Par SUZUKI SHINICHI. This CD contains demonstration tracks for all the pieces in Volumes 3 and 4 of the Suzuki: Viola School to use as a reference. All pieces have been wonderfully performed by William Preucil. / Pédagogie / Accessoire / Alto

Par WILLIAMS JOHN. I. Theme from J. F. K II. Motorcade III. Arlington / TV, Film, Comédie musicale / Recueil / Conducteur

Volume 1 of famous early 17th-century collection of keyboard music. Features 300 works by Morley, Byrd, Bull, Gibbons, etc. Content :
I. Walsingham. John Bull (see No. LXVIII)
II. Fantasia [IX]. John Munday
III. Fantasia, Faire Wether, etc. John Munday
IV. Pavana [I]. Ferdinando Richardson
V. Variatio [I]. Ferdinando Richardson
VI. Galiarda [I]. Ferdinando Richardson
VII. Variation [I]. Ferdinando Richardson
VIII. Fantasia [VII]. William Byrd
IX. Goe from my Window. Thomas Morley (see No. XLII)
X. Jhon come kisse me now. William Byrd
XI. Galliarda to my L[ord] Lumley's Paven (see No. XLI). John Bull
XII. Nancie. Thomas Morley
XIII. Pavana [VII]. John Bull
XIV. Alman [IX]. Anon
XV. Robin [see No. CXXVIII). John Munday
XVI. Pavana [II]. M. S.
XVII. Galiarda [X]. John Bull
XVIII. Barafostus' Dreame. Anon (see No. CXXXI)
XIX. Muscadin (see No. CCXCIII). Anon
XX. Alman [VII]. Anon
XXI. Galiarda [I]. Anon
XXII. Praeludium [VII]. Anon
XXIII. Praeludium, El. Kiderminster. Anon
XXIV. Praeludium [XIII]. William Byrd
XXV. Praeludium [XIII]. Anon
XXVI. The Irish Ho-Hoane. Anon
XXVII. Pavane [VII]. Ferdinando Richardson
XXVIII. Variatio [VII]. Ferdinando Richardson
XXIX. Galiarda [I*]. Ferdinando Richardson
XXX. Variatio [I*]. Ferdinando Richardson
XXXI. The Quadran Pavan. John Bull (see No. CXXXIII)
XXXII. Variation of the Quadran Pavan. John Bull
XXXIII. Galiard to the Quadran Pavan. John Bull (see No. CXXXIV)
XXXIV. Pavana [IX]. Dor. John Bull (see No. XLVIII)
XXXV. Galiard to the Pavan [IX]. John Bull
XXXVI. Saint Thomas Wake. John Bull
XXXVII. In Nomine [X*]. John Bull
XXXVIII. [Fantasia. IX*]. John Bull
XXXIX. Pavana [IX]. Robert Johnson, set by Giles Farnaby
XL. The Woods so wilde. Orlando Gibbons (see No. LXVII)
XLI. Pavana of my L[ord] Lumley (see No. XI). John Bull
XLII. Goe from my Window (see No. IX). John Munday
XLIII. Praeludium [I]. John Bull
XLIV. Gloria tibi Trinitas. John Bull
XLV. Salvator Mundi. John Bull
XLVI. Galliarda [VII]. John Bull
XLVII. Variatio [VII]. John Bull
XLVIII. Galiarda to the Paven No. XXXIV [IX]. John Bull
XLIX. Praeludium. Thomas Oldfield
L. In Nomine. William Blitheman
LI. Ut, Re, Mi, Fa, Sol, La. John Bull
LII. Fantasia [IX]. William Byrd (see No. C)
LIII. The K[ing's] Hunt. Giles Farnaby
LIV. Spagnioletta. Giles Farnaby
LV. For two Virginals. Giles Farnaby
LVI. Passamezzo Pavana. William Byrd
LVII. Galiardas Passamezzo. William Byrd
LVIII. The Carman's Whistle. William Byrd
LIX. The Hunt's up. William Byrd (see No. CCLXXVI)
LXI. Treg[ian's] Ground. William
LXI. Monsieur's Alman. William Byrd
LXII. Variatio. William Byrd
LXIII. Alman [XIII]. William Byrd
LXIV. Sellenger's Round. William Byrd
LXV. Fortune. William Byrd
LXVI. O Mistris myne. William Byrd
LXVII. The Woods so wilde. William Byrd (see No. XL)
LXVIII. Walsingham. (See No. I.) William Byrd
LXIX. The Bells. William Byrd
LXX. Tirsi, di Luca Marenzio. Ia. Parte intavolata di Pietro Philippi. Peter Philips
LXXI. Freno. 2a. Parte. Peter Philips
LXXII. Così morirò. 3a. Parte. Peter Philips
LXXIII. Fece da voi. à 6. Peter Philips
LXXIV. Pavana Pagget. Peter Philips
LXXV. Galiarda [I**]. Peter Philips
LXXVI. Passamezzo Pavana. Peter Philips
LXXVII. Galiarda Passamezzo. Peter Philips
LXXVIII. Chi fara fede al Cielo, di Alessandro Striggio. Peter Philips
LXXIX. Bon Jour mon Cueur, di Orlando di Lasso. Peter Philips
LXXX. Pavana Dolorosa. Treg[ian set by] Peter Philips
LXXXI. Galiarda Dolorosa. Peter Philips
LXXXII. Amarilli, di Julio Romano (Giulio Caccini). Peter Philips
LXXXIII. Margott laborez. [Lasso, set by] Peter Philips
LXXXIV. Fantasia [VII]. Peter Philips
LXXXV. Pavana [VII]. Peter Philips
LXXXVI. Le Rossignuol. [Lasso, set by] Peter Philips
LXXXVII. Galliardo [VII]. Peter Philips
LXXXVIII. Fantasia [XIII*]. Peter Philips
LXXXIX. Fantasia. Nicholas Strogers
XC. Alman [IX]. Martin Peerson
XCI. Pavana, Bray. William Byrd
XCII. Galiarda. William Byrd
XCIII. Pavana. Ph. Tr. William Byrd
XCIV. Galiarda [XIII*]. William Byrd
XCV. Toccata. Giovanni Pichi
XCVI*. Praeludium Toccata. J. P. Sweelinck
XCVII. Pavana. Thomas Warrock
XCVIII. Galiarda. Thomas Warrock
XCIX. Praeludium. Galeazzo
C. Praeludium to the Fancie, No. LII. William Byrd
CI. Ut, re, mi, fa, sol, la. William Byrd
CII. Ut, mi, re. William Byrd
CIII. Fantasia [XIII]. William Byrd
CIV. All in a Garden green. William Byrd
CV. Heaven and Earth. Fre
CVI. Praeludium [VII]. John Bull
CVII. Veni. Anon
CVIII. Fantasia [IX*]. John Bull
CIX. Felix namque. Thomas Tallis

Par WILLIAMS JOHN. Over 40 beautiful piano solo arrangements of beloved John Williams themes/ Recueil / Piano

22 Pieces by 15 Composers. Some of the most often taught original piano literature by dozens of master composers of the past has been carefully selected and compiled by difficulty level. The Upper Elementary edition features 21 pieces by 17 composers, including: Anonynmous (18th century): Musette from The Notebook for Anna Magdalena Bach - Carl Philipp Emanuel Bach: Allegretto scherzando - Carl Philipp Emanuel Bach: March from The Notebook for Anna Magdalena Bach - Wilhelm Friedemann Bach: Air in A minor - Béla Bartók: Walking from The First Term at the Piano - Ludwig van Beethoven: Ecossaise in G Major, WoO 23 - Mélanie Bonis: Meow! Purr! - Muzio Clementi: Sonatina in C Major, Op. 36, No. 1, first movement - William Duncombe: The Chase - Cornelius Gurlitt: To School from The First Lessons, Op. 117, No. 4 - Cornelius Gurlitt: Cradle Song from The First Lessons, Op. 117, No. 17 - Georg Frideric Handel: Bourée in G minor 'Impertinence” HWV 494 - George Frideric Handel: Gavotte in C Major - Wolfgang Amadeus Mozart: Minuet in C Major, K.6 - Wolfgang Amadeus Mozart: Minuet in B-flat Major, K. 15pp - August Eberhard Müller: The Cuckoo - Christian Petzold: Minuet in G from The Notebook for Anna Magdalena Bach - Henry Purcell: Minuet in A minor, Z. 649 - Jean-Philippe Rameau: Menuet en Rondeau - Robert Schumann: Melody from Album for the Young - Charles Henry Wilton: Amabile from Sonatina in C Major. / Niveau : Supérieur Elémentaire / Classique / Recueil / Piano

Par CORBETT WILLIAM. Cobetts Triosonaten op. 4, die vornehmlich Tanzsätze 'composed on All the New Gustos' enthalten, gehören zum Feinsten, was Blockflötisten an ausgewogenem Spielgut, auch in gemischter Besetzung, vortragen können./ Répertoire / 2 Flûtes à Bec et Basse Continue

Tarik O'Regan's Mass Observation was commissioned for the University of Michigan Chamber Choir, Jerry Blackstone, conductor, thanks to support from the William K. and Delores S. Brehm Choral Commissioning Fund and the Barbara Abramoff Levy Fund. Composer's note: Mass Observation is a meditation on the histories of our varied ambivalent relationships with surveillance in its myriad guises. The use of technologies that sate our desires to be watched and heard (safety, tracking, empowerment, and pride) has, in some sense, always been able to be weighed against our anxieties around invasions of privacy (physical and psychological harm, hacking, subjugation, and embarrassment). The work takes its title from the British social research organisation, Mass-Observation, which aimed to record everyday life in the United Kingdom. Founded in 1937, Mass-Observation controversially paid investigators to anonymously record people's conversation and behaviour at work, on the street and at various public occasions including public meetings, sporting, and religious events. Scored for chorus and percussion sextet, Mass Observation ebbs and flows between various polarities (human voices and percussion instruments, pitched and unpitched sounds, clear and opaque tonalities) over the course of its thirteen movements. There is a ritualistic nature to the overall pacing of the work, reminiscent of a liturgical mass setting. The two groups of musicians are rarely aligned: for much of the piece they watch and listen to one another in silence. Duration approximately: 40 Minutes / SATB div. Et Percussion

A great selection of popular classical pieces, arranged for easy-play piano by Stephen Duro, complete with chord symbols. Includes Lullaby (Brahms), Meditation from Thais (Massenet), Toreador's Song (Bizet) and William Tell Overture (Rossini). Suitable for pianists from grade 1-3 standard. / Piano/Vocal/Guitare (PVG)

Une superbe collection de pièces pour les premières années. Comprend un répertoire classique de Diabelli de Mozart, de Schubert à Bartók et favoris tels que ' Lorsque le Saints ' et le ' Skye Boat Song '. Le plus récent débutants apprécieront la musique des cinq premières notes pour le premier concert ! / Flûte Traversière Et Piano

The revised edition for Suzuki Violin School, Volume 5 is available. Like the other revised violin books, the music has been edited by the International Violin Committee. Other features include:* New engravings in a more easily readable 9 x 12 format* New editing of pieces, including bowings and fingerings* Available together with a newly recorded CD for $19.95* CD recorded by William Preucil, Concertmaster of the Cleveland Orchestra* Piano accompaniments recorded by Linda Perry. / Violon

Par WILLIAMS JOHN. Harry Potter et le prisonnier d'Azkaban est le troisième tome de la série s de Harry Potter par auteur j. k. Rowling. Le livre a été publié en 1999 et le film, basé sur le livre, est sorti en 2004. Il s'agit d'arrangement de Philip Harper de certains de la musique de la musique du film de John Williams, comprend le thème du Hedwig, Quidditch : troisième année Fanfare, le Bus de Knight, souvenir du passé, du Buck vol et Double Trouble. / TV, Film, Comédie musicale / Répertoire / Brass Band

Par VAUGHAN WILLIAMS RALPH. Quartet in C Minor is in four movements with a total duration of about 25 minutes. The opening Allegro is Dvorák-ish in its lyricism, though there is a darker, more brooding atmosphere towards the close. It is tempting to detect a hint of folk-song in the theme of the Andantino, played by the Viola, but that may be stretching hindsight too far. The movement has a wistful melancholy that carries over into the following Intermezzo, a song-like episode containing some of the most virtuosic writing in the work. The last movement is a theme and six variations with a fugal ending. The theme is ballad-like with a suggestion of 18th-century elegance. Modality creeps into the second Adagio variation and there is rhythmic exhilaration in the succeeding Presto. What can be admired in this attractive quartet is its conciseness. This String Quartet was his first major composition of any kind. / Niveau : Intermédiaire / Répertoire / Quatuor à Cordes