Par CURNOW JAMES. Brass Metamorphosis as the title suggests is a set of variations based on an original theme. Each of the five variations is in a different style with the first being a lively rondo, the second slow and intense, the third an agile scherzando, the fourth slow and expressive and the fifth full of majesty as it brings the piece to a triumphal close. Brass Metamorphosis as the title suggests is a set of variations based on an original theme. Each of the five variations is in a different style with the first being a lively rondo, the second slow and intense, the third an agile scherzando, the fourth slow and expressive and the fifth full of majesty as it brings the piece to a triumphal close. / Niveau : 5 / Répertoire / Brass Band

azz de Christopher Norton est célèbre dans le monde entier autant auprès des professeurs que des interprètes pour sa combinaison passionnante de styles populaires contemporains et de valeurs classiques. Deux nouvelles recueils de pièces de répertoire pour le Trompette font de Microjazz la base idéale d'un apprentissage et d'un enseignement progressifs.

Par DOBSON SIMON. Little Hymn was composed by award-winning composer Simon Dobson (b.1981) to provide an alternative to the traditional hymn tune settings that provide one of the foundations of the brass band repertoire. This simple, haunting melody begins on a brass quartet without cornets. The full band joins for the second part, which rises to a richly textured climax before receding to a quiet, reflective close./ Recueil / Brass Band

The 'Team' series is suitable for use with both individuals or as a group tutor encouraging students to try ensemble playing from the early stages. All of the books in the series are fully integrated allowing students using 'Team Strings' to play in ensembles with students using 'Team Woodwind', 'Team Percussion', 'Team Recorder' and 'Team Brass'.Team Strings 2 follows directly on from the original 'Team Strings' series and similarly is a flexible and adaptable course designed for beginner double bass players. The tutor can be tailored to suit the specific needs of each student. Each piece is carefully graded to ensure a logical progression at a sensible pace and students are introduced to a wide variety of musical styles throughout the book. 'Team Strings 2' has been specially written to support almost any combination of string instruments the teacher may encounter. This second series is further enhanced by titles from the world of jazz and blues and offers opportunities to develop playing, compositional and improvisational techniques.Imaginative Piano Accompaniments have been provided as well as helpful notes and clear ensemble scores to aid the teacher. 'Team Strings 2' also includes all of the scales for the relevant Grades set by the major examination boards.This volume comes complete with a CD of backing tracks designed to add a third dimension to practice sessions or performance when an accompanist is not available.

A collection of one hundred fantastic songs including classic hits from the 1960s to today! With full melody line arrangements in their original keys, this is an ideal resource for buskers everywhere and suitable for any occasion. The book features melody line, lyrics and guitar chord boxes as well as vocal harmonies, instrumental cues and solos. Specially designed 'distressed' cover. / Niveau : Assez Facile / Recueil / Ligne de Mélodie, Paroles et Accords

Concerto for Brass Band. Par SPARKE PHILIP. Perihelion was commissioned by the Cory Band as their own-choice piece for the 2013 European Brass Band Championships, held in Oslo, Norway. Winning the set piece section of the contest and coming second to Eikanger-Bjorsvik Musikklag with their own choice selection, Cory went on to become European Champions for the fifth time. Cory MD Philip Harper had asked for a ‘Concerto for Band’ to fully exploit his outstanding band of virtuosi, and composer Philip Sparke created a one-movement work with contiguous sections, first featuring horns and flugel, then trombones followed by cornets and a slower central section for percussion and baritones, euphonium andbasses. The piece is abstract in nature, without a specific programme, and the title merely reflects the fact that the piece was begun on January 2nd 2013, the day of Earth’s perihelion - the point in its orbit when it is closest to the sun. It could also be argued that the piece weaves between moments of brilliant optimism and dark shadow, both of which can be the result of bright sunshine. / Niveau : 6 / Pièce de concert / Répertoire / Brass Band

A mass in the Revised Roman Ritual. Classically conceived, but featuring elements of Brubeck's jazz idiom, this dynamic mass can be performed in many different ways including with a jazz ensemble, as a concert piece, for church service, or its individual pieces could be used in non-Eucharistic worship such as Vespers and other celebrations. The work is set for soloists, chorus, piano accompaniment, and optional handbells and celeste. Full score and parts for brass quintet, percussion and strings are available through European American Music Distributors at www.eamdllc.com. Titles include: Lord Have Mercy (Kyrie) * Alleluia * Holy, Holy, Holy * While He Was at Supper (Institution-Narrative) * Through Him, With Him (Doxology) * Great Amen * Lamb of God * Gloria and more.

Par BENJAMIN GEORGE. Premiered in 2018, the 90-minute opera Lessons in Love and Violence delves into the dark and turbulent events of Edward II's life and death. George Benjamin and Martin Crimp's third collaboration, it unfolds as a taut slow burning arch of seven tableaux. This work boasts particularly rich string textures, and is coloured by basset horn and cimbalom together with a pair of harps, celesta, and percussion (including talking drums and tombak). Several of the opera's powerful interludes are dominated by braying, sardonic brass - with tuba substituted by the more menacing contrabass trombone. There is also much spectacular ensemble writing: in Scene Three's play within a play, several strands of independent music collide, and the result is perhaps one of the most complex musical structures Benjamin has ever tackled. The music's relationship to the drama is often unstable and seemingly very spontaneous, but beneath it all one senses a rigorous architecture, unflinchingly guiding the listener deeper and deeper into the opera's disquieting emotional world. This full score is a perfect accompaniment to the previously published vocal score and text. / Musique contemporaine / Répertoire / Opéra