| Rise Again Songbook Paroles et Accords Hal Leonard
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Again Songbook Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| We Weren't Born to Follow Chorale SATB SATB, Piano Hal Leonard
By Bon Jovi. By Jon Bon Jovi and Richie Sambora. Arranged by Kirby Shaw. SATB. P...(+)
By Bon Jovi. By Jon Bon
Jovi and Richie Sambora.
Arranged by Kirby Shaw.
SATB. Pop Choral Series.
12 pages. Published by
Hal Leonard
$1.90 $1.805 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| We Weren't Born to Follow Chorale 3 parties SAB Hal Leonard
Choral (SAB Choir) SKU: HL.8202778 By Bon Jovi. By Jon Bon Jovi and Richi...(+)
Choral (SAB Choir)
SKU: HL.8202778 By
Bon Jovi. By Jon Bon Jovi
and Richie Sambora.
Arranged by Kirby Shaw.
Pop Choral Series.
Graduation, Pop, Rock,
Show Choir. Octavo. 12
pages. Published by Hal
Leonard (HL.8202778).
UPC: 884088544089.
6.75x10.5
inches. From the
Bon Jovi album The
Circle, this 2009 single
evokes themes of working
people “picking
themselves up by their
bootstraps in hard
times.” This
uplifting message and
full voiced choral
arrangement will be an
outstanding choice for
graduation or as a
concert closer. Available
separately: SATB, SAB,
SSA, ShowTrax CD. Combo
parts (tpt 1-2, tsx, tbn,
gtr, b, dm) available as
a digital download.
Duration: ca. 3:20. $1.90 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| We Weren't Born to Follow - ShowTrax CD CD Chorale [CD] Hal Leonard
By Bon Jovi. By Jon Bon Jovi and Richie Sambora. Arranged by Kirby Shaw. For Cho...(+)
By Bon Jovi. By Jon Bon
Jovi and Richie Sambora.
Arranged by Kirby Shaw.
For Choral (ShowTrax CD).
Pop Choral Series. CD
only. Published by Hal
Leonard
$26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Inspiration Piano Piano seul - Facile Music Distribution Services
Piano - easy to intermediate SKU: M7.ART-42136 34 leichte bis mittelsc...(+)
Piano - easy to
intermediate SKU:
M7.ART-42136 34
leichte bis mittelschwere
Klavierkompositionen
für Kinder,
Jugendliche &
Erwachsene. Composed
by Nataliya Frenzel.
Score with online audio
files. 68 pages. MDS
(Music Distribution
Services) #ART 42136.
Published by MDS (Music
Distribution Services)
(M7.ART-42136). ISBN
9783866421363. 'Ins
piration Piano' ist eine
Sammlung von modernen
Klavierstücken, die
sich an Kinder,
Jugendliche, Erwachsene
und Wiedereinsteiger
richtet, die bereits die
Grundtechniken des
Klavierspielens erlernt
haben. Wenn Sie nach
leichten bis
mittelschweren
Klavierkompositionen
suchen, die von
zeitgenössischer Film-
und Unterhaltungsmusik
geprägt sind, jedoch
auch viele klassische
Elemente und Strukturen
aufweisen, dann sind Sie
hier genau richtig.
Abwechslungsreich, von
melancholisch-romantisch
bis
humorvoll-lebensfreudig
und jeweils mit einer
einprägsamen Melodie.
Und das Wichstigste: die
Stücke sollen Freude
am Spielen bereiten. Die
enthaltenen Kompositionen
sind sowohl für den
allgemeinen
Klavierunterricht, als
auch zum Selbststudium
und für das entspannte
häusliche Musizieren
geeignet.
Grundspieltechniken wie
Koordination der
Hände,
Melodiegestaltung,
Artikulation und Dynamik
werden durch 'Inspiration
Piano' geschult und
ausgebaut. Zudem werden
weitere spieltechnische
Themen wie Oktavspiel,
Verzierungen,
Akkordspiel, punktierter
Rhythmus, Triolen,
Synkopen und Repetitionen
behandelt. Da viele der
Klavierstücke relativ
kurz sind, führt
bereits kleiner Zeit- und
Ãœbungsaufwand rasch zu
Erfolgserlebnissen. $25.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Suffs – The Musical Piano, Voix Hal Leonard
Piano/Vocal Selections Piano/Vocal SKU: HL.1737924 Vocal Selections(+)
Piano/Vocal Selections
Piano/Vocal SKU:
HL.1737924 Vocal
Selections. Composed
by Shaina Taub. Vocal
Selections. Broadway.
Softcover. Published by
Hal Leonard (HL.1737924).
UPC:
196288288701. Suffs
is the Tony
Award®-winning musical
that's making history on
Broadway! Crafted by the
supremely talented Shaina
Taub, she's shattered
ceilings by becoming the
first woman to
single-handedly snag Tony
Awards for both Best Book
and Best Score in the
same year. Beyond its
Tony Award® glory,
Suffs has clinched the
title of Best Musical
from the Outer Critics
Circle, bagged a pair of
Drama Desk Awards
including one for Best
Score, and it's been
hailed as the season's
most heart-stirring
musical by the Chicago
Tribune. This musical
dives into the lives of
the suffragist women,
affectionately known as
âSuffs.â These
women weren't just
intellectual giants in
their pursuit for the
voteâthey were
complex beings, marked by
their persistence, humor,
and the fiery passion
driving their cause.
Suffs unfolds the
tapestry of their
camaraderie, the setbacks
that tested them, and
showcases the push-pull
dynamics that either
united or divided them.
Venturing boldly into an
equality struggle that
echoes into today, Suffs
stands as a theatrical
behemoth, lauded by
Forbes as a
âmust-see,â and
a stirring nudge
reminding us that while
progress is within reach,
it's never a sure thing.
Make your voice heard
with our matching
songbook, featuring 15
songs from the exhuberant
score arranged for vocal
line with piano
accompaniment. Songs
include: Finish the Fight
⢠Great American
B**** ⢠How Long
⢠If We Were Married
⢠Keep Marching
⢠Let Mother Vote
⢠Lucy's Song â¢
The March (We Demand
Equality) ⢠Show
Them Who You Are â¢
Wait My Turn ⢠Worth
It ⢠and more. $29.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Bon Jovi Greatest Hits
Piano, Voix et Guitare [Partition] Hal Leonard
(The Ultimate Collection). By Bon Jovi. Piano/Vocal/Guitar Artist Songbook. Sof...(+)
(The Ultimate
Collection). By Bon Jovi.
Piano/Vocal/Guitar Artist
Songbook. Softcover. 208
pages. Published by Hal
Leonard
(2)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Contrabass Clarinet,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Oboe 1, Oboe 2, Piccolo,
alto Saxophone, soprano
Saxophone, tenor
Saxophone SKU:
PR.165001000 Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Folio. Set of Score and
Parts.
4+24+24+16+8+4+4+24+12+12
+8+4+4+4+4+8+8+8+8+4+4+4+
4+8+8+8+8+8+8+8+8+4+16+4+
8+4+8+8+4+4+4+48 pages.
Duration 10 minutes, 41
seconds. Theodore Presser
Company #165-00100.
Published by Theodore
Presser Company
(PR.165001000). ISBN
9781491129241. UPC:
680160669776. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $150.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| For the Mystic Harmony [Conducteur] Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta,...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Bongos, Castanets,
Celesta, Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass
Clarinet, Contrabassoon,
English Horn, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3 and more. SKU:
PR.16500100F Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Sws. Full score. 48
pages. Duration 10
minutes, 41 seconds.
Theodore Presser Company
#165-00100F. Published by
Theodore Presser Company
(PR.16500100F). ISBN
9781491114421. UPC:
680160669783. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $25.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Bon Jovi - Greatest Hits Guitare notes et tablatures [Partition] Hal Leonard
By Bon Jovi. Guitar Recorded Version. Softcover. Guitar tablature. 144 pages. Pu...(+)
By Bon Jovi. Guitar
Recorded Version.
Softcover. Guitar
tablature. 144 pages.
Published by Hal Leonard
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Christmas Carols Guitare - Facile Ricordi
Guitar - easy SKU: BT.SY-2972 The 25 most beautiful Christmas melodies...(+)
Guitar - easy SKU:
BT.SY-2972 The 25
most beautiful Christmas
melodies for guitar.
Arranged by Maria
Linnemann. Book Only.
Composed 2016. 28 pages.
Ricordi #SY 2972.
Published by Ricordi
(BT.SY-2972). GTRSO
inches.
English-German. Die
Komponistin Maria
Linnemann hat in diese
Sammlung all die
geliebten
Weihnachtslieder
aufgenommen, die
während ihrer Kindheit
im Herzen Englands
regelmäßig gesungen
wurden. Wer selbst in
England aufgewachsen ist
oder wer einfach die
dortigeWeihnachtslieder-T
radition näher
kennenlernen möchte,
wird an dieser Sammlung
seine Freude haben. Die
Arrangements sind im
leichten bis
mittelschweren
Schwierigkeitsgrad
gehalten und eignen sich
bestens als
ausdrucksvolle
Vortragsstücke. Die
Ausgabeenthält zu
jedem Lied eine Strophe
des originalen Liedtextes
(inklusive einer
deutschen
Ãœbersetzung). $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Christmas Piano Piano seul - Facile Music Distribution Services
Piano - easy to intermediate SKU: M7.ART-42111 Die schönsten Weihna...(+)
Piano - easy to
intermediate SKU:
M7.ART-42111 Die
schönsten
Weihnachtslieder für
Klavier zum
Vortragen. Arranged
by Valenthin Engel. Sheet
music. 40 pages. MDS
(Music Distribution
Services) #ART 42111.
Published by MDS (Music
Distribution Services)
(M7.ART-42111). ISBN
9783866421110. In
der Vielzahl an
Weihnachtsliederbücher
n ist es nicht immer
leicht, den
Schwierigkeitsgrad
abzuschätzen und die
richtige Entscheidung
für ein passendes
Spielbuch zu treffen.
Gerade im Anfänger-
und leicht
Fortgeschrittenen-Bereich
sind die Stücke
häufig langweilig oder
gar banal gesetzt. Um
diese Lücke zu
schließen hat
Valenthin Engel die
wunderbare Sammlung
'Christmas Piano'
konzipiert und
arrangiert. 'Christmas
Piano' enthält eine
Auswahl der bekanntesten
Weihnachtslieder aus
verschiedenen
Jahrhunderten in schön
klingenden Bearbeitungen
mit den dazugehörigen
Texten. Die
mittelschweren Stücke
sind vor allem für
leicht fortgeschrittene
Klavierspieler gedacht,
die über drei bis vier
Jahre Spielpraxis
verfügen und mit dem
Vortrag dieser Stücke
glänzen können.
Gospels und Spirituals
runden diese Ausgabe ab
und machen sie zu einem
festlichen Begleiter
für die
Weihnachtszeit.
'Christmas Piano'
versteht sich als
motivierendes
Zusatzrepertoire zu
Valenthin Engels
Lehrwerken 'Circus
Pianoforte' sowie 'Circus
Fortissimo' und
ergänzt den
Vorgängerband
'Weihnachtslieder am
Klavier' perfekt. $16.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Sun Will Rise Again Orchestre d'harmonie [Conducteur] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-337-140 For the victims of...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.AMP-337-140 For
the victims of the
Japanese earthquake and
tsunami, March 2011.
Composed by Philip
Sparke. Anglo Music
Midway Series. Score
Only. Composed 2011. 16
pages. Anglo Music Press
#AMP 337-140. Published
by Anglo Music Press
(BT.AMP-337-140). 9x12
inches.
English-German-French-Dut
ch. The composer
writes:On March 11th 2011
a massive 9.0- magnitude
earthquake occurred off
the coast of
north-eastern Japan.I'm
writing these programme
notes barely a week later
and the death toll caused
by the quake and
resulting tsunami already
exceeds 6000, with
thousands of people still
unaccounted for. I have
many friends associated
with many bands
throughout Japan and one
of these, Yutaka Nishida,
suggested I write a piece
to raise money to help
those affected by the
disaster. I was
immediately attracted by
the idea and have
arranged Cantilena (a
brass band piece recently
commissioned by the
Grenland International
Brass Festival, Norway)
for wind band, giving it
a new title tohonour my
friends in the Land of
the Rising Sun.I will be
donating royalties from
this piece to the
Japanese Red Cross
Society Emergency Relief
Fund and am delighted to
say that my distributors,
De Haske, who will
generously also donate
all net profits from
sales of this piece, have
pledged a substantial
advance payment to the
Red Cross so that what
little help this project
generates can be
immediate.It is my
sincere wish that this
'Band Aid' project will
allow wind bands around
the world support the
people of Japan, where
bands are a way of life
for many, in this
difficult time.Philip
Sparke
De
componist schrijft:Op 11
maart 2011 vond er vlak
bij de noordkust van
Japan een enorme
aardbeving - 9.0 op de
schaal van Richter -
plaats.Ik maak deze
werkbeschrijving
nauwelijks een week later
en het aantal doden dat
de aardbevingen de
daaropvolgende tsunami
hebben geëist, komt al
uit boven de 6000,
terwijl er nog steeds
duizenden mensen worden
vermist.Ik heb veel
vrienden die met orkesten
in heel Japan werken, en
een van hen, Yutaka
Nishida, steldevoor dat
ik een stuk zou schrijven
om geld bij elkaar te
krijgen voor hulp aan de
slachtoffers van de ramp.
Ik vond het meteen een
goed idee en ik heb
vervolgens Cantilena (
een brassbandwerk dat ik
recentelijk heb
gecomponeerd voorhet
Grenland International
Brass festival in
Noorwegen) gearrangeerd
voor harmonieorkest en er
een nieuwe titel aan
gegeven, als eerbewijs
aan mijn vrienden in het
land van de rijzende
zon.De royalty's die ik
voor dit werk krijg,zal
ik doneren aan het
Japanse noodhulpfonds van
het Rode Kruis, en ik ben
heel blij dat mijn
distributeur, De Haske,
die eveneens alle
nettowinst op dit werk
zal doneren, bereid is
alvast een grote
vooruitbetaling te doen
aanhet Rode Kruis, zodat
de hulp die uit dit
project voortkomt, hoe
bescheiden wellicht ook,
onmiddellijk in gang
gezet kan worden.Ik hoop
oprecht dat dit 'Band
Aid-project' het
blaasorkesten wereldwijd
mogelijk maakt de mensen
in Japante steunen - een
land waar blaasmuziek
voor velen een manier van
leven is.
Der
Komponist schreibt
über sein Stück:Am
11. März 2011
ereignete sich ein
Erdbeben der Stärke
9,0 vor der
nordöstlichen Küste
Japans.Diese
Werkbeschreibung schreibe
ich nur eine Woche
später. Die Zahl der
Todesopfer des Erdbebens
und des dadurch
ausgelösten Tsunamis
überschreitet bereits
die 6000, wobei noch
tausende Menschen als
vermisst gelten.Ich habe
zahlreiche Freunde in
Japan, die mit vielen
Blasorchestern im ganzen
Land verbunden sind.
Einer dieser Freunde,
Yutaka Nishida, schlug
mir vor, ein Stück zu
schreiben, um mit dem
Erlös den von der
Katastrophe betroffenen
Menschen zu helfen. Ich
war gleich begeistert von
dieser Idee und habe
daraufhin
Cantilena(ein
Brass-Band-Stück, das
ich jüngst für das
Grenland International
Brass Festival in
Norwegen komponierte)
für Blasorchester
bearbeitet und ihm zu
Ehren meiner Freunde im
Land der aufgehenden
Sonne einen neuen Titel
gegeben.Ich werde meine
Tantiemen für dieses
Stück dem Hilfsfonds
des Japanischen Roten
Kreuzes spenden. Ich bin
auch sehr froh, dass mein
Verlag De Haske, der
ebenfalls alle Erlöse
aus diesem Stück
spenden wird, dem Roten
Kreuz bereits im Voraus
eine bedeutende Summe
geschickt hat, damit der
kleine Beitrag, den
dieses Projekt beitragen
kann, sofort ankommt.Es
ist mein inniger Wunsch,
dass dieses Band
Aid“-Projekt
Blasorchestern auf der
ganzen Welt
ermöglichen wird, den
Menschen in Japan zu
helfen, wo Blasorchester
in dieser schweren Zeit
für viele ein Weg
sind, das Leben aufrecht
zu erhalten.“Philip
Sparke
&
#65279;Le 11 mars 2011,
un violent séisme de
magnitude 9.0
s’est produit
près de la côte
nord-est du
Japon.
Jâ
™Ã©cris cette note
de programme tout juste
une semaine après la
terrible catastrophe, et
le nombre de morts
causé par le
tremblement de terre et
le tsunami provoqué
par ce dernier,
s’élève
déj plus de 6000
personnes, tout en
sachant que des milliers
d’autres sont
toujours portées
disparues.
J
’ai beaucoup
d’amis dans le
milieu des Orchestres
Vent au Japon et
l’un
d’entre eux,
Yutaka Nishida,
m’a suggéré
d’écrire une
œuvre destinée
collecter des fonds pour
venir en aide aux
personnes affectées
par ce cataclysme. Ayant
étéimmédiatement
séduit par sa
proposition, j’ai
écrit un arrangement
pour Orchestre
d’Harmonie de la
pièce Cantilena (une
œuvre pour Brass
Band récemment
commandée par le
Grenland International
Brass Festival, en
Norvège), et lui ai
donné un nouveau titre
en hommage mes amis du
Pays du Soleil Levant :
The Sun Will Rise Again
(Le soleil se lèvera
nouveau).
Je
reverserai
l’intégralitÃ
des droits
d’auteur de ce
morceau au fonds de
secours de la Croix-Rouge
japonaise. En outre, je
suis ravi
d’annoncer que mon
distributeur De Haske,
qui a généreusement
décidé de donner
tous les bénéfices
nets sur les ventes de
cette œuvre,
s’est engagé
effectuer
immédiatement un
versement substantiel la
Croix-Rouge afin que le
Japon puisse profiter
sans délai de
l’aide modeste
générée par ce
projet.
Jâ
™espère très
sincèrement que
celui-ci permettra aux
Orchestres Vent du monde
entier de soutenir le
peuple japonais, pour qui
la musique joue un
rôle
important,
en ces
temps
difficiles.
Philip Sparke
La
recente tragedia del
Giappone, messo in
ginocchio dal terremoto,
ha spinto Philip Sparke a
comporre The Sun Will
Rise Again (Il sole
sorger nuovamente), un
brano che vuole essere un
messaggio di solidariet
al popolo nipponico, ma
anche un aiuto concreto:
gli introiti saranno
interamente devoluti, sia
dal compositore sia dalla
casa editrice De Haske,
alla Croce Rossa
giapponese. $27.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Like A Picture Guitare - Facile Edition Dux Verlag
Guitar - easy to intermediate SKU: M7.DUX-892 17 Charakterstücke f...(+)
Guitar - easy to
intermediate SKU:
M7.DUX-892 17
Charakterstücke für
Konzertgitarre.
Composed by Walter
Theisinger. Sheet music
with CD. Performance
book. 40 pages. Edition
Dux Verlag #DUX 892.
Published by Edition Dux
Verlag (M7.DUX-892).
ISBN
9783934958388. Akus
tische Bilder, denen
jeder Gitarrist seine
eigene Farbe verleihen
kann. Vor jeder der
leichten bis
mittelschweren
Kompositionen führen
kurze Hinweise in den
Charakter der Stücke
ein. Auf der beiliegenden
CD hat der Komponist
seine Werke
eingespielt. $26.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Der Schweinachtsmann Con Brio
Buch, gebunden mit CD SKU: HG.ECB-6110 Auffuhrungsmaterialien und Auff...(+)
Buch, gebunden mit CD
SKU: HG.ECB-6110
Auffuhrungsmaterialien
und
Auffuhrungslizenzierung
direkt beim Verlag:
Info@holzschuh-verlag.de<
/i>. Composed by Felix
Janosa and Jorg Hilbert.
This edition: hardbound.
Book and CD. Con Brio
#ECB 6110. Published by
Con Brio (HG.ECB-6110).
ISBN
9790202861103. Den
gefeierten Dauerbrenner
DER SCHWEINACHTSMANN von
Jorg Hilbert und Felix
Janosa, den beiden
Ritter-Rost-Vatern, kann
man in einer neuen
Ausgabe zusammen mit
einer CD-Einspielung
geniessen. Die
Weihnachtsmanner sind
verzweifelt: Ausgerechnet
Weihnachtsmann Rupert hat
sich beim Nusse knacken
den Daumen verletzt und
kann dieses Jahr seine
Aufgaben nicht
ubernehmen. Doch wer soll
so kurzfristig
einspringen? Zum Gluck
steht da noch ein
hilfsbereites,
lernbegieriges und
liebenswertes Schwein im
Stall. Ausgestattet mit
schweren Winterstiefeln,
rotem Mantel, einer
Zipfelmutze und dickem
Sack tritt es seine
abenteuerliche Reise
an... Die garantiert
unvergessliche
Weihnachtsgeschichte mit
sechs neuen
Weihnachtsliedern ist
lustig und besinnlich
zugleich. $33.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Asbjorn Schaathun: Actions Interpolations And Analyses (Score) [Conducteur] Music Sales
Bass Clarinet and Orchestra SKU: HL.14001122 Composed by Asbjorn Schaathu...(+)
Bass Clarinet and
Orchestra SKU:
HL.14001122 Composed
by Asbjorn Schaathun.
Music Sales America.
Classical. Score. Music
Sales #KP00663. Published
by Music Sales
(HL.14001122). ISBN
9788759855669.
Danish. ACTIONS,
INTERPOLATIONS AND
ANALYSES, symphonies for
bass-clarinet and large
ensemble (1987-90), is
what is commonly termed a
work in progress. So far
Schaathun has completed
three of five parts. The
is the composer's first
large-scale attempt to
investigate possible
connections between
ostensibly unrelated
material. Explained in
simple terms, it involves
taking two of Schaathun's
own type of texture
(composed by means of
different techniques) and
letting them rotate
around a familiar musical
object (in this case a
short excerpt from
Stravinskij's Symphonies
of Wind instruments in
which he employs the
famous frozen chords). In
the course of the piece
the elements takes over
various characteristics
from one another and the
form progresses from
fairly clear-cut textures
to a situation where the
various textures are
superimposed, creating a
dramatic flow. On a more
advanced level, the piece
is about trying to
mediate between different
musical textures as
metaphors for the
different levels of the
sound itself. One of the
main questions in this
context is; What is size
in music? Is it possible
to take a small
chord(i.e. narrow
register, few
instruments, simple tone
colours) and then blow it
up (wide register, many
instruments, advanced
mixtures) in such a way
that the listener still
perceives it as the same
chord? You have simply
moved closer to the
sound. At any rate, when
Schaathun composed the
piece, he himself
travellig into the sound,
as if were viewing a
texture from a distance.
He then recomposed the
same situation and drew
closer, and then
recompose it a third time
and simply get close
enough to discover the
world of sounds that thus
emerged. A world of
sounds capable of
travelling at a
tremendous speed...
However, like all
concertos, the piece is
of course about the
individual and his
relationship to his
surroundings (society).
Schaathun has often
pondered on the reason
for this preoccupation
wih solo concertos. The
answer derives from his
firm conviction that
nothing would ever happen
if it weren't for the
initiative, the Action,
of the individual. $61.25 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Heizmann Dona Nobis Pacem Mixc - Facile Schott
Mixed choir (SAB or SATB) (CHP) - easy to intermediate SKU: HL.49033374 <...(+)
Mixed choir (SAB or SATB)
(CHP) - easy to
intermediate SKU:
HL.49033374 Trost
und Hoffnung.
Composed by Klaus
Heizmann. Edited by Klaus
Heizmann. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Choral Score. 72 pages.
Schott Music #ED 9885.
Published by Schott Music
(HL.49033374). ISBN
9790001139397.
8.25x11.75x0.226 inches.
German. Choral
societies and church
choirs often sing at
funerals of their members
or on occasions such as
Remembrance Day and are
therefore looking for
good and easy tunes which
can be quickly rehearsed.
This varied and tasteful
collection of 36 old and
new songs offers a
suitable repertoire for
all kinds of funeral
services in editions for
three- or four-part mixed
choir, women's or men's
choir. $20.99 - Voir plus => Acheter | | |
| Heizmann Dona Nobis Pacem Schott
Female choir (CHP) SKU: HL.49033376 Comfort and Hope in Song - 36 old ...(+)
Female choir (CHP)
SKU: HL.49033376
Comfort and Hope in
Song - 36 old and new
songs. Composed by
Klaus Heizmann. Edited by
Klaus Heizmann. This
edition: Saddle
stitching. Sheet music.
Edition Schott. Mit
dieser reichhaltigen und
geschmackvollen Sammlung
von 36 alten und neuen
Beerdigungsliedern wird
ein passendes und leicht
erlernbares Repertoire
fur alle Arten von
Trauerfeiern fur
Frauenchor in
dreistimmigen Satzen zur
Verfugung gestellt.
Choral Score. 40 pages.
Schott Music #ED 9887.
Published by Schott Music
(HL.49033376). ISBN
9790001139410.
German. Choral
societies and church
choirs often sing at
funerals of their members
or on occasions such as
Remembrance Day and are
therefore looking for
good and easy tunes which
can be quickly rehearsed.
This varied and tasteful
collection of 36 new and
old songs offers a
suitable repertoire for
all kinds of funeral
services in editions for
three- or four-part mixed
choir, women's or men's
choir. $19.99 - Voir plus => Acheter | | |
| Heizmann Dona Nobis Pacem Mch Schott
Men's choir (CHP) SKU: HL.49033375 Comfort and Hope in Song - 36 old a...(+)
Men's choir (CHP) SKU:
HL.49033375
Comfort and Hope in
Song - 36 old and new
songs. Composed by
Klaus Heizmann. Edited by
Klaus Heizmann. This
edition: Saddle
stitching. Sheet music.
Edition Schott. Choral
Score. 48 pages. Schott
Music #ED 9886. Published
by Schott Music
(HL.49033375). ISBN
9790001139403.
German. Choral
societies and church
choirs often sing at
funerals of their members
or on occasions such as
Remembrance Day and are
therefore looking for
good and easy tunes which
can be quickly rehearsed.
This varied and tasteful
collection of 36 old and
new songs offers a
suitable repertoire for
all kinds of funeral
services in editions for
three- or four-part mixed
choir, women's or men's
choir. $17.99 - Voir plus => Acheter | | |
| Haze and the Absence. Vc & Str Quartet Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Stainer and Bell
Voice & String Quartet SKU: ST.Y296 Composed by Rhian Samuel. Chamber mus...(+)
Voice & String Quartet
SKU: ST.Y296
Composed by Rhian Samuel.
Chamber music. For High
Voice, String Quartet and
Piano. Score (2 copies
supplied) and parts.
Score and parts. Stainer
& Bell Ltd. #Y296.
Published by Stainer &
Bell Ltd. (ST.Y296).
ISBN
9790220223525. Natu
re and landscape have
been the dominant themes
of much of Rhian Samuel's
vocal music of the last
ten years, projected
chiefly through the
poetry of Anne Stevenson,
and in her most recent
song-settings, the
writings of the
Pakistan-born Texas-based
poet Zulfikar Ghose. His
poem 'Conspiracy of the
Clouds' describes how,
the clouds having chosen
to become invisible,
'Even the astronauts on
the space shuttle /
looked down on a
cloudless America' as
hurricanes ravage
Louisiana and storms
engulf Nebraska. An
intriguing conceit in the
tradition of magic
realism, the text is
presented as a scena
lasting around 16
minutes, with
interpolations from
'Haze' by the
nineteenth-century New
England transcendentalist
Henry David Thoreau. Thus
modern fable and romantic
nature-description are
juxtaposed, and their
interaction becomes the
source of musical
contrasts too. Thoreau's
words are assigned
predominantly to the
vocalist's highest
register, those of Ghose
to her lower tessitura;
and the suggestive and
dramatic accompaniment
builds tension steadily
to the final ironic
response of an
incredulous American
public: not one of awe
and wonder, but the
question 'Why weren't we
told about it? $56.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Basic Fingering Chart for Cello Violoncelle - Débutant Santorella Publications
Cello - beginning SKU: SP.TS558 Composed by Tony Santorella. Reference; E...(+)
Cello - beginning SKU:
SP.TS558 Composed by
Tony Santorella.
Reference; Educational.
Reference, Educational.
Chart. 4 pages.
Santorella Publications
#TS558. Published by
Santorella Publications
(SP.TS558). ISBN
9781585609185. Due
to the success of our
Instrumental Fingering
Posters, we thought it
would be helpful to
create a smaller version
that could be tucked
comfortably into any
method book as a
reference guide.
Unbeknownst to us after
days of research, we were
left with countless
questions, much
confusion, and a slew of
poorly crafted images
from contradicting
publications. That being
said, we realized that
there weren't truly any
trustworthy resources in
print and decided to
address the void. We
consulted experts in
every category asking
questions until both we
and they and we were
satisfied. Finally, a
guide to fingering for
beginners that even the
experienced players will
find beneficial.
Santorella's Basic
Fingering Charts are
essential for anyone that
picks up an instrument.
Initially intended for
beginners but after
understanding the
importance of false
fingerings or more
appropriately called,
alternate fingerings
their necessity is vital
for playing certain
musical passages on a
particular instrument. In
addition, after observing
the difficulties that
students had in
identifying key
signatures, we decided to
include the Circle of
Fifths diagram and every
major scale in two
octaves in every key
including their
enharmonic counterparts.
After all was said in
done, we now know, we now
have the best educational
products available for
fingering in the
industry. Our Basic
Fingering Charts are
perfect for private
students, classroom
study, or simply for a
quick and easy reference
guide while practicing at
home. These graphic
reference guides for
assorted brass, reeds,
woodwinds, and orchestral
strings are specifically
available for Clarinet,
Bass Clarinet, Trumpet,
Flute, Piccolo, Recorder,
Baritone Horn, Trombone,
Bass Trombone, Alto Sax,
Soprano Sax, Tenor Sax,
Baritone Sax, French
Horn, Euphonium, Tuba,
Oboe, Bassoon, Violin,
Viola, Cello, and Bass.
Every chart displays the
entire range of each
instrument by clearly
depicting the fingering
for each note including
all their enharmonic
substitutions. Each chart
includes a diagram
identifying the levers,
valves, keys, slides,
frets and more of each
and every instrument.
Learn where, when, and
why to place your
fingers. Now is the time
to truly start playing
with assured
confidence. $4.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Basic Fingering Chart for French Horn - Débutant Santorella Publications
French Horn - beginning SKU: SP.TS542 Composed by Tony Santorella. Refere...(+)
French Horn - beginning
SKU: SP.TS542
Composed by Tony
Santorella. Reference;
Educational. Reference,
Educational. Chart. 4
pages. Santorella
Publications #TS542.
Published by Santorella
Publications (SP.TS542).
ISBN
9781585609024. Due
to the success of our
Instrumental Fingering
Posters, we thought it
would be helpful to
create a smaller version
that could be tucked
comfortably into any
method book as a
reference guide.
Unbeknownst to us after
days of research, we were
left with countless
questions, much
confusion, and a slew of
poorly crafted images
from contradicting
publications. That being
said, we realized that
there weren't truly any
trustworthy resources in
print and decided to
address the void. We
consulted experts in
every category asking
questions until both we
and they and we were
satisfied. Finally, a
guide to fingering for
beginners that even the
experienced players will
find beneficial.
Santorella's Basic
Fingering Charts are
essential for anyone that
picks up an instrument.
Initially intended for
beginners but after
understanding the
importance of false
fingerings or more
appropriately called,
alternate fingerings
their necessity is vital
for playing certain
musical passages on a
particular instrument. In
addition, after observing
the difficulties that
students had in
identifying key
signatures, we decided to
include the Circle of
Fifths diagram and every
major scale in two
octaves in every key
including their
enharmonic counterparts.
After all was said in
done, we now know, we now
have the best educational
products available for
fingering in the
industry. Our Basic
Fingering Charts are
perfect for private
students, classroom
study, or simply for a
quick and easy reference
guide while practicing at
home. These graphic
reference guides for
assorted brass, reeds,
woodwinds, and orchestral
strings are specifically
available for Clarinet,
Bass Clarinet, Trumpet,
Flute, Piccolo, Recorder,
Baritone Horn, Trombone,
Bass Trombone, Alto Sax,
Soprano Sax, Tenor Sax,
Baritone Sax, French
Horn, Euphonium, Tuba,
Oboe, Bassoon, Violin,
Viola, Cello, and Bass.
Every chart displays the
entire range of each
instrument by clearly
depicting the fingering
for each note including
all their enharmonic
substitutions. Each chart
includes a diagram
identifying the levers,
valves, keys, slides,
frets and more of each
and every instrument.
Learn where, when, and
why to place your
fingers. Now is the time
to truly start playing
with assured
confidence. $4.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Basic Fingering Chart for Euphonium Euphonium - Débutant Santorella Publications
Euphonium - beginning SKU: SP.TS543 Composed by Tony Santorella. Referenc...(+)
Euphonium - beginning
SKU: SP.TS543
Composed by Tony
Santorella. Reference;
Educational. Reference,
Educational. Chart. 4
pages. Santorella
Publications #TS543.
Published by Santorella
Publications (SP.TS543).
ISBN
9781585609031. Due
to the success of our
Instrumental Fingering
Posters, we thought it
would be helpful to
create a smaller version
that could be tucked
comfortably into any
method book as a
reference guide.
Unbeknownst to us after
days of research, we were
left with countless
questions, much
confusion, and a slew of
poorly crafted images
from contradicting
publications. That being
said, we realized that
there weren't truly any
trustworthy resources in
print and decided to
address the void. We
consulted experts in
every category asking
questions until both we
and they and we were
satisfied. Finally, a
guide to fingering for
beginners that even the
experienced players will
find beneficial.
Santorella's Basic
Fingering Charts are
essential for anyone that
picks up an instrument.
Initially intended for
beginners but after
understanding the
importance of false
fingerings or more
appropriately called,
alternate fingerings
their necessity is vital
for playing certain
musical passages on a
particular instrument. In
addition, after observing
the difficulties that
students had in
identifying key
signatures, we decided to
include the Circle of
Fifths diagram and every
major scale in two
octaves in every key
including their
enharmonic counterparts.
After all was said in
done, we now know, we now
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fingering in the
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Fingering Charts are
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Every chart displays the
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Learn where, when, and
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confidence. $4.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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