Un livre d'entrée de gamme Faux! Ce livre présente la notation livre plus grand que la plupart des faux avec des harmonies et des mélodies simplifiées - et toutes les chansons sont dans la clé de C. Une introduction aborde l'enseignement de base en lecture à partir d'un Fake Book.Comprend plus de 100 chansons, dont: Ain't Misbehavin' - All the Things You Are - America the Beautiful - Beauty and the Beast - Bewitched - Blueberry Hill - Can't Help Falling in Love - Don't Get Around Much Anymore - Edelweiss - Getting to Know You - Heart and Soul - It Only Takes a Moment - Leaving on a Jet Plane - Let It Be - Love Me Tender - Maria - Mood Indigo - Satin Doll - Somewhere Out There - Try to Remember - When the Saints Go Marching In - Young at Heart / Piano/Vocal/Guitare (PVG)

70 beautiful melodies arranged for organ: Autumn Leaves - Edelweiss - How High the Moon - If I Were a Bell - Luck Be a Lady - Memory - Ol' Man River - Satin Doll - Skylark - Smile - Stardust - Summertime - Tenderly - Till There Was You - Unchained Melody - The Way You Look Tonight - Witchcraft - Younger Than Springtime - and more. / Orgue

With 21 more fantastic One Direction songs arranged for Really Easy Piano, Volume 2 takes songs from their massive third and fourth albums, Midnight Memories and Four, respectively. With song notes and useful performance hints, this book is the best way to learn some of 1D's best songs.As One Direction continue their meteoric rise to fame, becoming even more of a household name, their third and fourth albums cemented their status as pop music's most unstoppable force. With two album's worth of fantastically fun and catchy tunes, this One Direction sheet music will keep you and your fingers busy learning how to play some of their biggest hits ever like Best Song Ever, Fireproof, Midnight Memories and Story Of My Life.With the release of Midnight Memories and Four, One Direction took something of a new direction with their sound. A more rock-oriented approach produced songs that wouldn't sound out of place in a huge stadium, while, as the boys have grown up, their lyrical themes have also matured, producing more personal and heartfelt songs. With this second volume of the bestselling Really Easy Piano: One Direction sheet music, you can perfectly learn 21 of their greatest hits, from the rockingly anthemic Little Black Dress to the more intimate and personal Night Changes. Arranged for Easy Piano, these songs are simplified, taking only the most important parts of each song like those catchy choruses and brilliant chords, so that pianists of all abilities can play them. Not only this, but fascinating background information for each song is included, as well as some really useful performance hints and tips, helping you to nail every song straight away. As well as songs from their third and fourth albums, this One Direction songbook features Heroes, the X Factor finalist's charity song, and Forever Young, the song that would have been released had they won the competition.If you loved the first One Direction songbook, or if you just adore the five lads from 1D, check out this Really Easy Piano sheet music, teaching you the band's best tunes in no time at all. / Piano

Compilations regroupant les plus grands titres d'un genre musical spécialement regravées en piano, voix et diagrammes d'accord guitare ou en piano solo en format A4 spiralé afin qu'il reste 'plat' sur le support du piano.Titres : All The Things You Are [Kern, Jerome] [Hammerstein II, Oscar] - Anthropology [Parker, Charlie] - April In Paris [Duke, Vernon] - Big Spender [Coleman, Cy] - The Big Walk [Jones, Quincy] - Blue In Green [Davis, Miles] - Can't Help Lovin' Dat Man (Show Boat) [Kern, Jerome] - Cantaloupe Island [Hancock, Herbie] - Cheek To Cheek [Berlin, Irving] - Don't Get Around Much Anymore [Ellington, Duke] - Easy Living [Robin, Leo] [Rainger, Ralph] - The Girl From Ipanema (Garôta De Ipanema) [Getz, Stan] [Gilberto, Astrud] - Good Morning Heartache [Fisher, Dan] [Higginbotham, Irene] [Drake, Ervin] - I Wish I knew (How It Would Feel To Be Free) [Taylor, Billy] - Honeysuckle Rose (Ain't Misbehavin') [Waller, Fats] - I'm Beginning To See The Light [George, Don] [Hodges, Johnny] [Ellington, Duke] [James, Harry] - In A Mellow Tone [Ellington, Duke] - La Vie En Rose [Armstrong, Louis] - Luck Be A Lady [Loesser, Frank] - Lush Life [Coltrane, John] - Michelle [Beatles, The] - Minority [Gryce, Gigi] - Moanin' [Blakely, Art] [Jazz Messengers, The] - Mona Lisa [Livingston, Jay] [Evans, Ray] - Mood Indigo [Ellington, Duke] - Moonlight Serenade [Miller, Glen] [Parish, Mitchell] - My Baby Just Cares For Me [Kahn, Gus] - My Foolish Heart [Young, Victor] [Washington, Ned] - My Favourite Things [Coltrane, John] - The Nearness Of You [Carmichael, Hoagy] - Oleo [Martino, Pat] - Peri's Scope [Evans, Bill] - Save Your Love For Me [Johnson, Buddy] - Singin' In The Rain (Singin' In The Rain) [Brown, Nacio] [Freed, Arthur] - Smoke Gets In Your Eyes (Roberta) [Kern, Jerome] - So What [Davis, Miles] - Something To Live For [Ellington, Duke] [Strayhorn, Billy] - The Star Crossed Lovers [Ellington, Duke] [Strayhorn, Billy] - Time Remembered [Evans, Bill] - Turn Out The Stars [Evans, Bill] - The Very Thought Of You [Cole, Nat King] - The Way You Look Tonight (Swing Time) [Kern, Jerome] - What Are You Doing The Rest Of Your Life? [Legrand, Michel] - The Windmills Of Your Mind [Legrand, Michel] [Bergman, Alan] [Bergman, Marilyn] / Piano/Vocal/Guitare (PVG)

50 recent popular hits simply arranged to get beginning pianists started playing their favorite songs. Includes: All of Me - Brave - City of Stars - Foolish Games - Goodbye My Lover - How to Save a Life - I'm Yours - Just Give Me a Reason - Let It Go - My Immortal - No One - One Call Away - Roar - Say Something - Someone like You - Stay with Me - Thinking Out Loud - We Are Young - You Raise Me Up - and more. Includes lyrics. / Niveau : Facile Piano / Recueil / Piano

Par BACEWICZ GRAZYNA. Grazyna Bacewicz realised at a very early age that her main purpose in life was to compose music. Already during the 1920s, as a student of Lódz Conservatoire, as part of her lessons in harmony and counterpoint, she made attempts at composing, in which she tried to resolve nagging technical problems and impart an artistically satisfying form to them. She grew up in an atmosphere of anti-romantic tumult and the emerging neoclassical style. She assimilated the main attributes of that current in a natural way: the need to forge logical formal constructs based on new harmonic principles, not determined by the major–minor system, and also a freedom in the shaping of textures, a fixed element of which was the combining of homophony with more or less strict polyphonic forms. One example of such a strategy is the String Quartet from her student years, signed with the date 1929–1930, which the composer did not include in her official catalogue of works. In the first movement (Allegro moderato), one can distinguish two principal subjects, served in the form of the incomplete exposition of a fugue. The chromaticised first subject, with its strongly highlighted head motif, appears in the cello, with an answer coming four bars later in the first violin. After a short bridge, the first violin intones the second subject, of a different character (dolce), and the answer appears a bar later and an octave lower in the viola. Both subjects can be heard also in the closing coda, and the space between them is filled by counterpoints based largely on ostinato figures of various sorts – a technique that Bacewicz would hone to perfection in her later work. The middle fughetta (Molto adagio), with a subject stated just once, and in only three parts (cello, first violin, viola), acts as an intermezzo. The third movement (Allegro molto moderato) is a double fugue with strongly contrasting subjects. The first subject, in the form of a chromaticised melodic continuum, exposed by the cello, is initially shown with the traditional arrangement retained (answered by the viola and second violin at a fifth, and by the first violin an octave above). The second subject (energico) is a structure shaped by the opening repetition of a motif of perfect fifths, then octaves combined with staccato-tremolo figurations. As the work unfolds, the two subjects appear simultaneously in original and inverted form, coming together in the closing Cadenza in a uniform idea crowned by strong (fff) chords repeated towards the end. - Malgorzata Gasiorowska/ Répertoire / Quatuor à Cordes

Greatest Hits, Chapter 1 is a compilation of 17 of the most popular releases from the first-ever winner of American Idol spanning the first ten years of her recording career. Our matching folio features all the tracks from the 2012 greatest hits album, including: Behind These Hazel Eyes · Breakaway · Catch My Breath · Don't You Wanna Stay · Miss Independent · A Moment like This · My Life Would Suck Without You · Since U Been Gone · Stronger (What Doesn't Kill You) · Walk Away · and more. / Piano

Greatest Hits, Chapter 1 is a compilation of 17 of the most popular releases from the first-ever winner of American Idol spanning the first ten years of her recording career. Our matching folio features all the tracks from the 2012 album, including: Behind These Hazel Eyes · Breakaway · Catch My Breath · Don't You Wanna Stay · Miss Independent · A Moment like This · My Life Would Suck Without You · Since U Been Gone · Stronger (What Doesn't Kill You) · Walk Away · and more. / Piano/Vocal/Guitare (PVG)

Guitaristes ne peut pas obtenir assez de recueils de chansons Pages Blanches! Volume 4 comporte 150 autres grands note pour noter transcriptions. Parmi les chansons retrouvez: Addicted to Love - Bad Moon Rising - Been Caught Stealing - Bridge of Sighs - Can't Buy Me Love - Come Monday - Drive - Eight Miles High - Everlong - Everybody Wants You - Fame - Hallelujah - Hey, Soul Sister - How Soon Is Now - I Wanna Be Your Dog - Jamie's Cryin' - Kiss - Mr. Brightside - Otherside - Peter Gunn - Redemption Song - Surfing with the Alien - Would? / Guitare

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ' Maintenance ' Reeds ' Mouthpieces ' Ligatures ' Sound ' Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW's alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it's all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here's the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book's 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn't think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, 'Now the Fun Begins'. There are also interesting side comments we don't often hear like: in the 70s so many young players like Ponzol were trying to get Trane's recorded sound by working on metal Links because that's what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn't have as much spit in the sound for him. It's interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I've never heard anyone else recommend these exercises and yet here they are in Peter's book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So 'the circle is unbroken' LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

The latest installment in the Star Wars franchise was a hit in box offices worldwide and we are pleased to present this collection of piano solo arrangements from the memorable soundtrack: He's Here for Us - A Long Ride Ahead - Wobani Imperial Labor Camp - Trust Goes Both Ways - Jedha Arrival - Confrontation on Eadu - Rebellions Are Built on Hope - Rogue One - Your Father Would Be Proud - The Imperial Suite. Includes 8 pages of color artwork from the film! / Piano