| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Facile Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
(8)$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Again Songbook Paroles et Accords Hal Leonard
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Again Songbook Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Folksong Fake Book - C Edition
Fake Book [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Folk. Series: Hal
Leonard Fake Books. 536
pages. 9.6x12 inches.
Published by Hal Leonard.
(10)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Wise Men From The East Chorale SATB PraiseGathering
Choral (SATB) SKU: HL.2053051 Composed by Randy Vader. Arranged by Camp K...(+)
Choral (SATB) SKU:
HL.2053051 Composed
by Randy Vader. Arranged
by Camp Kirkland. Praise
Gathering Choral.
Christmas. CD. Duration
208 seconds.
PraiseGathering
#A08609TCD. Published by
PraiseGathering
(HL.2053051). UPC:
797242977053.
5.0x5.0x0.115
inches. $29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Wise Men From The East Chorale SATB PraiseGathering
Choral (SATB) SKU: HL.2053049 Composed by Randy Vader. Arranged by Camp K...(+)
Choral (SATB) SKU:
HL.2053049 Composed
by Randy Vader. Arranged
by Camp Kirkland. Praise
Gathering Choral.
Christmas. CD-ROM.
Duration 208 seconds.
PraiseGathering
#A08609OR. Published by
PraiseGathering
(HL.2053049). UPC:
797242977176.
5.0x5.0x0.15
inches. $74.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Wise Men From the East [Octavo] Choristers Guild
By Robert J Powell. For unison/2-part choir, keyboard and flute (with optional s...(+)
By Robert J Powell. For
unison/2-part choir,
keyboard and flute (with
optional small
percussion). Sacred
Anthem, Christmas,
Epiphany. Octavo.
Published by Chorister's
Guild . Octavo. Sacred
Anthem, Christmas,
Epiphany.
$1.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Christmas Carols Book Guitare Guitare acoustique Hal Leonard
120 Songs for Easy Guitar. By Various. Easy Guitar (Simplified arrangements for ...(+)
120 Songs for Easy
Guitar. By Various. Easy
Guitar (Simplified
arrangements for guitar).
Size 9x12 inches. 111
pages. Published by Hal
Leonard.
(1)$15.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Ultimate Guitar Christmas Fake Book - 2nd Edition Ligne De Mélodie, Paroles et Accords [Fake Book] Hal Leonard
200 Holiday Favorites. Composed by Various. Fake Book. Softcover. 288 pages. ...(+)
200 Holiday Favorites.
Composed by Various. Fake
Book. Softcover. 288
pages.
Published by Hal Leonard
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| String Quartet No. 3 Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Theodore Presser Co.
String quartet String Quartet SKU: PR.16400272S Cassatt. Composed ...(+)
String quartet String
Quartet SKU:
PR.16400272S
Cassatt. Composed
by Dan Welcher. Premiere:
Cassatt Quartet,
Northeastern Illinois
University, Chicago, IL.
Contemporary. Full score.
With Standard notation.
Composed 2007. WRT11142.
52 pages. Duration 24
minutes. Theodore Presser
Company #164-00272S.
Published by Theodore
Presser Company
(PR.16400272S). UPC:
680160588442. 8.5 x 11
inches. My third
quartet is laid out in a
three-movement structure,
with each movement based
on an early, middle, and
late work of the great
American impressionist
painter Mary Cassatt.
Although the movements
are separate, with
full-stop endings, the
music is connected by a
common scale-form,
derived from the name
MARY CASSATT, and by a
recurring theme that
introduces all three
movements. I see this
theme as Mary's Theme, a
personality that stays
intact while undergoing
gradual change. I
The Bacchante (1876)
[Pennsylvania Academy of
Fine Arts, Philadelphia,
Pennsylvania] The
painting shows a young
girl of Italian or
Spanish origin, playing a
small pair of cymbals.
Since Cassatt was trying
very hard to fit in at
the French Academy at the
time, she painted a lot
of these subjects, which
were considered typical
and universal. The style
of the painting doesn't
yet show Cassatt's
originality, except
perhaps for certain
details in the face.
Accordingly the music for
this movement is
Spanish/Italian, in a
similar period-style but
using the musical
signature described
above. The music begins
with Mary's Theme,
ruminative and slow, then
abruptly changes to an
alla Spagnola-type fast
3/4 - 6/8 meter. It
evokes the
Spanish-influenced music
of Ravel and Falla.
Midway through,
there's an accompanied
recitative for the viola,
which figures large in
this particular movement,
then back to a truncated
recapitulation of the
fast music. The overall
feeling is of a
well-made, rather
conventional movement in
a contemporary
Spanish/Italian style.
Cassatt's painting, too,
is rather conventional.
II At the Opera
(1880) [Museum of Fine
Arts, Boston,
Massachusetts]
This painting is one of
Cassatt's most well known
works, and it hangs in
the Museum of Fine Arts
in Boston. The painting
shows a woman alone in a
box at the opera house,
completely dressed
(including gloves) and
looking through opera
glasses at someone or
something that is NOT on
the stage. Across the
auditorium from her, but
exactly at eye level, is
a gentleman with opera
glasses intently watching
her - though it is not
him that she's looking
at. It's an intriguing
picture. This
movement is far less
conventional than the
first movement, as the
painting is far less
conventional. The music
begins with a rapid,
Shostakovich-type
mini-overture lasting
less than a minute, based
on Mary's Theme. My
conjecture is that the
woman in the painting has
arrived late to the
opera, busily stumbling
into her box. What
happens next is a kind of
collage, a kind of
surrealistic overlaying
of two different
elements: the foreground
music, at first is a
direct quotation of
Soldier's Chorus from
Gounod's FAUST (an opera
Cassatt would certainly
have heard in the
brand-new Paris Opera
House at that time),
played by Violin II,
Viola, and Cello. This
music is played sul
ponticello in the melody
and col legno in the
marching accompaniment.
On top of this, the first
violin hovers at first on
a high harmonic, then
descends into a slow
melody, completely
separate from the Gounod.
It's as if the woman in
the painting is hearing
the opera onstage but is
not really interested in
it. Then the cello joins
the first violin in a
kind of love-duet (just
the two of them, at
first). This music isn't
at all Gounod-derived;
it's entirely from the
same scale patterns as
the first movement and
derives from Mary's Theme
and its scale. The music
stays in a kind of
dichotomy feeling,
usually
three-against-one, until
the end of the movement,
when another Gounod
melody, Valentin's aria
Avant de quitter ce lieux
reappears in a kind of
coda for all four
players. It ends
atmospherically and
emotionally disconnected,
however. The overall
feeling is a kind of
schizophrenic,
opera-inspired dream.
III Young Woman in
Green, Outdoors in the
Sun (1909) [Worcester Art
Museum, Massachusetts]
The painting, one
of Cassatt's last, is
very simple: just a
figure, looking sideways
out of the picture. The
colors are pastel and yet
bold - and the woman is
likewise very
self-assured and not in
the least demure. It is
eight minutes long, and
is all about melody -
three melodies, to be
exact (Young Woman,
Green, and Sunlight). No
angst, no choppy rhythms,
just ever-unfolding
melody and lush
harmonies. I quote one
other French composer
here, too: Debussy's song
Green, from Ariettes
Oubliees. 1909 would have
been Debussy's heyday in
Paris, and it makes
perfect sense musically
as well as visually to do
this. Mary Cassatt
lived her last several
years in near-total
blindness, and as she
lost visual acuity, her
work became less sharply
defined - something akin
to late water lilies of
Monet, who suffered
similar vision loss. My
idea of making this
movement entirely melodic
was compounded by having
each of the three
melodies appear twice,
once in a pure form, and
the second time in a more
diffuse setting. This
makes an interesting two
ways form:
A-B-C-A1-B1-C1.
String Quartet No.3
(Cassatt) is dedicated,
with great affection and
respect, to the Cassatt
String Quartet, whose
members have dedicated
themselves in large
measure to the furthering
of the contemporary
repertoire for
quartet. $38.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 3 Quatuor à cordes: 2 violons, alto, violoncelle Theodore Presser Co.
Chamber Music String Quartet SKU: PR.164002720 Cassatt. Composed b...(+)
Chamber Music String
Quartet SKU:
PR.164002720
Cassatt. Composed
by Dan Welcher. Spiral
and Saddle. Premiere:
Cassatt Quartet,
Northeastern Illinois
University, Chicago, IL.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2007. WRT11142.
52+16+16+16+16 pages.
Duration 24 minutes.
Theodore Presser Company
#164-00272. Published by
Theodore Presser Company
(PR.164002720). UPC:
680160573042. 8.5 x 11
inches. My third
quartet is laid out in a
three-movement structure,
with each movement based
on an early, middle, and
late work of the great
American impressionist
painter Mary Cassatt.
Although the movements
are separate, with
full-stop endings, the
music is connected by a
common scale-form,
derived from the name
MARY CASSATT, and by a
recurring theme that
introduces all three
movements. I see this
theme as Mary's Theme, a
personality that stays
intact while undergoing
gradual change. I
The Bacchante (1876)
[Pennsylvania Academy of
Fine Arts, Philadelphia,
Pennsylvania] The
painting shows a young
girl of Italian or
Spanish origin, playing a
small pair of cymbals.
Since Cassatt was trying
very hard to fit in at
the French Academy at the
time, she painted a lot
of these subjects, which
were considered typical
and universal. The style
of the painting doesn't
yet show Cassatt's
originality, except
perhaps for certain
details in the face.
Accordingly the music for
this movement is
Spanish/Italian, in a
similar period-style but
using the musical
signature described
above. The music begins
with Mary's Theme,
ruminative and slow, then
abruptly changes to an
alla Spagnola-type fast
3/4 - 6/8 meter. It
evokes the
Spanish-influenced music
of Ravel and Falla.
Midway through,
there's an accompanied
recitative for the viola,
which figures large in
this particular movement,
then back to a truncated
recapitulation of the
fast music. The overall
feeling is of a
well-made, rather
conventional movement in
a contemporary
Spanish/Italian style.
Cassatt's painting, too,
is rather conventional.
II At the Opera
(1880) [Museum of Fine
Arts, Boston,
Massachusetts]
This painting is one of
Cassatt's most well known
works, and it hangs in
the Museum of Fine Arts
in Boston. The painting
shows a woman alone in a
box at the opera house,
completely dressed
(including gloves) and
looking through opera
glasses at someone or
something that is NOT on
the stage. Across the
auditorium from her, but
exactly at eye level, is
a gentleman with opera
glasses intently watching
her - though it is not
him that she's looking
at. It's an intriguing
picture. This
movement is far less
conventional than the
first movement, as the
painting is far less
conventional. The music
begins with a rapid,
Shostakovich-type
mini-overture lasting
less than a minute, based
on Mary's Theme. My
conjecture is that the
woman in the painting has
arrived late to the
opera, busily stumbling
into her box. What
happens next is a kind of
collage, a kind of
surrealistic overlaying
of two different
elements: the foreground
music, at first is a
direct quotation of
Soldier's Chorus from
Gounod's FAUST (an opera
Cassatt would certainly
have heard in the
brand-new Paris Opera
House at that time),
played by Violin II,
Viola, and Cello. This
music is played sul
ponticello in the melody
and col legno in the
marching accompaniment.
On top of this, the first
violin hovers at first on
a high harmonic, then
descends into a slow
melody, completely
separate from the Gounod.
It's as if the woman in
the painting is hearing
the opera onstage but is
not really interested in
it. Then the cello joins
the first violin in a
kind of love-duet (just
the two of them, at
first). This music isn't
at all Gounod-derived;
it's entirely from the
same scale patterns as
the first movement and
derives from Mary's Theme
and its scale. The music
stays in a kind of
dichotomy feeling,
usually
three-against-one, until
the end of the movement,
when another Gounod
melody, Valentin's aria
Avant de quitter ce lieux
reappears in a kind of
coda for all four
players. It ends
atmospherically and
emotionally disconnected,
however. The overall
feeling is a kind of
schizophrenic,
opera-inspired dream.
III Young Woman in
Green, Outdoors in the
Sun (1909) [Worcester Art
Museum, Massachusetts]
The painting, one
of Cassatt's last, is
very simple: just a
figure, looking sideways
out of the picture. The
colors are pastel and yet
bold - and the woman is
likewise very
self-assured and not in
the least demure. It is
eight minutes long, and
is all about melody -
three melodies, to be
exact (Young Woman,
Green, and Sunlight). No
angst, no choppy rhythms,
just ever-unfolding
melody and lush
harmonies. I quote one
other French composer
here, too: Debussy's song
Green, from Ariettes
Oubliees. 1909 would have
been Debussy's heyday in
Paris, and it makes
perfect sense musically
as well as visually to do
this. Mary Cassatt
lived her last several
years in near-total
blindness, and as she
lost visual acuity, her
work became less sharply
defined - something akin
to late water lilies of
Monet, who suffered
similar vision loss. My
idea of making this
movement entirely melodic
was compounded by having
each of the three
melodies appear twice,
once in a pure form, and
the second time in a more
diffuse setting. This
makes an interesting two
ways form:
A-B-C-A1-B1-C1.
String Quartet No.3
(Cassatt) is dedicated,
with great affection and
respect, to the Cassatt
String Quartet, whose
members have dedicated
themselves in large
measure to the furthering
of the contemporary
repertoire for
quartet. $53.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Johann Sebastian Bach: 371 Harmonized Chorales And 69 Chorale Melodies W/Figured Bass
Piano seul [Partition] Schirmer
Composed by Johann Sebastian Bach (1685-1750), edited by Riemenschneider. For pi...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Riemenschneider. For
piano. Format: piano solo
book. With piano
reduction, introductory
text, instructional text,
lyrics and performance
notes. Baroque. 184
pages. 9x12 inches.
Published by Schirmer
(3)$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Christmas Carols Fake book [Fake Book] Hal Leonard
Fake book for voice and C instrument. With vocal melody, lyrics, chord names and...(+)
Fake book for voice and C
instrument. With vocal
melody, lyrics, chord
names and guitar chord
diagrams. Series: Hal
Leonard Paperback Songs.
255 pages. Published by
Hal Leonard.
(1)$7.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Iron Maiden: Somewhere Back In Time - The Best Of 1980-1989 Guitar Tab Guitare Amsco Wise Publications
Guitar SKU: HL.14043780 By Tom Farncombe. By Iron Maiden. Arranged by Mar...(+)
Guitar SKU:
HL.14043780 By Tom
Farncombe. By Iron
Maiden. Arranged by
Martin Shellard. Guitar
Personality. Pop & Rock.
Softcover. Wise
Publications #AM995764.
Published by Wise
Publications
(HL.14043780). ISBN
9781847727923.
English. All the
songs from the album,
arranged for Guitar tab,
complete with full
lyrics. This
book is specially bound
to help the pages lie
flat while you are
playing. $28.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Journey to Bethlehem Cloches Lorenz Publishing Company
Handbell collection. Advent, Christmas, Epiphany. Reproducible collection. Lor...(+)
Handbell collection.
Advent, Christmas,
Epiphany. Reproducible
collection. Lorenz
Publishing Company
#20/1912L. Published by
Lorenz Publishing Company
(LO.20-1912L).
$69.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Star of the East (Choral Score) Chorale SATB SATB, Clavier - Intermédiaire Schirmer
SATB choir and organ or piano, with optional children's choir and trumpet (Trump...(+)
SATB choir and organ or
piano, with optional
children's choir and
trumpet (Trumpet parts
include Trumpet in B-flat
and C.) - Intermediate
SKU: EC.9254
Composed by David Conte.
Christmas, Epiphany,
Christmas-Sacred. Octavo.
E.C. Schirmer Publishing
#9254. Published by E.C.
Schirmer Publishing
(EC.9254). UPC:
600313492549.
English. A creative
combination of two texts
appropriate for Christmas
or Epiphany. Eugene Field
was an American writer
best known for his
children's poetry. His
poem Star of the East
describes the events from
the gospel of Matthew in
which wise men from the
East came to Jerusalem.
The composer skillfully
includes PUER NOBIS by
Michael Praetorius.
Children's choir or an
ensemble of treble voices
join the chorus to bring
the piece to a close. A
beautiful trumpet descant
is included, often
reinforcing the PUER
NOBIS tune. $2.85 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Because He Lives...Amen! - Choral Book Word Music
Moderately Easy SKU: WD.080689563171 Composed by David Wise. Choral, cant...(+)
Moderately Easy SKU:
WD.080689563171
Composed by David Wise.
Choral, cantatas.
Eastertide. Book. Word
Music #080689563171.
Published by Word Music
(WD.080689563171).
UPC:
080689563171. Perfe
ct for your
choir’s Easter
service comes a new,
dynamically blended
Simply Word Easter
Musical, anchored
by the Dove Award-winning
Worship Song of the Year,
Because He Lives
(Amen)! This
extremely popular,
brilliantly-written title
song (Matt Maher,
ChrisTomlin, and
more!) gives singular
focus to a new musical of
power and
praise…artfully
complemented by inspiring
new songs with narration
written by acclaimed
songwriter Tony
Wood, and
featuring exciting,
imaginative choral
arrangements by
David
Wise.
Fr
om the opening strains of
the classic hymn, My
Savior's Love
(“How marvelous,
how wonderful, and my
song shall ever
be!â€), to the
energetic tones of
Shouts of Hosanna,
to the emotionally
charged lyrics of
Wonder of Your
Cross—every
note, every orchestral
cue, every word of
narration, navigates for
us Christ’s
journey from the cross to
His glorious
resurrection, as the
choir ends to the
triumphant sounds of
Because He
Lives...Amen!
Your presentation
of BECAUSE HE
LIVES…AMEN!
will be greatly enhanced
by the use of the
visually-inspiring DVD
Accompaniment Track.
Celebrate the
resurrection power
present in the lives of
all believers through
this compelling musical
which gives you the added
benefit of well-written,
easily attainable
Simply Word choral
arrangements, designed to
make your choir sound
bigger than
life!
$12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Wonder of Your Cross - Anthem Chorale Unison Word Music
Choir SKU: WD.080689519239 Composed by David Wise. Arranged by David Wise...(+)
Choir SKU:
WD.080689519239
Composed by David Wise.
Arranged by David Wise.
Choral. Sacred Anthem,
Eastertide. Octavo. Word
Music #080689519239.
Published by Word Music
(WD.080689519239).
UPC:
080689519239. A
soft, meaningful ballad
from the popular Simply
Word Easter musical,
Because He
Lives…Amen!,
this anthem is perfect
for special moments in
your upcoming Easter
season. Arranged by David
Wise and David Shipps,
with a featured soloist,
this Easter offering bows
its head in awe and
wonder of the
cross…the ultimate
sacrifice and divine
resurrection of Jesus
Christ. $3.40 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Opera varia I. Works with 1-7 parts (Complete edition, vol. 19) [Werke mit 1-7 obligaten Stimmen] [Conducteur] Carus Verlag
SKU: CA.2091900 Composed by Heinrich Schutz. Edited by Helmut Lauterwasse...(+)
SKU: CA.2091900
Composed by Heinrich
Schutz. Edited by Helmut
Lauterwasser. This
edition: urtext.
Stuttgart Urtext Edition:
Schutz; Hymns by Martin
Luther: Litanei. Kyrie
eleison. Sacred
concertos, Sacred vocal
music, Psalms. Full score
(complete edition /
selected edition). 368
pages. Carus Verlag #CV
20.919/00. Published by
Carus Verlag
(CA.2091900). ISBN
9790007171711. Volu
me 19 of the Schutz
Complete Edition brings
together 21 very
different compositions
from various phases of
Schutz's compositional
output. The spectrum
ranges from a short,
two-part sacred concerto
to a six-part cyclical
psalm setting and
large-scale polychoral
concerto, from well-known
works such as the
Osterdialog to a
completely unknown
madrigalian composition,
full of emotion, to a
simple chorale setting. A
particular challenge was
posed by the ten works or
versions of works which
survive incomplete. Two
of these, the Christmas
concerto Ach Herr, du
Schopfer aller Ding SWV
450a and Ein Kind ist uns
geboren SWV 497, appear
here for the first time
in print. With both of
these it turned out that
it was possible to
reconstruct the missing
parts fully from
available material. For
the Ultima Verba Psalmi
23, Gutes und
Barmherzigkeit SWV 95 and
the two Nunc dimittis:
Herr, nun lassest du
deinen Diener SWV 432 and
433, the editor's
reconstructions are
presented, and likewise
with the chorale movement
In dich hab ich gehoffet,
Herr SWV 446. The
impressive Easter dialog
Weib, was weinest du SWV
443 is one of the works
which survives
incomplete. In order to
give an impression of how
the whole work might
actually have sounded in
the complete form as
planned by Schutz, the
Appendix to the volume
contains a reconstruction
of the four-part vocal
setting of the missing
final chorus, based on
the surviving figured
bass. The magnificent
Gesang der drei Manner im
feurigen Ofen (Song of
the three men in the
burning fiery furnace)
SWV 448 from the book of
the prophet Daniel, the
original source of which
is lost, is critically
discussed and published
with various
possibilities for
scoring. $350.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Hymns for Our Time Chorale SATB SATB [Partition] Hope Publishing Company
By Hal Hopson / Various authors. For Unison choir. Devotion, Hymntune, Sacred. H...(+)
By Hal Hopson / Various
authors. For Unison
choir. Devotion,
Hymntune, Sacred. Hymn
Collection. Author's
Collections. 114 pages
$14.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Gilbert and Sullivan Piano, Voix [Vocal Score] Hal Leonard
The World's Great Classical Music. By Gilbert and Sullivan. World's Greatest Cla...(+)
The World's Great
Classical Music. By
Gilbert and Sullivan.
World's Greatest
Classical Music. Size
9x12 inches. 336 pages.
Published by Hal Leonard.
(2)$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Music for the Spirit Breitkopf & Härtel
Chorus with inst. SKU: BR.CHB-5384 Choirbook for Pentecost and Other O...(+)
Chorus with inst. SKU:
BR.CHB-5384
Choirbook for
Pentecost and Other
Occasions. Composed
by Stephen Harrap
(Hrsg.). Choir;
Softbound.
Chor-Bibliothek (Choral
Library). Motet;
Renaissance/early
Baroque; Late-romantic.
Sheet Music. Breitkopf
and Haertel #CHB 5384.
Published by Breitkopf
and Haertel
(BR.CHB-5384). ISBN
9790004413852. 7.5 x 10.5
inches. German / English
/ Latin. Until now,
anyone looking for music
on the theme of Pentecost
and the Holy Spirit for
church services and
concerts usually had to
do so in larger
collections that cover
the entire church year or
parts of it. With Music
for the Spirit, there is
now a choirbook
specifically for the
feast of Pentecost for
the first time, closing a
gap for an important
feast of the Catholic,
Protestant, and Anglican
churches. Over 500 years
of choral music from
Renaissance to the modern
age are covered here with
compositions from the
German-, English-,
Italian- and
French-speaking regions.
Almost all the great
composers of European
sacred music are
represented, from
Palestrina over Byrd,
Bach, Mozart, Brahms,
Gounod, and Bruckner to
Reger, Parry, Stanford,
and Distler. With the
chronological order, the
development of the genre
of the Pentecost motet
and sacred choral music
in general can be traced
easily. All pieces can be
performed by mixed choir
a cappella or with organ
accompaniment. In some
cases, the accompaniment
has been supplemented or
arranged by the editor
Stephen Harrap, in
individual cases also the
choral parts, e.g. when
the original was composed
for male voices only. The
scoring ranges from three
to eight voices while the
length and difficulty of
the pieces likewise cover
a broad range for a wide
variety of choirs and
ensembles. $36.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| The Fiddler's Fakebook
Violon [Fake Book] Oak Publications
Edited by David Brody. For violin. Format: fake book. With lead melody, chord na...(+)
Edited by David Brody.
For violin. Format: fake
book. With lead melody,
chord names,
instructional text and
performance notes. Folk,
americana and british.
302 pages. 9x12 inches.
Published by Oak
Publications.
(7)$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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