Concert Band

SKU: SU.80602950

For Concert Band. Composed by Robert Schumann. Concert Band/Wind Ensemble. Full Score. Edward B. Marks Music #80602950. Published by Edward B. Marks Music (SU.80602950).

Arr. by Walter Finlayson; Grade 1; Condensed score only Concert Band Composed: 1959 Published by: E.B. Marks Parts available for sale on request. Contact sales@subitomusic.com.

(from Cantata 142). By Johann Sebastian Bach (1685-1750). Arranged by Walter Ehret. For Choral (TTBB). Treasury Choral. 8 pages. Edward B. Marks Music #MC4264. Published by Edward B. Marks Music

SKU: HL.339867

SATB Chorus and Piano or Organ. Composed by George Frideric Handel. LKM Music. Octavo. 8 pages. Edward B. Marks Music #MC4218. Published by Edward B. Marks Music (HL.339867).

ISBN 9781540091406. UPC: 840126917604. 7.0x10.5x0.014 inches.

Music and text arranged and adapted by Walter Rodby.

(As performed on Glee). By Walter Marks. Arranged by Reid Thomas. Concert Band. Concert Band; Score. Hot Pop Band. Broadway; Pop; TV. Grade 2. 12 pages. Published by Alfred Music Publishing

Composed by Walter Marks. Arranged by Larry Shackley. Choir Secular. For SoundPax. This edition: SoundPax. Choral Octavo; Part(s). Pop Choral. Secular. 36 pages. Published by Alfred Music

By Walter Marks. Arranged by Larry Shackley. Choir Secular. SATB choir. Choral Octavo. Pop Choral. 12 pages. Published by Alfred Music Publishing

By Walter Noona. For piano. Level: Level 2. Piano method. Published by Roger Dean.

By Walter Marks [Sammy Davis, Jr.] [Glee]. Arranged by Bob Cerulli. Orchestra. Score; String Orchestra. Pop Beginning String Orchestra. Broadway; Light Concert. Grade 2. 8 pages. Published by Alfred Music Publishing

Choir Secular

SKU: AP.38164

Composed by Walter Marks. Arranged by Larry Shackley. This edition: SoundTrax CD. CD. Alfred Pop Choral Series. Secular. CD. Alfred Music #00-38164. Published by Alfred Music (AP.38164).

UPC: 038081426365. English.

This popular song has been covered by singers from Ella and Sammy Davis Jr. to Michael Jackson and, most recently, Finn on Glee! Our chart starts in the traditional 6/8 time, then swings into the hot ending.

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

Choir Secular (SAB choir/3-Part choir Mixed)

SKU: AP.38163

Composed by Walter Marks. Arranged by Larry Shackley. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Secular. Choral Octavo. 12 pages. Alfred Music #00-38163. Published by Alfred Music (AP.38163).

UPC: 038081426358. English.

This popular song has been covered by singers from Ella and Sammy Davis Jr. to Michael Jackson and, most recently, Finn on Glee! Our chart starts in the traditional 6/8 time, then swings into the hot ending.

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

By Walter Marks [Sammy Davis, Jr.] [Glee]. Arranged by Bob Cerulli. Orchestra. Part(s); Score; String Orchestra. Pop Beginning String Orchestra. Broadway; Light Concert. Grade 2. 72 pages. Published by Alfred Music Publishing

Fife and drum - Beginning; Intermediate; Advanced

SKU: MB.95483M

Composed by Walter D. Sweet. Squareback saddle stitch, Tunebook, Flute, Fife and Oboe, Solos, Percussion: Snare Drum, American Music, Folk. Complete. Style. Book and online audio. 112 pages. Mel Bay Publications, Inc #95483M. Published by Mel Bay Publications, Inc (MB.95483M).

ISBN 9780786689842. 8.75 x 11.75 inches.

A collection of 78 tunes containing some Civil War selections as well as many other traditional favorites. Each arrangement features harmony, style marks and guitar chords. The music is supplemented with histories of the tunes and drumbeats. Complete Music for Fife and Drum was compiled by a professional fifer and intended for the military fife in B-flat. This book offers tunes from the Revolutionary and Civil War eras with suggested snare and bass drum parts as well as chord progressions. It also contains a wealth of fife history and resources. The author, Walter Sweet, is the son of the well-known American fife maker Ralph Sweet of Connecticut. Includes access to online audio.

Piano

SKU: BR.EB-6734

Piano Lessons by Ludwig van Beethoven. Composed by Ludwig van Beethoven. Edited by Heinz Walter. Solo instruments; Softcover. Edition Breitkopf. Dances/marches; Classical. Score. 16 pages. Breitkopf and Haertel #EB 6734. Published by Breitkopf and Haertel (BR.EB-6734).

ISBN 9790004169360. 9 x 12 inches.

This series of easy piano pieces for teaching purposes presents pupils in the early and early-middle stages with a careful selection from well-known and less-known compositions by important masters. The individual volumes are deliberately kept small in compass, since it is more stimulating for children if the literature used for instruction is changed frequently. Between 1795 and 1802, Beethoven composed a large number of German dances, contredances and minuets. He made simple piano reductions of a considerable proportion of these occasional compositions. The selection of the present pieces was made on the basis of the compositions that seemed most suitable for the piano. The piano arrangements are based on the scores and the original piano reductions, and the marks of interpretation have been retained. The working-out of more finely-differentiated interpretations is left to the performer studying the pieces. These grateful little pieces are equally suitable as studies and as recital pieces. Heinz Walter, Salzburg, Fall 1974.

Bass flute, Bass clarinet, Baritone saxophone, Guitar, 2 Violins

SKU: CA.1633000

For bass flute (alto flute solo), bass clarinet, baritonsaxophone, guitar, 2 violins. Composed by Walter Feldmann. German title: Vertical Et Blanc 2006. Playing score. Composed 2006. 70 pages. Carus Verlag #CV 16.330/00. Published by Carus Verlag (CA.1633000).

ISBN 9790007113469. Language: all languages.

The texts of the French author Anne-Marie Albiach have long been the point of departure for my works. Following the viola concerto << monstrueuse vecut dans le cadre >> la memoire, which is based on her << H II >> lineaires, the three texts entitled << une geometrie >> have generated a new cycle. As in the other two works of the cycle, << vertical et blanc >> is predicated on two different readings of the text: on the one hand a (private) reading by Anne-Marie Albiach in which time is measured out; while on the other hand the graphic text is measured millimeter by millimeter. The latter serves as the basis - the genetic code - for the temporal, horizontal structures of the ensemble part, whereas the reading of the author appears late in the melodic lines of the solo alto flute, which force the ensemble to play an accompaniment in flat surfaces. In << vertical et blanc >> one clearly recognizable element is repeated: a ninth chord, the basic element in the works of Claude Debussy, the composer who I admire wholeheartedly. For the generation of tone materials this chord is compressed and stretched within the ranges (frames) of tones which are derived from the horizontal positions of the text fragments: lower, borderline tones on the left margin, and higher borderline tones on the right margin. Thus the disposition on the page, essential for Anne-Marie Albiach (and first introduced in poetry by Mallarme in Un coup de des jamais n'abolira le hasard), is rendered in sound. Naturally each element of the text serves to mould structure and dynamics, to include the typography: fragments within quotation marks, in italics, etc., yield different sonorities and movements. Whereas the ensemble articulates rhythmically each character of the text, the rhythms of the solo flute articulate only its syllables and words. Each word of the author's reading of the text is instrumentated differently, which is important for the entire cycle. Thus a compact network of instrumental combinations is created in which, word for word, the text is made audible.