Unison/2-part children's choir SKU: WD.679143059352 Composed by Daniel Se...(+)
Unison/2-part children's
choir
SKU:
WD.679143059352
Composed by Daniel
Semsen. Arranged by
Daniel Semsen. Choral,
cantatas. WordKidz. Adult
xlarge. Duration 40
minutes. Word Music
#679143059352. Published
by Word Music
(WD.679143059352).
UPC:
679143059352.
Chris
ty and Daniel Semsen,
celebrated writers and
creators of innovative,
best-selling musicals for
children's choir are
back, and they're at it
again! Their latest
adventure, Back to the
Cross, will take your
Kids Choir on an
inventive, fun-filled,
rousing romp through
time, discovering the
message of the Cross
along the way! A Semsen
musical is guaranteed to
deliver big on FUN and
even bigger on a
spiritual message that
speaks to each child! In
Back to the Cross, the
long-awaited sequel to
their hit musical, Back
to the Manger, we find
Norman and our cast of
characters embarking on a
time-travel excursion
relying on the
questionable reliability
of the H/O-2000 Temporal
Displacement
Modulator...otherwise
known as time travel
machine.
At its heart,
this musical is designed
to impact the lives of
your kids and your church
for years to come through
show-stopping songs that
beg to be sung and a
script guaranteed to
captivate and engage
young minds and
imaginations while
teaching foundational
Biblical truths. A
delightfully-entertaining
, production-enhancing
DVD Accompaniment Track
is available to help
transport the cast, crew,
and audience through the
ages, while the DVD
Instructional Video will
assist you with staging,
choreography, and
presentation. So jump
into the H/O-2000, buckle
your seatbelts, and
embark on a Biblical
truth-seeking trek
through time!adventure in
your next kids Christmas
program!
Unison/2-part children's choir SKU: WD.679143059338 Composed by Daniel Se...(+)
Unison/2-part children's
choir
SKU:
WD.679143059338
Composed by Daniel
Semsen. Arranged by
Daniel Semsen. Choral,
cantatas. WordKidz.
Christmas. Adult medium.
Duration 40 minutes. Word
Music #679143059338.
Published by Word Music
(WD.679143059338).
UPC:
679143059338.
Chris
ty and Daniel Semsen,
celebrated writers and
creators of innovative,
best-selling musicals for
children's choir are
back, and they're at it
again! Their latest
adventure, Back to the
Cross, will take your
Kids Choir on an
inventive, fun-filled,
rousing romp through
time, discovering the
message of the Cross
along the way! A Semsen
musical is guaranteed to
deliver big on FUN and
even bigger on a
spiritual message that
speaks to each child! In
Back to the Cross, the
long-awaited sequel to
their hit musical, Back
to the Manger, we find
Norman and our cast of
characters embarking on a
time-travel excursion
relying on the
questionable reliability
of the H/O-2000 Temporal
Displacement
Modulator...otherwise
known as time travel
machine.
At its heart,
this musical is designed
to impact the lives of
your kids and your church
for years to come through
show-stopping songs that
beg to be sung and a
script guaranteed to
captivate and engage
young minds and
imaginations while
teaching foundational
Biblical truths. A
delightfully-entertaining
, production-enhancing
DVD Accompaniment Track
is available to help
transport the cast, crew,
and audience through the
ages, while the DVD
Instructional Video will
assist you with staging,
choreography, and
presentation. So jump
into the H/O-2000, buckle
your seatbelts, and
embark on a Biblical
truth-seeking trek
through time!adventure in
your next kids Christmas
program!
Unison/2-part children's choir SKU: WD.679143059314 Composed by Daniel Se...(+)
Unison/2-part children's
choir
SKU:
WD.679143059314
Composed by Daniel
Semsen. Arranged by
Daniel Semsen. Choral,
cantatas. WordKidz. Youth
large. Duration 40
minutes. Word Music
#679143059314. Published
by Word Music
(WD.679143059314).
UPC:
679143059314.
Chris
ty and Daniel Semsen,
celebrated writers and
creators of innovative,
best-selling musicals for
children's choir are
back, and they're at it
again! Their latest
adventure, Back to the
Cross, will take your
Kids Choir on an
inventive, fun-filled,
rousing romp through
time, discovering the
message of the Cross
along the way! A Semsen
musical is guaranteed to
deliver big on FUN and
even bigger on a
spiritual message that
speaks to each child! In
Back to the Cross, the
long-awaited sequel to
their hit musical, Back
to the Manger, we find
Norman and our cast of
characters embarking on a
time-travel excursion
relying on the
questionable reliability
of the H/O-2000 Temporal
Displacement
Modulator...otherwise
known as time travel
machine.
At its heart,
this musical is designed
to impact the lives of
your kids and your church
for years to come through
show-stopping songs that
beg to be sung and a
script guaranteed to
captivate and engage
young minds and
imaginations while
teaching foundational
Biblical truths. A
delightfully-entertaining
, production-enhancing
DVD Accompaniment Track
is available to help
transport the cast, crew,
and audience through the
ages, while the DVD
Instructional Video will
assist you with staging,
choreography, and
presentation. So jump
into the H/O-2000, buckle
your seatbelts, and
embark on a Biblical
truth-seeking trek
through time!adventure in
your next kids Christmas
program!
Unison/2-part children's choir SKU: WD.080689446771 Composed by Daniel Se...(+)
Unison/2-part children's
choir
SKU:
WD.080689446771
Composed by Daniel
Semsen. Arranged by
Daniel Semsen. Choral,
cantatas. WordKidz.
Christmas. Bulletins
(100-pak). Duration 40
minutes. Word Music
#080689446771. Published
by Word Music
(WD.080689446771).
UPC:
080689446771.
Chris
ty and Daniel Semsen,
celebrated writers and
creators of innovative,
best-selling musicals for
children's choir are
back, and they're at it
again! Their latest
adventure, Back to the
Cross, will take your
Kids Choir on an
inventive, fun-filled,
rousing romp through
time, discovering the
message of the Cross
along the way! A Semsen
musical is guaranteed to
deliver big on FUN and
even bigger on a
spiritual message that
speaks to each child! In
Back to the Cross, the
long-awaited sequel to
their hit musical, Back
to the Manger, we find
Norman and our cast of
characters embarking on a
time-travel excursion
relying on the
questionable reliability
of the H/O-2000 Temporal
Displacement
Modulator...otherwise
known as time travel
machine.
At its heart,
this musical is designed
to impact the lives of
your kids and your church
for years to come through
show-stopping songs that
beg to be sung and a
script guaranteed to
captivate and engage
young minds and
imaginations while
teaching foundational
Biblical truths. A
delightfully-entertaining
, production-enhancing
DVD Accompaniment Track
is available to help
transport the cast, crew,
and audience through the
ages, while the DVD
Instructional Video will
assist you with staging,
choreography, and
presentation. So jump
into the H/O-2000, buckle
your seatbelts, and
embark on a Biblical
truth-seeking trek
through time!adventure in
your next kids Christmas
program!
Score and Parts String Quartet (Score & Parts) SKU: HL.49047510 String...(+)
Score and Parts String
Quartet (Score & Parts)
SKU: HL.49047510
String Quartet No. 6
Score and Parts.
Composed by Joerg
Widmann. String Ensemble.
Chamber, Classical.
Softcover. 146 pages.
Duration 1620 seconds.
Schott Music #ED23150.
Published by Schott Music
(HL.49047510).
UPC:
842819106166.
My
quartets composed between
1997 and 2005 were
conceived as an
interconnected,
self-contained cycle of
works ranging from the
(in my opinion) quasi
revolutionary Quartet No.
1 to the Quartet No. 5
entitled Versuch über
die Fuge [Attempt at a
Fugue]. The Quartet No. 6
– Study on Beethoven
– composed fourteen
years after No. 5 should
be conceived as a new
approach and the
commencement of a new
quartet cycle with an
unknown ending. All that
can be said is that the
subsequent quartets will
be devoted to an intense
study of Ludwig van
Beethoven's unique and
consummate artistry of
quartet composition.
Despite a reverence for
Beethoven at a very early
stage, my own
compositions have steered
well clear of this
unapproachable cosmos
with the exception of my
concert overture Con
brio. The perhaps only
link with the five
quartets of the first
cycle of quartets is the
single-movement structure
of the thirty-minute
Quartet No. 6. The
fundamental coordinates
have otherwise been reset
to zero. This is
therefore also a 'study'
in a literal sense. In
the Quartet No. 6, I set
out with a state of
tonality displaying
significant extensions
whose centrifugal forces
are barely containable.
My focus is the detection
of the inherent
gravitation of tonality,
including phenomenons
such as
tension/relaxation,
suspension/resolution and
fixation/deviation. From
a formal aspect, the work
is too experimental and
unsentimental for
explorations in a
nostalgic-romantic sense.
On the contrary, tonality
or at least its
fundamental assumptions
are initially set down in
the sense of a study or
test assembly in order to
permit subsequent
experimentation,
variation and the
formulation of exceptions
with the desire and firm
conviction that it is
possible to express
something innovative and
never previously heard
with this seemingly
exhausted fundamental
material. I have been
repeatedly astonished by
the unfolding in the
progression of this piece
which has taken me to
unknown locations,
especially from a formal
aspect. I am fascinated
to see what forms the
subsequent quartets in
this Beethoven study�
cycle will lead me to.
The Quartet No. 6 has
been created in close
artistic and friendly
cooperation with
Anne-Sophie Mutter and
she is the dedicatee of
this work. Jörg Widmann,
July 2019.
Instruments en Do [Fake Book] - Intermédiaire Sher Music Company
For C instrument. Format: fakebook (spiral bound). With melody, chord names, int...(+)
For C instrument. Format:
fakebook (spiral bound).
With melody, chord names,
introductory text and
black and white photos.
Jazz and Pop. 438 pages.
9x12 inches. Published by
Sher Music Company.
Trumpet SKU: AP.1-ADV1102 Basic Fundamentals of Effective Section Play...(+)
Trumpet
SKU:
AP.1-ADV1102
Basic
Fundamentals of Effective
Section Playing
(English/German Language
Edition). Composed by
Dan Collette. Brass -
B-flat Cornet (Trumpet)
Method or Collection;
Method/Instruction;
Technique Musicianship.
Advance Music. Jazz. Book
and CD. Advance Music
#01-ADV1102. Published by
Advance Music
(AP.1-ADV1102).
ISBN
9783892211198. UPC:
805095011029.
English.
To succeed
as a trumpet player you
must perform your section
part impeccably, in
rapport with the lead
player. Think with the
lead player's brain. Play
it with him or her. Blow
up to, not over his or
her volume and intensity.
Don't wait to hear what
the lead player does or
you'll be late. Vibrato
comes from the lead
player. If he's not using
it, you're not using it.
Dan Collette's
book on lead and section
trumpet playing is a very
well thought out and
extremely useful tool for
all aspiring and
professional trumpet
players. In a common
sense approach and
playing in a variety of
styles, Dan demonstrates
and clearly explains his
perspective of lead and
section playing. The
trumpet sectional
quartets by Steve Guttman
are excellent and the
execution of these etudes
on the CD as played by
Dan Collette playing all
4 parts is flawless and
nothing short of
inspiring. This work
should prove itself to be
required listening and
reading for all serious
trumpet players.
Percussion and
Orchestra Score.
Composed by Per Nø,
Per Norgard, rd, and
rgå. Music Sales
America. Classical. Set.
134 pages. Duration 1200
seconds. Edition Wilhelm
Hansen #KP00615.
Published by Edition
Wilhelm Hansen
(HL.14003062).
ISBN
9788759870075.
12.0x16.5x0.7 inches.
Danish.
Per Norgard
BACH TO THE FUTUREFor
many years I have been
specially fascinated by
three of the preludes of
Bach's Well-tempered
Piano, and I wish with
this concerto-version for
percussion-duo and
orchestra to highlight
some of the structural
aspects of these pieces:
It is my belief that
there is a tradition in
the music history, that
makes it possible to let
certain germs in an
earlier period unfold
into new, but not
heterogenious, dimensions
of a perhaps several
hundred years later phase
of the tradition.This
concerto is a result of
several years
collaboration with Uffe
Savery and Morten Friis
(Safri-Duo), as well in
original compositions -
(Resonances,
Repercussion, Resume in
EchoZone I-III) as in
arrangements of the 3
Bach preludes, preparing
for the enormous
stylistic challenges of
this work.A few
introductory comments to
each movement:I Movement:
The archetypal sequence
of broken chords within
C-major has established
itself as almost a
cultural code, allowing
the composer of 1996 to
tell his tale-in-tones
only by stressing and
colouring the tones in
the original piece
without changing the
pitches or (relative)
durations as a
'palimpsest' containing
as well the old as the
new musical tale
simultaneously. Later in
the movement, this
singleline is multiplied
by the, till then
discrete, but permanently
pervading, proportion -
throughout the piece -
very close to the 'Golden
Section'(= 3:5:8.t.i:8
before repetition, 5
before starting anew from
the deepest tone, 3 as
the rest etc. unchanged).
The 3 tonal levels as
well as the 3 relative
speeds are treated
according to these
proportions for certain
passages, but even in
those the main focal
point is directed at the
freely invented melody
(by me) incarnating
itself solely by the
unpermutad sequels of the
original prelude.II
Movement: One feature of
the F sharp-prelude
pervades all the six
minutes-long second
movement: A 4 times
identical rhythmic
pattern = 6:4:3:2:3:4:6 -
as an hourglass-shaped
timeshape - inspired me
by the closeness of this
pattern to a shape within
the infinity-drumming of
my invention, called
Wide-Fan and Narrow-Fan ,
referring to pattern
consisting of
8:4:2:1:2:4:8, the
familiarity with the
above - quoted one being
obvious. New and old
elaborations of this
pattern-pair permeates
the movement, especially
since the Safri-Duo by
their performance of my
Repercussion had
augmented my appetite for
including this idiom in a
wider context:III
Movement: Without the
existence of the
d-minor-prelude I doubt
that I would have dared
to write a work like
this, since it is the
inexhaustible, rare
quality and pecularity of
this piece, which has
stimulated my feeling of
wonder and 'modernity'
(or: eternity!) of this
piece, of which I know of
no equal in its special
respect: the perpetual
ambiguity of melodic
foothold in the rhythmic
ostinato of a broken
descending triad, co.
Featuring 20 Backing Tracks by John Browne of Monuments. By Scale the Summit. ...(+)
Featuring 20 Backing
Tracks
by John Browne of
Monuments.
By Scale the Summit.
Guitar
Educational. Softcover
Media
Online. With guitar
tablature. 40 pages.
Published by Hal Leonard
Choräle für
feierliche
Anlässe. Music
Box. Set (Score & Parts).
Composed 2006. 12 pages.
De Haske Publications
#DHP 1064050-070.
Published by De Haske
Publications
(BT.DHP-1064050-070).
ISBN 9789043133289.
9x12 inches.
English-German-French-Dut
ch.
There are
regular occasions during
the year when a small
ensemble rather than a
complete band is called
upon to provide a musical
background. Certain
events are also
accompanied for
preference by a smaller
musical ensemble formed
from an ad hoc group of
friends or relatives.
This fabulous edition
contains six popular
chorales adapted for a
variable four-part
setting. All six chorales
are equally suited for
use within a church
service or for performing
outside church. Chorales
such as Ich bete an
die Macht der Liebe
(Prayer to the Power of
Love), So nimm denn meine
Hände (O Take My Hand,
Dear Father), Herr deine
Liebe ist wie Gras und
Ufer and Ave Verum
Corpus byMozart are
regularly heard at church
weddings and wedding
parties. Other Chorales
are suitable for
everything from baptisms
to funerals. Joyful,
festive, religious or
contemplative ? this
collection provides wind
ensembles with just the
right music for every
occasion.Part 1 Fl Ob Kl
B/Es S-Sax Trp Part 2 Fl
Kl B Alt-Kl A-Sax Trp Hrn
Part 3 Alt-Kl T-Sax Fg
Hrn Pos Euph Part 4 B-Kl
B-Sax Fg Pos Euph Tuba Kb
Opt. Perc 1 Perc 2
Deze zes
plechtige zettingen van
zes geliefde koralen zijn
geschreven door moderne
componisten van
blaasmuziek. Vreugdevol,
feestelijk, religieus of
stemmig - deze
verzameling biedt de
juiste muziek voor de
juiste gelegenheid.
Inhoud:Ich bete an die
Macht der Liebe •
So nimm denn meine
Hände • Herr,
deine Liebe ist wie Gras
und Ufer • Ave
Verum Corpus •
Großer Gott, wir loben
dich • Heilig,
heilig,
heilig.
Für
diese Ausgabe wählte
Jan de Haan sechs
beliebte Choräle
für festliche
Anlässe, wie z.B.
Hochzeiten,Taufen,
Jubiläen und
Trauerfeiern aus -
Gelegenheiten, die gerne
von kleineren Ensembles
musikalisch umrahmt
werden. Die
stimmungsvollen Sätze
aus der Feder von
modernen
Blasorchesterkomponisten
können innerhalb von
Gottesdiensten, aber auch
außerhalb der Kirche
gespielt werden.Part 1 Fl
Ob Kl B/Es S-Sax Trp Part
2 Fl Kl B Alt-Kl A-Sax
Trp Hrn Part 3 Alt-Kl
T-Sax Fg Hrn Pos Euph
Part 4 B-Kl B-Sax Fg Pos
Euph Tuba Kb Opt. Perc 1
Perc 2
Per
questa pubblicazione, Jan
de Haan ha scelto sei
note corali per occasioni
festive, come ad esempio
matrimoni, battesimi e
anniversari. I brani
possono però essere
eseguiti anche al di
fuori di
dell’ambito
religioso.Part 1 Fl Ob Kl
B/Es S-Sax Trp Part 2 Fl
Kl B Alt-Kl A-Sax Trp Hrn
Part 3 Alt-Kl T-Sax Fg
Hrn Pos Euph Part 4 B-Kl
B-Sax Fg Pos Euph Tuba Kb
Opt. Perc 1 Perc 2.
Baritone or Euphonium - easy SKU: BT.AMP-085-401 Composed by Philip Spark...(+)
Baritone or Euphonium -
easy
SKU:
BT.AMP-085-401
Composed by Philip
Sparke. Studies &
Exercises. Book Only.
Composed 2004. 48 pages.
Anglo Music Press #AMP
085-401. Published by
Anglo Music Press
(BT.AMP-085-401).
English-German-French-
Dutch.
Philip
Sparke’s
Starter Studies is
the first volume of a
progressive series of
study books that takes
the young wind player
from beginner to
accomplished
musician.This collection
of 65 studies offers a
choice of starting note
to suit individual tastes
and carefully introduces
new musical elements,
such as articulation,
dynamics and key
signatures in a
structured progression to
speed the learning
process.
Een
groot aantal zorgvuldig
gecomponeerde,
instrumentgerichte
etudes, die per boek een
oplopende
moeilijkheidsgraad
hebben. Elk volgend deel
sluit perfect aan bij het
vorige, waardoor de
totale reeks zich
ontwikkelt van zeer
eenvoudigtot
gemiddeld.
Währ
end Philip Sparke an
diesen drei
Etüdenbüchern
arbeitete, beriet er sich
mit vielen Musiklehrern,
wie man jungen Bläsern
am besten neue Noten
beibringt und zugleich
einen Rahmen schafft, in
welchen sich neue
musikalische Elemente in
einer logischen
Reihenfolge einfügen
lassen. Starter
Studies für
Anfänger und
Skilful Studies
sowie Super
Studies für etwas
fortgeschrittenere
Bläser enthalten
motivierende Etüden,
mit deren Hilfe die
Schüler strukturiert
ihren Tonumfang erweitern
und technische
Fähigkeiten, wie
Ansatzvariationen oder
Griffe erwerben
können. Die Etüden
sind jeweils genau auf
die technischen und
musikalischen
Anforderungen der
einzelnenInstrumente
zugeschnitten. Damit
bekommen interessierte
Schüler schon ab einem
frühen Lernstadium
optimales
Ãœbungsmaterial an die
Hand, so dass sie schnell
zu guten Musikern
heranreifen können.
Die drei Bücher
können ergänzend zu
jeder Instrumentalschule
eingesetzt werden.
â
€œGli inizi
dell’apprendimento
musicale sono decisivi.
Un buon insegnante è
un elemento chiave, ma
è indispensabile avere
a disposizione materiale
pedagogico complementare
che motivi gli allievi e
che allo stesso tempo
offra una presentazione
completadelle tecniche
del suono. Starter
Studies è il primo
volume di questa serie di
studi strumentali: una
collana che offre un
ambiente adeguato
all’introduzione
di nuovi elementi
musicali. Skilful
Studies è il
motore indispensabile
perprocedere nel mondo
della musica. Per
diventare un musicista
completo, gli studi
proposti in Super Studies
si concentrano su
un’esigenza
particolare relativa alla
specificit del vostro
strumentoâ€.
65
Progressive Studies.
Composed by Philip
Sparke. Tuition. Book
Only. Composed 2013. 28
pages. Anglo Music Press
#AMP 364-401. Published
by Anglo Music Press
(BT.AMP-364-401).
ISBN
9789043138833. 9x12
inches.
English-German-French-Dut
ch.
Philip
Sparke’s
Starter Studies is
the first volume of a
progressive series of
study books that takes
the young wind player
from beginner to
accomplished
musician.This collection
of 65 studies offers a
choice of starting note
to suit individual tastes
and carefully introduces
new musical elements,
such as articulation,
dynamics and key
signatures in a
structured progression to
speed the learning
process.
Philip
Sparke’s
Starter Solos is het
eerste deel van een serie
boeken met muziek voor
jonge blazers. Deze
bundel van twintig
solo’s begint met
stukken die op een
handvol noten zijn
gebaseerd. Nieuwe
muzikale elementen
(articulatie, dynamiek,
enz.) worden op een
doordachte,
gestructureerde manier
toegevoegd. Dit
studiemateriaal vult elke
leermethode aan en is
steeds toegesneden op het
betreffende instrument.
Während Philip
Sparke an diesen drei
Etüdenbüchern
arbeitete, beriet er sich
mit vielen Musiklehrern,
wie man jungen Bläsern
am besten neue Noten
beibringt und zugleich
einen Rahmen schafft, in
welchen sich neue
musikalische Elemente in
einer logischen
Reihenfolge einfügen
lassen. Starter
Studies für
Anfänger und
Skilful Studies
sowie Super
Studies für etwas
fortgeschrittenere
Bläser enthalten
motivierende Etüden,
mit deren Hilfe die
Schüler strukturiert
ihren Tonumfang erweitern
und technische
Fähigkeiten, wie
Ansatzvariationen oder
Griffe erwerben
können. Die Etüden
sind jeweils genau auf
die technischen und
musikalischen
Anforderungen der
einzelnenInstrumente
zugeschnitten. Damit
bekommen interessierte
Schüler schon ab einem
frühen Lernstadium
optimales
Ãœbungsmaterial an die
Hand, so dass sie schnell
zu guten Musikern
heranreifen können.
Die drei Bücher
können ergänzend zu
jeder Instrumentalschule
eingesetzt werden.
â
€œGli inizi
dell’apprendimento
musicale sono decisivi.
Un buon insegnante è
un elemento chiave, ma
è indispensabile avere
a disposizione materiale
pedagogico complementare
che motivi gli allievi e
che allo stesso tempo
offra una presentazione
completa delle tecniche
del suono. Starter
Studies è il primo
volume di questa serie di
studi strumentali: una
collana che offre un
ambiente adeguato
all’introduzione
di nuovi elementi
musicali. Skilful
Studies è il
motore indispensabile per
procedere nel mondo della
musica. Per diventare un
musicista completo, gli
studi proposti in Super
Studies si concentrano su
un’esigenza
particolare relativa alla
specificit del
vostrostrumentoâ€.
150 Rounds for Singing and Teaching by Edward Bolkavec and Judith Johnson. For C...(+)
150 Rounds for Singing
and Teaching by Edward
Bolkavec and Judith
Johnson. For Choral,
Voice (COLLECTION). BH
Kodaly. 104 pages. Boosey
and Hawkes #M051808601.
Published by Boosey and
Hawkes
Buster's Last Stand Big band [Conducteur et Parties séparées] Jazz Lines Publications
By Claude Thornhill. Edited by Jeffrey Sultanof. Arranged by Gil Evans. For jazz...(+)
By Claude Thornhill.
Edited by Jeffrey
Sultanof. Arranged by Gil
Evans. For jazz big band
(2 alto saxophones
(double clarinet), 2
tenor saxophones,
baritone saxophone,
clarinet (optional), 4
trumpets (4th alternate
for horn 1), 2 horns in
F, 3 trombones (3rd
alternate for horn 2),
guitar, piano, bass,
drums, 2 trombones).
Swing. Difficult. Score
and parts. Published by
Jazz Lines Publications
Kraftwerk Fanfare [Conducteur] - Intermédiaire De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-1064019-120 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-1064019-120
Composed by Jacob De
Haan. Inspiration Series.
Concert Piece. Score
Only. Composed 2006. 44
pages. De Haske
Publications #DHP
1064019-120. Published by
De Haske Publications
(BT.DHP-1064019-120).
9x12 inches.
English-German-French-Dut
ch.
The theme of
this work is the history
of the town of
Grafenrheinfeld (Bavaria,
Germany) in the twentieth
century, a town that is
now mainly associated
with its nuclear plant.
The German word for this
is Kraftwerk, which can
be divided into the words
Kraft (power) and Werk
(work). In this
composition, it is a
metaphor for the ?work?
that can be realised
through ?power? in a
negative way (war) and in
a positive way
(reconstruction).
Musically speaking, power
also plays an important
role in this work, as
opposed to vulnerability,
the sense of loss and the
insecurity about the lost
identity. Based on the
text of Lied der Franke
?Kraftwerk? is a
powerfully descriptive
work thatwill add energy
to any concert.
De geschiedenis
van Grafenrheinfeld
(Beieren, Duitsland) in
de twintigste eeuw vormt
het thema van dit werk.
Deze plaats wordt nu
voornamelijk geassocieerd
met zijn kerncentrale.
Het Duitse woord hiervoor
is Kraftwerk,
datje kunt onderverdelen
in de woorden Kraft
(kracht) en Werk (werk).
In deze compositie is het
dan ook een metafoor voor
het ‘werk’
dat door
‘kracht’
wordt gerealiseerd, in
negatieve zin (oorlog) en
in positieve zin
(wederopbouw).
Krachtspeelt ook in
muzikaal opzicht een
belangrijke rol in dit
werk, geplaatst tegenover
kwetsbaarheid.
Der
Titel Kraftwerk
steht zunächst für
ein Kraftwerk im
wörtlichen Sinn,
beschreibt aber zugleich
die Bedeutung der
einzelnen Begriffe Kraft
und Werk im positiven und
negativen Sinn. Krieg,
Zerstörung,
Verzweiflung und Trauer,
aber andererseits auch
Frieden, Hoffnung,
Wiederaufbau, Zuversicht
und Sorglosigkeit sind
die Bilder und
Gefühle, die Jacob de
Haan in seiner
Komposition
heraufbeschwört. Ein
kontrastreiches Werk, das
bleibenden Eindruck
hinterlässt!
La
citt tedesca di
Grafenrheinfeld in
Baviera è strettamente
legata alla centrale
nucleare che essa ospita.
Il termine Kraftwerk è
costituito dalle parole
Kraft (forza, potenza) e
Werk (centrale, lavoro).
Jacob de Haan si appoggia
sulla polisemia della
parola Werk per creare
due atmosfere musicali
antagoniste: la potenza
di una centrale nucleare
che può rivelarsi
negativa per
l’uomo e la
potenza di
un’opera o di un
lavoro costruttivo in
ambiente positivo. Un
brano sorprendente.
130 Easy Concert Pieces from 6 Centuries for Guitar. Composed by Various. Ed...(+)
130 Easy Concert Pieces
from
6 Centuries for Guitar.
Composed by Various.
Edited
by Martin Hegel. Guitar.
Softcover. 124 pages.
Schott
Music #ED22626. Published
by
Schott Music
Friends 2 Marimbas [Partition + CD-ROM] - Facile Tapspace Publications
Duet for shared marimba. Composed by Colin Bell. Percussion Duets. Folio and ...(+)
Duet for shared marimba.
Composed by Colin Bell.
Percussion Duets. Folio
and
Parts on CD-ROM. Tapspace
Publications
#TSPCD19-002.
Published by Tapspace
Publications
Trombone SKU: HL.48182966 Composed by Jacques Ed. Barat. Leduc. Classical...(+)
Trombone
SKU:
HL.48182966
Composed
by Jacques Ed. Barat.
Leduc. Classical.
Softcover. 8 pages.
Alphonse Leduc #AL24761.
Published by Alphonse
Leduc (HL.48182966).
UPC: 888680865160.
9.0x12.0x0.049
inches.
“Comp
osed by Joseph Edouard
Barat, Andante and
Allegro is a piece for
Trombone and Piano,
dedicated to H.
Couillaud, a
Conservatoire professor.
Quite difficult, this
piece would be perfect
for recitals and contest,
and can be played by
advanced players.
Starting slowly, the
first half of the piece
evolves into a Piu vivo
part. The second half of
the work is a rapid
Allegro theme (tempo
144-152), followed by a
slower part and the
Allegro theme played
again ?a tempo?, before
introducing the close in
harmonies. Joseph Edouard
Barat (1882-1963)
composed numerous pieces
for Wind instruments and
Piano accompaniment such
as 'Andante and Allegro'
or 'Introduction and
Dance' among many
others.â€.
Harp SKU: UT.MAG-221 Composed by Martin-Pierre Dalvimare. Edited by Anna ...(+)
Harp
SKU:
UT.MAG-221
Composed
by Martin-Pierre
Dalvimare. Edited by Anna
Pasetti. Saddle
stitching. Magadis.
Classical. Ut Orpheus
#MAG 221. Published by Ut
Orpheus (UT.MAG-221).
ISBN 9790215318625. 9
x 12
inches.
Martin-Pier
re Dalvimare, born in
1770, in Dreux
(Eure-et-Loir), from a
distinguished family,
learnt music as an
entertainment art, and
was obliged to make it a
resource for his
existence, after the
troubles of the
Revolution in 1789. He
had acquired a remarkable
talent for the harp; when
he arrived in Paris he
made a very good
impression. Then, man of
the world, knowledgeable
in many fields, which is
rare for a musician, he
was welcome everywhere,
and very soon came in
friendly terms with some
of the most renowned
artists and men of
letters of his times. The
marriage certificate of
the poet Legouve (15
pluviose of the year XI,
or February 1803, 12th
municipality of Paris),
shows that Dalvimare was
one of his best men and
that at the time he was
thirty-two years old. He
became harpist of the
Opera in the year VIII
(1800), and was
definitively confirmed in
the month of fructidor of
the year IX. At the time
of the institution of the
emperor Napoleon's
private music, M.
Dalvimare was appointed
as his harpist. In
September 1807 he
obtained the title of
harp master of the
empress Josephine. A
lucky change of his
fortune allowed this
artist to renounce to
practise his talent for
living, he resigned from
all of his positions on
March, 12th, 1812, and he
retired in Dreux, where
he still was living in
1837. For a peculiar
weakness, he does not
like to speak about his
artist career, which had
been entirely honourable,
and he would like to
forget his success too.
His first composition was
a symphonie concertant
for harp and horn, which
he composed with Frederic
Duvernoy, and published
in the year VII (1798);
notwithstanding, he
counted as his first opus
a collection of romances
with accompaniment of
piano or harp, which he
later published with
Pleyel.
In 1809
Dalvimare composed, for
the theatre Feydeau, a
one-act opera-comique
called The Marriage for
Imprudence. The music was
weak; the work did not
succeed, and people used
to say that the greatest
imprudence had been the
one of the authors who
had it performed.
Nevertheless, the score
of this opera was
published in Paris by
erard. (Francois-Joseph
Fetis).
