Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)

Make the silence talk'La Muette knew how to make the silence talk like no one', writes Djavann in his book (La Muette, © Flammarion 2008). Those words deeply touched me for they express one of the most beautiful metaphors in music. Through the lines of discourse, beyond words, I was listening to the silence of 'La Muette'. A rare and intense listening which joins the same internal listening I use when I'm writing my score. I was listening to La Muette, I decided to write a new piece to make the silent voice of La Muette told by Chahdortt Djavann sound through music. Choosing the extracts The text put in music is composed of short extracts from Djavann's story. I focused on this woman's portrait, who conquers her freedom through silence in which she forms a strong love relationship with her niece Fatemeh on the one hand, and the Uncle on the other hand. 'She had made her silence become her art of living, her freedom' writes Djavann. The extremely dramatic tension, the flow of the singing in Persian language, and the oppression in relation to the Iranian context are trying to underline the independent beauty of that woman who resists and exists without a voice. Story A young 15 years old Iranian girl named Fatemeh is in jail. Waiting for her death sentence, she writes the story of her aunt on a small notebook, 'so that someone remembers La Muette and myself'. The young teenager was raised by her aunt who becomes mute because she decided to stop talking on a dark day of her own childhood when she was interrogated, never to tell THE truth. An aunt whose silence makes even more fascinating, haughty, with an insolent look, cigarette at her lips, bare-footed and without any scarf on her head. 'La Muette' had made her silence become her art of living, her freedom. Around her, women start to talk, even considering her mad, for only a mad person could act this way. Fatemeh loves her mute aunt unconditionally, that is how she wants to become a woman, by being like her, fascinated by her silence and her excesses. La Muette embodies a figure of Freedom and makes us remember that in some countries, the woman who won't be submissive risks capital punishment. She will be hung. Following this beautiful text by Chahdortt Djavann, 'La Muette', a powerful text, stiff, tensed, without any lyricism nor compromises, which takes place in Iran under the Mollahs' regime. Persian: Phonological material / Compositional material Djavann's story is written in French. I asked Baharé Khadjé-Nouri to translate the text into Persian, and worked with her on pronunciation, accentuation, metric and the structure of the language, and I thank her again for that. I spent a long time having some people reading me the text in Persian and through listening I immersed myself in that sound universe. From this linguistic material, the beginning of the piece starts with the constitution of a tank of sound objects which will constitute parts of the compositional material. To compose the phonological tank, I worked on writing the pronunciation that lies at the origin of every possible vocal composition, writing the tone as well as the 'percussive - resounding' aspects of phonemes, multiple uses of fricative consonants or sibilants. Finally I used the vocal treatment of the phoneme through modes of play in relation to sprechsang: sing -inspire, or -expire, -blow, -chanting, -whispering, -spitting, -speaking. But a purely phonetic analysis of the vocal structures composing the sung part would reduce the word to its mere phonetic entity. The phonological material then constituted a compositional material by giving to the sung word its semantic entity. Form of the piece To strip the drama off every narrative element, at least of the discursive and linear character of the story, I first re-organized parts of the text extracted from the whole book in an order fitting the form I wanted to give to the piece (except for the beginning and ending which are kept in their linear forms). I imagined Fatemeh in jail, whose memories bounced between the four walls of her cell: recurring musical material, re-injected in an obsessive way, disjointed and contrasted, continuously modified each time, bouncing from one sequence to the next in another state. The piece is divided into 5 sequences, between each of them is an instrumental interlude with a voice-off, the voice of the present in the cell that contrasts with the singing voice of the sequence, evocation of memories of La Muette (sequence 1: preamble, sequence 2: portrait of La Muette, sequence 3: La Muette and Fatemeh, sequence 4: La Muette and the Uncle, sequence 5: epilogue). Electroacoustic setupFor this piece, I wrote the electroacoustic parts myself at the same time I was writing the instrumental parts. The electroacoustic setup is here considered as a whole instrument, an instrument added to the 12 others electroacoustic instruments and to Donatienne's voice. The electroacoustic sounds are divided into three types: - Samples from the singer's voice and instruments of the TM+ ensemble transformed - The narrator's voice Baharé Khadjé-Nouri in Persian, original version or transformed - Extra-musical sounds As for the synchronization between the acoustic and the electroacoustic scores, we will use for the first time an innovative application developed by Frédéric Bevilacqua and Bruno Zamborlin, not to follow the moves as we did it in StreicherKreis (my string quartet created in November 2008), but to follow the voice and orchestra. Thus, we will be using an 'audio-following', which constituted a first. This setup of recognition and following will allow the synchronization between instrumental and electroacoustic scores in a musical and precise way. Concerning the interactivity between performers and device, it will all be in real-time. Characteristics of the musicians' sound will 'interpret' what comes out of the speakers. The musicians will define the settings of the sound transformations, in terms of space, transposition, tone or length. This new piece expresses a message through the choice of subject that goes beyond strictly music. For me, it is important that both the composer and writer can invest their work into problematics which they're confronted to because they are immediate witnesses. / Soprano Et Percussions

This songbook contains 101 top hits, arranged for easy Piano. Featuring pieces from many different genres, Really Easy Piano: 101 Top Hits includes songs by Elton John, Snow Patrol, Frank Sinatra, Beyoncé, Abba and many more well-known artists. / Piano

255 Testi con accordi dei successi internazionali. / Pop & rock / Recueil / Chanson

Une superbe collection en trois volumes de plus de 115 morceaux faciles à jouer pour le Piano Solo. Contient des morceaux pop, des musiques de spectacles, de jazz de la collection Tunes You've Always Wanted To Play, rassemblés ici pour une edition spéciale. / Variétés / Coffret Partition /

Une excellente collection de plus de 120 Show Tunes, arrangé pour piano solo avec les symboles de la corde. Convient pour l'apprenant intermédiaire, fournissant le matériel de répertoire populaire. Une superbe sélection de la plus grosse montre notamment : Annie - Buddy - chats - Evita - un violon sur le toit - graisse - d'échecs - Mamma Mia - Whistle Down The Wind - le fantôme de l'opéra. / Piano / 132 pages / Partition

Ce songbook dispose de 15 fantastiques Country Hits de 2012 à 2013, chacune experte arrangé pour Piano, Voix et Guitare.Les chansons incluent: Beer Money - Begin Again - Better Dig Two - Come Wake Me Up - Every Storm (Runs Out of Rain) - Fastest Girl in Town - Hard to Love / Piano/Vocal/Guitare (PVG)

son est la collection de poche essentielle de Cat Stevens hits. Présentés sous forme de recueil de chansons de corde, ce livre comprend des paroles complètes et les accords de guitare pour plus de 140 classics mémorables. Ne manquez pas ce format portable, facile à transporter avec toutes vos chansons préférées de Cat Stevens ! / Chant Et Guitare / 336 pages / Partition

2000-2005 Best Pop Songs is a collection of over 50 of the biggest US pop hits released between 2000 and 2005. This book includes a remarkable list of artists, with hit songs from Michelle Branch, Christina Aguilera, Avril Lavigne, American Idol stars Kelly Clarkson, Carrie Underwood, Clay Aiken and Bo Bice, and legendary divas like Barbra Streisand, Celine Dion, and Mariah Carey. 8th World Wonder; All You Wanted; Baby Mama; Beautiful (As You); Because Of You; Breakaway; Bridge Over Troubled Water; Burn; Can't Fight The Moonlight; Come Clean; Complicated; Could I Have This Kiss Forever; Cry Me A River; Dance With My Father; Don't Cha (Rap Version); Don't Cry Out Loud; Don't Forget About Us; Drowning; Everywhere; Follow Me; For My Wedding; Graduation (Friends Forever); I Don't Want To Be; I Learned From The Best; I Turn To You; I Want You To Need Me; I'm Alive; I'm Feeling You; Inside Your Heaven; Invisible; Lost Without You; Maria Maria; Miss Me So Bad; Need To Be Next To You; Nobody's Home; Over The Rainbow; Pieces Of Me; Rich Girl; Soak Up The Sun; Some Hearts; Stickwitu; Stranger In A Strange Land; Sweetest Sin; Take My Breath Away; Thank You; The Game Of Love; The Real Thing; There You'll Be; This I Promise You; To Where You Are; Walk Away; We Belong Together; When You Tell Me That You Love Me; Whenever, Wherever; Why Don't You and I; You And Me; You Raise Me Up.

Une belle collection de plus de 40 films à succès, arrangés pour piano solo avec symboles d'accord. Convient à l'élève de niveau intermédiaire, lui fournissant ainsi un répertoire populaire. Des tubes provenant de films tels qu'Aladdin - La Belle et la Bete - The Commitments - Le Patient Anglais - Quatre Mariages et un Enterrement - Ghost - Mission Impossible - La Leçon de Piano - Titanic - Star Trek. / Piano

E-Z Play Today Book A. Introducing the E-Z way to reading music notes, chords, and learning musical terms! Keyboards are among the most versatile of all musical instruments, and many electronic keyboards today have special automatic features and automatic rhythms. These features make making music even more fun and versatile! If you've always wanted to learn how to play the keyboard, this book is your first step to success! Beginnings Book A provides easy-to-understand instructions with popular songs and favorite tunes so you can start playing music you know and love while learning to play! In practically no time, you'll be performing some of your favorite standards, including: Aura Lee · DannyBoy · He's Got the Whole World in His Hands · Kumbaya · Lullaby (Cradle Song) · On Top of Old Smoky · Simple Gifts · When the Saints Go Marching In · Yankee Doodle · and more. This book also includes access to online recordings of demonstration and backing tracks, so you can listen to the demos to hear how the piece should sound, then play along with the backing tracks to sound like a pro! Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Pédagogie / Recueil / Clavier