Basso continuo, coro II (Basso continuo (Choir II)) - Level 3

SKU: BA.BA08958-28

Composed by Giovanni Battista Pergolesi. Edited by Caroline Ritchie and Malcolm Bruno. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. 15 pages. Baerenreiter Verlag #BA08958_28. Published by Baerenreiter Verlag (BA.BA08958-28).

ISBN 9790006557707. 32.5 x 25.5 cm inches. Key: F major. Language of work: Latin, Text language: German, English.

The Missa in F of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.
The nickname Missa Romana was added later in reference to a performance given in Rome during Pergolesi's lifetime.

This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.
Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.
This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.
Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).

- First publication with choirs III and IV
- Can be performed with both two or four choirs
- Idiomatic, well-presented piano reduction.

About Barenreiter Urtext Orchestral Parts

Basso continuo (Coro I) (Basso continuo (Choir I)) - Level 3

SKU: BA.BA08958-18

Composed by Giovanni Battista Pergolesi. Edited by Caroline Ritchie and Malcolm Bruno. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. 15 pages. Baerenreiter Verlag #BA08958_18. Published by Baerenreiter Verlag (BA.BA08958-18).

ISBN 9790006557660. 32.5 x 25.5 cm inches. Key: F major. Language of work: Latin, Text language: German, English.

The Missa in F of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.
The nickname Missa Romana was added later in reference to a performance given in Rome during Pergolesi's lifetime.

This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.
Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.
This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.
Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).

- First publication with choirs III and IV
- Can be performed with both two or four choirs
- Idiomatic, well-presented piano reduction.

About Barenreiter Urtext Orchestral Parts

2MixedCh-SATB (Mixed choirs (SATB) (2))

SKU: BA.BA09188-91

Composed by Wolfgang Amadeus Mozart. Edited by Ulrich Leisinger. Arranged by Ulrich Leisinger. This edition: urtext edition. Stapled. Barenreiter Urtext. Classical. Choral score. KV 427. 44 pages. Baerenreiter Verlag #BA09188_91. Published by Baerenreiter Verlag (BA.BA09188-91).

ISBN 9790006565139. 27 x 19 cm inches. Key: C minor. Text Language: Latin.

Mozart's magnificent unfinishedGreat Mass in C minor K. 427is impressive not only for its monumentality and musical beauty but for its fragmentary state which has fascinated scholars and performers for decades.

Working together with the International Mozarteum Foundation in Salzburg, Barenreiter now presents a new edition of this work, reflecting the cutting edge of scholarship while doing justice to the needs of performers.

High scholarly standards, the completion and reconstruction of movements: this pioneering publication incorporates all this in order to come as close as possible to the work itself:
- TheKyrieandGloria, both of which survive complete in Mozart's hand, are edited in accordance with scholarly standards.
- The first two sections of theCredohave been meticulously completed by the editor Ulrich Leisinger, drawing on original Mozart compositions e.g. the ariaDeh vieni non tardarfromThe Marriage of Figaroand paying attention to a stylistically appropriate and transparent sound.
- TheSanctusandBenedictus(w ith theHosanna), which are either incomplete or survive only in secondary sources, have been reconstructed by the editor.

Sections without any known sources are left out in this edition. Rounding off the publication is an extensive Foreword (Ger/Eng).

The first performance of Ulrich Leisinger's new edition was given in April 2019 in the Elbphilharmonie Hamburg by the Hamburg State Philharmonic Orchestra and the ChorWerk Ruhr under the baton of Kent Nagano. The first Austrian premiere took place in Salzburg on August 2019 in the Great Hall of the Mozarteum, with Andrew Manze conducting the Salzburg Camerata to rousing applause from audience and critics alike.

The C-minor Mass reconstruction by Helmut Eder on the basis of the New Mozart Edition (BA 4846) is still available: the score and performance material are on hire, the vocal score is on sale.

About Barenreiter Urtext Orchestral Parts

Organ (Coro I) (Organ (Choir I)) - Level 3

SKU: BA.BA08958-60

Composed by Giovanni Battista Pergolesi. Edited by Caroline Ritchie and Malcolm Bruno. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. 23 pages. Baerenreiter Verlag #BA08958_60. Published by Baerenreiter Verlag (BA.BA08958-60).

ISBN 9790006557714. 32.5 x 25.5 cm inches. Key: F major. Language of work: Latin, Text language: German, English.

The Missa in F of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.
The nickname Missa Romana was added later in reference to a performance given in Rome during Pergolesi's lifetime.

This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.
Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.
This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.
Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).

- First publication with choirs III and IV
- Can be performed with both two or four choirs
- Idiomatic, well-presented piano reduction.

About Barenreiter Urtext Orchestral Parts

Organ, coro II (Organ (Choir II)) - Level 3

SKU: BA.BA08958-61

Composed by Giovanni Battista Pergolesi. Edited by Caroline Ritchie and Malcolm Bruno. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. 23 pages. Baerenreiter Verlag #BA08958_61. Published by Baerenreiter Verlag (BA.BA08958-61).

ISBN 9790006557721. 32.5 x 25.5 cm inches. Key: F major. Language of work: Latin, Text language: German, English.

The Missa in F of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.
The nickname Missa Romana was added later in reference to a performance given in Rome during Pergolesi's lifetime.

This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.
Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.
This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.
Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).

- First publication with choirs III and IV
- Can be performed with both two or four choirs
- Idiomatic, well-presented piano reduction.

About Barenreiter Urtext Orchestral Parts

First flute, second flute (flute-picc), first oboe, second oboe, first clarinet, second clarinet, first bassoon, second bassoon, first horn, second horn, trumpet, harp, Cel, Tri, Timbre, Be (1. Flute, 2. Flute (Piccolo flute), 1. Oboe, 2. Oboe, 1. Clarinet, 2. Clarinet, 1. Bassoon, 2. Bassoon, 1. Horn, 2. Horn, Trumpet, Harp, Celesta, Triangle, Timbre, Cymbals)

SKU: BA.BA08849-65

Concert rhapsody for violin and orchestra. Composed by Maurice Ravel. Edited by Douglas Woodfull-Harris. This edition: urtext edition. Stapled. Barenreiter Urtext. Set of wind parts. 3/3/3/3/5/3/3/3/3/3/3/8/3 /3 pages. Baerenreiter Verlag #BA08849_65. Published by Baerenreiter Verlag (BA.BA08849-65).

ISBN 9790006541577. 32.5 x 25.5 cm inches.

About Barenreiter Urtext Orchestral Parts

First violin (Coro I) (1. Violin (Choir I)) - Level 3

SKU: BA.BA08958-15

Composed by Giovanni Battista Pergolesi. Edited by Caroline Ritchie and Malcolm Bruno. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. 15 pages. Baerenreiter Verlag #BA08958_15. Published by Baerenreiter Verlag (BA.BA08958-15).

ISBN 9790006557639. 32.5 x 25.5 cm inches. Key: F major. Language of work: Latin, Text language: German, English.

The Missa in F of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.
The nickname Missa Romana was added later in reference to a performance given in Rome during Pergolesi's lifetime.

This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.
Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.
This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.
Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).

- First publication with choirs III and IV
- Can be performed with both two or four choirs
- Idiomatic, well-presented piano reduction.

About Barenreiter Urtext Orchestral Parts

Viola (viola)

SKU: BA.BA07895-79

Suite for Orchestra. Composed by Gabriel Faure. Edited by Robin Tait. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 80. 7 pages. Baerenreiter Verlag #BA07895_79. Published by Baerenreiter Verlag (BA.BA07895-79).

ISBN 9790006564279. 32.5 x 25.5 cm inches.

Incidental music with the famous Sicilienne

Faure wrote Pelleas et Melisande in 1898 originally as incidental music to Maurice Maeterlinck's like-named play. After the premiere and subsequent performances, he set about reworking the musical material into an orchestral suite. The premiere of the originally three-movement suite took place in February 1901 under the baton of Camille Chevillard.

In December 1912, the four-movement version of Pelleas et Melisande was finally premiered. The additional movement, the Sicilienne, was taken from the third interlude of the incidental music. This delightful piece would later become one of Faure's most popular compositions and now exists in countless arrangements.

BA $?renreiter's new scholarly-critical edition of the four-movement orchestral suite Pelleas et Melisande op. 80 is based on Gabriel Faure The Complete Works, Volume IV/2 which appeared in 2016.

* First Urtext edition
* Based on Gabriel Faure The Complete Works
* Score and orchestral parts in a large format (25.5 x 32.5 cm).

About Barenreiter Urtext Orchestral Parts

Double bass (double bass)

SKU: BA.BA07895-85

Suite for Orchestra. Composed by Gabriel Faure. Edited by Robin Tait. This edition: urtext edition. Folded. Barenreiter Urtext. Single part. Opus 80. 4 pages. Duration 39 minutes. Baerenreiter Verlag #BA07895_85. Published by Baerenreiter Verlag (BA.BA07895-85).

ISBN 9790006564293. 32.5 x 25.5 cm inches.

Incidental music with the famous Sicilienne

Faure wrote Pelleas et Melisande in 1898 originally as incidental music to Maurice Maeterlinck's like-named play. After the premiere and subsequent performances, he set about reworking the musical material into an orchestral suite. The premiere of the originally three-movement suite took place in February 1901 under the baton of Camille Chevillard.

In December 1912, the four-movement version of Pelleas et Melisande was finally premiered. The additional movement, the Sicilienne, was taken from the third interlude of the incidental music. This delightful piece would later become one of Faure's most popular compositions and now exists in countless arrangements.

BA $?renreiter's new scholarly-critical edition of the four-movement orchestral suite Pelleas et Melisande op. 80 is based on Gabriel Faure The Complete Works, Volume IV/2 which appeared in 2016.

* First Urtext edition
* Based on Gabriel Faure The Complete Works
* Score and orchestral parts in a large format (25.5 x 32.5 cm).

About Barenreiter Urtext Orchestral Parts

First violin, coro II (1. Violin (Choir II)) - Level 3

SKU: BA.BA08958-25

Composed by Giovanni Battista Pergolesi. Edited by Caroline Ritchie and Malcolm Bruno. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. 15 pages. Baerenreiter Verlag #BA08958_25. Published by Baerenreiter Verlag (BA.BA08958-25).

ISBN 9790006557677. 32.5 x 25.5 cm inches. Key: F major. Language of work: Latin, Text language: German, English.

The Missa in F of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.
The nickname Missa Romana was added later in reference to a performance given in Rome during Pergolesi's lifetime.

This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.
Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.
This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.
Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).

- First publication with choirs III and IV
- Can be performed with both two or four choirs
- Idiomatic, well-presented piano reduction.

About Barenreiter Urtext Orchestral Parts

Second violin (Coro I) (2. Violin (Choir I)) - Level 3

SKU: BA.BA08958-16

Composed by Giovanni Battista Pergolesi. Edited by Caroline Ritchie and Malcolm Bruno. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. 15 pages. Baerenreiter Verlag #BA08958_16. Published by Baerenreiter Verlag (BA.BA08958-16).

ISBN 9790006557646. 32.5 x 25.5 cm inches. Key: F major. Language of work: Latin, Text language: German, English.

The Missa in F of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.
The nickname Missa Romana was added later in reference to a performance given in Rome during Pergolesi's lifetime.

This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.
Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.
This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.
Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).

- First publication with choirs III and IV
- Can be performed with both two or four choirs
- Idiomatic, well-presented piano reduction.

About Barenreiter Urtext Orchestral Parts

First oboe, second oboe, first horn (Coro I), second horn (Coro I), trumpet, second trumpet (1. Oboe, 2. Oboe, 1. Horn (Choir I), 2. Horn (Choir I), Trumpet, 2. Trumpet) - Level 3

SKU: BA.BA08958-65

Composed by Giovanni Battista Pergolesi. Edited by Caroline Ritchie and Malcolm Bruno. This edition: urtext edition. Folded. Barenreiter Urtext. Set of wind parts. 4/4/3/3/1/1 pages. Baerenreiter Verlag #BA08958_65. Published by Baerenreiter Verlag (BA.BA08958-65).

ISBN 9790006557622. 32.5 x 25.5 cm inches. Key: F major. Language of work: Latin, Text language: German, English.

The Missa in F of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.
The nickname Missa Romana was added later in reference to a performance given in Rome during Pergolesi's lifetime.

This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.
Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.
This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.
Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).

- First publication with choirs III and IV
- Can be performed with both two or four choirs
- Idiomatic, well-presented piano reduction.

About Barenreiter Urtext Orchestral Parts

Cello, double bass, bassoon (Violoncello, Double bass, Bassoon)

SKU: BA.BA04233-82

Concerto for Organ (Harpsichord) and Orchestra. Composed by George Frideric Handel. Edited by Eva Gerlach and Ingeborg Schneider. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 7/1, HWV 306. Baerenreiter Verlag #BA04233_82. Published by Baerenreiter Verlag (BA.BA04233-82).

ISBN 9790006446537. 30 x 23 cm inches. Key: B-flat major.

About Barenreiter Urtext Orchestral Parts

Viola (Coro I) (Viola (Choir I)) - Level 3

SKU: BA.BA08958-17

Composed by Giovanni Battista Pergolesi. Edited by Caroline Ritchie and Malcolm Bruno. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. 15 pages. Baerenreiter Verlag #BA08958_17. Published by Baerenreiter Verlag (BA.BA08958-17).

ISBN 9790006557653. 32.5 x 25.5 cm inches. Key: F major. Language of work: Latin, Text language: German, English.

The Missa in F of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.
The nickname Missa Romana was added later in reference to a performance given in Rome during Pergolesi's lifetime.

This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.
Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.
This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.
Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).

- First publication with choirs III and IV
- Can be performed with both two or four choirs
- Idiomatic, well-presented piano reduction.

About Barenreiter Urtext Orchestral Parts

Viola, coro II (Viola (Choir II)) - Level 3

SKU: BA.BA08958-27

Composed by Giovanni Battista Pergolesi. Edited by Caroline Ritchie and Malcolm Bruno. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. 11 pages. Baerenreiter Verlag #BA08958_27. Published by Baerenreiter Verlag (BA.BA08958-27).

ISBN 9790006557691. 32.5 x 25.5 cm inches. Key: F major. Language of work: Latin, Text language: German, English.

The Missa in F of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.
The nickname Missa Romana was added later in reference to a performance given in Rome during Pergolesi's lifetime.

This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.
Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.
This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.
Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).

- First publication with choirs III and IV
- Can be performed with both two or four choirs
- Idiomatic, well-presented piano reduction.

About Barenreiter Urtext Orchestral Parts

First violin (1. Violin)

SKU: BA.BA07895-74

Suite for Orchestra. Composed by Gabriel Faure. Edited by Robin Tait. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 80. 8 pages. Baerenreiter Verlag #BA07895_74. Published by Baerenreiter Verlag (BA.BA07895-74).

ISBN 9790006564255. 32.5 x 25.5 cm inches.

Incidental music with the famous Sicilienne

Faure wrote Pelleas et Melisande in 1898 originally as incidental music to Maurice Maeterlinck's like-named play. After the premiere and subsequent performances, he set about reworking the musical material into an orchestral suite. The premiere of the originally three-movement suite took place in February 1901 under the baton of Camille Chevillard.

In December 1912, the four-movement version of Pelleas et Melisande was finally premiered. The additional movement, the Sicilienne, was taken from the third interlude of the incidental music. This delightful piece would later become one of Faure's most popular compositions and now exists in countless arrangements.

BA $?renreiter's new scholarly-critical edition of the four-movement orchestral suite Pelleas et Melisande op. 80 is based on Gabriel Faure The Complete Works, Volume IV/2 which appeared in 2016.

* First Urtext edition
* Based on Gabriel Faure The Complete Works
* Score and orchestral parts in a large format (25.5 x 32.5 cm).

About Barenreiter Urtext Orchestral Parts

Organ

SKU: BA.BA04733-67

Two Sonatas for Organ and Orchestra. Composed by Wolfgang Amadeus Mozart. Edited by Minos E. Dounias. This edition: urtext edition. Stapled. Barenreiter Urtext. Part, anthology. 9 pages. Baerenreiter Verlag #BA04733_67. Published by Baerenreiter Verlag (BA.BA04733-67).

ISBN 9790006539079. 32.5 x 25.5 cm inches.

About Barenreiter Urtext Orchestral Parts

Cello (Violoncello)

SKU: BA.BA07895-82

Suite for Orchestra. Composed by Gabriel Faure. Edited by Robin Tait. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 80. 7 pages. Baerenreiter Verlag #BA07895_82. Published by Baerenreiter Verlag (BA.BA07895-82).

ISBN 9790006564286. 32.5 x 25.5 cm inches.

Incidental music with the famous Sicilienne

Faure wrote Pelleas et Melisande in 1898 originally as incidental music to Maurice Maeterlinck's like-named play. After the premiere and subsequent performances, he set about reworking the musical material into an orchestral suite. The premiere of the originally three-movement suite took place in February 1901 under the baton of Camille Chevillard.

In December 1912, the four-movement version of Pelleas et Melisande was finally premiered. The additional movement, the Sicilienne, was taken from the third interlude of the incidental music. This delightful piece would later become one of Faure's most popular compositions and now exists in countless arrangements.

BA $?renreiter's new scholarly-critical edition of the four-movement orchestral suite Pelleas et Melisande op. 80 is based on Gabriel Faure The Complete Works, Volume IV/2 which appeared in 2016.

* First Urtext edition
* Based on Gabriel Faure The Complete Works
* Score and orchestral parts in a large format (25.5 x 32.5 cm).

About Barenreiter Urtext Orchestral Parts