Tenor, guitar and 8 solo-instruments (Klar. * Fg. - Hr. - Git. - Str. (1 * 1 * 1 * 1 * 1 [auch chorisch ad lib.]))

SKU: HL.49015144

Uber die Hymne In lieblicher Blaue von Friedrich Holderlin. Composed by Hans Werner Henze. Sheet music. Edition Schott. Classical. Piano reduction. Composed 1958/1963. 48 pages. Duration 40'. Schott Music #ED 4897. Published by Schott Music (HL.49015144).

ISBN 9790001056359. 7.5x10.75x0.177 inches. German.

A number of sketches for this work were made in Greece in the summer of 1958. When the work was finished, I dedicated it to Benjamin Britten. In 1963, on the occasion of the 60th birthday of my old friend Josef Rufer, I added an epilogue in which I recapture the mood of the whole work and introduce a sort of quotation from Schonberg's Chamber Symphony No. 1, as a greeting to Rufer who devoted his whole life to the Viennese master.- Hans Werner Henze.

Woodwinds (solo: org - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5384-30

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Folder. Orchester-Bibliothek (Orchestral Library). I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. ' (Ton Koopman). Solo concerto; Baroque. Set of parts. 8 pages. Duration 17'. Breitkopf and Haertel #OB 5384-30. Published by Breitkopf and Haertel (BR.OB-5384-30).

ISBN 9790004335543. 10 x 12.5 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

Woodwinds (solo: org - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5212-30

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Folder. Orchester-Bibliothek (Orchestral Library).

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman)

Solo concerto; Baroque. Set of parts. 12 pages. Duration 18'. Breitkopf and Haertel #OB 5212-30. Published by Breitkopf and Haertel (BR.OB-5212-30).

ISBN 9790004330951. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

Woodwinds (solo: org - 0.2.0.2. - 0.0.0.0. - str - bc)

SKU: BR.OB-5214-30

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Folder. Orchester-Bibliothek (Orchestral Library).

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman)

Solo concerto; Baroque. Set of parts. 16 pages. Duration 20'. Breitkopf and Haertel #OB 5214-30. Published by Breitkopf and Haertel (BR.OB-5214-30).

ISBN 9790004331132. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

Woodwinds (solo: org - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5385-30

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Folder. Orchester-Bibliothek (Orchestral Library). I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. ' (Ton Koopman). Solo concerto; Baroque. Set of parts. 6 pages. Duration 8'. Breitkopf and Haertel #OB 5385-30. Published by Breitkopf and Haertel (BR.OB-5385-30).

ISBN 9790004336755. 10 x 12.5 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

By Antonin Dvorak (1841-1904). Edited by Jarmil Burghauser / Antonin Cubr. For string sextet (2 violins, 2 violas, 2 cellos). In a folder. Replaces H 2116. Set of parts. 12/12/12/12/12/12 pages. Published by Baerenreiter Verlag

Woodwinds (solo: pno- 1.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-15148-30

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Ernst Herttrich. Folder. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle VerlagEB 10787 is printed in score form; two copies are needed for performance.Our ed ition EB 8579 contains Ferrucci Busoni's cadenzas for the Piano Concerto in C majo. Solo concerto; Classical. Set of parts. 72 pages. Duration 28'. Breitkopf and Haertel #OB 15148-30. Published by Breitkopf and Haertel (BR.OB-15148-30).

ISBN 9790004342213. 10 x 12.5 inches.

Composed under pressure, edited in peace: K. 491In spring 1786 Mozart was under pressure: he had only two weeks between the composition and first performance of the C-minor Piano Concerto K. 491. It is no wonder that the autograph was written very hastily and the piano part occasionally only sketched. Mozart, who played the solo part at the premiere, still thought about it later. During subsequent revisions of the piano part, he caused a certain amount of confusion through corrected versions and parallel versions. Editor Ernst Herttrich thus faced great challenges when preparing the Breitkopf Urtext edition, especially since printed editions were only published posthumously. But since they contain readings that play an important role in the reception of the work, they were included in the new edition as variants.

Woodwinds (Solo: pno- 1.2.0.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-15123-30

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Ernst Herttrich. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle VerlagEB 10825 is printed in score form; two copies are needed for performance. Our ed ition EB 8579 contains a Ferrucci Busoni cadenza for the Piano. Solo concerto; Classical. Set of parts. 68 pages. Duration 33'. Breitkopf and Haertel #OB 15123-30. Published by Breitkopf and Haertel (BR.OB-15123-30).

ISBN 9790004340516. 10 x 12.5 inches.

The C major Concerto K. 503 was held in particularly high esteem by Mozart, who, for example, put it on the program of his subscription concert at Leipzigs Gewandhaus in 1789, three years after it was written. This new edition is based on the autograph and also takes into account the first edition published by Constanze Mozart at her own cost in 1797.The editorial quality of the new edition is guaranteed not only by Schiffs sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Ernst Herttrich to whom Henle has entrusted its urtext editions.Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozarts handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozarts own manuscripts, early copies in parts and prints also contain important information regarding the musical text.

Woodwinds (solo: vl - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-5645-30

Urtext based on the Leipzig Mendelssohn Complete Edition. Composed by Felix Bartholdy Mendelssohn. Edited by Birgit Muller. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library). Solo concerto; Romantic. Set of parts. 96 pages. Duration 25'. Breitkopf and Haertel #OB 5645-30. Published by Breitkopf and Haertel (BR.OB-5645-30).

ISBN 9790004344767. 10 x 12.5 inches.

Felix Mendelssohn Bartholdy created a standard work with his final violin concerto in E minor op. 64 MWV O 14 that is now firmly established in today's concert repertoire. When in 1838 the composer indicated that he had in mind a violin concerto [...] in E minor [...], it was not only his friend Ferdinand David, the Gewandhaus concertmaster for whom it was intended, who was euphoric. The whole civilized violin world was awaiting this concerto - and yet it was another seven years before the much-anticipated composition was ultimately published by the Leipzig publishing house Breitkopf & Hartel in June 1845, as well as simultaneously in London and Milan. The concerto particularly appeals through its innovative treatment of the solo part, not only because the solo violin strikingly opens the first movement without a preceding orchestral tutti, but also because of its musical dialogue with the orchestra. The Leipzig Gewandhaus premiere on 13 March 1845 with Ferdinand David as soloist under the direction of Nils Wilhelm Gade served - as so frequently with Mendelssohn - virtually as a proofreading process. After the composer subsequently made extensive changes that also involved David, the work first appeared just short of nine months later. The first edition documents the composer's valid final revision, which is reproduced as the work's main version in the present Urtext edition.The matching piano reduction includes not only an unmarked string part, but also a part with the established markings by Igor Oistrach.

For piano, undervisning.
Pianogeh or 1,2 og 3 har etablert seg i Norge som svaert gode laerebokerfor nybegynnere pa piano. Bokene er tilpasset bade barn og voksne.Skolen forsoker a fa eleven til raskt a na et spilleniva som bevarer ogutvikler oppdagerlysten og gleden ved fortsatt musisering.

Bok ene inneholder arrangementer og originalstykker som er velkjente oglette a huske. Til innstudering anbefaler Soderqvist-Spering at laererenspiller forst - frase for frase og eleven lytter, ser pa notebildet oghermer

Piano. Composed by Johannes Brahms (1833-1897). Edited by Katrin Eich. Henle Music Folios. Softcover. G. Henle #HN1290. Published by G. Henle

Treble solo, SATB choir, and piano

SKU: MN.CH-1393

Composed by Gregg Smith. 21st Century. Octavo. Laurendale Associates #CH-1393. Published by Laurendale Associates (MN.CH-1393).

UPC: 765844006666. English.

Waly, Waly is a well known Applachian folksong The water is wide and is a traditional English melody associated with the song O Waly, Waly, gin love be bony, the words of which most likely date back to Ramsay's Tea Table Miscellany (1724-1732), and as the setting for a folk ballad about Jamie Douglas. The imagery of the lyrics describes the challenges of love: Love is planted, there it grows; however, as time progresses, when it is old it groweth cold. Even true love, the lyrics say, fades away like morning dew. Many different versions of the lyrics exist and in 1906 Cecil Sharp consolidated and named The Water Is Wide from multiple older sources in southern England.

SKU: CA.211900

Composed by Various. Edited by Richard Mailander. Singen kennt kein Alter; Hymns by Martin Luther: Ausgaben mit mehreren Luther-Liedern. AUS MEINES HERZENS GRUNDE. GROssDRUCK + CD. Sacred vocal music, Unison hymns. Songbook. 128 pages. Carus Verlag #CV 02.119/00. Published by Carus Verlag (CA.211900).

ISBN 9790007097349. Illustrator: Barbara Trapp.

For many older people hymns are a part of early childhood experiences, their texts and melodies accompany them throughout their whole lifes. Even when in advanced age or in sickness the memories fade, the old melodies and texts are not lost; through hearing or singing they may again be retrieved and can thus form a bridge to the present. Under the motto Singing for all ages Carus is publishing an illustrated songbook (incl. a singalong CD) in large print, a piano accompaniment book with easy settings (also in large print), as well as a CD Box with all 95 hymns, performed by six prominent singers.

Woodwinds (solos: SATB - 0.0.0.0. - 2.1.0.0. - hp - org - str: 1.1.2(obl.).1.1.)

SKU: BR.OB-5533-30

Urtext. Composed by Giovanni Battista Pergolesi. Edited by Reinhard Fehling. Folder. Orchester-Bibliothek (Orchestral Library).

The present setting of the Seven Last Words of Jesus Christ grippingly depicts the story of Christ's Crucifixion in fourteen Musical Dialogues. Listen to the world premiere recording of this major work of the Neapolitan Baroque, performed by the Akadem. Solo concerto; Baroque. Set of parts. 14 pages. Breitkopf and Haertel #OB 5533-30. Published by Breitkopf and Haertel (BR.OB-5533-30).

ISBN 9790004341230. 10 x 12.5 inches.

Hermann Scherchen, who was the first to take up the cause of the one-hour-plus long, colorfully scored work, came to the conclusion: One of the most heartfelt works of art, full of gentleness and profound sensitivity. Since 1936, when two manuscripts of monastic provenance were discovered, musical scholars have been asking themselves whether the Septem verba is authentic or solely attributable to Sig. Pergolese. It is only thanks to the scholarly comparison of all manuscripts and to the discovery of two new sources which impressively confirm the existence of an active reception of this work in the mid 18th century, that the authorship and transmission can be newly evaluated.