Missa brevissima Chorale SATB [Conducteur et Parties séparées] Carus Verlag
Soli e SATB Choir, 2 Ob, 2 Tr, Timp, 2 Vl, Bc SKU: CA.5180109 After fr...(+)
Soli e SATB Choir, 2 Ob,
2 Tr, Timp, 2 Vl, Bc
SKU: CA.5180109
After fragments and
sketches arranged by
Johann Simon
Kreuzpointner.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Johann Simon
Kreuzpointner. 1x
51.801/21 oboe 1, 1x
51.801/22 oboe 2, 2x
51.801/31 trumpets 1 and
2, 1x 51.801/41 timpani.
Stuttgart Urtext Edition:
Mozart. Harmony parts.
Sacred vocal music,
Masses, Latin, Whole
church year / Omni
tempore. Set of Orchestra
Parts. KV. Duration 15
minutes. Carus Verlag #CV
51.801/09. Published by
Carus Verlag
(CA.5180109).
ISBN
9790007225339. Language:
Latin.
When
Wolfgang Amadeus Mozart
returned to Salzburg in
January 1779 from his
journey to Paris, his
luggage contained a
single church music work
- an unfinished Kyrie in
E flat major (KV 296a)
together with sketches
for the Sanctus and
Benedictus (KV 296c). In
2015, at the suggestion
of the late Armin
Kircher, Johann Simon
Kreuzpointner set about
compiling a five-movement
setting of the mass from
this material, also
drawing on an unfinished
cantata in E flat major
(KV 429). For the
orchestration and text
underlay, Kreuzpointner
took his cue from
Mozart's church music
works. With this edition
Kreuzpointner, an
experienced church
musician and composer,
created a convincing and
stylistically assured
work, which he tried out
in several performances.
The result is a concise
setting of the mass, good
to sing, which does not
present any great
difficulties for
soloists, chorus, or
orchestra. The title
Missa brevissima does not
come from Mozart, but was
chosen because of the
brevity of the mass
setting with its missing
Credo. It also underlines
the special status of
this setting of the mass.
Score and parts available
separately - see item
CA.5180100.
Missa brevissima Chorale SATB [Conducteur et Parties séparées] Carus Verlag
Soli e SATB Choir, 2 Ob, 2 Tr, Timp, 2 Vl, Bc SKU: CA.5180119 After fr...(+)
Soli e SATB Choir, 2 Ob,
2 Tr, Timp, 2 Vl, Bc
SKU: CA.5180119
After fragments and
sketches arranged by
Johann Simon
Kreuzpointner.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Johann Simon
Kreuzpointner. Stuttgart
Urtext Edition: Mozart.
Complete orchestral
parts. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Set of Orchestra
Parts. KV. Duration 15
minutes. Carus Verlag #CV
51.801/19. Published by
Carus Verlag
(CA.5180119).
ISBN
9790007225377. Language:
Latin.
When
Wolfgang Amadeus Mozart
returned to Salzburg in
January 1779 from his
journey to Paris, his
luggage contained a
single church music work
- an unfinished Kyrie in
E flat major (KV 296a)
together with sketches
for the Sanctus and
Benedictus (KV 296c). In
2015, at the suggestion
of the late Armin
Kircher, Johann Simon
Kreuzpointner set about
compiling a five-movement
setting of the mass from
this material, also
drawing on an unfinished
cantata in E flat major
(KV 429). For the
orchestration and text
underlay, Kreuzpointner
took his cue from
Mozart's church music
works. With this edition
Kreuzpointner, an
experienced church
musician and composer,
created a convincing and
stylistically assured
work, which he tried out
in several performances.
The result is a concise
setting of the mass, good
to sing, which does not
present any great
difficulties for
soloists, chorus, or
orchestra. The title
Missa brevissima does not
come from Mozart, but was
chosen because of the
brevity of the mass
setting with its missing
Credo. It also underlines
the special status of
this setting of the mass.
Score and parts available
separately - see item
CA.5180100.
Piano duets (solos: pno -
1.2.0.2 - 2.0.0.0 - str)
SKU: BR.EB-10765
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Stephan
Horner. Arranged by
Andras Schiff. Solo
instruments; Softcover.
Edition Breitkopf. In
Cooperation with G. Henle
Verlag, EB 10765 is
printed in score form;
two copies will be needed
for performance. You will
find the original
cadenzas under Mozart, 36
Cadenzas for his own
Piano Concertos. Our
edition EB 8577 contains
Ferrucci Busoni’s
ca. Solo concerto;
Classical. Piano
reduction. 60 pages.
Duration 30 '. Breitkopf
and Haertel #EB 10765.
Published by Breitkopf
and Haertel
(BR.EB-10765).
ISBN
9790201807652. 9.5 x 12
inches.
Mozart's
Concerto K. 453 enjoyed
great popularity during
the composer's lifetime
and was widely known
through copies and a
print. The state of the
sources is thus
multi-faceted yet
unequivocal: the primary
source is the
rediscovered autograph,
which was considered lost
after 1945 and was not at
the disposal of the Neue
Mozart-Ausgabe. The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Stephan Horner to
whom Henle has entrusted
its urtext editions.
Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Ernst-Gunter Heinemann.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag EB 10767 is
printed in score form;
two copies are needed for
performance.You will find
the original cadenzas
under Mo
zart, 36 Cadenzas for his
own Piano Concertos.
Our ISBN
9790004211922. 10 x 12.5
inches.
One of the
most frequently performed
concertos of all, it was
written while Mozart was
working on the opera Le
nozze di Figaro. The
source situation is
clear: the autograph
score has survived, and
the first printed
editions were not
published until after
Mozart's death.The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Ernst-Gunter
Heinemann to whom Henle
has entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Ernst-Gunter Heinemann.
This edition: viola part.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag EB 10767 is
printed in score form;
two copies are needed for
performance. You will
find the original
cadenzas under Mozart, 36
Cadenzas for his own
Piano Concertos. Our
edition EB 8579 contains
a Ferrucci Busoni
cadenza. Solo concerto;
Classical. Part. 8 pages.
Duration 26'. Breitkopf
and Haertel #OB 15107-19.
Published by Breitkopf
and Haertel
(BR.OB-15107-19).
ISBN
9790004339374. 10 x 12.5
inches.
One of the
most frequently performed
concertos of all, it was
written while Mozart was
working on the opera Le
nozze di Figaro. The
source situation is
clear: the autograph
score has survived, and
the first printed
editions were not
published until after
Mozart's death.The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Ernst-Gunter
Heinemann to whom Henle
has entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Stephan
Horner. Softbound.
Partitur-Bibliothek
(Score Library). Solo
concerto; Classical.
Study Score. Duration 30
'. Breitkopf and Haertel
#PB 15112. Published by
Breitkopf and Haertel
(BR.PB-15112).
ISBN
9790004212691. 6.5 x 9
inches.
Mozart's
Concerto K. 453 enjoyed
great popularity during
the composer's lifetime
and was widely known
through copies and a
print. The state of the
sources is thus
multi-faceted yet
unequivocal: the primary
source is the
rediscovered autograph,
which was considered lost
after 1945 and was not at
the disposal of the Neue
Mozart-Ausgabe. The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Stephan Horner to
whom Henle has entrusted
its urtext editions.
Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Piano/harpsichord and orchestra (solo: pno - 1.2.0.2 - 2.2.0.0 - timp - str) ...(+)
Piano/harpsichord and
orchestra (solo: pno -
1.2.0.2 - 2.2.0.0 - timp
- str)
SKU:
BR.PB-15106
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Norbert
Gertsch. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
VerlagEB
10766 is printed in score
form; two copies are
needed for
performance.Our edition
EB
8578 contains
Ferrucci Busoni's
cadenzas for the Piano
Concerto in C m. Solo
concerto; Classical. Full
score. 72 pages. Duration
30'. Breitkopf and
Haertel #PB 15106.
Published by Breitkopf
and Haertel
(BR.PB-15106).
ISBN
9790004211892. 10 x 12.5
inches.
The
editorial quality of the
new edition is guaranteed
not only by Schiff's
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Norbert Gertsch
to whom Henle has
entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozart's handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozart's own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.Die
Editionen werden den
Intentionen des
Komponisten so weit wie
moglich gerecht. Gemass
Mozarts Anweisungen in
den Autographen ist
beispielsweise im unteren
Klaviersolosystem sowohl
der Partituren als auch
der Klavierauszuge
durchgangig die
Bassstimme des Orchesters
wiedergegeben. (Andreas
Friesenhagen,
FonoForum)L'interet
particulier de cette
nouvelle edition reside
dans les notations
complementaires des
parties de violon ayant
pour source la premiere
execution de l'oeuvre par
Joseph Joachim et Robert
Hausmann avec, tres
probablement,
l'autorisation du
compositeur, ces notes de
jeu refletant les
pratiques de l'epoque.
(Crescendo).
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Norbert
Gertsch. Softbound.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
VerlagEB
10766 is printed in score
form; two copies are
needed for
performance.Our edition
EB
8578 contains
Ferrucci Busoni's
cadenzas for the Piano
Concerto in C m. Solo
concerto; Classical.
Study Score. 72 pages.
Duration 30'. Breitkopf
and Haertel #PB 15110-07.
Published by Breitkopf
and Haertel
(BR.PB-15110-07).
ISBN
9790004212677. 6.5 x 9
inches.
The
editorial quality of the
new edition is guaranteed
not only by Schiff's
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Norbert Gertsch
to whom Henle has
entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozart's handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozart's own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.Die
Editionen werden den
Intentionen des
Komponisten so weit wie
moglich gerecht. Gemass
Mozarts Anweisungen in
den Autographen ist
beispielsweise im unteren
Klaviersolosystem sowohl
der Partituren als auch
der Klavierauszuge
durchgangig die
Bassstimme des Orchesters
wiedergegeben. (Andreas
Friesenhagen,
FonoForum)L'interet
particulier de cette
nouvelle edition reside
dans les notations
complementaires des
parties de violon ayant
pour source la premiere
execution de l'oeuvre par
Joseph Joachim et Robert
Hausmann avec, tres
probablement,
l'autorisation du
compositeur, ces notes de
jeu refletant les
pratiques de l'epoque.
(Crescendo).
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Stephan
Horner. Folder.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag EB 10765 is
printed in score form;
two copies will be needed
for performance. You will
find the original
cadenzas under Mozart, 36
Cadenzas for his own
Piano Concertos. Solo
concerto; Classical. Set
of parts. 56 pages.
Duration 30 '. Breitkopf
and Haertel #OB 15108-30.
Published by Breitkopf
and Haertel
(BR.OB-15108-30).
ISBN
9790004339633. 10 x 12.5
inches.
Mozart's
Concerto K. 453 enjoyed
great popularity during
the composer's lifetime
and was widely known
through copies and a
print. The state of the
sources is thus
multi-faceted yet
unequivocal: the primary
source is the
rediscovered autograph,
which was considered lost
after 1945 and was not at
the disposal of the Neue
Mozart-Ausgabe. The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Stephan Horner to
whom Henle has entrusted
its urtext editions.
Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Norbert
Gertsch. This edition:
violin 2 part. Stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag EB 10766 is
printed in score form;
two copies are needed for
performance. Our edition
EB 8578 contains Ferrucci
Busoni's cadenzas for the
Piano Concerto in C major
K. 467. Solo concerto;
Classical. Part. 12
pages. Duration 30'.
Breitkopf and Haertel #OB
15106-16. Published by
Breitkopf and Haertel
(BR.OB-15106-16).
ISBN
9790004339190. 10 x 12.5
inches.
The
editorial quality of the
new edition is guaranteed
not only by Schiff's
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Norbert Gertsch
to whom Henle has
entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozart's handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozart's own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.Die
Editionen werden den
Intentionen des
Komponisten so weit wie
moglich gerecht. Gemass
Mozarts Anweisungen in
den Autographen ist
beispielsweise im unteren
Klaviersolosystem sowohl
der Partituren als auch
der Klavierauszuge
durchgangig die
Bassstimme des Orchesters
wiedergegeben. (Andreas
Friesenhagen,
FonoForum)L'interet
particulier de cette
nouvelle edition reside
dans les notations
complementaires des
parties de violon ayant
pour source la premiere
execution de l'oeuvre par
Joseph Joachim et Robert
Hausmann avec, tres
probablement,
l'autorisation du
compositeur, ces notes de
jeu refletant les
pratiques de l'epoque.
(Crescendo).
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Stephan
Horner. Softbound.
Partitur-Bibliothek
(Score Library). In
Cooperation with G. Henle
Verlag EB 10765 is
printed in score form;
two copies will be needed
for performance. Solo
concerto; Classical.
Study Score. 68 pages.
Duration 30 '. Breitkopf
and Haertel #PB 15112-07.
Published by Breitkopf
and Haertel
(BR.PB-15112-07).
ISBN
9790004212691. 6.5 x 9
inches.
Mozart's
Concerto K. 453 enjoyed
great popularity during
the composer's lifetime
and was widely known
through copies and a
print. The state of the
sources is thus
multi-faceted yet
unequivocal: the primary
source is the
rediscovered autograph,
which was considered lost
after 1945 and was not at
the disposal of the Neue
Mozart-Ausgabe. The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Stephan Horner to
whom Henle has entrusted
its urtext editions.
Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Norbert
Gertsch. This edition:
viola part. Stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag EB 10766 is
printed in score form;
two copies are needed for
performance. Our edition
EB 8578 contains Ferrucci
Busoni's cadenzas for the
Piano Concerto in C major
K. 467. Solo concerto;
Classical. Part. 8 pages.
Duration 30'. Breitkopf
and Haertel #OB 15106-19.
Published by Breitkopf
and Haertel
(BR.OB-15106-19).
ISBN
9790004339206. 10 x 12.5
inches.
The
editorial quality of the
new edition is guaranteed
not only by Schiff's
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Norbert Gertsch
to whom Henle has
entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozart's handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozart's own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.Die
Editionen werden den
Intentionen des
Komponisten so weit wie
moglich gerecht. Gemass
Mozarts Anweisungen in
den Autographen ist
beispielsweise im unteren
Klaviersolosystem sowohl
der Partituren als auch
der Klavierauszuge
durchgangig die
Bassstimme des Orchesters
wiedergegeben. (Andreas
Friesenhagen,
FonoForum)L'interet
particulier de cette
nouvelle edition reside
dans les notations
complementaires des
parties de violon ayant
pour source la premiere
execution de l'oeuvre par
Joseph Joachim et Robert
Hausmann avec, tres
probablement,
l'autorisation du
compositeur, ces notes de
jeu refletant les
pratiques de l'epoque.
(Crescendo).
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Ernst-Gunter Heinemann.
This edition: violin 1
part. Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag EB 10767 is
printed in score form;
two copies are needed for
performance. You will
find the original
cadenzas under Mozart, 36
Cadenzas for his own
Piano Concertos. Our
edition EB 8579 contains
a Ferrucci Busoni
cadenza. Solo concerto;
Classical. Part. 12
pages. Duration 26'.
Breitkopf and Haertel #OB
15107-15. Published by
Breitkopf and Haertel
(BR.OB-15107-15).
ISBN
9790004339350. 10 x 12.5
inches.
One of the
most frequently performed
concertos of all, it was
written while Mozart was
working on the opera Le
nozze di Figaro. The
source situation is
clear: the autograph
score has survived, and
the first printed
editions were not
published until after
Mozart's death.The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Ernst-Gunter
Heinemann to whom Henle
has entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Stephan
Horner. Stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag EB 10765 is
printed in score form;
two copies will be needed
for performance. You will
find the original
cadenzas under Mozart, 36
Cadenzas for his own
Piano Concertos. Solo
concerto; Classical.
Part. 8 pages. Duration
30 '. Breitkopf and
Haertel #OB 15108-19.
Published by Breitkopf
and Haertel
(BR.OB-15108-19).
ISBN
9790004339619. 10 x 12.5
inches.
Mozart's
Concerto K. 453 enjoyed
great popularity during
the composer's lifetime
and was widely known
through copies and a
print. The state of the
sources is thus
multi-faceted yet
unequivocal: the primary
source is the
rediscovered autograph,
which was considered lost
after 1945 and was not at
the disposal of the Neue
Mozart-Ausgabe. The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Stephan Horner to
whom Henle has entrusted
its urtext editions.
Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Stephan
Horner. Stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag EB 10765 is
printed in score form;
two copies will be needed
for performance. You will
find the original
cadenzas under Mozart, 36
Cadenzas for his own
Piano Concertos. Solo
concerto; Classical.
Part. 12 pages. Duration
30 '. Breitkopf and
Haertel #OB 15108-15.
Published by Breitkopf
and Haertel
(BR.OB-15108-15).
ISBN
9790004339596. 10 x 12.5
inches.
Mozart's
Concerto K. 453 enjoyed
great popularity during
the composer's lifetime
and was widely known
through copies and a
print. The state of the
sources is thus
multi-faceted yet
unequivocal: the primary
source is the
rediscovered autograph,
which was considered lost
after 1945 and was not at
the disposal of the Neue
Mozart-Ausgabe. The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Stephan Horner to
whom Henle has entrusted
its urtext editions.
Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Norbert
Gertsch. This edition:
cello/double bass part.
Stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag EB 10766 is
printed in score form;
two copies are needed for
performance. Our edition
EB 8578 contains Ferrucci
Busoni's cadenzas for the
Piano Concerto in C major
K. 467. Solo concerto;
Classical. Part. 12
pages. Duration 30'.
Breitkopf and Haertel #OB
15106-26. Published by
Breitkopf and Haertel
(BR.OB-15106-26).
ISBN
9790004339213. 10 x 12.5
inches.
The
editorial quality of the
new edition is guaranteed
not only by Schiff's
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Norbert Gertsch
to whom Henle has
entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozart's handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozart's own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.Die
Editionen werden den
Intentionen des
Komponisten so weit wie
moglich gerecht. Gemass
Mozarts Anweisungen in
den Autographen ist
beispielsweise im unteren
Klaviersolosystem sowohl
der Partituren als auch
der Klavierauszuge
durchgangig die
Bassstimme des Orchesters
wiedergegeben. (Andreas
Friesenhagen,
FonoForum)L'interet
particulier de cette
nouvelle edition reside
dans les notations
complementaires des
parties de violon ayant
pour source la premiere
execution de l'oeuvre par
Joseph Joachim et Robert
Hausmann avec, tres
probablement,
l'autorisation du
compositeur, ces notes de
jeu refletant les
pratiques de l'epoque.
(Crescendo).
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Ernst-Gunter Heinemann.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library). In
Cooperation with G. Henle
Verlag EB 10767 is
printed in score form;
two copies are needed for
performance. You will
find the original
cadenzas under Mozart, 36
Cadenzas for his own
Piano Concertos. Our
edition EB 8579 contains
a Ferrucci Busoni
cadenza. Solo concerto;
Classical. Study Score.
76 pages. Duration 26'.
Breitkopf and Haertel #PB
15111-07. Published by
Breitkopf and Haertel
(BR.PB-15111-07).
ISBN
9790004212684. 6.5 x 9
inches.
One of the
most frequently performed
concertos of all, it was
written while Mozart was
working on the opera Le
nozze di Figaro. The
source situation is
clear: the autograph
score has survived, and
the first printed
editions were not
published until after
Mozart's death.The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Ernst-Gunter
Heinemann to whom Henle
has entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Ernst-Gunter Heinemann.
This edition: violin 2
part. Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag EB 10767 is
printed in score form;
two copies are needed for
performance. You will
find the original
cadenzas under Mozart, 36
Cadenzas for his own
Piano Concertos. Our
edition EB 8579 contains
a Ferrucci Busoni
cadenza. Solo concerto;
Classical. Part. 12
pages. Duration 26'.
Breitkopf and Haertel #OB
15107-16. Published by
Breitkopf and Haertel
(BR.OB-15107-16).
ISBN
9790004339367. 10 x 12.5
inches.
One of the
most frequently performed
concertos of all, it was
written while Mozart was
working on the opera Le
nozze di Figaro. The
source situation is
clear: the autograph
score has survived, and
the first printed
editions were not
published until after
Mozart's death.The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Ernst-Gunter
Heinemann to whom Henle
has entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Stephan
Horner. Stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag EB 10765 is
printed in score form;
two copies will be needed
for performance. You will
find the original
cadenzas under Mozart, 36
Cadenzas for his own
Piano Concertos. Solo
concerto; Classical.
Part. 12 pages. Duration
30 '. Breitkopf and
Haertel #OB 15108-16.
Published by Breitkopf
and Haertel
(BR.OB-15108-16).
ISBN
9790004339602. 10 x 12.5
inches.
Mozart's
Concerto K. 453 enjoyed
great popularity during
the composer's lifetime
and was widely known
through copies and a
print. The state of the
sources is thus
multi-faceted yet
unequivocal: the primary
source is the
rediscovered autograph,
which was considered lost
after 1945 and was not at
the disposal of the Neue
Mozart-Ausgabe. The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Stephan Horner to
whom Henle has entrusted
its urtext editions.
Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Stephan
Horner. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library). In
Cooperation with G. Henle
Verlag EB 10765 is
printed in score form;
two copies will be needed
for performance. Solo
concerto; Classical. Full
score. 72 pages. Duration
30 '. Breitkopf and
Haertel #PB 15108.
Published by Breitkopf
and Haertel
(BR.PB-15108).
ISBN
9790004212004. 10 x 12.5
inches.
Mozart's
Concerto K. 453 enjoyed
great popularity during
the composer's lifetime
and was widely known
through copies and a
print. The state of the
sources is thus
multi-faceted yet
unequivocal: the primary
source is the
rediscovered autograph,
which was considered lost
after 1945 and was not at
the disposal of the Neue
Mozart-Ausgabe. The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Stephan Horner to
whom Henle has entrusted
its urtext editions.
Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Stephan
Horner. Stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag EB 10765 is
printed in score form;
two copies will be needed
for performance. You will
find the original
cadenzas under Mozart, 36
Cadenzas for his own
Piano Concertos. Solo
concerto; Classical.
Part. 8 pages. Duration
30 '. Breitkopf and
Haertel #OB 15108-26.
Published by Breitkopf
and Haertel
(BR.OB-15108-26).
ISBN
9790004339626. 10 x 12.5
inches.
Mozart's
Concerto K. 453 enjoyed
great popularity during
the composer's lifetime
and was widely known
through copies and a
print. The state of the
sources is thus
multi-faceted yet
unequivocal: the primary
source is the
rediscovered autograph,
which was considered lost
after 1945 and was not at
the disposal of the Neue
Mozart-Ausgabe. The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Stephan Horner to
whom Henle has entrusted
its urtext editions.
Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Ernst-Gunter Heinemann.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag EB 10767 is
printed in score form;
two copies are needed for
performance. You will
find the original
cadenzas under Mozart, 36
Cadenzas for his own
Piano Concertos. Our
edition EB 8579 contains
a Ferrucci Busoni
cadenza. Solo concerto;
Classical. Part. 8 pages.
Duration 26'. Breitkopf
and Haertel #OB 15107-26.
Published by Breitkopf
and Haertel
(BR.OB-15107-26).
ISBN
9790004339381. 10 x 12.5
inches.
One of the
most frequently performed
concertos of all, it was
written while Mozart was
working on the opera Le
nozze di Figaro. The
source situation is
clear: the autograph
score has survived, and
the first printed
editions were not
published until after
Mozart's death.The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Ernst-Gunter
Heinemann to whom Henle
has entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Norbert
Gertsch. This edition:
violin 1 part. Stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag EB 10766 is
printed in score form;
two copies are needed for
performance. Our edition
EB 8578 contains Ferrucci
Busoni's cadenzas for the
Piano Concerto in C major
K. 467. Solo concerto;
Classical. Part. 12
pages. Duration 30'.
Breitkopf and Haertel #OB
15106-15. Published by
Breitkopf and Haertel
(BR.OB-15106-15).
ISBN
9790004339183. 10 x 12.5
inches.
The
editorial quality of the
new edition is guaranteed
not only by Schiff's
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Norbert Gertsch
to whom Henle has
entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozart's handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozart's own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.Die
Editionen werden den
Intentionen des
Komponisten so weit wie
moglich gerecht. Gemass
Mozarts Anweisungen in
den Autographen ist
beispielsweise im unteren
Klaviersolosystem sowohl
der Partituren als auch
der Klavierauszuge
durchgangig die
Bassstimme des Orchesters
wiedergegeben. (Andreas
Friesenhagen,
FonoForum)L'interet
particulier de cette
nouvelle edition reside
dans les notations
complementaires des
parties de violon ayant
pour source la premiere
execution de l'oeuvre par
Joseph Joachim et Robert
Hausmann avec, tres
probablement,
l'autorisation du
compositeur, ces notes de
jeu refletant les
pratiques de l'epoque.
(Crescendo).
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Norbert
Gertsch. This edition:
wind parts. Folder.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag EB 10766 is
printed in score form;
two copies are needed for
performance. Our edition
EB 8578 contains Ferrucci
Busoni's cadenzas for the
Piano Concerto in C major
K. 467. Solo concerto;
Classical. Set of parts.
60 pages. Duration 30'.
Breitkopf and Haertel #OB
15106-30. Published by
Breitkopf and Haertel
(BR.OB-15106-30).
ISBN
9790004339220. 10 x 12.5
inches.
The
editorial quality of the
new edition is guaranteed
not only by Schiff's
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Norbert Gertsch
to whom Henle has
entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozart's handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozart's own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.Die
Editionen werden den
Intentionen des
Komponisten so weit wie
moglich gerecht. Gemass
Mozarts Anweisungen in
den Autographen ist
beispielsweise im unteren
Klaviersolosystem sowohl
der Partituren als auch
der Klavierauszuge
durchgangig die
Bassstimme des Orchesters
wiedergegeben. (Andreas
Friesenhagen,
FonoForum)L'interet
particulier de cette
nouvelle edition reside
dans les notations
complementaires des
parties de violon ayant
pour source la premiere
execution de l'oeuvre par
Joseph Joachim et Robert
Hausmann avec, tres
probablement,
l'autorisation du
compositeur, ces notes de
jeu refletant les
pratiques de l'epoque.
(Crescendo).
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Ernst-Gunter Heinemann.
This edition: wind parts.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag EB 10767 is
printed in score form;
two copies are needed for
performance. You will
find the original
cadenzas under Mozart, 36
Cadenzas for his own
Piano Concertos. Our
edition EB 8579 contains
a Ferrucci Busoni
cadenza. Solo concerto;
Classical. Set of parts.
56 pages. Duration 26'.
Breitkopf and Haertel #OB
15107-30. Published by
Breitkopf and Haertel
(BR.OB-15107-30).
ISBN
9790004339398. 10 x 12.5
inches.
One of the
most frequently performed
concertos of all, it was
written while Mozart was
working on the opera Le
nozze di Figaro. The
source situation is
clear: the autograph
score has survived, and
the first printed
editions were not
published until after
Mozart's death.The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Ernst-Gunter
Heinemann to whom Henle
has entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Score and Parts Clarinet; String Quartet (Score & Parts) SKU: HL.49046287 ...(+)
Score and Parts Clarinet;
String Quartet (Score &
Parts)
SKU:
HL.49046287
Clarinet and String
Quartet Score and
Parts. Composed by
Peter Eötvös.
Ensemble. Classical.
Softcover. Duration 1200
seconds. Schott Music
#ED22985. Published by
Schott Music
(HL.49046287).
ISBN
9781540068668. UPC:
842819100607.
As
most of my instrumental
pieces, Joyce is also
based on a literary
source. My first string
quartet (Korrespondenz)
transferred
thecorrespondence between
Leopold and Wolfgang
Amadeus Mozart, at times
word by word, to the
world of music, whose
strong dramatic character
effectively reflects the
conflicts between father
and son. I found the
closest literary
references to my second
string quartet, which
takes its listeners to
the world of Odysseus and
the sirens, in the works
of Joyce, Homer and
Kafka. The string quartet
is enriched with an
additional soprano part,
which tells the classic
story from three
different perspectives.
The complete title of my
second string quartet is
The Sirens Cycle,
consisting of three
movements: Joyce - Homer
- Kafka. The
twenty-minute-long
duration of the first
movement of the cycle
Joyce allows it to be
performed independently.
This time, the vocal part
accompanied by the
strings is replaced by a
solo clarinet, which -
instead of giving a
verbal account of Chapter
11 of Joyce's Ulysses -
renders the quite
masculine protagonist,
Leopold Blooms musing
over the attractive
barmaids with befittingly
vigorous musical
gestures. Joyce for
clarinet and string
quartet immerses in James
Joyces unique world and
typical imaginative word
creations, placing them
into the world of musical
composition. Peter
Eotvos.