Book with Online Audio Demo Tracks. Arranged by Bridget Mermikides. Guitar Solo. Classical. Softcover Audio Online. 128 pages. Published by Hal Leonard

Fake Book (Includes melody line and chords). Size 9x12 inches. 568 pages. Published by Hal Leonard.

Composed by Lily Afshar. Squareback saddle stitch. Classical. Book. 116 pages. Mel Bay Publications, Inc #30832. Published by Mel Bay Publications, Inc

(Selections from Suzuki Violin School Volumes 1, 2 and 3 for Violin with Guitar Accompaniment). By Thomas Heck. For Violin. Duet or Duo; String Ensemble (Suzuki). Book. 40 pages. Published by Alfred Music Publishing

Composed by Lily Afshar. Squareback saddle stitch. Classic. Book. 80 pages. Mel Bay Publications, Inc #30831. Published by Mel Bay Publications, Inc

Guitar; Violin

SKU: UT.CH-248

Composed by Nicolo Paganini. Edited by Italo Vescovo. Saddle stitching. Classical. Ut Orpheus #CH 248. Published by Ut Orpheus (UT.CH-248).

ISBN 9790215324183. 9 x 12 inches.

The considerable and important musical production by Nicolò Paganini for violin and guitar is now increased to a small but significant degree with the publication of the Sei piccoli Valtz (the title is not the composer’s). They are brief but very pleasing pieces, in which it is easy to perceive the spirit with which the great Genoese musician wrote his short compositions.
These are autograph compositions, where the instrumental indication (violin) is present only at the sixth. They could be considered almost ‘musical jottings’ found in two manuscript collections of music for guitar, the Ghiribizzi and the 37 Sonate, but which have never been transcribed and completed before now. Their musical structure is simple, as is found in this kind of composition, and is organised mostly in bipartite form, except for the Valtz n. 6 which it is tripartite (with the Minore and the Da Capo al Fine).
It is most likely to be the violin part of compositions for violin and guitar, given the musical characteristics of the six pieces, similar to other music by Paganini such as the Sei Cantabili e Valtz dedicated to Camillo Sivori.
It must not then be ruled out, given the numbering allocated by the composer to the first five Valtz, that they might even be the evidence of a ‘project’ which was perhaps never completed, or else finished and lost, of which in fact only these few pages remain.

By Jay Ungar and Molly Mason. For Cello, Piano, Violin, Fiddle, Classical Guitar. Wire bound. Multiple Levels. Book. 82 pages. Published by Mel Bay Publications, Inc

Composed by John LaBarbera. Squareback saddle-stitched. Book and online audio. Published by Mel Bay Publications, Inc (MB.22176M).

Celtic / Irish, Perfect binding, World. Sacred. Book and online audio. 108 pages. Mel Bay Publications, Inc #31036M. Published by Mel Bay Publications, Inc

For Violin (or Flute/Piccolo) and Guitar. By David Leisner. For Violin, Flute, Piccolo, Guitar. Solo part with piano reduction. 20 pages. Published by Theodore Presser Company.

For Guitar. Level: S. 28 pages. Published by ABRSM (Associated Board of the Royal Schools of Music).

By Various. Arranged by Daniel Kelley. For Keyboard or Guitar. Quartets. Intermediate Music for Four. Classical. Intermediate. Part. Published by Last Resort Music Publishing

By Various. Arranged by Daniel Kelley. Piano quintet, strings and piano. For Violin, Viola, Cello, Piano. Quintet, quartet. Rags and Waltzes. Intermediate/Advanced. Set of 5 parts. Published by Last Resort Music Publishing

Composed by Jan Freidlin (1944-). For violin and guitar. Published by Musik Fabrik

Guitar solo - Advanced

SKU: DZ.DZ-4287

Composed by Francisco Braga. Arranged by Luciano Lima. Score. Les Productions d'OZ #DZ 4287. Published by Les Productions d'OZ (DZ.DZ-4287).

ISBN 9782898522048.

Antà ´nio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.
In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.
Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.
Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).
In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.
In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.
Unfortunately , Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.
The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.

Antôni o Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.
En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.
De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.
Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).
En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.
En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.
Malheureuseme nt, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.
La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».
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By Jamey Aebersold. For singers, vocalists, drums, bass, guitar, flute, clarinet, violin, viola, piano, keyboard, organ, saxophone, trombone, trumpet, harmonica. Play-Along series with accompaniment CD. Play duets with Jimmy Raney!. Play-Along Categories: Artists. Level: intermediate, advanced. Book with CD. Published by Jamey Aebersold Jazz.

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By Jamey Aebersold. For singers, vocalists, drums, bass, guitar, flute, clarinet, violin, viola, piano, keyboard, organ, saxophone, trombone, trumpet, harmonica. Play-Along series with accompaniment CD. Paquito produced and oversaw the recording using his own world-renowned band!. Play-Along Categories: Artists. Level: intermediate, advanced. Book with CD. Published by Jamey Aebersold Jazz.

By Various. Arranged by Daniel Kelley. String quartet, mixed quartet. For Flute/Oboe/Violin, Viola, Cello, Bassoon. Quartets. Rags and Waltzes. Intermediate/Advanced. Set of 4 parts. Published by Last Resort Music Publishing