SATB choir and orchestra (flute 1 & 2, oboe, clarinet 1 & 2, horn 1 & 2, trumpet 1, trumpet 2 & 3, trombone 1 & 2, trombone 3/tuba, percussion 1 & 2, rhythm, violin 1 & 2, viola, cello/bassoon, string bass) - Moderate

SKU: LP.765762178502

Composed by Jon Egan. Arranged by Cliff Duren. Anthems. Praise & Worship and Sacred. Orchestration on CD-ROM. Published by Lillenas Publishing Company (LP.765762178502).

UPC: 765762178502.

This lovely and captivating worship ballad is simply gorgeous. Meaningful lyrics, together with accessible vocal harmonies, lay the foundation for a truly memorable worship experience, and arranger/orchestrator Cliff Duren combines contemporary worship band parts with soaring strings to create a stunningly beautiful and unique orchestral accompaniment. Overcome is sure to resonate deep in your soul.

Instrumental ensemble (flute; oboe; clarinet; alto sax; trumpet 1, 2; trumpet 3; trombone 1, 2; trombone 3; percussion 1, 2; rhythm; *violin 1, 2; *viola; cello; string bass; string reduction (*simplified part included)
ADDITIONAL PARTS: clarinet 2 (doubles viola); bass clar)

SKU: WD.080689156472

Composed by Dave Williamson. Choral. Sacred Anthem. Orchestration (full). Word Music #080689156472. Published by Word Music (WD.080689156472).

UPC: 080689156472.

Marve lous Light provides you with FOUR possible performance options for your Easter worship services, utilizing a combination of two well-known contemporary Easter worship songs plus a contemporary and a traditional hymn. Possible configurations include: * a two-song set; * two different three-song sets; * a four-song set. Designed for the worship leading choir, each option gives you a ready-made, all-in-one worship set that utilizes a worship leader (or optional reader), your choir and/or praise team, and your worship band, horn section or orchestra. The sets are skillfully crafted to provide a smooth thematic and musical flow, while facilitating a celebratory and congregationally-friendly worship experience. An optional Accompaniment DVD is available.

Keyboard (Piano/Synthesizer/Organ - Guitar Chords included). Arranged by James Curnow. This edition: CMP125208. Curnow Concert Band Full Set. 28 pages. Published by Curnow Music.

SKU: LP.765762163904

More Contemporary Favorites. Songbook. Praise & Worship and Sacred. Orchestration on CD-ROM. Published by Lillenas Publishing Company (LP.765762163904).

UPC: 765762163904.

Here is another great release from the immensely popular All the Best Songs of Praise & Worship series. New songs like Center Rescue and Revelation Song as well as some updated treatments of classic and familiar hymns such as Everlasting God Amazing Grace (My Chains Are Gone) Mighty to Save and Your Grace Is Enough are all included in this incredible book. You will find this ultimate gathering of songs chosen from the trusted Top 500 CCLI to be invaluable for congregational worship as well as for solo presentation. All the Best Songs of Praise & Worship 3 will give you the most exhaustive collection of the most powerful and effective songs being sung by God's people around the world. Over 100 favorites for congregation worship team or small group use in easy-to-read songbook format 60 song titles are provided in split-channel format for pre-recorded accompaniment options Now with complete church-friendly orchestrations
Song Indexes: Index of Scripture Backgrounds by Song Index of Scripture Backgrounds by Book.

SKU: BA.BVK01950

Composed by Andreas N. Tarkmann and Johannes Kohlmann. Paperback. Book. 240 pages. Baerenreiter Verlag #BVK01950_00. Published by Baerenreiter Verlag (BA.BVK01950).

ISBN 9783761819500. 19 x 12.5 cm inches. Language: German. Preface: Tarkmann, Andreas N.

Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere; the 'child prodigy' Joseph Joachim; and Hubert Leonard, a young Belgian virtuoso about whom little is known.

As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard.

The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Leonard.

The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Leonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.

It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Leonard's playing and offers to lend his support in finding employment in Germany.

This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.

The editor, Clive Brown, is an acknowledged expert on Romantic performance practice.

- New source situation owing to recently rediscovered proofs
- Revised Urtext edition
- With a separate booklet on performance practice (Eng/Ger).

Part 3 in Eb (Alto Clarinet, Alto Saxophone, Alto Horn). Arranged by James Curnow. This edition: CMP124708. Curnow Concert Band Full Set. 16 pages. Published by Curnow Music.

Composed by Clive Brown. Stapled. Book. Opus 64. 72 pages. Baerenreiter Verlag #BA09060. Published by Baerenreiter Verlag (BA.BA09060).

Electric Bass/Double Bass. Arranged by James Curnow. This edition: CMP125408. Curnow Concert Band Full Set. 16 pages. Published by Curnow Music.

Orchestra - Grade 3

SKU: AP.49898

From African Suite. Composed by Samuel Coleridge-Taylor. Arranged by Kirk Moss. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Concert String Orchestra. Form: Dance. Masterwork Arrangement. Score and Part(s). Duration 3:00. Belwin Music #00-49898. Published by Belwin Music (AP.49898).

ISBN 9781470657314. UPC: 038081575469. English.

Originally composed for piano as the final movement of African Suite, Danse begins with two introductory chords followed by energetic swinging rhythms and repeated angular melodies. Students will love the moods in this festive overture, evocative of later Broadway musicals. The artistic turning point of Samuel Coleridge-Taylor's career happened in his twenties when he met the African-American poet Paul Laurence Dunbar. Dunbar influenced the young composer to concentrate on his African heritage. Born in suburban London to Alice Martin, an Englishwoman and the daughter of a blacksmith, his father, Dr. Daniel Peter Hughes Taylor, was a Creole of Sierra Leone who qualified as a Member of the Royal College of Surgeons (MRCS) and returned to Africa before his son's birth. Called Coleridge by his family, he was raised in Croydon, Surrey, by his mother and her father, Benjamin Holmans, who taught him the violin. (3:00).

Full Score. Arranged by James Curnow. This edition: CMP123408. Curnow Concert Band Full Set. Softcover. 76 pages. Published by Curnow Music.

Instrumental ensemble (flute; oboe; clarinet; alto sax; trumpet 1, 2; trumpet 3; trombone 1, 2; trombone 3; percussion 1, 2; rhythm; *violin 1, 2; *viola; cello; string bass; string reduction (*simplified part included)
ADDITIONAL PARTS: clarinet 2 (doubles viola); bass clar)

SKU: WD.080689159473

Composed by Dave Williamson. Choral. Sacred Anthem, Eastertide. Orchestration (praise band charts). Word Music #080689159473. Published by Word Music (WD.080689159473).

UPC: 080689159473.

Marve lous Light provides you with FOUR possible performance options for your Easter worship services, utilizing a combination of two well-known contemporary Easter worship songs plus a contemporary and a traditional hymn. Possible configurations include: * a two-song set; * two different three-song sets; * a four-song set. Designed for the worship leading choir, each option gives you a ready-made, all-in-one worship set that utilizes a worship leader (or optional reader), your choir and/or praise team, and your worship band, horn section or orchestra. The sets are skillfully crafted to provide a smooth thematic and musical flow, while facilitating a celebratory and congregationally-friendly worship experience. An optional Accompaniment DVD is available.

Part 1 in Eb (Alto Saxophone, Eb Trumpet/Cornet, Eb Clarinet). Arranged by James Curnow. This edition: CMP123908. Curnow Concert Band Full Set. 16 pages. Published by Curnow Music.

Orchestra - Grade 3

SKU: AP.40424S

Composed by Adolphe-Charles Adam. Arranged by Jeffrey E. Turner. Performance Music Ensemble; Single Titles; String Orchestra. Belwin Intermediate String Orchestra. Christmas; Light Concert; Sacred; Winter. Score. 8 pages. Belwin Music #00-40424S. Published by Belwin Music (AP.40424S).

UPC: 038081451183. English.

An enchanting arrangement of this beautiful classic! Written in 3/4 for young players, it starts with a solo cello accompanied by delicate strings above, evolving into the full string orchestra majestically singing praise like angels from above. An optional percussion part is included for added drama.

Arranged by Hal H. Hopson. Church-Worship, Funeral, Funeral & Memorial, Wedding and Sacred. Print Music Collection (Book). 407 pages. Published by Hope Publishing Company.
Level: (Moderate).

SATB choir and accompaniment - Moderate

SKU: LP.765762131026

Composed by Jon Egan. Arranged by Cliff Duren. Anthems. Praise & Worship and Sacred. Stereo & split-channel accompaniment CD with demo. Published by Lillenas Publishing Company (LP.765762131026).

UPC: 765762131026.

This lovely and captivating worship ballad is simply gorgeous. Meaningful lyrics, together with accessible vocal harmonies, lay the foundation for a truly memorable worship experience, and arranger/orchestrator Cliff Duren combines contemporary worship band parts with soaring strings to create a stunningly beautiful and unique orchestral accompaniment. Overcome is sure to resonate deep in your soul.

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe, Percussion 1, Percussion 2, Piccolo, Snare Drum, Timpani, Triangle, Trombone 1 and more. - Grade 5

SKU: CF.SPS78

Composed by Victor Herbert. Symphonic Band (SPS). Set of Score and Parts. With Standard notation. 3+12+12+6+6+3+12+24+24+6+ 6+8+8+6+6+9+18+18+27+8+8+ 8+8+9+9+9+9+12+3+6+6+40+6 pages. Duration 7:37. Carl Fischer Music #SPS78. Published by Carl Fischer Music (CF.SPS78).

ISBN 9781491152553. UPC: 680160910052. Key: Bb major.

Festival March is presented in a new edition arranged by Richard Summers. It is a tour de force composition for advanced bands and hearkens back to a bygone era during the golden age of the band movement. Directors and students will hear operatic music from composer Victor Herbert who is best known for his Christmas classic, Toyland. This is a richly scored masterpiece that deserves to return to standard status in concert band repertoire. We are proud to bring you this new setting of this cherished classic.
Festival March by Victor Herbert was written for the Pittsburgh Symphony and first performed under Herbert’s direction in Chicago on Dec. 9, 1901 celebrating the 12th anniversary of Chicago’s Auditorium Theatre. Also known as the Auditorium Festival March, he included it many times for programs of a festival nature. The main theme Auld Lang Syne, a famous Scottish folk song, is incorporated many times along with brass fanfares, interludes and march melodies. This band arrangement is very similar to the original orchestral composition. The missing string parts, the addition of the saxophone section and other band instruments, editing of the superimposed triplets against sixteenth notes, to one or the other, and articulations suitable for the band, were major challenges. The style of early twentieth-century American music is captured here. This arrangement will give band musicians access to a fine piece of music that could only be appreciated by orchestra musicians up to now. Although suitable for many occasions, this piece is a great way to begin or end a December holiday concert.  Notes to the ConductorVictor Herbert’s music can be interpreted in a romantic style, which is the conductor’s responsibility to read in nuance and musicality. The beginning and other triple-tonguing sections of this piece have a March of the Toys quality to it.  The interludes and Auld Lang Syne sections are legato and musical. The March sections can also be shaped musically.About the ComposerVictor Herbert was born in Ireland in 1861 and raised in Germany. When he moved to America in 1886, he joined the Metropolitan Opera as principal cellist and eventually composed many works including forty-three operettas on Broadway from the 1890s to World War I, including Naughty Marietta and Babes in Toyland. Victor Herbert conducted the Pittsburgh Symphony from 1898 to 1904 and then was the conductor of his own Victor Herbert Orchestra. He formed ASCAP with a group of composers in 1914 and was the director until his death in 1924. Among his thirty-one compositions for orchestra, Festival March was a favorite of his and was eventually published by Carl Fischer Music.  .

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe, Percussion 1, Percussion 2, Piccolo, Snare Drum, Timpani, Triangle, Trombone 1 and more. - Grade 5

SKU: CF.SPS78F

Composed by Victor Herbert. Symphonic Band (SPS). Full score. With Standard notation. 40 pages. Carl Fischer Music #SPS78F. Published by Carl Fischer Music (CF.SPS78F).

ISBN 9781491153239. UPC: 680160910731.

Festi val March is presented in a new edition arranged by Richard Summers. It is a tour de force composition for advanced bands and hearkens back to a bygone era during the golden age of the band movement. Directors and students will hear operatic music from composer Victor Herbert who is best known for his Christmas classic, Toyland. This is a richly scored masterpiece that deserves to return to standard status in concert band repertoire. We are proud to bring you this new setting of this cherished classic.
About the CompositionFestival March by Victor Herbert was written for the Pittsburgh Symphony and first performed under Herbert’s direction in Chicago on Dec. 9, 1901 celebrating the 12th anniversary of Chicago’s Auditorium Theatre. Also known as the Auditorium Festival March, he included it many times for programs of a festival nature. The main theme Auld Lang Syne, a famous Scottish folk song, is incorporated many times along with brass fanfares, interludes and march melodies. This band arrangement is very similar to the original orchestral composition. The missing string parts, the addition of the saxophone section and other band instruments, editing of the superimposed triplets against sixteenth notes, to one or the other, and articulations suitable for the band, were major challenges. The style of early twentieth-century American music is captured here. This arrangement will give band musicians access to a fine piece of music that could only be appreciated by orchestra musicians up to now. Although suitable for many occasions, this piece is a great way to begin or end a December holiday concert.  Notes to the ConductorVictor Herbert’s music can be interpreted in a romantic style, which is the conductor’s responsibility to read in nuance and musicality. The beginning and other triple-tonguing sections of this piece have a March of the Toys quality to it.  The interludes and Auld Lang Syne sections are legato and musical. The March sections can also be shaped musically.About the ComposerVictor Herbert was born in Ireland in 1861 and raised in Germany. When he moved to America in 1886, he joined the Metropolitan Opera as principal cellist and eventually composed many works including forty-three operettas on Broadway from the 1890s to World War I, including Naughty Marietta and Babes in Toyland. Victor Herbert conducted the Pittsburgh Symphony from 1898 to 1904 and then was the conductor of his own Victor Herbert Orchestra. He formed ASCAP with a group of composers in 1914 and was the director until his death in 1924. Among his thirty-one compositions for orchestra, Festival March was a favorite of his and was eventually published by Carl Fischer Music.  .

Violin, orchestra (V-solo, 2 Fl, 2 Ob, 2 clarinet-ia, 2 bassoon, 2 Hn, 2 Trp, timpani, 2 Violin, Viola, Cello,KB)

SKU: BA.BA09099

Composed by Felix Bartholdy Mendelssohn. Edited by Clive Brown and R. Larry Todd. This edition: urtext edition. Paperback. Barenreiter Urtext. Early version 1844 and late version 1845. Score. Opus 64. Duration 12 hours. Baerenreiter Verlag #BA09099_00. Published by Baerenreiter Verlag (BA.BA09099).

ISBN 9790006564330. 31 x 24.3 cm inches. Key: E minor. Preface: Todd, R. Larry / Brown, Clive.

Mendelssohn� ��s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ‘child prodigy’ Joseph Joachim; and Hubert Lonard, a young Belgian virtuoso about whom little is known.

As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Lonard.

The letter informs us that the composer invited Lonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Lonard.

The recently discovered proofs reveal how Lonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Lonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.

It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for Lonard’s playing and offers to lend his support in finding employment in Germany.

This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.

The editor, Clive Brown, is an acknowledged expert on Romantic performance practice.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Chorus (with soloists) and orchestra (solos: SSA - choir: SSAA - org - str(without va))

SKU: BR.CHB-3560-02

Composed by Wolfgang Amadeus Mozart. Arranged by Siegfried Strohbach. Choir; stapled. Chor-Bibliothek (Choral Library).

You will find the string and organ parts under OB 5281 of Mo zart, Missa brevis in B-dur KV 275 (272B) - Breitkopf Urtext.

Mass; Classical. Choral score. 20 pages. Duration 27'. Breitkopf and Haertel #ChB 3560-02. Published by Breitkopf and Haertel (BR.CHB-3560-02).

ISBN 9790004404881. 7.5 x 10.5 inches. Latin.

For all we know Wolfgang Amadeus Mozart composed the Missa brevis K. 275 (272 b) in 1777 before going on an extensive concert tour with his mother, taking him as far as Paris in March 1778. He learned of the first performance of the mass shortly before Christmas 1777 by a letter from his father who praises the peerless singing technique of the castrato Francesco Ceccarelli. Mozart particularly cherished this mass setting, as repeated requests to send him the work for performance can be gathered from his letters.Siegfried Strohbach's arrangement for female choir opens up additional options for performances of Mozart's Missa in B-flat major. As orchestral material the Breitkopf Urtext edition by Franz Beyer can be used.