2 Violin, Viola, Basso Continuo

SKU: CA.3230519

Composed by Wilhelm Friedemann Bach. Edited by Peter Wollny. Stuttgart Urtext edition. Sinfonia In D (C-Inc.16). Set of Orchestra Parts. BR-WFB, C-Inc. 16. Carus Verlag #CV 32.305/19. Published by Carus Verlag (CA.3230519).

ISBN 9790007141738. Key: D major. Language: all languages.

Orchestr al music played a significant role in the output of Wilhelm Friedemann Bach. In his early years as a professional organist at the Sophienkirche in the Saxon capital Dresden (1733-1746), he developed his own unmistakable personal style in a series of ambitious concertos and sinfonias. The surviving body of W. F. Bach's sinfonias has been affected by considerable losses. The Sinfonia in D major (BR-WFB C-Inc. 16), published here for the first time, was attributed to both Johann Sebastian Bach and Carl Philipp Emanuel Bach, however on stylistic grounds, it is more likely attributable to W. F. Bach. Score and parts available separately - see item CA.3230500.

2 Violin, Viola, Basso Continuo

SKU: CA.3230500

Composed by Wilhelm Friedemann Bach. Edited by Peter Wollny. This edition: Paperbound. Stuttgart Urtext edition. Sinfonia In D (C-Inc.16). Full score. BR-WFB, C-Inc. 16. 12 pages. Carus Verlag #CV 32.305/00. Published by Carus Verlag (CA.3230500).

ISBN 9790007137281. Key: D major. Language: all languages.

Orchestr al music played a significant role in the output of Wilhelm Friedemann Bach. In his early years as a professional organist at the Sophienkirche in the Saxon capital Dresden (1733-1746), he developed his own unmistakable personal style in a series of ambitious concertos and sinfonias. The surviving body of W. F. Bach's sinfonias has been affected by considerable losses. The Sinfonia in D major (BR-WFB C-Inc. 16), published here for the first time, was attributed to both Johann Sebastian Bach and Carl Philipp Emanuel Bach, however on stylistic grounds, it is more likely attributable to W. F. Bach.

2 Violin, Viola, Basso Continuo

SKU: CA.3230512

Composed by Wilhelm Friedemann Bach. Edited by Peter Wollny. Stuttgart Urtext edition. Sinfonia In D (C-Inc.16). Single Part, Violin 2. BR-WFB, C-Inc. 16. 4 pages. Carus Verlag #CV 32.305/12. Published by Carus Verlag (CA.3230512).

ISBN 9790007211875. Key: D major. Language: all languages.

Orchestr al music played a significant role in the output of Wilhelm Friedemann Bach. In his early years as a professional organist at the Sophienkirche in the Saxon capital Dresden (1733-1746), he developed his own unmistakable personal style in a series of ambitious concertos and sinfonias. The surviving body of W. F. Bach's sinfonias has been affected by considerable losses. The Sinfonia in D major (BR-WFB C-Inc. 16), published here for the first time, was attributed to both Johann Sebastian Bach and Carl Philipp Emanuel Bach, however on stylistic grounds, it is more likely attributable to W. F. Bach. Score and part available separately - see item CA.3230500.

2 Violin, Viola, Basso Continuo

SKU: CA.3230513

Composed by Wilhelm Friedemann Bach. Edited by Peter Wollny. Stuttgart Urtext edition. Sinfonia In D (C-Inc.16). Single Part, Viola. BR-WFB, C-Inc. 16. 4 pages. Carus Verlag #CV 32.305/13. Published by Carus Verlag (CA.3230513).

ISBN 9790007211882. Key: D major. Language: all languages.

Orchestr al music played a significant role in the output of Wilhelm Friedemann Bach. In his early years as a professional organist at the Sophienkirche in the Saxon capital Dresden (1733-1746), he developed his own unmistakable personal style in a series of ambitious concertos and sinfonias. The surviving body of W. F. Bach's sinfonias has been affected by considerable losses. The Sinfonia in D major (BR-WFB C-Inc. 16), published here for the first time, was attributed to both Johann Sebastian Bach and Carl Philipp Emanuel Bach, however on stylistic grounds, it is more likely attributable to W. F. Bach. Score and part available separately - see item CA.3230500.

SA vocal soli, SATB choir, 2 violins, viola, cello/contrabass, organ

SKU: CA.3207619

Composed by Wilhelm Friedemann Bach. Edited by Peter Wollny. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Wohl dem, der den Herren furchtet. Sacred vocal music. Set of Orchestra Parts. Composed 1752. BR-WFB F 19. Duration 15 minutes. Carus Verlag #CV 32.076/19. Published by Carus Verlag (CA.3207619).

ISBN 9790007138974. Language: German.

The cantata is one of the few surviving vocal works which Wilhelm Friedemann Bach composed during the eighteen years which he spent as organist and director of music at the Marktkirche in Halle (1746-1764). This cantata, published here for the first time in more than 250 years, was written to introduce the autumn sermons in 1752. A musically and technically demanding composition, it consists of two substantial choral movements, partly concertante and partly polyphonic, based on two biblical utterances. They surround a sensitive, while at the same time strictly contrapuntal, duet for soprano and alto with basso continuo in which God's sweet teaching for the soul is described as the true manna of the faithful, forming a link with the sermons which are to follow. In the compactness of the musical construction and its intensity of expression W. F. Bach was clearly following in the footsteps of his father in this work. Score and parts available separately - see item CA.3207600.

Composed by Wilhelm Friedemann Bach (1710-1784). Edited by Peter Wollny. This edition: Complete edition, linen cover. Wilhelm Friedemann Bach Complete Edition; Edition Bach-Archiv Leipzig - Musical Monuments. German title: German title: Duette,Solo-Triosonaten. Complete edition. Published by Carus Verlag

Composed by Wilhelm Friedemann Bach (1710-1784). Edited by Peter Wollny. This edition: Complete edition, linen cover. Wilhelm Friedemann Bach Complete Edition; Edition Bach-Archiv Leipzig - Musical Monuments. German title: Sinfonien. Complete edition. Composed 1752. Published by Carus Verlag

Composed by Wilhelm Friedemann Bach (1710-1784). Edited by Peter Wollny. This edition: Complete edition, linen cover. Wilhelm Friedemann Bach Complete Edition; Edition Bach-Archiv Leipzig - Musical Monuments. German title: German title: Sonaten + Konzerte. Complete edition. 200 pages. Published by Carus Verlag (CA.3200100).

By Wilhelm Friedemann Bach. Edited by Andreas Bohnert. Piano (Harpsichord), 2-hands. Pages: IX and 31. Urtext edition-paper bound. Published by G. Henle.

SKU: CA.3200500

Composed by Wilhelm Friedemann Bach. Edited by Peter Wollny. This edition: Complete edition, linen cover. Wilhelm Friedemann Bach. Complete Edition. German title: Konzerte Fur 2 Cembali, Flotenkonzer. Full score (complete edition / selected edition). 120 pages. Carus Verlag #CV 32.005/00. Published by Carus Verlag (CA.3200500).

ISBN 9790007094065.

Organ (Organ)

SKU: HL.48184631

Composed by Wilhelm Friedemann Bach. Leduc. Classical. Softcover. Alphonse Leduc #AL27755. Published by Alphonse Leduc (HL.48184631).

Wilhelm Friedemann Bach: Choral: Was mein Gott will (Maitres classiques No.2) (Organ).

By Wilhelm Friedemann Bach. Edited by Andreas Bohnert. Piano (Harpsichord), 2-hands. Pages: XIV and 69. Urtext edition-paper bound. Published by G. Henle.

Chorus (with soloists) and orchestra (solos: SAB - choir: SATB - 2.0.0.0 - 0.0.0.0 - str - bc)

SKU: BR.BV-209

Composed by Johann Sebastian Bach. Edited by Hafner,Klaus and Oswald Bill. Choir; Linen. Buchverlag Breitkopf & Hartel (Music Books). Mass; Baroque. Book. 64 pages. Duration 38'. Breitkopf and Haertel #BV 209. Published by Breitkopf and Haertel (BR.BV-209).

ISBN 9783765102097. 9 x 14.5 inches. German.

The Publication in facsimile of the auto graphic copy of Johann Sebastian Bach's Mass in A major BWV 234 at the occasion of the Bach Anniversary Year 1985 has been made possible thanks to the generous support of the publishing house which so carefully preserved this precious manuscript in its archives for almost 200 years. The manuscript was acquired long ago by Johann Gottlob Immanuel Breitkopf, the brilliant and dynamic forefather of the publishing house Breitkopf & Hartel, who conducted a prosperous business selling music transcriptions in Leipzig. It is still unclear as to how he obtained the manuscript. Perhaps it had belonged to the estate of Wilhelm Friedemann Bach, from whom Breitkopf apparently acquired a part of his Bach collection. The earliest reference to the manuscript's change of ownership is found in Breitkopfs Verzeichniss Musicalischer Werke of 1761, which includes Bach's Missa, a 2 Flauti, 2 Violini, Viola 4 Voci, Organo under the listing of copies of unpublished compositions. The copy was available at the price of 2 thl. (thalers) 12gl. (groschen). A few years later, in 1769, the same offer appeared again together with other works by Bach or ascribed to him in the Verzeichniss lateinischer und italianischer Kirchen-Musiken of Bernhard Christoph Breitkopf & Sohn. In more recent times, the work has been mentioned in Wilhelm Hitzig's Katalog des Archivs von Breitkopf & Hartel, revised in 1925, together with the continuo part, which was included with the copy and which was also originally written in Bach's own hand. The economic reorganization of the publishing house Breitkopf & Hartel after the Second World War made it necessary to sell the manuscript together with other works from the publisher's archives. This manuscript was to have been put up at auction by the auction house J. A. Stargardt. The catalogue, containing an informative commentary by Wolfgang Schmieder, was already printed, but before the auction could take place, the land of Hesse decided to purchase all the manuscripts, thus preventing the dispersion of this valuable collection. The manuscript was officially handed over to the Hessische Landes- und Hochschulbibliothek in Darmstadt on 29 October 1953. The A major Mass is still preserved there today, together with its fellow piece, the Mass in G major BWV 236.

Chorus (with soloists) and piano (solos: SAB - choir: SATB - 2.0.0.0 - 0.0.0.0 - str - bc)

SKU: BR.EB-4063

Composed by Johann Sebastian Bach. Edited by Salomon Jadassohn. Arranged by Salomon Jadassohn. Choir; Softcover. Edition Breitkopf. Mass; Baroque. Piano/Vocal Score. 48 pages. Duration 38'. Breitkopf and Haertel #EB 4063. Published by Breitkopf and Haertel (BR.EB-4063).

ISBN 9790004162224. 7.5 x 10.5 inches.

The Publication in facsimile of the auto graphic copy of Johann Sebastian Bach's Mass in A major BWV 234 at the occasion of the Bach Anniversary Year 1985 has been made possible thanks to the generous support of the publishing house which so carefully preserved this precious manuscript in its archives for almost 200 years. The manuscript was acquired long ago by Johann Gottlob Immanuel Breitkopf, the brilliant and dynamic forefather of the publishing house Breitkopf & Hartel, who conducted a prosperous business selling music transcriptions in Leipzig. It is still unclear as to how he obtained the manuscript. Perhaps it had belonged to the estate of Wilhelm Friedemann Bach, from whom Breitkopf apparently acquired a part of his Bach collection. The earliest reference to the manuscript's change of ownership is found in Breitkopfs Verzeichniss Musicalischer Werke of 1761, which includes Bach's Missa, a 2 Flauti, 2 Violini, Viola 4 Voci, Organo under the listing of copies of unpublished compositions. The copy was available at the price of 2 thl. (thalers) 12gl. (groschen). A few years later, in 1769, the same offer appeared again together with other works by Bach or ascribed to him in the Verzeichniss lateinischer und italianischer Kirchen-Musiken of Bernhard Christoph Breitkopf & Sohn. In more recent times, the work has been mentioned in Wilhelm Hitzig's Katalog des Archivs von Breitkopf & Hartel, revised in 1925, together with the continuo part, which was included with the copy and which was also originally written in Bach's own hand. The economic reorganization of the publishing house Breitkopf & Hartel after the Second World War made it necessary to sell the manuscript together with other works from the publisher's archives. This manuscript was to have been put up at auction by the auction house J. A. Stargardt. The catalogue, containing an informative commentary by Wolfgang Schmieder, was already printed, but before the auction could take place, the land of Hesse decided to purchase all the manuscripts, thus preventing the dispersion of this valuable collection. The manuscript was officially handed over to the Hessische Landes- und Hochschulbibliothek in Darmstadt on 29 October 1953. The A major Mass is still preserved there today, together with its fellow piece, the Mass in G major BWV 236.

Chorus (with soloists) and orchestra (solos: SAB - choir: SATB - 2.0.0.0 - 0.0.0.0 - str - bc)

SKU: BR.CHB-3477-02

Composed by Johann Sebastian Bach. Choir; stapled. Chor-Bibliothek (Choral Library). Mass; Baroque. Choral score. 20 pages. Duration 38'. Breitkopf and Haertel #ChB 3477-02. Published by Breitkopf and Haertel (BR.CHB-3477-02).

ISBN 9790004404218. 6.5 x 9.5 inches.

The Publication in facsimile of the auto graphic copy of Johann Sebastian Bach's Mass in A major BWV 234 at the occasion of the Bach Anniversary Year 1985 has been made possible thanks to the generous support of the publishing house which so carefully preserved this precious manuscript in its archives for almost 200 years. The manuscript was acquired long ago by Johann Gottlob Immanuel Breitkopf, the brilliant and dynamic forefather of the publishing house Breitkopf & Hartel, who conducted a prosperous business selling music transcriptions in Leipzig. It is still unclear as to how he obtained the manuscript. Perhaps it had belonged to the estate of Wilhelm Friedemann Bach, from whom Breitkopf apparently acquired a part of his Bach collection. The earliest reference to the manuscript's change of ownership is found in Breitkopfs Verzeichniss Musicalischer Werke of 1761, which includes Bach's Missa, a 2 Flauti, 2 Violini, Viola 4 Voci, Organo under the listing of copies of unpublished compositions. The copy was available at the price of 2 thl. (thalers) 12gl. (groschen). A few years later, in 1769, the same offer appeared again together with other works by Bach or ascribed to him in the Verzeichniss lateinischer und italianischer Kirchen-Musiken of Bernhard Christoph Breitkopf & Sohn. In more recent times, the work has been mentioned in Wilhelm Hitzig's Katalog des Archivs von Breitkopf & Hartel, revised in 1925, together with the continuo part, which was included with the copy and which was also originally written in Bach's own hand. The economic reorganization of the publishing house Breitkopf & Hartel after the Second World War made it necessary to sell the manuscript together with other works from the publisher's archives. This manuscript was to have been put up at auction by the auction house J. A. Stargardt. The catalogue, containing an informative commentary by Wolfgang Schmieder, was already printed, but before the auction could take place, the land of Hesse decided to purchase all the manuscripts, thus preventing the dispersion of this valuable collection. The manuscript was officially handed over to the Hessische Landes- und Hochschulbibliothek in Darmstadt on 29 October 1953. The A major Mass is still preserved there today, together with its fellow piece, the Mass in G major BWV 236.

Chorus (with soloists) and orchestra (solos: SAB - choir: SATB - 2.0.0.0 - 0.0.0.0 - str - bc)

SKU: BR.BV-217

Composed by Johann Sebastian Bach. Choir; Linen. Buchverlag Breitkopf & Hartel (Music Books). Mass; Baroque. Book. 64 pages. Duration 38'. Breitkopf and Haertel #BV 217. Published by Breitkopf and Haertel (BR.BV-217).

ISBN 9783765102172. 9 x 14.5 inches. English.

The Publication in facsimile of the auto graphic copy of Johann Sebastian Bach's Mass in A major BWV 234 at the occasion of the Bach Anniversary Year 1985 has been made possible thanks to the generous support of the publishing house which so carefully preserved this precious manuscript in its archives for almost 200 years. The manuscript was acquired long ago by Johann Gottlob Immanuel Breitkopf, the brilliant and dynamic forefather of the publishing house Breitkopf & Hartel, who conducted a prosperous business selling music transcriptions in Leipzig. It is still unclear as to how he obtained the manuscript. Perhaps it had belonged to the estate of Wilhelm Friedemann Bach, from whom Breitkopf apparently acquired a part of his Bach collection. The earliest reference to the manuscript's change of ownership is found in Breitkopfs Verzeichniss Musicalischer Werke of 1761, which includes Bach's Missa, a 2 Flauti, 2 Violini, Viola 4 Voci, Organo under the listing of copies of unpublished compositions. The copy was available at the price of 2 thl. (thalers) 12gl. (groschen). A few years later, in 1769, the same offer appeared again together with other works by Bach or ascribed to him in the Verzeichniss lateinischer und italianischer Kirchen-Musiken of Bernhard Christoph Breitkopf & Sohn. In more recent times, the work has been mentioned in Wilhelm Hitzig's Katalog des Archivs von Breitkopf & Hartel, revised in 1925, together with the continuo part, which was included with the copy and which was also originally written in Bach's own hand. The economic reorganization of the publishing house Breitkopf & Hartel after the Second World War made it necessary to sell the manuscript together with other works from the publisher's archives. This manuscript was to have been put up at auction by the auction house J. A. Stargardt. The catalogue, containing an informative commentary by Wolfgang Schmieder, was already printed, but before the auction could take place, the land of Hesse decided to purchase all the manuscripts, thus preventing the dispersion of this valuable collection. The manuscript was officially handed over to the Hessische Landes- und Hochschulbibliothek in Darmstadt on 29 October 1953. The A major Mass is still preserved there today, together with its fellow piece, the Mass in G major BWV 236.

Viola

SKU: BR.OB-5293-19

Book 1. Composed by Wolfgang Amadeus Mozart. Edited by Johann Nepomuk David. Stapled. Orchester-Bibliothek (Orchestral Library).

The Six Three-Part Preludes and Fugues are regarded as a unique testimony to Mozart's profound interest in the works of Bach.

Classical period. Part. KV 404a, Nos. 1-3. 12 pages. Breitkopf and Haertel #OB 5293-19. Published by Breitkopf and Haertel (BR.OB-5293-19).

ISBN 9790004337998. 9 x 12 inches.

I am presently collecting the fugues of Bach - not only of sebastian, but also of Emanuel and friedeman, wrote Mozart to his father in April 1782. This could be a hint that the Six Three-Part Preludes and Fugues were derived from this collection: Mozart wrote string-trio arrangements of two preludes and five fugues by Johann Sebastian Bach, and of one fugue by Wilhelm Friedemann Bach. This apparently plunged him into such a creative mood that he simply wrote the missing preludes himself. It is to Johann Nepomuk David that we owe the first edition of this work, which introduced this unique document to a broad public for the first time. The present edition has retained David's basic editorial decision to adapt the divergent passages of Mozart's arrangement to Bach's original music text.Contents:No. 1 - Adagio by Wolfgang Amadeus Mozart Fuga Mozart's arrangement of Johann Sebastian Bach, Das Wohltemperirte Clavier I, Fuga 8 in D# minor BWV 853No. 2 - Adagio by Wolfgang Amadeus Mozart Fuga Mozart's arrangement of Johann Sebastian Bach, Das Wohltemperirte Clavier II, Fuga 14 in F# minor BWV 883No. 3 - Adagio by Wolfgang Amadeus Mozart Fuga Mozart's arrangement of Johann Sebastian Bach, Das Wohltemperirte Clavier II, Fuga 13 in F# major BWV 882.

Basso (cello/double bass)

SKU: BR.OB-5293-26

Book 1. Composed by Wolfgang Amadeus Mozart. Edited by Johann Nepomuk David. Stapled. Orchester-Bibliothek (Orchestral Library).

The Six Three-Part Preludes and Fugues are regarded as a unique testimony to Mozart's profound interest in the works of Bach.

Classical period. Part. KV 404a, Nos. 1-3. 12 pages. Breitkopf and Haertel #OB 5293-26. Published by Breitkopf and Haertel (BR.OB-5293-26).

ISBN 9790004338001. 9 x 12 inches.

I am presently collecting the fugues of Bach - not only of sebastian, but also of Emanuel and friedeman, wrote Mozart to his father in April 1782. This could be a hint that the Six Three-Part Preludes and Fugues were derived from this collection: Mozart wrote string-trio arrangements of two preludes and five fugues by Johann Sebastian Bach, and of one fugue by Wilhelm Friedemann Bach. This apparently plunged him into such a creative mood that he simply wrote the missing preludes himself. It is to Johann Nepomuk David that we owe the first edition of this work, which introduced this unique document to a broad public for the first time. The present edition has retained David's basic editorial decision to adapt the divergent passages of Mozart's arrangement to Bach's original music text.Contents:No. 1 - Adagio by Wolfgang Amadeus Mozart Fuga Mozart's arrangement of Johann Sebastian Bach, Das Wohltemperirte Clavier I, Fuga 8 in D# minor BWV 853No. 2 - Adagio by Wolfgang Amadeus Mozart Fuga Mozart's arrangement of Johann Sebastian Bach, Das Wohltemperirte Clavier II, Fuga 14 in F# minor BWV 883No. 3 - Adagio by Wolfgang Amadeus Mozart Fuga Mozart's arrangement of Johann Sebastian Bach, Das Wohltemperirte Clavier II, Fuga 13 in F# major BWV 882.

Violin 1

SKU: BR.OB-5293-15

Book 1. Composed by Wolfgang Amadeus Mozart. Edited by Johann Nepomuk David. Stapled. Orchester-Bibliothek (Orchestral Library).

The Six Three-Part Preludes and Fugues are regarded as a unique testimony to Mozart's profound interest in the works of Bach.

Classical period. Part. KV 404a, Nos. 1-3. 12 pages. Breitkopf and Haertel #OB 5293-15. Published by Breitkopf and Haertel (BR.OB-5293-15).

ISBN 9790004337981. 9 x 12 inches.

I am presently collecting the fugues of Bach - not only of sebastian, but also of Emanuel and friedeman, wrote Mozart to his father in April 1782. This could be a hint that the Six Three-Part Preludes and Fugues were derived from this collection: Mozart wrote string-trio arrangements of two preludes and five fugues by Johann Sebastian Bach, and of one fugue by Wilhelm Friedemann Bach. This apparently plunged him into such a creative mood that he simply wrote the missing preludes himself. It is to Johann Nepomuk David that we owe the first edition of this work, which introduced this unique document to a broad public for the first time. The present edition has retained David's basic editorial decision to adapt the divergent passages of Mozart's arrangement to Bach's original music text.Contents:No. 1 - Adagio by Wolfgang Amadeus Mozart Fuga Mozart's arrangement of Johann Sebastian Bach, Das Wohltemperirte Clavier I, Fuga 8 in D# minor BWV 853No. 2 - Adagio by Wolfgang Amadeus Mozart Fuga Mozart's arrangement of Johann Sebastian Bach, Das Wohltemperirte Clavier II, Fuga 14 in F# minor BWV 883No. 3 - Adagio by Wolfgang Amadeus Mozart Fuga Mozart's arrangement of Johann Sebastian Bach, Das Wohltemperirte Clavier II, Fuga 13 in F# major BWV 882.

Developing Artist Original Keyboard Classics. Edited by Nancy Faber and Randall Faber. Faber Piano Adventures. Classical, Supplementary. Softcover Audio Online. 128 pages. Faber Piano Adventures #FF1282. Published by Faber Piano Adventure

Orchestra SATB vocal soli, SATB choir, 2 oboes/2 oboes d'amore, oboe da caccia, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3108089

Cantata for Reformation Day. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal; Hymns by Martin Luther: Ein feste Burg ist unser Gott. Harmony parts. Innovative practice aids, Sacred vocal music, Cantatas, Reformation day. Set of Orchestra Parts. BWV 80. 12 pages. Duration 30 minutes. Carus Verlag #CV 31.080/89. Published by Carus Verlag (CA.3108089).

ISBN 9790007206840. Key: D major. Text language: German/English. Text: Luther, Martin.

Bach's Reformation cantata, based on what is probably Martin Luther's most famous hymn, evolved over a period of several years. At the beginning was a Weimar cantata for Oculi Sunday 1716, now missing, which was based on the hymn with an instrumental quotation in the opening aria and with the final chorale. In the Leipzig years around 1730, Bach wrote a cantata for Reformation Day using this material. It began with the first verses of Luther's hymn in a simple four-part setting and also included the other verses. Later on, in the 1730s or 1740s, Bach replaced the introductory chorale movement with a chorale setting which was unique, spacious and motet-like in its style; this - uniquely in this respect - incorporated the choral writing in an instrumental canon for oboes and organ continuo. The powerful opening chorus is followed by recitatives and arias which reflect the full breadth of Bach's art of word painting and emotion. One of Bach's most magnificent cantatas, one of the greatest works in the history of music. In addition to the complete performance material the arrangements of movements 1 and 5 (with 3 trumpets, timpani as playing score) by Wilhelm Friedemann Bach are available (Carus 3108089). Score and parts available separately - see item CA.3108000.

Orchestra SATB vocal soli, SATB choir, 2 oboes/2 oboe d'amore, oboe d'caccia, [3 trumpets, timpani], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3108013

Cantata for Reformation Day. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal; Hymns by Martin Luther: Ein feste Burg ist unser Gott. German title: Ein feste Burg. Innovative practice aids, Sacred vocal music, Cantatas, Reformation day. Single Part, Viola. BWV 80. 12 pages. Duration 30 minutes. Carus Verlag #CV 31.080/13. Published by Carus Verlag (CA.3108013).

ISBN 9790007045371. Key: D major. Language: German/English. Text: Luther, Martin. Text: Martin Luther, Salomo Franck.

Bach's Reformation cantata, based on what is probably Martin Luther's most famous hymn, evolved over a period of several years. At the beginning was a Weimar cantata for Oculi Sunday 1716, now missing, which was based on the hymn with an instrumental quotation in the opening aria and with the final chorale. In the Leipzig years around 1730, Bach wrote a cantata for Reformation Day using this material. It began with the first verses of Luther's hymn in a simple four-part setting and also included the other verses. Later on, in the 1730s or 1740s, Bach replaced the introductory chorale movement with a chorale setting which was unique, spacious and motet-like in its style; this - uniquely in this respect - incorporated the choral writing in an instrumental canon for oboes and organ continuo. The powerful opening chorus is followed by recitatives and arias which reflect the full breadth of Bach's art of word painting and emotion. One of Bach's most magnificent cantatas, one of the greatest works in the history of music. In addition to the complete performance material the arrangements of movements 1 and 5 (with 3 trumpets, timpani as playing score) by Wilhelm Friedemann Bach are available (Carus 3108089). Score and part available separately - see item CA.3108000.

A Four-Book Series Organized by Difficulty Level. Composed by Various. Piano. Classical. Softcover. Published by Hal Leonard

SKU: BR.BV-390

Composed by Peter Wollny. Hardback. Buchverlag Breitkopf & Hartel (Music Books).

Wollny's description of the life and work of Sara Levy is supplemented by letters and family documents, as well as by a listing of the works by the Bach family which had been collected by the Itzigs.

Book. 146 pages. Breitkopf and Haertel #BV 390. Published by Breitkopf and Haertel (BR.BV-390).

ISBN 9783765103902. 6.5 x 9.5 inches.

In his essay on Sara Levy (1761-1854), Peter Wollny shows that Felix Mendelssohn Bartholdy's ancestors made a major contribution to the Bach reception of their time. Levy, who hailed from the Itzig family, gave musical soirees that testified to a veritable Bach cult, as the Berlin Court Kapellmeister Johann Friedrich Reichardt put it. As the central figure of the family activities, Levy was the patroness of the two eldest Bach sons Wilhelm Friedemann and Carl Philipp Emanuel, and concertized at the harpsichord with Carl Friedrich Zelter's ensemble and other Berlin orchestral societies. Der enorme Vorteil in diesem Band liegt darin, verstreut Bekanntes sinnvoll, schon und nutzlich vereinigt zu finden. (Peter Suhring, info-netz-musik).

(Klavierwerke, Band 5. Urtext der Neuen Bach-Ausgabe). By Johann Sebastian Bach (1685-1750). Edited by Wolfgang Plath. For Piano/Harpsichord. Neue Bach-Ausgabe. Serie V, Band 5. Collection; Playing Score; Urtext Edition; Complete Edition (cloth bound). Published by Baerenreiter Verlag

3 clarinets

SKU: M7.DOHR-28836

Composed by Wolfgang Amadeus Mozart. Arranged by Bernhard Kosling. Sheet music. Score and parts. 20 pages. MDS (Music Distribution Services) #DOHR 28836. Published by MDS (Music Distribution Services) (M7.DOHR-28836).

ISBN 9790202018361.

Die Adagios und Fugen entstammen einer Serie von insgesamt sechs ähnlich strukturierten Stücken, die als KV404a eingeordnet wurden. Sie basieren auf Fugen von Johann Sebastian Bach bzw. Wilhelm Friedemann Bach, die Mozart anscheinend willkürlich ausgewählt hat, um sie für Violine, Viola und Violoncello zu bearbeiten. Jeder der bearbeiteten Fugen stellte er einen eigenen langsamen Satz als Einleitung voran. In der hier in einer Bearbeitung für Klarinetten/Bassetthör ner vorgelegten Nr. 1 hat Mozart die Fuge dis-Moll BWV 853 von Johann Sebastian Bach bearbeitet. Für Klarinettisten sind diese Stücke, die im Original eher selten zu hören sind, ein Glücksfall, da das gesamte Spektrum des Tonumfangs und der Klangmöglichkeiten ausgenutzt werden kann.

3 clarinets

SKU: M7.DOHR-28837

Composed by Wolfgang Amadeus Mozart. Arranged by Bernhard Kosling. Sheet music. Score and parts. 24 pages. MDS (Music Distribution Services) #DOHR 28837. Published by MDS (Music Distribution Services) (M7.DOHR-28837).

ISBN 9790202018378.

Die Adagios und Fugen entstammen einer Serie von insgesamt sechs ähnlich strukturierten Stücken, die als KV404a eingeordnet wurden. Sie basieren auf Fugen von Johann Sebastian Bach bzw. Wilhelm Friedemann Bach, die Mozart anscheinend willkürlich ausgewählt hat, um sie für Violine, Viola und Violoncello zu bearbeiten. Jeder der bearbeiteten Fugen stellte er einen eigenen langsamen Satz als Einleitung voran. In der hier in einer Bearbeitung für Klarinetten/Bassetthör ner vorgelegten Nr. 1 hat Mozart die Fuge dis-Moll BWV 853 von Johann Sebastian Bach bearbeitet. Für Klarinettisten sind diese Stücke, die im Original eher selten zu hören sind, ein Glücksfall, da das gesamte Spektrum des Tonumfangs und der Klangmöglichkeiten ausgenutzt werden kann.

Orchestra (Score) - advanced

SKU: HL.49001770

Full Score. Composed by Wilhelm Friedemann Bach. Edited by Walter Lebermann. This edition: Saddle stitching. Sheet music. Concertino (Chamber Orchestra). Classical. Score. 16 pages. Duration 8'. Schott Music #CON 14. Published by Schott Music (HL.49001770).

ISBN 9790001021197. UPC: 073999293562. 9.25x12.0x0.07 inches.

Though A.E. Brachvogel's portrayal of the failed genius in his biography about W.F. Bach drew an impressive picture of the inner turmoil of the eldest Bach son's personality, it is rather unproductive for the understanding of his music. However, legends often or mostly contain a core of truth: There is no doubt that the highly gifted musician failed because of the overwhelming example of his father (as composer) particularly since he was on the threshold from one epoch to another.In the adagio, both flute parts rising above the string orchestra are assigned a quality of expression that can already be related to the sentimental age whereas the second movement, a more or less strict string fugue, is rooted in the tradition-conscious baroque period.