For C instrument and voice. Format: fakebook (spiral bound). With chord names, v...(+)
For C instrument and
voice. Format: fakebook
(spiral bound). With
chord names, vocal melody
and lyrics. Jazz. Series:
Hal Leonard Fake Books.
448 pages. 9x12 inches.
Published by Hal Leonard.
Fakebook for Eb instrument and voice. With vocal melody, lyrics and leadsheet no...(+)
Fakebook for Eb
instrument and voice.
With vocal melody, lyrics
and leadsheet notation.
Series: Hal Leonard Fake
Books. 448 pages.
Published by Hal Leonard.
Ligne De Mélodie, Paroles et Accords [Fake Book] - Facile Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C
instrument. Format:
fakebook (spiral bound).
With vocal melody,
lyrics, piano
accompaniment, chord
names and leadsheet
notation. Hymn. Series:
Hal Leonard Fake Books.
494 pages. 9x12 inches.
Published by Hal Leonard.
Odysseia Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1084443-140 Based on Homer...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1084443-140
Based on Homer-s
Odyssey. Composed by
Maxime Aulio. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2008. 52
pages. De Haske
Publications #DHP
1084443-140. Published by
De Haske Publications
(BT.DHP-1084443-140).
9x12 inches.
English-German-French-Dut
ch.
Washed up on
the Phaeacian shore after
a shipwreck, Odysseus is
introduced to King
Alcinous. As he sits in
the palace, he tells the
Phaeacians of his
wanderings since leaving
Troy. Odysseus and his
men fi rst landed on the
island of the Cicones
wherethey sacked the city
of Ismarus. From there,
great storms swept them
to the land of the
hospitable Lotus Eaters.
Then they sailed to the
land of the Cyclopes.
Odysseus and twelve of
his men entered the cave
of Polyphemus. After the
single-eyed giantmade
handfuls of his men into
meals, Odysseus fi nally
defeated him. He got him
drunk and once he had
fallen asleep, he and his
men stabbed a glowing
spike into the
Cyclop’s single
eye, completely blinding
him. They escaped by
clinging to the belliesof
some sheep. Once aboard,
Odysseus taunted the
Cyclop by revealing him
his true identity.
Enraged, Polyphemus
hurled rocks at the ship,
trying to sink it. After
leaving the
Cyclopes’ island,
they arrived at the home
of Aeolus, ruler of the
winds.Aeolus off ered
Odysseus a bag trapping
all the strong winds
within except one - the
one which would take him
straight back to Ithaca.
As the ship came within
sight of Ithaca, the
crewmen, curious about
the bag, decided to open
it. The winds escapedand
stirred up a storm.
Odysseus and his crew
came to the land of the
cannibalistic
Laestrygonians, who sank
all but one of the ships.
The survivors went next
to Aeaea, the island of
the witch-goddess Circe.
Odysseus sent out a
scouting party butCirce
turned them into pigs.
With the help of an
antidote the god Hermes
had given him, Odysseus
managed to overpower the
goddess and forced her to
change his men back to
human form. When it was
time for Odysseus to
leave, Circe told him to
sail tothe realm of the
dead to speak with the
spirit of the seer
Tiresias. One
day’s sailing took
them to the land of the
Cimmerians. There, he
performed sacrifi ces to
attract the souls of the
dead. Tiresias told him
what would happen to him
next. He thengot to talk
with his mother,
Anticleia, and met the
spirits of Agamemnon,
Achilles, Patroclus,
Antilochus, Ajax and
others. He then saw the
souls of the damned
Tityos, Tantalus, and
Sisyphus. Odysseus soon
found himself mobbed by
souls. He
becamefrightened, ran
back to his ship, and
sailed away. While back
at Aeaea, Circe told him
about the dangers he
would have to face on his
way back home. She
advised him to avoid
hearing the song of the
Sirens; but if he really
felt he had to hear,
thenhe should be tied to
the mast of the ship,
which he did. Odysseus
then successfully steered
his crew past Charybdis
(a violent whirlpool) and
Scylla (a multiple-headed
monster), but Scylla
managed to devour six of
his men. Finally,
Odysseus and hissurviving
crew approached the
island where the Sun god
kept sacred cattle.
Odysseus wanted to sail
past, but the crewmen
persuaded him to let them
rest there. Odysseus
passed Circe’s
counsel on to his men.
Once he had fallen
asleep, his men
impiouslykilled and ate
some of the cattle. When
the Sun god found out, he
asked Zeus to punish
them. Shortly after they
set sail from the island,
Zeus destroyed the ship
and all the men died
except for Odysseus.
After ten days, Odysseus
was washed up on
theisland of the nymph
Calypso.
Nachdem
er an die Küste der
Phäaker gespült
wurde, wird Odysseus dem
König Akinoos
vorgestellt. In dessen
Palast erzählt er den
Phäakern von den
Fahrten nach seiner
Abreise aus Troja.
Odysseus und seine
Männer landen
zunächst auf
denKikonen, einer
Inselgruppe, wo sie die
Stadt Ismaros einnehmen.
Von dort aus treiben sie
mächtige Stürme
zum Land der
gastfreundlichen
Lotophagen
(Lotos-Essern). Dann
segeln sie zum Land der
Kyklopen (Zyklopen).
Odysseus und seine
zwölf Mannenbetreten
die Höhle von
Poloyphem, dem Sohn
Poseidons. Nachdem dieser
einige der Männer
verspeist hat,
überwaÃ…Nltigt
ihn Odysseus, indem er
ihn betrunken macht und
dann mit einem
glühenden Spieß
in dessen einziges Auge
sticht und ihn
somitblendet. Odysseus
und die übrigen
Männer fl iehen an den
Bäuchen von Schafen
hängend. Wieder an
Bord, provoziert Odysseus
den Zyklopen, indem er
ihm seine wahre
Identität verrät.
Wütend bewirft
Polyphem das Schiff mit
Steinen undversucht, es
zu versenken. Nachdem sie
die Insel der Kyklopen
verlassen haben, kommen
Odysseus und seine Mannen
ins Reich von Aiolos, dem
Herr der Winde. Aiolos
schenkt ihm einen Beutel,
in dem alle Winde
eingesperrt sind,
außer dem, der ihn
direktzurück nach
Ithaka treiben soll. Als
das Schiff in Sichtweite
von Ithaka ist, öff
nen die neugierigen
Seemänner den
Windsack. Die Winde entfl
iehen und erzeugen einen
Sturm. Odysseus und seine
Mannschaft verschlägt
es ins Land
derkannibalischen
Laistrygonen, die alle
ihre Schiff e, bis auf
eines, versenken. Die
Ãœberlebenden reisen
weiter nach Aiaia, der
Insel der Zauberin Kirke.
Odysseus sendet einen
Spähtrupp aus, der von
Kirke aber in Schweine
verwandelt wird. Mit
Hilfeeines Gegenmittels
vom Götterboten Hermes
kann Odysseus Kirke
überwaÃ…Nltigen
und er zwingt sie, seinen
Gefährten wieder ihre
menschliche Gestalt
zurückzugeben. Als
er wieder aufbrechen
will, rät Kirke ihm,
den Seher Teiresias in
derUnterwelt aufzusuchen
und zu befragen. Eine
Tagesreise führt
sie dann ins Land der
Kimmerer, nahe dem
Eingang des Hades. Dort
bringt Odysseus Opfer, um
die Seelen der Toten
anzurufen. Teireisas sagt
ihm sein Schicksal
voraus. Dann darf
Odysseusmit seiner Mutter
Antikleia und den Seelen
von Agamemnon, Achilles,
Patroklos, Antilochus,
Ajax und anderen Toten
sprechen. Dann sieht er
die Seelen der Verdammten
Tityos, Tantalos und
Sisyphos. Bald wird
Odysseus selbst von den
Seelen gequält,
kehrtvoll Angst zu seinem
Schiff zurück und
segelt davon. In Aiaia
hatte Kirke ihn vor den
drohenden Gefahren der
Heimreise gewarnt. Sie
riet ihm, den Gesang der
Sirenen zu vermeiden,
wenn er aber unbedingt
zuhören müsse,
solle er sich an denMast
seines Schiff es bindet
lassen, was er dann auch
tut. Dann führt
Odysseus seine Mannschaft
erfolgreich durch die
Meerenge zwischen Skylla
und Charybdis, wobei
Skylla jedoch sechs
seiner Männer
verschlingt.
Schließlich erreichen
Odysseusund die
überlebende
Besatzung die Insel, auf
der der Sonnengott Helios
heiliges Vieh hält.
Odysseus will
weitersegeln, aber seine
Mannschaft
überredet ihn zu
einer Rast. Odysseus
erzählt ihnen von
Kirkes Warnung, aber
kaum, dass
ereingeschlafen ist,
töten die Männer in
gotteslästerlicher
Weise einige Rinder und
verspeisen sie. Als
Helios dies entdeckt,
bittet er Zeus, sie zu
bestrafen. Kurz nachdem
sie die Segel für
die Abreise von der Insel
gesetzt haben,
zerstört Zeusdas
Schiff und alle außer
Odysseus sterben. Nach
zehn Tagen wird Odysseus
an den Strand der Insel
der Nymphe Kalypso
angespült.
Odysseia Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1084443-010 Based on Homer...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1084443-010
Based on Homer-s
Odyssey. Composed by
Maxime Aulio. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2008.
De Haske Publications
#DHP 1084443-010.
Published by De Haske
Publications
(BT.DHP-1084443-010).
9x12 inches.
English-German-French-Dut
ch.
Washed up on
the Phaeacian shore after
a shipwreck, Odysseus is
introduced to King
Alcinous. As he sits in
the palace, he tells the
Phaeacians of his
wanderings since leaving
Troy. Odysseus and his
men fi rst landed on the
island of the Cicones
wherethey sacked the city
of Ismarus. From there,
great storms swept them
to the land of the
hospitable Lotus Eaters.
Then they sailed to the
land of the Cyclopes.
Odysseus and twelve of
his men entered the cave
of Polyphemus. After the
single-eyed giantmade
handfuls of his men into
meals, Odysseus fi nally
defeated him. He got him
drunk and once he had
fallen asleep, he and his
men stabbed a glowing
spike into the
Cyclop’s single
eye, completely blinding
him. They escaped by
clinging to the belliesof
some sheep. Once aboard,
Odysseus taunted the
Cyclop by revealing him
his true identity.
Enraged, Polyphemus
hurled rocks at the ship,
trying to sink it. After
leaving the
Cyclopes’ island,
they arrived at the home
of Aeolus, ruler of the
winds.Aeolus off ered
Odysseus a bag trapping
all the strong winds
within except one - the
one which would take him
straight back to Ithaca.
As the ship came within
sight of Ithaca, the
crewmen, curious about
the bag, decided to open
it. The winds escapedand
stirred up a storm.
Odysseus and his crew
came to the land of the
cannibalistic
Laestrygonians, who sank
all but one of the ships.
The survivors went next
to Aeaea, the island of
the witch-goddess Circe.
Odysseus sent out a
scouting party butCirce
turned them into pigs.
With the help of an
antidote the god Hermes
had given him, Odysseus
managed to overpower the
goddess and forced her to
change his men back to
human form. When it was
time for Odysseus to
leave, Circe told him to
sail tothe realm of the
dead to speak with the
spirit of the seer
Tiresias. One
day’s sailing took
them to the land of the
Cimmerians. There, he
performed sacrifi ces to
attract the souls of the
dead. Tiresias told him
what would happen to him
next. He thengot to talk
with his mother,
Anticleia, and met the
spirits of Agamemnon,
Achilles, Patroclus,
Antilochus, Ajax and
others. He then saw the
souls of the damned
Tityos, Tantalus, and
Sisyphus. Odysseus soon
found himself mobbed by
souls. He
becamefrightened, ran
back to his ship, and
sailed away. While back
at Aeaea, Circe told him
about the dangers he
would have to face on his
way back home. She
advised him to avoid
hearing the song of the
Sirens; but if he really
felt he had to hear,
thenhe should be tied to
the mast of the ship,
which he did. Odysseus
then successfully steered
his crew past Charybdis
(a violent whirlpool) and
Scylla (a multiple-headed
monster), but Scylla
managed to devour six of
his men. Finally,
Odysseus and hissurviving
crew approached the
island where the Sun god
kept sacred cattle.
Odysseus wanted to sail
past, but the crewmen
persuaded him to let them
rest there. Odysseus
passed Circe’s
counsel on to his men.
Once he had fallen
asleep, his men
impiouslykilled and ate
some of the cattle. When
the Sun god found out, he
asked Zeus to punish
them. Shortly after they
set sail from the island,
Zeus destroyed the ship
and all the men died
except for Odysseus.
After ten days, Odysseus
was washed up on
theisland of the nymph
Calypso.
Nachdem
er an die Küste der
Phäaker gespült
wurde, wird Odysseus dem
König Akinoos
vorgestellt. In dessen
Palast erzählt er den
Phäakern von den
Fahrten nach seiner
Abreise aus Troja.
Odysseus und seine
Männer landen
zunächst auf
denKikonen, einer
Inselgruppe, wo sie die
Stadt Ismaros einnehmen.
Von dort aus treiben sie
mächtige Stürme
zum Land der
gastfreundlichen
Lotophagen
(Lotos-Essern). Dann
segeln sie zum Land der
Kyklopen (Zyklopen).
Odysseus und seine
zwölf Mannenbetreten
die Höhle von
Poloyphem, dem Sohn
Poseidons. Nachdem dieser
einige der Männer
verspeist hat,
überwaÃ…Nltigt
ihn Odysseus, indem er
ihn betrunken macht und
dann mit einem
glühenden Spieß
in dessen einziges Auge
sticht und ihn
somitblendet. Odysseus
und die übrigen
Männer fl iehen an den
Bäuchen von Schafen
hängend. Wieder an
Bord, provoziert Odysseus
den Zyklopen, indem er
ihm seine wahre
Identität verrät.
Wütend bewirft
Polyphem das Schiff mit
Steinen undversucht, es
zu versenken. Nachdem sie
die Insel der Kyklopen
verlassen haben, kommen
Odysseus und seine Mannen
ins Reich von Aiolos, dem
Herr der Winde. Aiolos
schenkt ihm einen Beutel,
in dem alle Winde
eingesperrt sind,
außer dem, der ihn
direktzurück nach
Ithaka treiben soll. Als
das Schiff in Sichtweite
von Ithaka ist, öff
nen die neugierigen
Seemänner den
Windsack. Die Winde entfl
iehen und erzeugen einen
Sturm. Odysseus und seine
Mannschaft verschlägt
es ins Land
derkannibalischen
Laistrygonen, die alle
ihre Schiff e, bis auf
eines, versenken. Die
Ãœberlebenden reisen
weiter nach Aiaia, der
Insel der Zauberin Kirke.
Odysseus sendet einen
Spähtrupp aus, der von
Kirke aber in Schweine
verwandelt wird. Mit
Hilfeeines Gegenmittels
vom Götterboten Hermes
kann Odysseus Kirke
überwaÃ…Nltigen
und er zwingt sie, seinen
Gefährten wieder ihre
menschliche Gestalt
zurückzugeben. Als
er wieder aufbrechen
will, rät Kirke ihm,
den Seher Teiresias in
derUnterwelt aufzusuchen
und zu befragen. Eine
Tagesreise führt
sie dann ins Land der
Kimmerer, nahe dem
Eingang des Hades. Dort
bringt Odysseus Opfer, um
die Seelen der Toten
anzurufen. Teireisas sagt
ihm sein Schicksal
voraus. Dann darf
Odysseusmit seiner Mutter
Antikleia und den Seelen
von Agamemnon, Achilles,
Patroklos, Antilochus,
Ajax und anderen Toten
sprechen. Dann sieht er
die Seelen der Verdammten
Tityos, Tantalos und
Sisyphos. Bald wird
Odysseus selbst von den
Seelen gequält,
kehrtvoll Angst zu seinem
Schiff zurück und
segelt davon. In Aiaia
hatte Kirke ihn vor den
drohenden Gefahren der
Heimreise gewarnt. Sie
riet ihm, den Gesang der
Sirenen zu vermeiden,
wenn er aber unbedingt
zuhören müsse,
solle er sich an denMast
seines Schiff es bindet
lassen, was er dann auch
tut. Dann führt
Odysseus seine Mannschaft
erfolgreich durch die
Meerenge zwischen Skylla
und Charybdis, wobei
Skylla jedoch sechs
seiner Männer
verschlingt.
Schließlich erreichen
Odysseusund die
überlebende
Besatzung die Insel, auf
der der Sonnengott Helios
heiliges Vieh hält.
Odysseus will
weitersegeln, aber seine
Mannschaft
überredet ihn zu
einer Rast. Odysseus
erzählt ihnen von
Kirkes Warnung, aber
kaum, dass
ereingeschlafen ist,
töten die Männer in
gotteslästerlicher
Weise einige Rinder und
verspeisen sie. Als
Helios dies entdeckt,
bittet er Zeus, sie zu
bestrafen. Kurz nachdem
sie die Segel für
die Abreise von der Insel
gesetzt haben,
zerstört Zeusdas
Schiff und alle außer
Odysseus sterben. Nach
zehn Tagen wird Odysseus
an den Strand der Insel
der Nymphe Kalypso
angespült.
I The sun, the sea - II The earth: her dance - III Clouds, winds, skies. Comp...(+)
I The sun, the sea - II
The
earth: her dance - III
Clouds, winds, skies.
Composed by Christian
Mason.
Breitkopf and Haertel #EB
9334. Published by
Breitkopf
and Haertel
Features the music of David Shaffer, Warren Barker, Lennie Niehaus, Quincy Hilli...(+)
Features the music of
David Shaffer, Warren
Barker, Lennie Niehaus,
Quincy Hilliard, Barry
Kopetz and Andre Jutras,
who are among the premier
composers of wind band
music in the world today.
From the bright fanfares
of David Shaffer's Flight
Of The Pegasus to the
lush flowing melodic
lines in Warren Barker's
superb arrangement of the
Welsh standard, Danny
Boy, this is music
everyone will
enjoy!
Conquest Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Brolga Music Publishing Company
By Tim Fisher. For concert band. Brolga Music Concert Band Series. Grade 3. Scor...(+)
By Tim Fisher. For
concert band. Brolga
Music Concert Band
Series. Grade 3. Score
and set of parts.
Duration 3:55. Published
by Brolga Music
Publishing Company
Chamber Music Piano SKU: PR.110418160 Composed by Stacy Garrop. Performan...(+)
Chamber Music Piano
SKU: PR.110418160
Composed by Stacy Garrop.
Performance score. With
Standard notation. 16
pages. Duration 8:30.
Theodore Presser Company
#110-41816. Published by
Theodore Presser Company
(PR.110418160).
ISBN
9781491114049. UPC:
680160640393. 9 x 12
inches.
Stacy
Garrop began hiking in
northern
Colorado’s Rocky
Mountain National Park in
her early 20s. From the
start, she was drawn to a
jagged stretch of rock
formations linking Longs
Peak to Pagoda Mountain,
at over 13,000 feet.
These formations are
called the
“Keyboard of the
Winds,†as their
thin, spindly peaks
suggest splintered keys
of an old, broken piano.
Inspired by one
particular journey the
composer took through the
Keyboard of the Winds en
route to Pagoda’s
summit, this work is a
tribute to the Keyboard
of the Winds. Its fast,
whirling gestures depict
swirling clouds above,
and the musical high
points represent a hiker
reaching the peak of
Pagoda Mountain. These
sections are set in
contrast with quiet,
introspective material
embodying the hiker
quietly surveying the
grandeur and beauty of
the valley below, as well
as the soaring pinnacle
of Longs Peak
overhead. I began
hiking in the Rocky
Mountain National Park in
northern Colorado when I
was in my early twenties.
RMNP is home to some of
the most gorgeous
mountains in North
America, encompassing
265,000 acres of
wilderness, flora, and
fauna. Among the
park’s numerous
summits is Longs Peak, a
mountain that is 14,259
feet high (the highest in
the region). From my
earliest days of hiking,
I was drawn to Longs
Peak, as well as to a
jagged stretch of rock
formations that link
Longs Peak to Pagoda
Mountain (which stands at
13,497 feet). These
formations are called the
Keyboard of the Winds, as
their thin, spindly peaks
loosely suggest the
splintered keys of an
old, broken piano.One
summer, I made the ascent
to Pagoda Mountain using
a route that took me
along the right side of
the Keyboard of the
Winds. My hiking partner
and I started up the
trail in the pre-dawn
hours, and the weather
was stormy. Dawn had
broken by the time we
reached the base of the
Keyboard, but its peaks
were still surrounded by
clouds. As we climbed
higher and higher, the
Keyboard’s thin
spires became visible,
along with the top of
Pagoda Mountain. We
reached the summit of
Pagoda, admired the view
(what we could see
through the clouds), and
made our descent.My piece
is a tribute to the
Keyboard of the Winds.
The fast, whirling
gestures depict swirling
clouds, and the musical
high points represent a
hiker reaching the peaks
of the Keyboard. I have
contrasted these sections
with quiet, introspective
material; these embody
the hiker quietly
surveying the grandeur
and beauty of the valley
below (on a cloudless
day), as well as the
soaring pinnacles of
Longs Peak and Pagoda
Mountain overhead.
Piano - Intermediate SKU: CZ.9798396181786 Composed by Various. Edited by...(+)
Piano - Intermediate
SKU:
CZ.9798396181786
Composed by Various.
Edited by Larry Newman.
Arranged by Larry Newman.
Book. Children's Music
Workshop #9798396181786.
Published by Children's
Music Workshop
(CZ.9798396181786).
ISBN
9798396181786.
Disc
over the spirit of
America with Thirty
Famous Patriotic Songs
for Piano Accompaniment
(Winds), a remarkable
collection of melodies
that celebrates the land
of the brave and the home
of the free. This
comprehensive book brings
together some of the most
beloved patriotic tunes
that honor the USA,
making it the perfect
companion for occasions
like July Fourth or any
time of the year when you
want to express your love
for your country. With
Thirty Famous Patriotic
Songs for Piano
Accompaniment (Winds),
you can immerse yourself
in the rich musical
heritage that has
resonated with Americans
throughout history while
providing accompaniment
for a number of different
woodwinds and brass. The
book features timeless
classics like Amazing
Grace, My Country Tis of
Thee, America the
Beautiful, and The
Star-Spangled Banner,
which will evoke a deep
sense of national pride
with every note. To
enhance your musical
experience, mp3
accompaniment tracks are
available online,
allowing you to perform
these iconic songs with
full instrumental
support. This
accompaniment book
ensures that pianists
have the sheet music they
need to master these
patriotic melodies and
provide musical
background for
instrumental
solos. From the
stirring Battle Cry of
Freedom to the
soul-stirring Eternal
Father, Strong to Save,
Thirty Famous Patriotic
Songs for Piano
Accompaniment
(Winds)encompasses a
diverse array of
compositions that capture
the essence of the
American spirit. Whether
you're commemorating the
sacrifices of the armed
forces with The Marine's
Hymn or embracing the
lively spirit of American
folk with Oh! Susanna and
Yankee Doodle, this
collection has it
all. Experience the
pride and joy of being an
American with Thirty
Famous Patriotic Songs
for Piano Accompaniment
(Winds). Immerse yourself
in the rich tapestry of
American history, as
reflected in the music
that has accompanied the
nation through triumph
and adversity. Let the
melodies of liberty,
unity, and patriotism
resonate within your
heart as you sing or play
these beloved songs.
Celebrate the legacy of a
nation with Thirty Famous
Patriotic Songs for Piano
Accompaniment (Winds) and
let the music of America
inspire you.
French horn, orchestra SKU: FG.55011-740-2 Composed by Kalevi Aho. Classi...(+)
French horn, orchestra
SKU:
FG.55011-740-2
Composed by Kalevi Aho.
Classical. Score. Fennica
Gehrman #55011-740-2.
Published by Fennica
Gehrman (FG.55011-740-2).
ISBN
9790550117402.
One
of the most ambitious of
Kalevi Aho's composition
projects has been to
write a concerto for each
of the main instruments
in the Romantic symphony
orchestra. In 2011, with
the Horn Concerto (the
eighteenth in the series)
this project was
approaching its
conclusion. In the Horn
Concerto the soloist does
not stand in front next
to the conductor but
moves around several
times during the course
of the work. The horn's
first entries are heard
from backstage. After
that the soloist becomes
visible and plays from
behind the orchestra,
moving gradually from
left to right while
playing. In the end, the
hornist leaves the stage
again. This gives the
work a ritualistic
character - as if the
solo horn brings
something from afar to
the audience and
orchestra and, when all
is said and done,
disappears from view. The
concerto contains a
number of sections of
varying character, slower
and faster. The fast
sections are rather
virtuosic for the
orchestra as well. For
the tarantella-like
passage in the second
half of the work, the
soloist has moved to a
position behind the winds
of the orchestra, where
an exchange commences
with the orchestra's
hornist. After that, the
soloist moves to the
rearmost part of the
stage and, by the time of
the final notes, is
already offstage. The
concerto for horn and
chamber orchestra can be
performed by a group with
around twenty performers
(1(+picc).1.1(+cl.b).1-10
00-01-str(44331)). The
duration is c. 27
minutes. Solo part
available for sale (ISMN
9790550117396).
Orchestral material
available for hire from
the publisher. Recording:
BIS-2036 SACD / Annu
Salminen (horn), Lapland
Chamber Orchestra & John
Storgards.
French horn SKU: FG.55011-739-6 Composed by Kalevi Aho. Classical. Score....(+)
French horn
SKU:
FG.55011-739-6
Composed by Kalevi Aho.
Classical. Score. Fennica
Gehrman #55011-739-6.
Published by Fennica
Gehrman (FG.55011-739-6).
ISBN
9790550117396.
One
of the most ambitious of
Kalevi Aho's composition
projects has been to
write a concerto for each
of the main instruments
in the Romantic symphony
orchestra. In 2011, with
the Horn Concerto (the
eighteenth in the series)
this project was
approaching its
conclusion. In the Horn
Concerto the soloist does
not stand in front next
to the conductor but
moves around several
times during the course
of the work. The horn's
first entries are heard
from backstage. After
that the soloist becomes
visible and plays from
behind the orchestra,
moving gradually from
left to right while
playing. In the end, the
hornist leaves the stage
again. This gives the
work a ritualistic
character - as if the
solo horn brings
something from afar to
the audience and
orchestra and, when all
is said and done,
disappears from
view.
The concerto
contains a number of
sections of varying
character, slower and
faster. The fast sections
are rather virtuosic for
the orchestra as well.
For the tarantella-like
passage in the second
half of the work, the
soloist has moved to a
position behind the winds
of the orchestra, where
an exchange commences
with the orchestra's
hornist. After that, the
soloist moves to the
rearmost part of the
stage and, by the time of
the final notes, is
already
offstage.
The
concerto for horn and
chamber orchestra can be
performed by a group with
around twenty performers
(1(+picc).1.1(+cl.b).1-10
00-01-str(44331)). The
duration is c. 27
minutes. Full score
available for sale (ISMN
979-0-55011-740-2).
Orchestral material
available for hire from
the
publisher.
Recordi
ng: BIS-2036 SACD / Annu
Salminen (horn), Lapland
Chamber Orchestra & John
Storgards.
Concert Band (Score) SKU: HL.4002119 Full Score. Composed by Steve...(+)
Concert Band (Score)
SKU: HL.4002119
Full Score.
Composed by Steven
Bryant. Steve Bryant. 22
pages. Published by Hal
Leonard (HL.4002119).
UPC: 073999263251.
11x17 inches.
This
large-scale
three-movement work,
commissioned by Ray
Cramer and the Indiana
University Wind Ensemble,
embodies the
transformation of silence
into sound. The opening
movement is sparse,
utilizing mallet
percussion, harp, and
piano to create a
floating sense of
timelessness. Featuring
extensive solo flute,
this floating texture
gradually builds over
several minutes,
ultimately launching
itself into a grandiose,
warm, harmonically
consonant blanket of
sound. The second
movement continues the
focus on solo flute, and
again opens slowly,
gradually gaining
momentum, but at a faster
pace than in the first
movement. The music
spirals upward and
outward, but instead of
reaching a plateau, winds
itself out and comes to a
grinding halt in the
upper range of the
ensemble. Five brief,
solemn chords conclude
the movement, which
immediately erupts into
Movement III, music of
unceasing, unsettling,
motion, propelled by a
driving ostinato which is
repeatedly interrupted by
bittersweet moments of
lyricism, all the while
pushing toward an
unforgiving climax. The
movements may also be
performed separately.
There is no explicit
narrative to the piece,
though many particular
elements do have personal
quasi-biographical
significance. Ultimately,
this is music of both
personal and musical
transformation.
NO
TE: This work is
available as a rental
item directly from the
composer. For details,
e-mail
rental@stevenbryant.com.
The score is also
available separately for
purchase from Hal
Leonard.
It's About Time Orchestre [Conducteur] - Facile Alfred Publishing
Orchestra - Grade 3 SKU: AP.49007S Featuring: Summertime / As Time Goe...(+)
Orchestra - Grade 3
SKU: AP.49007S
Featuring: Summertime
/ As Time Goes By / Time
After Time. Composed
by Various. Arranged by
Michael Story. Full
Orchestra; Performance
Music Ensemble. Pop
Concert Full Orchestra.
Jazz; Light Concert; Pop.
Score. 24 pages. Duration
3:50. Alfred Music
#00-49007S. Published by
Alfred Music (AP.49007S).
ISBN 9781470645274.
UPC: 038081565354.
English.
It's About
Time!, a wonderful pops
arrangement by Michael
Story, contains three
timeless pops tunes that
are brilliantly put
together. Although some
of the wind parts are
independent from the
strings at times, this
arrangement is completely
playable by strings alone
or with any number of
added winds and
percussion. A great
closer to any pops
concert or season finale!
(3:50).
Orchestra - Grade 3 SKU: AP.49007 Featuring: Summertime / As Time Goes...(+)
Orchestra - Grade 3
SKU: AP.49007
Featuring: Summertime
/ As Time Goes By / Time
After Time. Composed
by Various. Arranged by
Michael Story. Full
Orchestra; Performance
Music Ensemble. Pop
Concert Full Orchestra.
Jazz; Light Concert; Pop.
Score and Part(s). 132
pages. Duration 3:50.
Alfred Music #00-49007.
Published by Alfred Music
(AP.49007).
ISBN
9781470645267. UPC:
038081565347.
English.
It's About
Time!, a wonderful pops
arrangement by Michael
Story, contains three
timeless pops tunes that
are brilliantly put
together. Although some
of the wind parts are
independent from the
strings at times, this
arrangement is completely
playable by strings alone
or with any number of
added winds and
percussion. A great
closer to any pops
concert or season finale!
(3:50).
Trombone / Euphonium BC - early intermediate SKU: BT.DHP-1002147-401 1...(+)
Trombone / Euphonium BC -
early intermediate
SKU:
BT.DHP-1002147-401
18 eenvoudige duetten
voor blazers.
Composed by Johan Nijs.
Educational Tool. Book
Only. Composed 2000. 40
pages. De Haske
Publications #DHP
1002147-401. Published by
De Haske Publications
(BT.DHP-1002147-401).
ISBN 9789043110778.
International.
What
do you do in your spare
time? Do you play
football or tennis or go
to the beach? We all do
something to relax and
this book of easy duets
contains 18 pieces each
based on a different
leisure activity, from
windsurfing to playing
chess. Now playing duets
with a friend can be a
fun pastime for all
musicians.
Maak
kennis met de
fantastische duetten van
Johan Nijs. De boeken
zijn voor verschillende
instrumenten
verkrijgbaar, ze zijn
allemaal met elkaar te
combineren.
Tolle
Duette von Johan Nijs zum
gemeinsamen Musizieren.
Alle lieferbaren
Bücher (Flöte,
Klarinette, Saxophon,
Trompete, Posaune)
können miteinander
kombiniert werden.
Suonare in duo
con un amico è il modo
migliore per affinare la
capacit di ascolto,
fondamentale per riuscire
a maturare una musicalit
adeguata. Con Play
Time troverete molti
duetti divertenti che
saranno il passatempo
ideale per i giovani
musicisti.
Concert Band - Grade 5 SKU: ML.013780090 Composed by Valdemar Gomes. Full...(+)
Concert Band - Grade 5
SKU: ML.013780090
Composed by Valdemar
Gomes. Full set. Molenaar
Edition #013780090.
Published by Molenaar
Edition (ML.013780090).
The Spanish war
galleon with 64 cannons,
built in Cuba between
1770 and 1771 for an
English shipowner in the
service of the King of
Spain left Peru for Cadiz
in 1784 with a huge cargo
of copper, gold, silver
and other valuables on
board. There were also
more than 400 people on
board, including
passengers, crew and Inca
prisoners after a revolt.
The Atlantic crossing
went smoothly, passing
Portugal to take
advantage of favourable
winds. The shipwreck off
Peniche was the result of
human error, apparently
due to French maps with
dramatic errors in the
position of the islands
of Berlengas and
neighbouring islets. On 2
February 1786, the sea
was calm and the night
clear, but they hit the
rock formation Papoa and
the hull immediately
broke in two. The bottom
sank quickly, while the
deck remained afloat for
some time. 128 people
lost their lives,
including many Indians
who were trapped in the
basement. This shipwreck
is considered one of the
most important in
maritime
history.
What the
composer wants to convey,
and what can be felt as
one listens, is first of
all the sound of power,
of hope, of the glory of
conquest, of the
splendour of wealth. This
is followed by the
perception of the
maritime environment, the
harmony with the softness
of the ocean, the gliding
of the hull in the foam
of the sea on sunny, blue
days. But along with this
tranquillity, you soon
hear a rhythmic chain
that makes you feel a
representation of the
hustle and bustle, of the
busy crew, of the hard
work of a sailor, of the
desperation of an exotic
people imprisoned in a
dark, damp cellar. A
distinct rhythm that
reminds us of the salero
of Andalusia, with its
Arab influences and its
people, the soothing of
the resignation of others
who are forced to submit.
Then we clearly hear a
crescendo that makes us
imagine the agony of the
collision that precedes
the shipwreck. The
breaking of the hull, the
water flooding
everything, the despair,
the clash of bodies on
the rocks, the tragedy to
come. Before the grand
finale, in which the
return of musical
softness reminds us that
the story is over. The
supremacy of nature over
human greed. The waves,
though gentle, sweep the
wreckage, the lives and
the treasures of the New
World to the bottom of
the sea.
Het
Spaans oorlogsgaljoen met
64 kanonnen, gebouwd in
Cuba tussen 1770 en 1771
voor een Engelse reder in
dienst van de koning van
Spanje vertrok in 1784
vanuit Peru naar Cádiz
met een enorme lading
koper, goud, zilver en
andere kostbaarheden aan
boord. Er waren ook meer
dan 400 mensen aan boord,
waaronder passagiers,
bemanning en Inca
gevangenen na een
opstand. De oversteek van
de Atlantische Oceaan
verliep vlot, waarbij
Portugal werd gepasseerd
om te profiteren van
gunstige winden. De
schipbreuk bij Peniche
was het resultaat van een
menselijke fout,
blijkbaar te wijten aan
Franse kaarten met
dramatische fouten in de
positie van de eilanden
Berlengas en naburige
eilandjes. Op 2 februari
1786 was de zee kalm en
de nacht helder, maar ze
raakten de rotsformatie
Papoa en de romp brak
onmiddellijk in tweeën.
De bodem zonk snel,
terwijl het dek nog enige
tijd bleef drijven. 128
mensen verloren het
leven, waaronder veel
indianen die vastzaten in
de kelder. Dit
scheepswrak wordt
beschouwd als een van de
belangrijkste in de
maritieme
geschiedenis.
Wat
de componist wil
overbrengen, en wat men
kan voelen als men
luistert, is allereerst
het geluid van macht, van
hoop, van de glorie van
verovering, van de pracht
van rijkdom. Dit wordt
gevolgd door de perceptie
van de maritieme
omgeving, de harmonie met
de zachtheid van de
oceaan, het glijden van
de romp in het schuim van
de zee op zonnige, blauwe
dagen. Maar samen met
deze rust hoor je al snel
een ritmische ketting die
je een voorstelling geeft
van de drukte, van de
drukke bemanning, van het
harde werk van een
zeeman, van de wanhoop
van een exotisch volk dat
gevangen zit in een
donkere, vochtige kelder.
Een duidelijk ritme dat
ons doet denken aan de
salero van Andalusië,
met zijn Arabische
invloeden en zijn mensen,
het sussen van de
berusting van anderen die
gedwongen worden zich te
onderwerpen. Dan horen we
duidelijk een crescendo
dat ons de lijdensweg
doet voorstellen van de
aanvaring die voorafgaat
aan de schipbreuk. Het
breken van de romp, het
water dat alles
overspoelt, de wanhoop,
het botsen van lichamen
op de rotsen, de tragedie
die komen gaat. Vóór de
grote finale, waarin de
terugkeer van de muzikale
zachtheid ons eraan
herinnert dat het verhaal
voorbij is. De overmacht
van de natuur over de
hebzucht van de mens. De
golven, hoewel zacht,
vegen het wrak, de levens
en de schatten van de
Nieuwe Wereld naar de
bodem van de
zee.
Le galion de
guerre espagnol de 64
canons, construit à Cuba
entre 1770 et 1771 pour
un armateur anglais au
service du roi d'Espagne,
a quitté le Pérou pour
Cadix en 1784 avec à son
bord une énorme
cargaison de cuivre,
d'or, d'argent et
d'autres objets de
valeur. Il y avait
également plus de 400
personnes à bord, dont
des passagers, des
membres d'équipage et
des prisonniers incas à
la suite d'une révolte.
La traversée de
l'Atlantique s'est
déroulée sans encombre,
en passant par le
Portugal pour profiter
des vents favorables. Le
naufrage au large de
Peniche est le résultat
d'une erreur humaine,
apparemment due à des
cartes françaises
comportant des erreurs
dramatiques dans la
position des îles de
Berlengas et des îlots
voisins. Le 2 février
1786, alors que la mer
est calme et la nuit
claire, le navire heurte
la formation rocheuse de
Papoa et la coque se
brise immédiatement en
deux. Le fond coule
rapidement, tandis que le
pont reste à flot
pendant un certain temps.
128 personnes ont perdu
la vie, dont de nombreux
Indiens qui étaient
coincés dans les
sous-sols. Ce naufrage
est considéré comme
l'un des plus importants
de l'histoire
maritime.
Ce que
le compositeur veut
transmettre, et ce que
l'on ressent à
l'écoute, c'est d'abord
le son de la puissance,
de l'espoir, de la gloire
de la conquête, de la
splendeur de la richesse.
C'est ensuite la
perception de
l'environnement maritime,
l'harmonie avec la
douceur de l'océan, le
glissement de la coque
dans l'écume de la mer
par des journées bleues
et ensoleillées. Mais à
côté de cette
tranquillité, on entend
bientôt une chaîne
rythmique qui nous fait
ressentir une
représentation de
l'agitation, de
l'équipage affairé, du
dur labeur d'un marin, du
désespoir d'un peuple
exotique emprisonné dans
une cave sombre et
humide. Un rythme
distinct qui nous
rappelle le salero
d'Andalousie, avec ses
influences arabes et son
peuple, l'apaisement de
la résignation des
autres qui sont obligés
de se soumettre. Puis on
entend clairement un
crescendo qui nous fait
imaginer l'agonie de la
collision qui précède
le naufrage. La rupture
de la coque, l'eau qui
envahit tout, le
désespoir, le choc des
corps sur les rochers, la
tragédie à venir. Avant
le grand final, où le
retour de la douceur
musicale nous rappelle
que l'histoire est
terminée. La suprématie
de la nature sur la
cupidité humaine. Les
vagues, bien que douces,
emportent les épaves,
les vies et les trésors
du Nouveau Monde au fond
de la mer.
Die
spanische Kriegsgaleone
mit 64 Kanonen, die
zwischen 1770 und 1771
auf Kuba für einen
englischen Reeder im
Dienste des spanischen
Königs gebaut wurde,
verließ Peru 1784 in
Richtung Cádiz mit einer
riesigen Ladung Kupfer,
Gold, Silber und anderen
Wertgegenständen an
Bord. An Bord befanden
sich auch mehr als 400
Menschen, darunter
Passagiere,
Besatzungsmitglieder und
Inka-Gefangene nach einem
Aufstand. Die
Atlantiküberquerung
verlief reibungslos,
wobei Portugal passiert
wurde, um die günstigen
Winde zu nutzen. Der
Schiffbruch vor Peniche
war das Ergebnis
menschlichen Versagens,
das offenbar auf
französische Karten
zurückzuführen war, die
in Bezug auf die Position
der Inseln Berlengas und
der benachbarten Eilande
dramatische Fehler
enthielten. Am 2. Februar
1786 stießen sie bei
ruhiger See und klarer
Nacht auf die
Felsformation Papoa und
der Rumpf brach sofort
entzwei. Der Boden sank
schnell, während das
Deck noch einige Zeit
über Wasser blieb. 128
Menschen kamen ums Leben,
darunter viele Indianer,
die im Keller
eingeschlossen waren.
Dieses Schiffswrack gilt
als eines der
bedeutendsten
Was
der Komponist vermitteln
will und was man beim
Zuhören spürt, ist
zunächst der Klang der
Macht, der Hoffnung, des
Ruhms der Eroberung, des
Glanzes des Reichtums. Es
folgt die Wahrnehmung der
maritimen Umgebung, die
Harmonie mit der
Sanftheit des Meeres, das
Gleiten des
Schiffsrumpfes im Schaum
des Meeres an sonnigen,
blauen Tagen. Doch neben
dieser Ruhe hört man
bald eine rhythmische
Kette, die die Hektik,
die geschäftige
Mannschaft, die harte
Arbeit eines Seemanns,
die Verzweiflung eines
exotischen Volkes, das in
einem dunklen, feuchten
Keller gefangen ist,
wiedergibt. Ein
ausgeprägter Rhythmus,
der an den Salero
Andalusiens erinnert, mit
seinen arabischen
Einflüssen und seinen
Menschen, der die
Resignation der anderen
besänftigt, die
gezwungen sind, sich zu
fügen. Dann hören wir
deutlich ein Crescendo,
das uns die Qualen des
Zusammenstoßes, der dem
Schiffbruch vorausgeht,
erahnen lässt. Das
Zerbrechen des Rumpfes,
das Wasser, das alles
überflutet, die
Verzweiflung, das
Aufeinanderprallen der
Körper auf den Felsen,
die bevorstehende
Tragödie. Vor dem
großen Finale, in dem
die Rückkehr der
musikalischen Sanftheit
uns daran erinnert, dass
die Geschichte zu Ende
ist. Die Vorherrschaft
der Natur über die
menschliche Gier. Die
Wellen, so sanft sie auch
sein mögen, spülen die
Trümmer, das Leben und
die Schätze der Neuen
Welt auf den Grund des
Meeres.
Clarinet - early intermediate SKU: BT.DHP-1002148-401 18 eenvoudige du...(+)
Clarinet - early
intermediate
SKU:
BT.DHP-1002148-401
18 eenvoudige duetten
voor blazers.
Composed by Johan Nijs.
Educational Tool. Book
Only. Composed 2000. 4
pages. De Haske
Publications #DHP
1002148-401. Published by
De Haske Publications
(BT.DHP-1002148-401).
ISBN 9789043110785.
International.
What
do you do in your spare
time? Do you play
football or tennis or go
to the beach? We all do
something to relax and
this book of easy duets
contains 18 pieces each
based on a different
leisure activity, from
windsurfing to playing
chess. Now playing duets
with a friend can be a
fun pastime for all
musicians.
Maak
kennis met de
fantastische duetten van
Johan Nijs. De boeken
zijn voor verschillende
instrumenten
verkrijgbaar, ze zijn
allemaal met elkaar te
combineren.
Tolle
Duette von Johan Nijs zum
gemeinsamen Musizieren.
Alle lieferbaren
Bücher (Flöte,
Klarinette, Saxophon,
Trompete, Posaune)
können miteinander
kombiniert werden.
Suonare in duo
con un amico è il modo
migliore per affinare la
capacit di ascolto,
fondamentale per riuscire
a maturare una musicalit
adeguata. Con Play
Time troverete molti
duetti divertenti che
saranno il passatempo
ideale per i giovani
musicisti.
Alto Saxophone - early intermediate SKU: BT.DHP-1002145-401 18 eenvoud...(+)
Alto Saxophone - early
intermediate
SKU:
BT.DHP-1002145-401
18 eenvoudige duetten
voor blazers.
Composed by Johan Nijs.
Educational Tool. Book
Only. Composed 2000. 40
pages. De Haske
Publications #DHP
1002145-401. Published by
De Haske Publications
(BT.DHP-1002145-401).
ISBN 9789043110792.
International.
What
do you do in your spare
time? Do you play
football or tennis or go
to the beach? We all do
something to relax and
this book of easy duets
contains 18 pieces each
based on a different
leisure activity, from
windsurfing to playing
chess. Now playing duets
with a friend can be a
fun pastime for all
musicians.
Maak
kennis met de
fantastische duetten van
Johan Nijs. De boeken
zijn voor verschillende
instrumenten
verkrijgbaar, ze zijn
allemaal met elkaar te
combineren.
Tolle
Duette von Johan Nijs zum
gemeinsamen Musizieren.
Alle lieferbaren
Bücher (Flöte,
Klarinette, Saxophon,
Trompete, Posaune)
können miteinander
kombiniert werden.
Suonare in duo
con un amico è il modo
migliore per affinare la
capacit di ascolto,
fondamentale per riuscire
a maturare una musicalit
adeguata. Con Play
Time troverete molti
duetti divertenti che
saranno il passatempo
ideale per i giovani
musicisti.
Play Time Flûte traversière - Facile De Haske Publications
Flute - early intermediate SKU: BT.DHP-1002144-401 18 eenvoudige duett...(+)
Flute - early
intermediate
SKU:
BT.DHP-1002144-401
18 eenvoudige duetten
voor blazers.
Composed by Johan Nijs.
Educational Tool. Book
Only. Composed 2000. 40
pages. De Haske
Publications #DHP
1002144-401. Published by
De Haske Publications
(BT.DHP-1002144-401).
ISBN 9789043110754.
International.
What
do you do in your spare
time? Do you play
football or tennis or go
to the beach? We all do
something to relax and
this book of easy duets
contains 18 pieces each
based on a different
leisure activity, from
windsurfing to playing
chess. Now playing duets
with a friend can be a
fun pastime for all
musicians.
Maak
kennis met de
fantastische duetten van
Johan Nijs. De boeken
zijn voor verschillende
instrumenten
verkrijgbaar, ze zijn
allemaal met elkaar te
combineren.
Tolle
Duette von Johan Nijs zum
gemeinsamen Musizieren.
Alle lieferbaren
Bücher
(Flöte,
Klarinette, Saxophon,
Trompete, Posaune)
können miteinander
kombiniert werden.
Suonare in duo
con un amico è il
modo migliore per
affinare la capacit di
ascolto, fondamentale per
riuscire a maturare una
musicalit adeguata. Con
Play Time
troverete molti duetti
divertenti che saranno il
passatempo ideale per i
giovani musicisti.
Flexible
Arrangements for Multiple
Combinations of Wind
Instruments. Arranged
by Bill Galliford. Duet
or Duo; Instrumental
Series; Solo; Solo Small
Ensembles; Trio. Solos,
Duets & Trios for Winds.
Movie; Pop. Book and
Digital Download. 68
pages. Alfred Music
#00-47832. Published by
Alfred Music (AP.47832).
ISBN 9781470641665.
UPC: 038081548029.
English.
Adaptable
and flexible to your
unique needs, Solos,
Duets & Trios for Winds
is a versatile series
that encourages playing
in a variety of
combinations. Featuring
three written parts for
every song, the
arrangements are designed
so that the top line is
the melody (Part 1), the
second line (Part 2)
creates a duet, and the
third line (Part 3) forms
a trio. You can play solo
parts alone or form small
wind ensembles by mixing
and matching
instrumentation, as well
as mixing the parts
played. Students will
gain the opportunity to
learn how to play in a
small chamber group
setting. The accompanying
online media includes
fully orchestrated
backing tracks, PDF files
with piano
accompaniments, and TNT 2
software, which features
the ability to change the
speed of the recordings
without changing the
pitch. Solos, Duets &
Trios for Winds: Movie
Favorites features 19 of
the most familiar and
popular movie themes
ever. Titles: As Time
Goes By * Can You Read My
Mind? (Love Theme from
Superman) * Cantina Band
* Ding-Dong! The Witch Is
Dead * Family Portrait *
From Russia with Love *
Gonna Fly Now (Theme from
Rocky) * Hedwig's Theme *
The Great Escape March *
The Imperial March (Darth
Vader's Theme) * In
Dreams * May the Force Be
with You * James Bond
Theme * The Magnificent
Seven (Main Title) * Newt
Says Goodbye to
Tina/Jacob's Bakery *
Over the Rainbow * Song
from M*A*S*H (Suicide Is
Painless) * Star Wars
(Main Title) * Theme from
Superman.
Challenging music for concert bands and wind ensembles recorded by the always im...(+)
Challenging music for
concert bands and wind
ensembles recorded by the
always impressive
Washington Winds.
Composer/arrangers
represented include David
Holsinger, Michael
Mogensen, Robert W.
Smith, Karl L. King, Ed
Huckeby, Ludwig Van
Beethoven, Andrew Poor
and Umberto Giordano.
Outstanding in all
respects!
Song List
(13)
Mauro: Vision of Hope
Yeo: As the Moon Whispers
Romeyn: Saturn: The
Ringed Planet
Smith: Sensei's Ride
On The Cherry Blossom
Express
In Times Of Turbulence Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant C.L. Barnhouse
Grade 1 SKU: CL.024-4812-00 Composed by Robert W. Smith. Young Concert Ba...(+)
Grade 1
SKU:
CL.024-4812-00
Composed by Robert W.
Smith. Young Concert
Band. Score and set of
parts. C.L. Barnhouse
#024-4812-00. Published
by C.L. Barnhouse
(CL.024-4812-00).
In Times of
Turbluence is a dramatic
and powerful concert work
from the pen of prolific
composer Robert W. Smith.
Beginning with a soft and
stately chorale, the mood
quickly changes to sounds
of turbulence in a
contemporary setting for
the developing band.
Biting dissonance and
powerful rhythmic
percussion sustain the
turbulent atmosphere as
it develops throughout
the ensemble in a minor
mode. The percussion and
winds exchange powerful
musical statements
leading to the final
triumphant resolution in
a major key. An excellent
choice for concert or
festival performance.
Grade 1 SKU: CL.024-4812-01 Composed by Robert W. Smith. Young Concert Ba...(+)
Grade 1
SKU:
CL.024-4812-01
Composed by Robert W.
Smith. Young Concert
Band. Extra full score.
C.L. Barnhouse
#024-4812-01. Published
by C.L. Barnhouse
(CL.024-4812-01).
In Times of
Turbluence is a dramatic
and powerful concert work
from the pen of prolific
composer Robert W. Smith.
Beginning with a soft and
stately chorale, the mood
quickly changes to sounds
of turbulence in a
contemporary setting for
the developing band.
Biting dissonance and
powerful rhythmic
percussion sustain the
turbulent atmosphere as
it develops throughout
the ensemble in a minor
mode. The percussion and
winds exchange powerful
musical statements
leading to the final
triumphant resolution in
a major key. An excellent
choice for concert or
festival performance.
18 eenvoudige duetten
voor blazers.
Composed by Johan Nijs.
Educational Tool. Book
Only. Composed 2000. 40
pages. De Haske
Publications #DHP
1002146-401. Published by
De Haske Publications
(BT.DHP-1002146-401).
ISBN 9789043110761.
International.
What
do you do in your spare
time? Do you play
football or tennis or go
to the beach? We all do
something to relax and
this book of easy duets
contains 18 pieces each
based on a different
leisure activity, from
windsurfing to playing
chess. Now playing duets
with a friend can be a
fun pastime for all
musicians.
Maak
kennis met de
fantastische duetten van
Johan Nijs. De boeken
zijn voor verschillende
instrumenten
verkrijgbaar, ze zijn
allemaal met elkaar te
combineren.
Tolle
Duette von Johan Nijs zum
gemeinsamen Musizieren.
Alle lieferbaren
Bücher (Flöte,
Klarinette, Saxophon,
Trompete, Posaune)
können miteinander
kombiniert werden.
Suonare
in duo con un amico è
il modo migliore per
affinare la capacit di
ascolto, fondamentale per
riuscire a maturare una
musicalit adeguata. Con
Play Time
troverete molti duetti
divertenti che saranno il
passatempo ideale per i
giovani musicisti.
Classroom SKU: BT.9780713682960 Age 7+. Composed by Helen MacGrego...(+)
Classroom
SKU:
BT.9780713682960
Age 7+. Composed
by Helen MacGregor.
Method. Book with CD. 64
pages. Collins Music
Publishing
#9780713682960. Published
by Collins Music
Publishing
(BT.9780713682960).
ISBN 9780713682960.
English.
This
pack combines active
listening with practical
music making. It gives
busy teachers a fingertip
resource of recordings of
music and related
classroom activities,
which will help children
understand their own and
otherpeople's music. The
approach is involving,
practical and accessible,
requiring no
music-reading
ability.
There are
twelve complete
recordings of music from
different times and
places, chosen to
demonstrate the
elements:duration,
dynamics, tempo, timbre,
texture, pitch and
structure. Photocopiable
material is included
along with supplementary
recordings supporting the
activities.
Winds (Score) - difficult SKU: HL.49012041 For Wind Band - Score. ...(+)
Winds (Score) - difficult
SKU: HL.49012041
For Wind Band -
Score. Composed by
Hans Werner Henze.
Arranged by Marcel
Wengler. This edition:
Paperback/Soft Cover.
Sheet music. Schott
Harmonie Serie (Concert
Band). Classical. Score.
Composed 1982. 99 pages.
Duration 14'. Schott
Music #SHS1004. Published
by Schott Music
(HL.49012041).
ISBN
9790001100731. UPC:
073999895995.
9.0x12.0x0.315
inches.
This work
was originally written
for brass band (see
there). At the composer's
request, his former pupil
Marcel Wengler wrote an
arrangement for Symphonie
wind band, which is equal
to the original in
ever-yway. Here Henze and
Wengler have given wind
players a work which
successfully combines a
popular style and to some
extent extremely witty
elements with the
resources of new music.
It is excellent concert
music for advanced and
Professional
orchestras.Hans Werner
Henze belongs to a small
circle of internationally
known cornposers of
serious contemporary
music. In his operas,
symphonies, and music for
ensembles and chamber
music groups, as well as
in his contributions to
music for amateurs, there
are works with a
distinctive sense of
form, delicate tonality
and rhythmic variety
which nonetheless never
lose sight of that
dimension of
humanity.Marcel Wengler
(born 1946) is now a
freelance composer. He
lives in
Luxemburg.
Picc. *
1 * 2 (ad lib.) * Engl.
Hr. (ad lib.) * Es-Klar.
* 3 * Altklar. (ad lib.)
* Bassklar. (ad lib.) * 2
Altsax. * 2 Tenorsax. *
Baritonsax. (ad lib.) * 1
(ad lib.) - 4 * 2 Flhr. *
Tenorflhr. * 3 * 3 * 2
Bombardini * 2 * 2
Kb.-Tb. - P. S. (Glsp. *
Xyl. [oder 3 Tempelbl.] *
Trgl. * Beckenpaar * 3
Bong. * kl. Tr. * 3 Tomt.
* gr. Tr. * Woodbl.) (3
Spieler).