Par BACH WILHELM FRIEDEMANN. Following the acclaimed, award-winning publication of The Notebooks for Anna Magdalena Bach 1722 and 1725 (Best Edition 2020, German Music Publishers Association), Edition Peters is proud to present the Notebook for Wilhelm Friedemann Bach 1720 in a new premium Urtext edition by world-renowned Bach scholar Christoph Wolff. Bach's 'notebooks' provide a fascinating glimpse into the domestic music academy of the Bach family home. They contain original compositions, exercises, and model examples by other composers, all collected with a view to providing a rounded musical education to family members. The Notebook for Wilhelm Friedemann Bach was compiled for Johann Sebastian's eldest son, who himself went on to become one of the leading organists, improvisers and composers of his day. The book contains systematic exercises, first or early versions of three of Bach's most important keyboard cycles (some of the preludes from the Well-Tempered Clavier, Preambulums for the Two-part Inventions and Fantasias for the Three-part Sinfonias) and suites by Richter, Telemann and Stölzel among other items. This luxury linen-bound edition with gold-embossed cover lettering is in line with the quality of the production of the much-praised Notebooks for Anna Magdalena Bach. It is produced in the original landscape format, ideal for use on a keyboard stand, and contains illustrations, premium-quality new engravings and full critical commentary. This edition is the first new Urtext edition of the notebook in 60 years. It presents cutting-edge scholarship from the world's leading Bach authority Professor Christoph Wolff including the most up to date research regarding attributions of authors and writers, new fragments brought to light by recently rediscovered manuscripts and the latest dating of sources. New Urtext Edition of the Notebook for Wilhelm Friedemann Bach 1720 by Christoph Wolff First new Urtext Edition for 60 years Highest possible level of scholarship Follows acclaimed publication of The Notebooks for Anna Magdalena Bach 1722 and 1725 Landscape format, optimal for piano and keyboard players Premium linen binding Bibliophile edition Praise for The Notebooks for Anna Magdalena Bach: 'Every aspect of this edition screams quality; it is quite simply a thing of great beauty!' - Pianodao.com 'There are countless editions of the Notebook for Anna Magdalena Bach. Edition Peters has now published a complete edition for the first time, containing the complete material from Bach's 1722 and 1725 notebooks. Christoph Wolff, renowned Bach specialist, professor at Harvard University and long-time director of the Bach Archive in Leipzig, is the editor of this bibliophile Urtext edition. Bibliophile is the right term here [...] the publication shows the company's deep connection to Bach in several ways. In addition to a foreword, the inside pages contain all piano pieces from Bach's books in a clean, very well-placed typesetting. Reproductions of Bach's original manuscript make the bridge between the past and the present easy to understand. Close to the original and very beautifully realised, this Notebook is worthy of distinction.' - Deutsche Musikverleger-Verband (Best Edition 2020) / Date parution : 2021-12-09/ Recueil / Piano

Composée par Le Corre Yann pour les pratiquants de Flûte Traversière cette partition 1710-WF Bach-2010 s'adresse aux musiciens ayant un niveau Cycle 1. Elle est disponible aux éditions YLC Flûte Edition. / Flûte Traversière / 20 pages / niveau : Cycle 1 / Partition reliée 2 pts métal

Following the acclaimed, award-winning publication of The Notebooks for Anna Magdalena Bach 1722 and 1725 (Best Edition 2020, German Music Publishers Association), Edition Peters is proud to present the Notebook for Wilhelm Friedemann Bach 1720 in a new premium Urtext edition by world-renowned Bach scholar Christoph Wolff.
Bach?s ?notebooks? provide a fascinating glimpse into the domestic music academy of the Bach family home. They contain original compositions, exercises, and model examples by other composers, all collected with a view to providing a rounded musical education to family members. The Notebook for Wilhelm Friedemann Bach was compiled for Johann Sebastian?s eldest son, who himself went on to become one of the leading organists, improvisers and composers of his day. The book contains systematic exercises, first or early versions of three of Bach?s most important keyboard cycles (some of the preludes from the Well-Tempered Clavier, Preambulums for the Two-part Inventions and Fantasias for the Three-part Sinfonias) and suites by Richter, Telemann and Stölzel among other items.
This luxury linen-bound edition with gold-embossed cover lettering is in line with the quality of the production of the much-praised Notebooks for Anna Magdalena Bach. It is produced in the original landscape format, ideal for use on a keyboard stand, and contains illustrations, premium-quality new engravings and full critical commentary.
This edition is the first new Urtext edition of the notebook in 60 years. It presents cutting-edge scholarship from the world?s leading Bach authority Professor Christoph Wolff including the most up to date research regarding attributions of authors and writers, new fragments brought to light by recently rediscovered manuscripts and the latest dating of sources.
New Urtext Edition of the Notebook for Wilhelm Friedemann Bach 1720 by Christoph Wolff
First new Urtext Edition for 60 years
Highest possible level of scholarship
Follows acclaimed publication of The Notebooks for Anna Magdalena Bach 1722 and 1725
Landscape format, optimal for piano and keyboard players
Premium linen binding
Bibliophile edition
Praise for The Notebooks for Anna Magdalena Bach:
?Every aspect of this edition screams quality; it is quite simply a thing of great beauty!? - Pianodao.com
?There are countless editions of the Notebook for Anna Magdalena Bach. Edition Peters has now published a complete edition for the first time, containing the complete material from Bach's 1722 and 1725 notebooks. Christoph Wolff, renowned Bach specialist, professor at Harvard University and long-time director of the Bach Archive in Leipzig, is the editor of this bibliophile Urtext edition.
Bibliophile is the right term here [...] the publication shows the company?s deep connection to Bach in several ways. In addition to a foreword, the inside pages contain all piano pieces from Bach's books in a clean, very well-placed typesetting. Reproductions of Bach?s original manuscript make the bridge between the past and the present easy to understand. Close to the original and very beautifully realised, this Notebook is worthy of distinction.? - Deutsche Musikverleger-Verband (Best Edition 2020)
/ Partitions classique / Piano - instruments à clavier / Piano / EDITION PETERS

Kantate Zum Reformationsfest (In Der Bearbeitung Von Wilhelm Friedemann Bach). Par BACH JOHANN SEBASTIAN. Tonalité : D-Dur - Bach, Wilhelm Friedemann (Arr. ) - BWV 80/ Répertoire / Solistes SATB, Choeur SATB, (arr Satz 1 + 5 von W.

Kantate Zum Reformationsfest (In Der Bearbeitung Von Wilhelm Friedemann Bach). Par BACH JOHANN SEBASTIAN. Tonalité : D-Dur - Bach, Wilhelm Friedemann (Arr. ) - BWV 80/ Répertoire / Solistes SATB, Choeur SATB, (arr Satz 1 + 5 von W.

Kantate Zum Reformationsfest (In Der Bearbeitung Von Wilhelm Friedemann Bach). Par BACH JOHANN SEBASTIAN. Tonalité : D-Dur - Bach, Wilhelm Friedemann (Arr. ) - BWV 80/ Répertoire / Solistes SATB, Choeur SATB, (arr Satz 1 + 5 von W.

Kantate Zum Reformationsfest (In Der Bearbeitung Von Wilhelm Friedemann Bach). Par BACH JOHANN SEBASTIAN. Tonalité : D-Dur - Bach, Wilhelm Friedemann (Arr. ) - BWV 80/ Répertoire / Solistes SATB, Choeur SATB, (arr Satz 1 + 5 von W.

Kantate Zum Reformationsfest (In Der Bearbeitung Von Wilhelm Friedemann Bach). Par BACH JOHANN SEBASTIAN. Tonalité : D-Dur - Bach, Wilhelm Friedemann (Arr. ) - BWV 80/ Répertoire / Solistes SATB, Choeur SATB, (arr Satz 1 + 5 von W.

[Klavierbüchlein für Wilhelm Friedemann Bach] / Classique / Editeur : Wolfgang Plath / Partition / Cartonné / Plats de carton / Edition Urtext

Kantate Zum Reformationsfest (In Der Bearbeitung Von Wilhelm Friedemann Bach). Par BACH JOHANN SEBASTIAN. The present cantata draws on two of Bach’s earlier works. The original form was the cantata 'Alles, was von Gott geboren' [Weimar 1715, BWV 80a]. A second version [BWV 80b] was written between 1727 and 1731 in Leipzig. The instrumentation of movements 1 and 5 come from a later adaptation by Wilhelm Friedmann Bach./ Répertoire / Solistes SATB, Choeur SATB, (arr Satz 1 + 5 von W.

Kantate Zum Reformationsfest (In Der Bearbeitung Von Wilhelm Friedemann Bach). Par BACH JOHANN SEBASTIAN. The present cantata draws on two of Bach’s earlier works. The original form was the cantata 'Alles, was von Gott geboren' [Weimar 1715, BWV 80a]. A second version [BWV 80b] was written between 1727 and 1731 in Leipzig. The instrumentation of movements 1 and 5 come from a later adaptation by Wilhelm Friedmann Bach./ Répertoire / Solistes SATB, Choeur SATB, (arr Satz 1 + 5 von W.

Kantate Zum Reformationsfest (In Der Bearbeitung Von Wilhelm Friedemann Bach). Par BACH JOHANN SEBASTIAN. The present cantata draws on two of Bach’s earlier works. The original form was the cantata 'Alles, was von Gott geboren' [Weimar 1715, BWV 80a]. A second version [BWV 80b] was written between 1727 and 1731 in Leipzig. The instrumentation of movements 1 and 5 come from a later adaptation by Wilhelm Friedmann Bach./ Répertoire / Solistes SATB, Choeur SATB, (arr Satz 1 + 5 von W.

My First Book Of Bach contains twenty-six favourite pieces in easy piano arrangements edited by David Dutkanicz.Students of all ages will delight in these simple piano arrangements of familiar melodies such as Jesu Joy Of Man's Desiring Wachet Auf and highlights from the Brandenburg Concertos Goldberg Variations and Inventions plus menuets gavottes bourees and other fun-to-play pieces all gathered together here to demonstrate the beauty enjoyment and skill of J.S. Bach's compositions.

The cantata is one of the few surviving vocal works which Wilhelm Friedemann Bach composed during the eighteen years which he spent as organist and director of music at the Marktkirche in Halle [1746?1764]. This cantata published here for the first time in more than 250 years was written to introduce the autumn sermons in 1752. A musically and technically demanding composition it consists of two substantial choral movements partly concertante and partly polyphonic based on two biblical utterances. They surround a sensitive while at the same time strictly contrapuntal duet for soprano and alto with basso continuo in which ?God?s sweet teaching for the soul? is described as thetrue ?manna? of the faithful forming a link with the sermons which are to follow. In the compactness of the musical construction and its intensity of expression W. F. Bach was clearly following in the footsteps of his father in this work.