Un excellent album contenant plus de 155 pages de mélodies classiques et traditionnelles, arrangées pour piano facile par Carol Barratt. Inclus la Lettre à Elise, La Sonate au Clair de Lune et le le Can-Can. / Piano / Partition

Flute 102: Maîtrise des bases poursuit le développement technique, créatif et musical de flûtistes intermédiaires en Etudes d'intégration, répertoire solo, des extraits orchestraux, des duos et des techniques contemporaines dans un programme d'études novateur. Plan de leçon présente, dans une séquence claire et logique, les activités à développer ton, vibrato, technique et sa musicalité. Les guides de phrasé, des suggestions pratiques et des activités de prélude développer l'approche pédagogique utilisée dans Flute 101, faisant Flute 102 un must-have de base - parfait pour une utilisation en studio privé ou à l'université. Flute 102: Maîtrise des bases fonctionnalités: Daily Warm-up Majeures et mineures études d'échelle, des arpèges et plus Les études techniques: articulation, la dynamique, le ton et le vibrato Plus de 40 etudes Considérant répertoire: 15 solos de flûte accompagnés et 2 solos non accompagnés Créer vos propres préludes pour développer musicalité Idée à suivre Flute 101 ou toute autre méthode de flûte d'introduction / Niveau : Intermédiaire / Recueil / Flûte Traversière

Arr. Philip Sparke. Par TRADITIONAL. This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd, Carnarnvonshire, North Wales. Tradition has it that on his deathbed he called for his harp and composed this lovely melody, requesting that it be played at his funeral. Accordingly, it was later played at the parish church of Ynys-Cynhaiarn. Lyrics were later added by Ceiriog Hughes, which describe the melody's inspiration. This version for concert band retains all the beauty and simplicity of the original. This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd, Carnarnvonshire, North Wales. Tradition has it that on his deathbed he called for his Harp and composed this lovely melody, requesting that it be played at his funeral. Accordingly, it was later played at the parish church of Ynys-Cynhaiarn. Lyrics were later added by Ceiriog Hughes, which describe the melody's inspiration. This version for Concert Band retains all the beauty and simplicity of the original. / Niveau : 3 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Par SPARKE PHILIP. This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd, Carnarnvonshire, North Wales. Tradition has it that on his deathbed he called for his harp and composed this lovely melody, requesting that it be played at his funeral. Accordingly, it was later played at the parish church of Ynys-Cynhaiarn. Lyrics were later added by Ceiriog Hughes, which describe the melody's inspiration. This version for concert band retains all the beauty and simplicity of the original. / Niveau : 3 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Par SPARKE PHILIP. This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd, Carnarnvonshire, North Wales. Tradition has it that on his deathbed he called for his harp and composed this lovely melody, requesting that it be played at his funeral. Accordingly, it was later played at the parish church of Ynys-Cynhaiarn. Lyrics were later added by Ceiriog Hughes, which describe the melody's inspiration. This version for brass band retains all the beauty and simplicity of the original. / Niveau : 3 / Pièce de concert / Répertoire / Brass Band

Par SPARKE PHILIP. This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd, Carnarnvonshire, North Wales. Tradition has it that on his deathbed he called for his harp and composed this lovely melody, requesting that it be played at his funeral. Accordingly, it was later played at the parish church of Ynys-Cynhaiarn. Lyrics were later added by Ceiriog Hughes, which describe the melody's inspiration. This version for fanfare band retains all the beauty and simplicity of the original. / Niveau : 3 / Pièce de concert / Répertoire / Fanfare

Par DUCKETT RICHARD / PEARCEY L.. La série de ' Equipe ' est utilisable avec les deux individus ou un tuteur de groupe encourager les étudiants à essayer ensemble jouant depuis le début. Tous les livres de la série sont entièrement intégrés permettant aux étudiants à l'aide de ' Equipe percussions ' à jouer dans les ensembles avec les élèves à l'aide de 'Equipe cordes', 'Equipe en laiton', ' Equipe Recorder ' et ' Equipe chaînes '. ' Equipe percussions ' sont un cours flexible et adaptable idéal pour les percussionnistes débutant. Le tuteur peut être adapté en fonction des besoins spécifiques de chaque étudiant. Chaque pièce est soigneusement classé pour assurer une progression logique à un rythme raisonnable et étudiants sont introduits à une grande variété de styles musicaux tout au long de l'ouvrage. Imaginative Piano accompagnements ont été fournis ainsi que des notes utiles et claires scores ensemble à l'aide de l'enseignant. ' Equipe percussions ' s'adresse pour timbales, tambour et percussions, avec une intéressante sélection d'autres instruments de percussion./ Recueil / Percussions

8 Easy To Intermediate Play-Alongs Of Well-Known Pieces From Ireland, Scotland, Wales, Cornwall And Brittany. Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic” presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often 'skeletal”, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic” is available in eight formats, each with complete recordings and backing tracks on CD: as solo versions for violin, violoncello, flute, clarinet, saxophone, recorder or trumpet (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán. In addition to the alto recorder part, this edition also contains a part for soprano or tenor recorder. / Niveau : Facile à Intermédiaire / Recueil / Flûte à Bec Alto

Par DUCKETT RICHARD. La série de ' Equipe ' est utilisable avec les deux individus ou un tuteur de groupe encourager les étudiants à essayer ensemble jouant depuis le début. Tous les livres de la série sont entièrement intégrés permettant aux étudiants à l'aide de ' Equipe Brass ' à jouer dans les ensembles avec les élèves à l'aide de ' Equipe bois ', ' Equipe percussions ', ' Equipe Recorder ' et ' Equipe chaînes '. ' Equipe Brass ' est un cours flexible et adaptable idéal pour les joueurs de cuivres de débutant. Le tuteur peut être adapté en fonction des besoins spécifiques de chaque étudiant. Chaque pièce est soigneusement classé pour assurer une progression logique à un rythme raisonnable et étudiants sont introduits à une grande variété de styles musicaux tout au long de l'ouvrage. Imaginative Piano accompagnements ont été fournis ainsi que des notes utiles et claires scores ensemble à l'aide de l'enseignant. ' Equipe Brass ' comprend également toutes les échelles pour les catégories pertinentes établies par les jurys d'examen majeur. Il s'agit de l'édition en langue allemande de ' Equipe Brass ' pour trompette et Cornet./ Méthode / Trompette

8 Easy To Intermediate Play-Alongs Of Well-Known Pieces From Ireland, Scotland, Wales, Cornwall And Brittany. Par DIVERS AUTEURS (ARR.MARTIN TOURISH). Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic” presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often 'skeletal”, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic” is available in four formats, each with complete recordings and backing tracks on CD: as solo versions for violin, flute or saxophone (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán. / Niveau : Facile / Recueil / Flûte Traversière et Piano