Psalm 103 - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Edition Breitkopf. Cantata; Baroque. Piano/Vocal Score. 20 pages. Duration 15'. Breitkopf and Haertel #EB 32091. Published by Breitkopf and Haertel (BR.EB-32091).

ISBN 9790004186695. 7.5 x 10.5 inches.

The date of composition of the cantata Lobe den Herren, meine Seele can only be conjectured. However, several indications suggest an early composition, possibly during Kuhnau's stay in Zittau. The work is one of only two known cantatas by Kuhnau in which cornetti are scored - the second work is the cantata Christ lag in Todes-Banden (PB 32034) -, even so in combination with three trombones as an early baroque wind section. In addition, the musical texture of the introductory Sonata can certainly be understood as a reminiscence of the polychorality known from the Renaissance and early Baroque as well as their connection with the basso continuo era, since four strings and bassoon on the one side and five wind instruments on the other side face each other over a continuous continuo part. The text of the cantata is a selection of a few verses from Psalm 103. This is the larger scored cantata with this textual basis; parallel to it exists a smaller scored one for alto, bass, violin, oboe d'amore and continuo.

(for 3 Cellos - Score and Parts). Composed by Various. Edited by �rp�¡d Pejtsik. For Cello Trio (Score and Parts). EMB. Softcover. Editio Musica Budapest #Z14930. Published by Editio Musica Budapest

Violin solo, orchestra

SKU: BR.SON-433

Complete Works. Composed by Felix Bartholdy Mendelssohn. Edited by Birgit Muller and Salome Reiser. Linen. Complete Works. Romantic period. Complete Works. 184 pages. Breitkopf and Haertel #SON 433. Published by Breitkopf and Haertel (BR.SON-433).

ISBN 9790004802892. 10 x 12.5 inches.

Felix Mendelssohn Bartholdy's violin concerto op. 64 had - like many of his other works - a lengthy genesis: it is in the summer of 1838 that surviving documents first mention the promise made to his friend Ferdinand David, concert master of the Leipzig Gewandhaus, to write, besides a sonata, a grand solo concerto for him. Ultimately, work on this opus continued - with some longer interruptions - until September 1844. Even then, it owed its preliminary completion in no small measure to the constant urging of the prospective solo violinist. But after the ,,official handing-over of the parts to David and a first joint rehearsal of the concert in Leipzig Mendelssohn continued working on the score. There subsequently began an intensive correspondence with David between Leipzig and Frankfurt am Main, where Mendelssohn resided with his family, in particular concerning issues of the principal part and the reworking of the solo cadence. In March 1845 the then current version of the work was premiered in a subscribers' concert in Leipzig.This volume deals with Mendelssohn's first complete manuscript of the score with the corrections contained therein, including all surviving drafts and sketches; also included is the epistolary evidence of the correspondence with Ferdinand David prior to the premiere. The further developments up to the printing of the main version of op. 64 by Breitkopf & Hartel are dealt with in Series II, Vol. 7 of the edition.

Solo SSB, 2 Vl, Vne, Bc - Level 4

SKU: CA.3610611

Composed by Dietrich Buxtehude. Edited by Mirko Rechnitzer. Arranged by Daniel Ivo de Oliveira. Violin 1. Cantatas. Part. BuxWV 106. Duration 8 minutes. Carus Verlag #CV 36.106/11. Published by Carus Verlag (CA.3610611).

ISBN M-007-25428-5. German. Text: Sieber, Justus.

The aria Welt, packe dich, ich sehne mich nur nach dem Himmel (BuxWV 106) to a text by Justus Sieber from his book Poetisierende Jugend (1658) is composed for two sopranos, bass, two violins, violone, and basso continuo. After an instrumental Sonata, the five verses, interrupted by instrumental ritornelli sections, are presented by the different voices. The turning away from earthly things and the contrast between earth and heaven are illustrated in every verse by the change to 3/4 meter. The cantata ends with the repetition of the opening line of the poem Welt, packe dich and a rhythmically concise triad motif.

Cello

SKU: HL.48188823

For Cello and Orchestra (Piano Reduction). Composed by Henri Dutilleux. Leduc. Classical. Softcover. 80 pages. Heugel & Cie #HE33633. Published by Heugel & Cie (HL.48188823).

UPC: 888680883478. 9.25x12.25x0.075 inches.

“Comp osed between 1967 and 1970, Tout un monde lointain for Cello and Orchestra, by Henri Dutilleux, is one of the most important additions to the cello repertoire in the 20th century. Lasting nearly half an hour, each of the five movements are inspired by a poem of Charles Baudelaire: 1. Énigme / Enigma 2. Regard / Gaze 3. Houles / Surges 4. Miroirs / Mirrors 5. Hymne / Hymn The main theme, initially introduced in the first part Énigme / Enigma, is often replayed through the piece. The third part, Houles / Surges is the most difficult to interpret with a Scherzo part that's quite challenging and no break between the movements. Henri Dutilleux was internationally acclaimed for his work, winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers, among many others. His work also includes a piano sonata, two symphonies, the Violin concerto 'L'arbre des songes' (The tree of dreams) and the string quartet 'Ainsi la nuit' (Thus the night).”.

Chorus (with soloists) and orchestra (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - str - bc)

SKU: BR.PB-32091

Cantata based on Psalm 103 - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Partitur-Bibliothek (Score Library). Cantata; Baroque. Full score. 52 pages. Duration 15'. Breitkopf and Haertel #PB 32091. Published by Breitkopf and Haertel (BR.PB-32091).

ISBN 9790004215777. 9.5 x 12 inches.

The date of composition of the cantata Lobe den Herren, meine Seele can only be conjectured. However, several indications suggest an early composition, possibly during Kuhnau's stay in Zittau. The work is one of only two known cantatas by Kuhnau in which cornetti are scored - the second work is the cantata Christ lag in Todes-Banden (PB 32034) -, even so in combination with three trombones as an early baroque wind section. In addition, the musical texture of the introductory Sonata can certainly be understood as a reminiscence of the polychorality known from the Renaissance and early Baroque as well as their connection with the basso continuo era, since four strings and bassoon on the one side and five wind instruments on the other side face each other over a continuous continuo part. The text of the cantata is a selection of a few verses from Psalm 103. This is the larger scored cantata with this textual basis; parallel to it exists a smaller scored one for alto, bass, violin, oboe d'amore and continuo.

Books and Journals

SKU: UT.APS-6

Edited by Christopher Hogwood. Paperback (Soft Cover). Ad Parnassum Studies. Essays by Gregory Barnett, Barra Boydell, Enrico Careri, Cheryll Duncan, Christopher Hogwood, Peter Holman, Clare Hornsby, Mark Kroll, Sandra Mangsen, Andrew Pink, Rudolf Rasch, Robin Stowell, Michael Talbot, Wiebke Thormahlen, Peter Walls, Neal Zaslaw. Classical. Books and Journals. 524 pages. Ut Orpheus #APS 6. Published by Ut Orpheus (UT.APS-6).

ISBN 9788881094790. 6.5 x 9.5 inches.

Essays by Gregory Barnett, Barra Boydell, Enrico Careri, Cheryll Duncan, Christopher Hogwood, Peter Holman, Clare Hornsby, Mark Kroll, Sandra Mangsen, Andrew Pink, Rudolf Rasch, Robin Stowell, Michael Talbot, Wiebke Thormahlen, Peter Walls, Neal Zaslaw

Sixteen essays by international scholars celebrate the 250th anniversary of Francesco Geminiani (1687-1762), star pupil of Corelli and composer, performer and teacher in Paris, London and Dublin, who for many years was ranked as the equal of Handel.
His compositions moved far beyond Corelli's model (to include theatre music, sonatas for cello and keyboard works) and later in his life he supported his aesthetic style with treatises on violin and guitar playing, good taste, accompaniment and composition. He published all his output in the most elegant style via engravers and music sellers in Paris, Amsterdam and London, and constantly revised and rewrote earlier works in new and often expanded formats. This legacy is analysed and placed in context within the various national styles current in Europe, and the enormous influence of his treatise The Art of Playing on the Violin is positioned in a continuum which extends to Ivan Galamian.
Outside music these studies examine the effect of Freemasonry on Geminiani's career, and his frequent recourse to law to defend his rights. On his own admission, Geminiani preferred dealing in fine art to playing the violin -- a claim always derided by earlier writers, but in fact easily defended by newly available evidence of his highly successful sales.
The reception of Geminiani's music is also re-assessed and his apparent decline in public favour is explained; many new sources contradict the accepted and dismissive opinions of Charles Burney and John Hawkins, and the supportive enthusiasm of his main British advocate, Charles Avison, is given its rightful position. Questions of present-day performance values are also contrasted with Geminiani's philosophy, and many leads presented for the future investigation of this enigmatic but individual genius.

Solo SSB, 2 Vl, Vne, Bc - Level 4

SKU: CA.3610614

Composed by Dietrich Buxtehude. Edited by Mirko Rechnitzer. Arranged by Daniel Ivo de Oliveira. Basso continuo. Cantatas. Single Part, basso continuo. BuxWV 106. Duration 8 minutes. Carus Verlag #CV 36.106/14. Published by Carus Verlag (CA.3610614).

ISBN M-007-25431-5. German. Text: Sieber, Justus.

The aria Welt, packe dich, ich sehne mich nur nach dem Himmel (BuxWV 106) to a text by Justus Sieber from his book Poetisierende Jugend (1658) is composed for two sopranos, bass, two violins, violone, and basso continuo. After an instrumental Sonata, the five verses, interrupted by instrumental ritornelli sections, are presented by the different voices. The turning away from earthly things and the contrast between earth and heaven are illustrated in every verse by the change to 3/4 meter. The cantata ends with the repetition of the opening line of the poem Welt, packe dich and a rhythmically concise triad motif.

By Various. Arranged by Daniel Kelley. For Cello or Bassoon. Quartets. Music for Four. Baroque / Classical. Intermediate/Advanced. Part 4