Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over
1000 Songs from Broadway
to Rock. By Various.
Lyric Library. Softcover.
Size 8.5x11 inches. 373
pages. Published by Hal
Leonard.
Tell the story of Canada through our folk songs! This collection of 14 tradition...(+)
Tell the story of Canada
through our folk songs!
This collection of 14
traditional folk songs
and one composed song can
be used by music
teachers, social studies
teachers or classroom
teachers! The
orchestrated musical
arrangements and vocal
recordings are beautiful,
and include both
performance and
accompaniment
tracks.The collection
includes reproducible
lyrics pages, a script
telling the history of
Canada and piano/vocal
music. You can use the
script and stage a
complete production, or
you can teach the songs
as part of music or
social studies classes.
A pdf file of all the
vocal scores for
projection is included
with attached audio for
teachers who have
computer/projectors,
SMART Boards or an IWB
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
Funtime Favourites Flûte à bec Soprano [Livre + CD] - Débutant De Haske Publications
26 Easy Pieces for Soprano Recorder. De Haske Play-Along Book. Size 9x12 inches....(+)
26 Easy Pieces for
Soprano Recorder. De
Haske Play-Along Book.
Size 9x12 inches. 20
pages. Published by
DeHaske Publications. Do
you think that music
books only contain boring
pieces? Many of these
short pieces will sound
familiar to you and there
are 26 tunes from which
to choose. All have a
great contemporary
accompaniment provided on
the CD so there's no
chance of sounding dull.
You can listen to each
complete piece first and
then you can play along
yourself, as if there's a
whole backing band behind
you. Go for it - you
definitely won't be
bored! Includes: Au Clair
De La Lune * Little Red
Riding Hood * Trumpet
Voluntary * Habanera *
Frere Jacques * Canon *
Row Your Boat * Do Re Mi
* and more.
by Mizzy McCaskill and Dona Gilliam. For tin whistle. You Can Teach Yourself. Al...(+)
by Mizzy McCaskill and
Dona Gilliam. For tin
whistle. You Can Teach
Yourself. All styles.
Level: Beginning. Book.
Method. Size 8.75x11.75.
80 pages. Published by
Mel Bay Pub., Inc.
by Mizzy McCaskill and Dona Gilliam. For tin whistle. You Can Teach Yourself. Al...(+)
by Mizzy McCaskill and
Dona Gilliam. For tin
whistle. You Can Teach
Yourself. All styles.
Level: Beginning. Book/CD
Set. Method. Size
8.75x11.75. 80 pages.
Published by Mel Bay
Pub., Inc.
Play Your Favorite Songs With The Accordion Volume 2 (Spanish). Taught by Cuco M...(+)
Play Your Favorite Songs
With The Accordion Volume
2 (Spanish). Taught by
Cuco Mendoza. For
Accordion (Button).
Songbook. Mexican. Level:
Beginning. DVD. Size
4.25x7.25. Duration 60
minutes. Published by
Mayas Music.
Melodica SKU: HL.1315785 By Various. Melodica. Classical, Pop, Standards,...(+)
Melodica
SKU:
HL.1315785
By
Various. Melodica.
Classical, Pop,
Standards, Traditional.
Softcover. Published by
Hal Leonard (HL.1315785).
ISBN 9798350110319.
UPC: 196288179078.
9.0x12.0 inches.
So
you've just started
playing this compact
wonder – now what? Hal
Leonard's First 50 series
is here to help! Designed
for new players, First 50
Songs You Should Play on
Melodica features a
variety of accessible
songs in a wide range of
styles, simply arranged
so you can start playing
right away. Choose to
play just the melody or
enhance it using the
chord labels or left hand
part – the
possibilities are endless
for wherever you are on
your melodica journey!
Songs include: All of Me
• Blinding Lights •
Cabinessence • Canon in
D • Easy on Me •
Final Countdown • The
Flight of the Bumblebee
• Hallelujah • Heart
of Gold • Imagine • A
Million Dreams •
Perfect • Someone Like
You • Toccata in D
Minor • Wellerman •
You Raise Me Up • and
more.
About First
50
You've
been taking lessons,
you've got a few chords
under your belt, and
you're ready to buy a
songbook. Now what? Hal
Leonard has the answers
in its First 50 series.
The First 50 series
steers new players in the
right direction. These
books contain easy to
intermediate arrangements
for must-know songs. Each
arrangement is simple and
streamlined, yet still
captures the essence of
the tune.
Play Your Favorite Songs With The Accordion Volume 1 DVD. Taught by Cuco Mendoza...(+)
Play Your Favorite Songs
With The Accordion Volume
1 DVD. Taught by Cuco
Mendoza. For Accordion
(Button). Songbook.
Mexican. Level:
Beginning. DVD. Size
5.25x7.5. Duration 60
minutes. Published by
Mayas Music.
Piano; Voice SKU: HL.48011603 Voice and Piano. Composed by Camilla...(+)
Piano; Voice
SKU:
HL.48011603
Voice
and Piano. Composed
by Camilla During. This
edition: M060097683.
Boosey & Hawkes Voice.
Children, Classical,
Contemporary,
Educational. 44 pages.
Boosey & Hawkes
#M060097683. Published by
Boosey & Hawkes
(HL.48011603).
UPC:
073999988673.
9.0x9.0x0.122
inches.
20 great
songs by Camilla During
which young children will
love to sing. Book
includes lyris, guitar
chords, and simple ideas
for immediate classroom
use. Quitable for ages
5-8. Contents: If You
Ever Meet a Dinosaur *
Wrinkly Fingers * In the
Band * Autumn Leaves *
You'll Never Guess * In
My Garden * Clap, Clap *
The Insect Dance * Who's
That? * Flying * Rosie *
Get Out! * We Can Hear
You * Let's Make Noises *
My Place * Can You Eat
Your Teddy Bear * You Can
Jump * What Can You Do? *
Jake * Summer
Lullaby.
Saint Benedict
Cantata. Composed by
Jacob De Haan. Musica
Sacra. Set of Parts.
Composed 2008. De Haske
Publications #DHP
1074334-050. Published by
De Haske Publications
(BT.DHP-1074334-050).
9x12 inches.
English-German-French-Dut
ch.
Cantica de
Sancto Benedicto is a
three-movement work for
mixed choir, soprano
solo, concert band and
organ ad libitum - on
Latin lyrics that relate
to the life of Saint
Benedict. It was
commissioned by the city
of Norcia in Italy, where
Benedict was born. The
holy Benedict (480-547)
is considered the founder
of monastic life within
the Roman Catholic
Church. His enormous
influence is especially
owing to his monastic
rule, the Regula
Benedicti.Jacob de Haan
has named the movements
of Cantica de Sancto
Benedicto after the
Holy Trinity: the Father
(Gloria Patri),
the Son (Gloria
Filio) and the Holy
Spirit (Gloria
Spiritui Sancto). The
lyrics of thehymn
Gemma Caelestis,
(which, like the other
texts, were originally
used in Gregorian chant)
are voiced by the choir.
To this purpose, Jacob de
Haan composed new,
choral-like, homophone
music. The sequence
Laeta Quies is
rendered by the soprano;
the verses (divided over
the three movements) are
alternated with those of
Gemma Caelestis.
The work closes with an
impressive grand finale,
in which texts are used
from the proprium of the
mass in honor of the
saint’s day of the
holy Benedict (11 July).
Notes to the conductor:
For this cantata, there
are various possibilities
for the performance. The
first involves a
performance in which the
choir and soprano parts
are only accompanied by
organ. Such a performance
has several advantages:
since the band never
sounds together with the
choir and the soprano, no
balance problems occur,
and even a performance
with a large concert band
and a small cantata choir
is conceivable. A special
layout is also possible -
with which you can set up
a three-dimensional
performance in a church.
For example, the choir
can sing in the chancel,
accompanied by the choir
organ; the soprano can
stand on the gallery,
accompanied by the main
organ; and the band can
be seated in another part
of the church. The choir
could also sing from a
gallery. With layouts
like this, working with
two conductors is
advisable.
Cantica de
Sancto Benedicto ist
ein dreisätziges Werk
für gemischten Chor,
Sopran-Solist,
sinfonisches
Blasorchester und Orgel
ad lib. - zu lateinischen
Texten über das Leben
des Heiligen Benedikt. Es
entstand im Auftrag der
italienschen Stadt
Nursia, dem Geburtsort
von Benedikt. Jacob de
Haan benannte die
Sätze von Cantica
de Sancto Benedicto
nach der Heiligen
Dreifaltigkeit: der Vater
(Gloria Patri),
der Sohn (Gloria
Filio) und der
Heilige Geist (Gloria
Spiritui Sancto). Der
Text zur Hymne Gemma
Caelestis (der wie
die übrigen Texte
ursprünglich aus dem
Gregorianischen Choral
stammt) wird vom Chor
gesungen. Zu diesem Zweck
komponierteJacob de Haan
neue choralartige,
homophone Musik. Der
Abschnitt Laeta
Quies wird vom Sopran
vorgetragen; die Strophen
(die sich über alle
drei Sätze verteilen)
wechseln sich mit denen
von Gemma
Caelestis ab. Das
Werk endet mit einem
eindrucksvollen
großartigen Finale, in
dem Texte aus dem
Proprium aus der Messe zu
Ehren des Feiertags des
Heiligen Benedikt (11.
Juli) verwendet
werden.Link zur Partitur:
DHP
1074334-140Link zum
Blasorchesterset: DHP
1074334-010
(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyr...(+)
(C Edition) For voice and
C instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Series: Hal
Leonard Fake Books. 856
pages. 9x12 inches.
Published by Hal Leonard.
Music Sales America. Select the chord shape you want, see exactly how to play it...(+)
Music Sales America.
Select the chord shape
you want, see exactly how
to play it and display
any sequence of chords
without page flipping.
Teaching Aid. Guitar
chord deck. 45 pages.
Amsco Publications
#AM949872. Published by
Amsco Publications
Choral (Performance/Accompanimen t CD) SKU: HL.9971498 Salsa Music Sty...(+)
Choral
(Performance/Accompanimen
t CD)
SKU:
HL.9971498
Salsa
Music Styles for the
Classroom & Beyond.
Composed by Alejandro
Jimenez. ExpressiveArts.
Collection, Elementary,
Instruments,
Multicultural, Orff. CD
only. Published by Hal
Leonard (HL.9971498).
ISBN 9781617742866.
UPC: 884088545369. 4.75x5
inches.
Hola
Amigos! Experience
authentic music styles of
the
Afro-Spanish-Caribbean by
Puerto Rican-born author
& bi-lingual educator,
Alejandro Jimenez.
Connect with educational
philosophies and cultural
backgrounds of the
Spanish Caribbean to
understand how they
influenced the music of
that area. Learn how
song, dance, rhythmic
instruments and drama all
come together to help
build confidence and
promote personal
expression. Originally
developed and used in
urban, multi-cultural
settings here in the
United States, the works
featured in Picante are
for all general music
classes. Students form
their own Latin Music
ensembles and explore the
highly rhythmic beat of
the plena from Puerto
Rico, the regueton which
is popular among urban
Latino youth, the fast
two-step beat of the
merengue from the
Dominican Republic, the
bomba from Puerto Rican
folk music, and the son
from Cuban dance music.
These different styles
influenced what we now
call Salsa music. The
kid-friendly ensembles
have been written for
Grades 5-9 and are
presented from easy to
more difficult. A variety
of short, easily-learned
ostinato rhythm patterns
are played on Latin
percussion and Orff
instruments and added one
at a time, followed by
the Spanish and English
lyrics. These voice parts
are also made up of short
ostinato patterns that,
when layered in, create
easily-sung harmonies in
an instant! You can
perform all or some of
the voice parts, so do
what best fits your
situation. A helpful
teaching sequence, dance
steps and objectives
linked to the National
Standards are provided
for each song, and all
ensemble parts are
reproducible! The
piano/vocal printed score
represents the form of
each song as recorded on
the companion CD, and is
only a suggested guide to
follow. Encourage your
students to be creative
and make up their own
song form! Available
separately: Teacher
Edition (with
reproducible pages),
Performance/Accompaniment
CD, Classroom Kit
(Teacher and P/A CD).
Suggested for grades
5-9.
Composed by Various. Edited by David Anderson. For cantor, keyboard accompanimen...(+)
Composed by Various.
Edited by David Anderson.
For cantor, keyboard
accompaniment. Easy.
Book. Language: English.
208 pages. Published by
GIA Publications
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Folk. Series: Hal
Leonard Fake Books. 536
pages. 9.6x12 inches.
Published by Hal Leonard.
Saint Benedict
Cantata. Composed by
Jacob De Haan. Musica
Sacra. Concert Piece. Set
(Score & Parts). Composed
2008. De Haske
Publications #DHP
1074334-010. Published by
De Haske Publications
(BT.DHP-1074334-010).
9x12 inches.
English-German-French-Dut
ch.
Cantica de
Sancto Benedicto is a
three-movement work for
mixed choir, soprano
solo, concert band and
organ ad libitum - on
Latin lyrics that relate
to the life of Saint
Benedict. It was
commissioned by the city
of Norcia in Italy,
whereBenedict was born.
The holy Benedict
(480-547) is considered
the founder of monastic
life within the Roman
Catholic Church. His
enormous influence is
especially owing to his
monastic rule, the Regula
Benedicti.Jacob de Haan
has named the movements
ofCantica de Sancto
Benedicto after the
Holy Trinity: the Father
(Gloria Patri),
the Son (Gloria
Filio) and the Holy
Spirit (Gloria
Spiritui Sancto). The
lyrics of thehymn
Gemma Caelestis,
(which, like the
othertexts, were
originally used in
Gregorian chant) are
voiced by the choir. To
this purpose, Jacob de
Haan composed new,
choral-like, homophone
music. The sequence
Laeta Quies is
rendered by the soprano;
the verses (divided over
the threemovements) are
alternated with those of
Gemma Caelestis.
The work closes with an
impressive grand finale,
in which texts are used
from the proprium of the
mass in honor of the
saint’s day of the
holy Benedict (11 July).
Notes to the
conductor:For this
cantata, there are
various possibilities for
the performance. The
first involves a
performance in which the
choir and soprano parts
are only accompanied by
organ. Such a performance
has several advantages:
since the band never
soundstogether with the
choir and the soprano, no
balance problems occur,
and even a performance
with a large concert band
and a small cantata choir
is conceivable. A special
layout is also possible -
with which you can set up
a
three-dimensionalperforma
nce in a church. For
example, the choir can
sing in the chancel,
accompanied by the choir
organ; the soprano can
stand on the gallery,
accompanied by the main
organ; and the band can
be seated in another part
of the church. The choir
couldalso sing from a
gallery. With layouts
like this, working with
two conductors is
advisable. Choral parts
available
separately.
Koor
partijen apart
verkrijgbaar.
Cantica de Sancto
Benedicto ist ein
dreisätziges Werk
für gemischten Chor,
Sopran-Solist,
sinfonisches
Blasorchester und Orgel
ad lib. - zu lateinischen
Texten über das Leben
des Heiligen Benedikt. Es
entstand im Auftrag der
italienschen StadtNursia,
dem Geburtsort von
Benedikt. Jacob de Haan
benannte die Sätze von
Cantica de Sancto
Benedicto nach der
Heiligen Dreifaltigkeit:
der Vater (Gloria
Patri), der Sohn
(Gloria Filio) und
der Heilige Geist
(Gloria
SpirituiSancto). Der
Text zur Hymne Gemma
Caelestis (der wie
die übrigen Texte
ursprünglich aus dem
Gregorianischen Choral
stammt) wird vom Chor
gesungen. Zu diesem Zweck
komponierte Jacob de Haan
neue choralartige,
homophone Musik. Der
AbschnittLaeta
Quies wird vom Sopran
vorgetragen; die Strophen
(die sich über alle
drei Sätze verteilen)
wechseln sich mit denen
von Gemma
Caelestis ab. Das
Werk endet mit einem
eindrucksvollen
großartigen Finale, in
dem Texte aus dem
Propriumaus der Messe zu
Ehren des Feiertags des
Heiligen Benedikt (11.
Juli) verwendet
werden.Chorstimmen sind
unter folgendem Link
separat erhältlich:DHP
1074334-050Anmerkungen
für den
Dirigenten:Für
dieseKantate gibt es
mehrere
Aufführungsmöglichk
eiten. Die erste ist eine
Version, in der die Chor-
und Sopranstimmen nur von
der Orgel begleitet
werden. Solch eine
Aufführung bietet
mehrere Vorteile: Da das
Blasorchester nie
zusammen mit Chor und
Sopranerklingt, gibt es
keine Probleme mit der
klanglichen
Ausgewogenheit und sogar
eine Aufführung mit
einem großen
Blasorchester und einem
kleinen Kantatenchor ist
denkbar. Eine besondere
Aufstellung für eine
dreidimensionale
Aufführung in einer
Kircheist ebenso
möglich. Der Chor
singt zum Beispiel von
der Kanzel aus, begleitet
von der Chororgel; der
Sopran steht auf der
Galerie, begleitet von
der Hauptorgel,
während das
Blasorchester in einem
anderen Teil der Kirche
aufgestellt ist. Der Chor
kannauch von Galerie aus
singen. Bei solchen
Aufstellungen ist es
ratsam, mit zwei
Dirigenten zu arbeiten.
Die Begleitung der
Singstimmen ist in
Stichnoten für das
Blasorchester notiert.
Wenn das Werk ohne Orgel
aufgeführt wird,
beispielsweise in
einemKonzertsaal, spielt
das Blasorchester die
Begleitung. Die
Begleitstimmen sind
transparent orchestriert,
zugunsten der klanglichen
Ausgewogenheit von
Blasorchester, Chor und
Sopran. Im dritten Satz
(Takte 144-151) gibt es
eine optionale Passage
fürden Chor. Diese ist
nur für eine
Aufführung mit einem
sehr großen Chor
gedacht. Eine weitere
Variante beinhaltet, den
musikalischen
Höhepunkt im dritten
Satz zu überspringen
und direkt von Takt 156
zu Takt 213
weiterzugehen. Gründe
hierfür könnensein:
der etwas höhere
Schwierigkeitsgrad, eine
begrenzte
Aufführungsdauer
und/oder der Wunsch, den
Kantatentext auf Gemma
Caelestis und
Laeta Quies zu
beschränken.
Während einer Messe
oder eines Gottesdienstes
können auch
verschiedeneStrophen
verwendet werden.
Wahlweise kann das
Sopransolo auch vom
Chorsopran gesungen
werden. Alternativ hierzu
können Sie die
Sopranstimmen (komplett
oder teilweise) von einem
Tenor singen lassen.
Für Chöre, die
Cantica de Sancto
Benedictoaufführen
wollen, bietet der
Komponist einen
Extra-Service auf seiner
Website
https://www.jacobdehaan.c
om, wo Audiodateien der
einzelnen Chorstimmen
für das Einstudieren
zu Hause zugänglich
sind. Informationen zu
anderen Werken für
Chor undBlasorchester
(Missa Brevis und
Missa Katharina)
sind ebenfalls dort zu
finden.Chorstimmen
separat
erhältlich.
Saint Benedict
Cantata. Composed by
Jacob De Haan. Musica
Sacra. Score Only.
Composed 2008. De Haske
Publications #DHP
1074334-140. Published by
De Haske Publications
(BT.DHP-1074334-140).
9x12 inches.
English-German-French-Dut
ch.
Cantica de
Sancto Benedicto is a
three-movement work for
mixed choir, soprano
solo, concert band and
organ ad libitum - on
Latin lyrics that relate
to the life of Saint
Benedict. It was
commissioned by the city
of Norcia in Italy,
whereBenedict was born.
The holy Benedict
(480-547) is considered
the founder of monastic
life within the Roman
Catholic Church. His
enormous influence is
especially owing to his
monastic rule, the Regula
Benedicti.Jacob de Haan
has named the movements
ofCantica de Sancto
Benedicto after the
Holy Trinity: the Father
(Gloria Patri),
the Son (Gloria
Filio) and the Holy
Spirit (Gloria
Spiritui Sancto). The
lyrics of thehymn
Gemma Caelestis,
(which, like the
othertexts, were
originally used in
Gregorian chant) are
voiced by the choir. To
this purpose, Jacob de
Haan composed new,
choral-like, homophone
music. The sequence
Laeta Quies is
rendered by the soprano;
the verses (divided over
the threemovements) are
alternated with those of
Gemma Caelestis.
The work closes with an
impressive grand finale,
in which texts are used
from the proprium of the
mass in honor of the
saint’s day of the
holy Benedict (11 July).
Notes to the
conductor:For this
cantata, there are
various possibilities for
the performance. The
first involves a
performance in which the
choir and soprano parts
are only accompanied by
organ. Such a performance
has several advantages:
since the band never
soundstogether with the
choir and the soprano, no
balance problems occur,
and even a performance
with a large concert band
and a small cantata choir
is conceivable. A special
layout is also possible -
with which you can set up
a
three-dimensionalperforma
nce in a church. For
example, the choir can
sing in the chancel,
accompanied by the choir
organ; the soprano can
stand on the gallery,
accompanied by the main
organ; and the band can
be seated in another part
of the church. The choir
couldalso sing from a
gallery. With layouts
like this, working with
two conductors is
advisable. Choral parts
available
separately.
Koorpa
rtijen apart
verkrijgbaar.
C
antica de Sancto
Benedicto ist ein
dreisätziges Werk
für gemischten Chor,
Sopran-Solist,
sinfonisches
Blasorchester und Orgel
ad lib. - zu lateinischen
Texten über das Leben
des Heiligen Benedikt. Es
entstand im Auftrag der
italienschen StadtNursia,
dem Geburtsort von
Benedikt. Jacob de Haan
benannte die Sätze von
Cantica de Sancto
Benedicto nach der
Heiligen Dreifaltigkeit:
der Vater (Gloria
Patri), der Sohn
(Gloria Filio) und
der Heilige Geist
(Gloria
SpirituiSancto). Der
Text zur Hymne Gemma
Caelestis (der wie
die übrigen Texte
ursprünglich aus dem
Gregorianischen Choral
stammt) wird vom Chor
gesungen. Zu diesem Zweck
komponierteJacob de Haan
neue choralartige,
homophone Musik. Der
AbschnittLaeta
Quies wird vom Sopran
vorgetragen; die Strophen
(die sich über alle
drei Sätze verteilen)
wechseln sich mit denen
von Gemma
Caelestis ab. Das
Werk endet mit einem
eindrucksvollen
großartigen Finale, in
dem Texte aus dem
Propriumaus der Messe zu
Ehren des Feiertags des
Heiligen Benedikt (11.
Juli) verwendet werden.
Chorstimmen separat
erhältlich.
by Madeline Macneil. For hammered dulcimer. method. You Can Teach Yourself. Acou...(+)
by Madeline Macneil. For
hammered dulcimer.
method. You Can Teach
Yourself. Acoustic Music.
Level: Beginning. Book/CD
Set. Size 8.75x11.75. 88
pages. Published by Mel
Bay Publications, Inc.