For organ: 3-staff. Sacred. Moderately advanced. Lorenz Publishing Company #70/1959L. Published by Lorenz Publishing Company

Arranged by Bob Krogstad. Full Orchestra. Size 9x12 inches. Published by Hal Leonard.

Organ

SKU: GI.G-003029

Composed by Meirion Wynn Jones. Eastertide. Tune Name: Lasst Uns Erfreuen, Salzburg, Gelobt Sei Gott, Llanfair, Easter Hymn, Duke Street, Noel Nouvelet, O Filii Et Filae, Ellacombe, Victory. Sacred. GIA Publications #003029. Published by GIA Publications (GI.G-003029).

UPC: 641151030609.

Follo wing his Ten Christmas Flourishes (WLP 003037), Welsh composer Meirion Wynn Jones adds to the WLP Organ Library with Ten Easter Flourishes. A collection of enlivening, celebratory introductions for beloved Easter hymns will similarly be a pleasure for organists to play! Some tunes are paired with more than one text during the days of Easter-Ascension-Pentecos t, making this a most practical collection. Includes: “O Sons and Daughters”, â� �œI Know That My Redeemer Lives”, “Jesus Christ Is Risen Today”, “Christ the Lord Is Risen Today”, “All You Who Dwell Below the Skies”, “The Strife Is O’er”, “At the Lamb’s High Feast”, “Good Christians All”, “The Day of Resurrection,” and “Now the Green Blade Rises.”.

Piano

SKU: SU.12800066

For Piano. Composed by Edward Elzear Zez Confrey. Keyboard, Piano/Harpsichord. Score. Subito Music Corporation #12800066. Published by Subito Music Corporation (SU.12800066).

BachScholar Editions Vol. 66: ZEZ CONFREY: 12 Novelty Piano Solos (1921-1924) (editor's preface, 49 pages of music) presents Zez Confrey's twelve most popular novelty piano solos from the exciting era of the 1920s. (The novelty style evolved from classic ragtime, of which Confrey was its first pioneer.) These beautiful and meticulous engravings are reproduced from the original editions, making this an historically accurate Urtext of the highest quality (no fingerings provided). Pianists, students, teachers, and ragtime aficionados will marvel at the clarity and legibility of this fine authoritative edition of exciting and entertaining solos from the pioneer of the novelty ragtime style. Contents include: 1. My Pet (1921) 2. Kitten on the Keys (1921) 3. You Tell 'Em, Ivories (1921) 4. Greenwich Witch (1921) 5. Poor Buttermilk (1921) 6. Stumbling (Paraphrase) (1922) 7. Coaxing the Piano (1922) 8. Dizzy Fingers (1923) 9. Nickel in the Slot (1923) 10. High Hattin' (1924) (from African Suite) 11. Kinda Careless (1924) (from African Suite) 12. Mississippi Shivers (1924) (from African Suite) Composed: 1921-1924 Published by: BachScholar.

SATB choir, organ accompaniment - Beginning

SKU: GI.G-7713

Composed by Calvin Fuller. Baptism of the Lord, Christ the King. African American Church Music Series. Sacred. Octavo. 12 pages. GIA Publications #7713. Published by GIA Publications (GI.G-7713).

UPC: 785147771302. English. Text Source: Psalm 29:1-4, 9-11 from The Book of Common Prayer (1979) of the Episcopal Church, USA. Text by Jeremy Taylor. Scripture: Psalm 29:1–4, 9–11.

This fanfare-like setting of Psalm 29 will capture the attention of your assembly, inviting them to give praise and glory to God. There is a nice interplay between the choir and the organist that occurs throughout, gently subsiding as the text closes with “the LORD shall give his people the blessing of peace.”.

(Vocal Solos for the Entire Year). By Joseph M. Martin. For voice solo and piano (Voice and Piano). Shawnee Press. Sacred. Softcover. 96 pages

(Vocal Solos for the Entire Year). By Joseph M. Martin. For Voice. Shawnee Press. Sacred. Softcover with CD. 96 pages. Shawnee Press #IC5002. Published by Shawnee Press

By John Robert Poe. For Piano. Piano Trio (One Piano, Six Hands). Level: Elementary. Sheet. 8 pages. Published by Alfred Publishing.

SKU: M7.PPV-227563

Tips and Tricks for Stage and Studio. This edition: Hardback/Hardcover. Book. PPV Medien #PPV 227563. Published by PPV Medien (M7.PPV-227563).

ISBN 9783932275630. English.

In 'Microphone Practice', Norbert Pawera, a qualified sound engineer and microphone specialist, explains in clear and simple language the difference between the various types of microphone, filling in the scientific background and examining the interaction between instruments, room acoustics and microphones. The emphasis of the book is upon the choice and positioning of microphones in the studio and on stage, whether for classical music, jazz or rock. The author offers practical solutions to a whole range of commonly encountered problems - from the miking of lead vocals to the recording of whole choirs, from the spot-miking of individual instruments to stereo recording techniques for the entire orchestra - as well as reaching deep into his bag of tricks for ideas that should give even the experienced recording engineer food for thought. At the back, there's an overview of today's microphone market, designed to guide the consumer through the myriad of available solutions. 'Microphone Practice' spares performers and sound engineers alike the time-consuming and costly hazards of trial-and-error. With its practical approach and clear layout, 'Microphone Practice' is designed not just as a textbook but also as a quick source of reference for the sound check or the studio.

By Jan Krzywicki. For oboe, piano. Advanced/Professional. Solo part with piano reduction. 40 pages. Duration 16 minutes. Published by Tritone Press & Tenuto Publications

SKU: GI.G-10098

Composed by Deke Sharon, J.D. Frizzell, and Marc Silverberg. Teaching Music Through Performance. Music Education. 342 pages. GIA Publications #10098. Published by GIA Publications (GI.G-10098).

ISBN 9781622774876.

Teac hing Music through Performance in Contemporary A cappella is the essential book for a cappella repertoire and rehearsal techniques, compiled and edited by educators and leaders committed to demystifying the genre and providing teachers with access to the best repertoire and pedagogy possible. Built on the model of the best-selling Teaching Music through Performance series, this volume includes chapters on the most important issues in teaching and learning contemporary a cappella, and analysis and insights for 82 works across genres: Barbershop, Contemporary A cappella, Doo-wop, Folk/Classical, Vocal Jazz. The list of composers and arrangers is diverse, the repertoire includes both arrangements and original compositions. Each selection is representative of a major a cappella trend or historical event, such as repertoire from The Sing-Off, Pitch Perfect, The Real Group, Sweet Adelines, or Pentatonix. Of course, every selection—regardle ss of musical style—is performed a cappella. The authors also develop a five-point difficulty scale for evaluating literature, and each guide contains detailed information about the arrangement or composition, including where the arrangement was first performed, the history of the original song, and the styles it represents. In creating the Teacher Resource Guides, the authors enlist the help of a cappella educators, arrangers, engineers, performers, and well-established experts. Each Guide also includes a new section called “Educational Extensions,” which provides suggestions on how to utilize the repertoire for extended classroom lessons, both as part of the rehearsal and part of a general music classroom. Chapter topics include “A Cappella: An Overview” by Marc Silverberg, “Emotional Expression in Group Singing” by Deke Sharon and J.D. Frizzell, “Teaching Singers to Sing in All Styles: The Spectrum Method” by Erin Hackel, and “Lessons You Can Learn from Competing,” by Ben Spalding. There is simply no better way to find and prepare the best contemporary a cappella literature available for achieving excellence in music education at all levels. Teaching Music through Performance in Contempory A cappella is a groundbreaking volume destined to make a significant contribution. Deke Sharon is heralded as “The Father of Contemporary A cappella.” He produced The Sing-Off on NBC and served as arranger, on-site music director, and vocal producer for Universal’s Pitch Perfect 1, 2, and 3, starring Anna Kendrick and Rebel Wilson. J.D. Frizzell is a composer, conductor, and baritone. He serves as Director of Fine Arts and Director of Vocal Music at Briarcrest Christian School in Memphis, TN. Marc Silverberg is Director of Vocal Music at Five Towns College (NY) and one of the leaders in contemporary a cappella education today. Erin Hackel is Assistant Professor at the University of Colorado-Denver. Her award-winning a cappella groups, MIX and Lark, have competed and performed throughout the United States and Europe. Ben Spalding is head Choral Director at Centerville High School (OH). His a cappella group, Forte, is an ICHSA champion.

By Edward Huws Jones. (Violin). Boosey and Hawkes Chamber Music. Size 9x12 inches. 30 pages. Published by Boosey and Hawkes.

30-Minute Musical Audio Sampler. Recorded Promo - Stockable. Broadway, Theatre. Softcover with CD. Published by Hal Leonard

By Bela Bartok/ed. Willard A. Palmer. For Piano. Piano Collection. Alfred Masterwork Edition. Masterwork. Level: Early Intermediate / Late Intermediate (grade 3/4/5/6). Book. 64 pages. Published by Alfred Publishing.

Piano/Vocal Score Choral

SKU: HL.50564949

Composed by Darius Milhaud. Editions Durand. Classical. 34 pages. Editions Durand #DF1564400. Published by Editions Durand (HL.50564949).

ISBN 9781423478249. UPC: 884088398286. 7.25x10.5 inches. Darius Milhaud, with English Text by Jeremy Drake.

Composed by French master Darius Milhaud in 1932, this collection of humorous children's songs is now available for the first time with English lyrics. At the time they were composed, radio and phonograph technology were causing the primary musical leisure activity to shift from actual music making to listening. Milhaud believed that if amateurs were provided with accessible music, they would be encouraged to continue playing music for recreation, thus reversing the trend. These delightful songs are excellent for young treble choirs in school and community and include: A Little Test, Skipping Song, Reading Lesson, The Luck of the Draw, Miss Spectacles, Mea Culpa, The Monitor Alexander, Deserved Praise, The Argument, The Orchestra of the Obedient Students, The Orchestra of the Mischievous Students, Final Chorus: In Praise of Computers.

Chorus (with soloists) and piano (solos: SMezMez(A)ATTBarBBB - choir: SSAATTBB - picc.2.2.2.2. - 4.2.3.0. - timp - hp - str)

SKU: BR.DV-6081

Lyrical Opera in 3 Acts. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Manfred Koerth / Wo Ebermann. Arranged by M. Koerth and W. Ebermann. Choir; Softbound. Deutscher Verlag. Opera; Music theatre; Romantic. Piano/Vocal Score. 300 pages. Deutscher Verlag fur Musik #DV 6081. Published by Deutscher Verlag fur Musik (BR.DV-6081).

ISBN 9790200460032. 9.5 x 12 inches.

Duration: full evening

Translation : German (W. Ebermann/M. Koerth), Engl. (D. Llyod-Jones), French (M. Delines)
Place and time: Partly on the estate, partly in Petersburg, in 20ies of the 19th Century

Characters : Larina, Owner of the Estate (mezzo-soprano) - Tatiana (soprano) and Olga (alto), her Daughters - Filipjewna, Wet Nurse (mezzo-soprano/alto) - Eugen Onegin (baritone) - Lenskij (tenor) - Prince Gremin (bass) - A Commander (bass) - Saretzkij (bass) - Triquet, a French Man (tenor) - Guillot, a Valet (silent part) - Country Folk, Ball Guests, Squire, Officers (chorus) - Waltz, mazurka, polonaise and Russian dance (Ballet )

There is an interesting parallel between the subject of the opera and Tchaikovsky's life during the year he wrote the work (1877): in each case, a letter provokes fateful developments in the lives of the protagonists. In the opera, Tatyana's love letter to Eugene sets off the tragedy, whereas in real life, the love letter of a pupil led the composer into a marriage, which lasted all of ... three months. Tchaikovsky took this doomed decision without love, solely because the circumstances want it and because I cannot act differently. Certain allusions made, for example, in a letter of January 1878 to Taneyev suggest that the composer's personal situation also flowed into the work: I did not want anything to do with the so-called 'grand opera.' I am looking for an intimate but powerful drama which is built on the conflict of circumstances which I myself have seen and experienced, a conflict which truly moves me. Partly for this reason the composer decided to call the work not an opera but lyrical scenes.Eugene Onegin, conceived by Tchaikovsky for limited resources and a small stage, is the most frequently performed Russian opera today along with Mussorgsky's Boris Godunov, which represents a completely contrary aesthetic stance.

Tschaikowskys letzte Oper - auf ein Libretto seines Bruders Modest nach der Dramenvorlage des danischen Schriftstellers Henrik Hertz - lebt von den poetischen Momenten und den symbolbeladenen Charakterportrats der Hauptfiguren: Die junge blinde Jolanthe wird von ihrem Vater aus Sorge um ihren Makel und zum Schutz ihrer Jungfraulichkeit und vor den Widrigkeiten der Welt in einen paradiesischen Garten gesperrt. Er befielt zu ihrem Schutz sie um ihre Blindheit unwissend zu lassen. Ein Arzt warnt sehen werde sie nur konnen wenn sie es selbst wolle gleich welche Angste aus der vollstandigen Erkenntnis der Welt erwachsen. Als der junge Vaudemont in ihre Abgeschiedenheit einbricht und sich beide ineinander verlieben befreit er sie von ihrer Unwissenheit erklart was Farbe und Licht bedeuten. Erst die Liebe zu ihm macht sie sehend.

Die dunkle Welt der Jolanthe zeichnet Tschaikowsky zu Beginn musikalisch durch eine Introduktion ausschliesslich fur Blaser. Erst mit dem Eintritt in die unbekannte Welt der Liebe und des Sehens verwendet Tschaikowsky einen warmen Streicherklang. Gerade dadurch stiess die Oper wohl bei Zeitgenossen auf Verstorung. Tschaikowskys ,,Jolanthe nimmt in seinem Opernschaffen eine Sonderstellung ein: neben dem glucklichen Ende einer Apotheose des Lichts und der Liebe mit einem religios gepragten Schlusschoral ist es eines der wenigen Buhnenwerke Tschaikowskys ohne Bezug zur russischen Geschichte. Der ausgepragte Lyrismus des Werks verweist stattdessen auf Tschaikowskys Nahe zur franzosischen Kultur die im 19. Jahrhundert einen starken Einfluss auf Russland hatte. Die Oper wurde 1892 am Mariinsky-Theater in Sankt Petersburg als Auftragswerk zusammen mit seinem Ballett ,,Der Nussknacker uraufgefuhrt.

Nebe n der Produktion des Munchner Rundfunkorchesters wurde ,,Jolanthe szenisch erfolgreich bei den Festspielen Baden-Baden mit Anna Netrebko und Piotr Beczala als Liebespaar rehabilitiert. Ausserhalb Deutschlands lief die Opernraritat in Toulouse Tokyo San Sebastian und Monte Carlo. Zuletzt erneut die ,,Suddeutsche Zeitung: ,,Jolanthe ist eine Opernausgrabung die ,,wirklich zu Unrecht vergessen ist. Tchaikovsky's last opera - on a libretto by the composer's brother Modest based on the drama by the Danish author Henrik Hertz - derives its life-blood from its poetic moments and the symbol-laden portraits of the leading characters: the blind young Yolanta is kept prisoner in a paradisiacal garden by her father who fears for her purity and her virginity and seeks to protect her from the adversities of the world. To do so he orders everyone to keep her ignorant of the fact that she is blind. A doctor warns that she will only be able to see when she is ready to do so herself no matter what fears might result from a complete experience of the world. When the young Vaudemont breaks into her secluded world and the two fall in love he frees her from her ignorance and explains the significance of color and light. It is through her love for him that she is finally able to see. At the beginning of the work Tchaikovsky depicts Yolanta's dark world with an introduction scored exclusively for winds. It is not until her discovery of the unknown world of love and sight that Tchaikovsky uses a warm string sound. This is what many of the composer's contemporaries found disturbing about the opera.

Tchaikovsky 's Yolanta occupies a special place in the composer's operatic oeuvre: for one it has a happy ending an apotheosis of light and love with a religiously stamped closing chorale; for another it is one of Tchaikovsky's few stage works without any reference to Russian history. Instead the work's pronounced lyricism points to the composer's closeness to French culture. which exerted a strong influence on Russia in the 19th century.

The opera was given its world premiere at the Mariinsky Theater in St. Petersburg in 1892. It had been commissioned along with the ballet The Nutcracker. Next to the production by the Munchner Rundfunkorchester Yolanta was also successfully rehabilitated in a recent staged production at the Baden-Baden Festival with Anna Netrebko and Piotr Beczala as the lovers. Outside of Germany the operatic rarity was performed in Toulouse Tokyo San Sebastian and Monte Carlo.

In closing another quote from the Suddeutsche Zeitung: 'Yolanta' is an operatic rediscovery of a work that was truly 'wrongly forgotten'.

Flute, violin, violoncello, piano

SKU: FG.55011-877-5

Composed by Timo Alakotila. Classical, contemporary, folk. Score & parts. Fennica Gehrman #55011-877-5. Published by Fennica Gehrman (FG.55011-877-5).

Timo Alakotila composed Kangastuksia - Illusions for young talented musicians at Hyvinkää Music Institute in 2006. The fresh combination of flute, violin, violoncello and piano was given by the commissioner. In two movements Illusions offers dreamy vibes as well as constantly changing key signatures considerable speed.

Composer, musician Timo Alakotila (b. 1959) is a distinguished, active and versatile talent in the Finnish music scene whose long career working with different genres of music - folk music in particular - has been ground-breaking. Alakotila's works showcase his versatility: he has produced highly acclaimed classical music compositions and arrangements for Pekka and Jaakko Kuusisto, the Meta4 quartet, the Kamus and Tempera quartets, Eeva Oksala, Dalia Stasevska and Jorma Hynninen, among others.

Composed by Carol Lander. For piano solo. Playing score. Published by Imagine Music

Chamber Music Flute Trio

SKU: PR.114422320

Composed by Stacy Garrop. Set of Score and Parts. 20+8+8+8 pages. Duration 11 minutes. Theodore Presser Company #114-42232. Published by Theodore Presser Company (PR.114422320).

ISBN 9781491135228. UPC: 680160687336.

In this textural tour de force, a trio of flutes creates unique sound colors and gestures to dramatically depict the archangels Michael (Warrior), Raphael (Healer), and Gabriel (Heralder). Advanced flutists will revel in this remarkable work, an intense and satisfying piece to perform as well as to hear.
I have always been fascinated with the concept of archangels – huge, supernatural beings with gigantic wings who visit earth to carry out their heavenly tasks. Archangels are the “chief” angels in Judeo-Christian and Islamic religions. The precise number of these high-ranking celestial beings varies from one religious source to another (typically from four to seven). The three movements of Archangels depict Michael, Raphael, and Gabriel—the three archangels most commonly referenced.Michael is a warrior who is ever vigilant to march into battle against forces of evil. In art, he is often portrayed with his wings spread open in mid-flight and wielding a large sword that is raised into an attack position. The first movement begins in darkness with the foreboding sound of his large, beating wings. Suddenly, Michael appears in all of his terrible glory and wreaks havoc on an army of demons.Raphael is a Hebraic name that translates to “God heals,” and he is in charge of all manners of healing. Artwork of Raphael typically shows him holding a staff, and he is often pictured with the round cheeks associated with a young cherub. In this quiet middle movement, Raphael gently makes his rounds to tend to the sick.Gabriel is the heralder of news. In Christianity, Gabriel’s purpose is quite significant: he appears to Zechariah to announce the forthcoming birth of John the Baptist, and to Mary to announce the forthcoming birth of Jesus. Gabriel is often depicted holding a scepter, a stem of lilies, or an unfurled scroll. In this final movement of the piece, Gabriel trumpets his news for all to hear.

Chamber Music soprano Saxophone 1, soprano Saxophone 2, soprano Saxophone 3

SKU: PR.114419960

Composed by Stacy Garrop. Set of Score and Parts. 20+8+8+8 pages. Duration 12 minutes. Theodore Presser Company #114-41996. Published by Theodore Presser Company (PR.114419960).

ISBN 9781491135037. UPC: 680160683130.

I have always been fascinated with the concept of archangels - huge, supernatural beings with gigantic wings who visit earth to carry out their heavenly tasks. Archangels are the chief angels in Judeo-Christian and Islamic religions. The precise number of these high-ranking celestial beings varies from one religious source to another (typically from four to seven). The three movements of Archangels depict Michael, Raphael, and Gabriel - the three archangels most commonly referenced. Michael is a warrior who is ever vigilant to march into battle against forces of evil. In art, he is often portrayed with his wings spread open in mid-flight and wielding a large sword that is raised into an attack position. The first movement begins in darkness with the foreboding sound of his large, beating wings. Suddenly, Michael appears in all of his terrible glory and wreaks havoc on an army of demons. Raphael is a Hebraic name that translates to God heals, and he is in charge of all manners of healing. Artwork of Raphael typically shows him holding a staff, and he is often pictured with the round cheeks associated with a young cherub. In this quiet middle movement, Raphael gently makes his rounds to tend to the sick. Gabriel is the heralder of news. In Christianity, Gabriel's purpose is quite significant: he appears to Zechariah to announce the forthcoming birth of John the Baptist, and to Mary to announce the forthcoming birth of Jesus. Gabriel is often depicted holding a scepter, a stem of lilies, or an unfurled scroll. In this final movement of the piece, Gabriel trumpets his news for all to hear. -S.G.

Voice and Piano

SKU: BT.MUSAM993850

By Ann Barkway. Book with CD. Wise Publications #MUSAM993850. Published by Wise Publications (BT.MUSAM993850).

ISBN 9781847725813.

A beautifully presented, full-colour illustrated collection of songs and poems, to soothe, calm and relax.

Calming songs arranged for easy Piano and voice.

Relaxing poems including A Cradle Song byWilliamBlake, Lullaby for Titania from A Midsummer Night's Dream by William Shakespeare and many more.

Includes a sing-along CD.

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Piccolo, Snare Drum, Tambourine and more. - Grade 4

SKU: CF.SPS74

Composed by Ed Kiefer. SWS FS. Carl Fischer Symphonic Performance Series. Set of Score and Parts. With Standard notation. 2+8+8+4+8+8+8+4+4+4+4+4+4 +6+6+6+4+4+6+6+6+4+6+8+2+ 1+4+4+24 pages. Duration 3 minutes, 56 seconds. Carl Fischer Music #SPS74. Published by Carl Fischer Music (CF.SPS74).

ISBN 9781491147696. UPC: 680160905195. 9 x 12 inches. Key: F minor.

Courage of the Cossacks is a refreshing march in the style of Russian folk music, offering a break from the standard American march style for festival performance. Composer Ed Kiefer has scored this piece to sound sonorous throughout while highlighting all sections of the band. Directors looking for a unique march need look no further.
Courage of the Cossacks was written for my friends in Union County, NC . Based on several Cossack folk tunes it is a very dark sounding march which features almost every section of the band . The trio is one of the most beautiful oppressive melodies I have ever heard, and it is set in stark contrast to the upbeat, Russian sounding opening strains . After the trio comes to a halt, the piece restarts slowly, gradually accelerating to the final strain, much like many Cossack dances . A combination of March and Dance, this piece is not too difficult to perform and is very rewarding for both students and audiences . Courage of the Cossacks is a great piece to begin or end any concert and a perfect march for showing off your group at festival .

by Jethro Burns and Ken Eidson. For Mandolin. solos. Complete. Bluegrass and Country. Level: Multiple Levels. Book/CD Set. Size 8.75x11.75. 240 pages. Published by Mel Bay Publications, Inc.

Concert Band - Grade 2

SKU: AP.32509S

As performed by Jay Sean. Composed by Dwayne Carter, Jared Cotter, Jeremy Skaller, Kamaljit Jhooti, and Robert Larow. Arranged by Jerry Brubaker. Concert Band; Performance Music Ensemble; Single Titles. Pop Young Band. Pop. Score. 24 pages. Alfred Music #00-32509S. Published by Alfred Music (AP.32509S).

UPC: 038081393247. English.

Jay Sean is a British singer-songwriter, rapper, beatboxer, and record producer. His single Down topped the Billboard Hot 100, making him the first solo artist of South Asian origin and the first UK urban act to top the Hot 100. Sales so far make him the most successful British/European male urban artist in US chart history.

Concert, General. Accompaniment CD. Heritage Music Press #99/2961H. Published by Heritage Music Press

Piano

SKU: HL.48023788

Composed by Bela Bartok. Edited by Hywel Davies. BH Piano. Classical. Softcover with CD. 36 pages. Boosey & Hawkes #M060131981. Published by Boosey & Hawkes (HL.48023788).

ISBN 9781784541927. UPC: 888680687953. 9x12 inches.

The Definitive Bartók Edition brings together selected highlights from the definitive imprints of pedagogical masterpieces Mikrokosmos (1926-37) and For Children (1908-09, revised 1943) alongside excerpts from Romanian Folk Dances (1915) and Romanian Christmas Carols (1915) in two companion volumes for the very first time.

Contents: St. George Day (For Children I/2) • Come Here, Lidi (For Children I/3) • Melody with Accompaniment (Mikrokosmos - No. 41) • Children's Song (For Children II/9) • Mourning Song (For Children II/10) • In Yugoslave Style (Mikrokosmos - No. 40) • Ploughing (For Children II/14) • Rogue's Song/Sorrow (For Children II/7) • Bagatelle No. 6 (Fourteen Bagatelles - No. 6) • Baking Song (For Children I/1) • County Fair (Mikrokosmos No. 47) • The Lost Couple (For Children I/11) • The Two Roses (For Children II/11) • Three Roses (For Children II/11) • My Lover's Mother (For Children II/12) • Where Are Your Geese? (For Children II/13) • Slovakian Folk Song (Ten Easy Pieces - No. 8) • In The Garden (For Children I/26) • Carol No. 4 (Romanian Christmas Carols - set I, No. 4) • Carol No. 7 (Romanian Christmas Carols - set II, No. 7) • Triplets (Mikrokosmos - No. 75) • Farewell (For Children II/34) • Duet for Pipes (Mikrokosmos - No. 88) • Kitty, Kitty (For Children I/5) • Round Dance (For Children I/17) • Bagatelle No. 4 (Fourteen Bagatelles - No. 5) • Variations (Mikrokosmos - No. 87) • From the Island of Bali (Mikrokosmos - No. 109) • Children's Dance (For Children I/10).