(Serie IV - Italie 1600-1800). Edited by Alessandro Moccia. For Violin. Facsimiles. Methodes and Traites. Grade 0. 904 pages. Published by Anne Fuzeau Productions - France

Guitar

SKU: M7.DUX-898

Arranged by Werner Reif. Sheet music. 40 pages. Edition Dux Verlag #DUX 898. Published by Edition Dux Verlag (M7.DUX-898).

ISBN 9783868490015.

Mit Werken von Giovanni Maria da Crema, Alessandro Piccinini, Ambrosio Dalza, Marco Dall'Aquila, Francesco da Milano, Michelangelo Galilei, Vincenzo Capirola, Pietro Paolo Borrono.

Composed by Alejandro Peralta-Beher. Roberto Aussel. Classical: 20th Century (Contemporary). Score. 12 pages. Editions Henry Lemoine #27963. Published by Editions Henry Lemoine

Solo voice and basso continuo (Solo, Basso Continuo)

SKU: BA.BA08391-01

Composed by Alessandro Stradella. Edited by Giulia Giovani. This edition: Edition of selected works, Urtext edition. Linen. Concentus Musicus 15. Edition of selected works, Score, anthology. Baerenreiter Verlag #BA08391_01. Published by Baerenreiter Verlag (BA.BA08391-01).

ISBN 9790006559817. 32.8 x 24.5 cm inches. Text Language: Italian. Preface: Giovani, Giulia.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(Piano/Vocal/Chords). By As Tony Bennett. For Keyboard; Piano; Voice. This edition: Piano/Vocal/Chords. Artist/Personality; Book; Personality Book; Piano/Vocal/Chords. Standard. 180 pages. Published by Alfred Music

Fuchs, Albert, ed, Si t'intendo / Antonio Caldara, Begli occhi / J. A. Perti, Nevi intatte / Alessandro Scarlatti, Hai core o crudele / Luigi Manzi, Per formare la betta / Alessandro Scarlatti, Dolce scherza / J. A. Perti, Va per lo mare / Alessandro Scarlatti, Lungi da te / Giovanni Bononcini, Tu lo sai / Giuseppe Torelli, Cieco si finse amor / Pignatta, Lontananza e gelosia / Benedetto Marcello, La speranza i cori affida / Giovanni Bononcini, Piu vaga e vezzosetta / Giovanni Bononcini, Vedi quel ruscelletto / Benedetto Marcello, Se ti piace / Giovanni Bononcini, Come la luce e tremola / N. A. Porpora, Dir ch'io t'ami / Francesco Mancini, Il mio core / Ruggiero Fedeli, Prendi l'ultimo addio / Maria Antonia, Voi che credete / Johann Adolf Hasse

Violin

SKU: FZ.5826

Serie IV - Italy 1600-1800. Edited by Alessandro Moccia. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5826).

ISBN 9790230658263. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in three books. Bartolomeo BISMANTOVA - Francesco GEMINIANI (1-2) - Giuseppe TARTINI (1) - Carlo TESSARINI (1) - Aurelio VIRGILIANO - Gasparo ZANNETTI. Table of contents: Virgiliano Aurelio: Il dolcimelo d'Aurelio Virgiliano - c. 1600. Zannetti Gasparo: Il scolaro di Gasparo Zannetti - 1645. Bismantova Bartolomeo: Compendio musicale - 1677. Tessarini Carlo: Gramatica di musica - 1741. Tartini Giuseppe: L'Arte del arco - 1748. Geminiani Francesco: A treatise of good taste - 1749. Geminiani Francesco: The art of playing on the violin - 1751. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - National Library of Paris (France). - Civico Museo Bibiografico Musicale of Bologna (Italy). - Municipal Library of Reggio Emilia (Italy).
- Gemeente Museum of The Hague (Netherlands). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.

Alto voice and basso continuo

SKU: HH.HH544-FSP

Composed by Francesco Antonio Pistocchi. Edited by Alejandra Béjar Bartolo and Fabrizio Ammetto. Score and parts. Edition HH Music Publishers #HH544-FSP. Published by Edition HH Music Publishers (HH.HH544-FSP).

ISBN 9790708185598.

As a child prodigy, singer (alto), composer and pedagogue (singing master) Francesco Antonio Pistocchi known as ‘Il Pistocchino’ (1659–1726) was acclaimed in numerous theatres in Europe, and his name was praised by musicians and theorists of the time, who included Pier Francesco Tosi, Giuseppe Torelli, Giacomo Antonio Perti, Johann Joachim Quantz, and Charles Burney. His musical oeuvre is rather extensive: it includes operas, a serenata, oratorios, cantatas, duets, terzetti, madrigal, Mass and Mass sections, psalms, responsories, canticles, litanies, hymns, antiphons, motets, lamentations, pastorals and sequences, and instrumental music. The cantatas, in particular, constitute a wide and significant corpus.

Books and Journals

SKU: UT.APS-8

Edited by Jonathan Goldman. Paperback (Soft Cover). Ad Parnassum Studies. Essays by Giacomo Albert, Nicola Bernardini, Remy Campos, Michael Dias, Mylene Gioffredo, Jonathan Goldman, Robert Hasegawa, Joel V. Hunt, Anna Stoll Knecht, Benjamin M. Korstvedt, Federico Lazzaro, Alessandra Carlotta Pellegrini, Camille Rondeau, Friedem. Classical. Books and Journals. 320 pages. Ut Orpheus #APS 8. Published by Ut Orpheus (UT.APS-8).

ISBN 9788881094967. 6.5 x 9.5 inches.

Saggi di Giacomo Albert, Nicola Bernardini, Remy Campos, Michael Dias, Mylene Gioffredo, Jonathan Goldman, Robert Hasegawa, Joel V. Hunt, Anna Stoll Knecht, Benjamin M. Korstvedt, Federico Lazzaro, Alessandra Carlotta Pellegrini, Camille Rondeau, Friedemann Sallis


A growing number of music scholars have lately shifted their attention from musical works to the creative processes that produced them. The study of these processes serves as a springboard for interdisciplinary research that goes beyond the traditional boundaries of musical philology. These recent orientations adopt a heuristic approach to musical craft in the composer's workshop and build on the rich heritage of sketch studies, while incorporating psychological, anthropological, sociological, historical and analytical methods. The study of the creative process in music also seeks to adapt the apparatus of literary critique genetique. Scholars of creative process also regularly turn their attention to artistic situations in which sketches and scores may not be available as loci of investigation and seek to adapt the tools of creativity studies to research not only on composers, but also performers, improvisers, and even artistic directors, recording engineers, radio producers, commissioners or any other actor in the musical field.
Texts and Beyond offers new orientations in the study of the creative process in music. The essays included here show a particular interest in unfinished works and in the logic of their completion, as well as in the creative interaction of music coupled with other arts. In twelve chapters and an Afterword, this volume explores a wide variety of topics, including compositions by Anton Bruckner, Gustav Mahler, Charles Koechlin, Giacinto Scelsi, Henry Brant, Luciano Berio, Brian Ferneyhough, Jacques Hetu and Jose Evangelista, as well as extending to the realm of ballet staging, composing for the cinema and video art.

Books and Journals

SKU: UT.AS-7

Vol. 7. Critical Edition. Composed by Alessandro Scarlatti. Edited by Andrea Macinanti and Francesco Tasini. Paperback (Soft Cover). Alessandro Scarlatti - Complete Works for Keyboard. Classical. Books and Journals. Ut Orpheus #AS 7. Published by Ut Orpheus (UT.AS-7).

ISBN 9790215324022. 9 x 12 inches.

Sources List and Description - Thematic Catalogue (ASOT) [Texts in Italian]

Violin

SKU: FZ.5828

Serie IV - Italie 1600-1800. Edited by Alessandro Moccia. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5828).

ISBN 9790230658287. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in three books. Bartolomeo CAMPAGNOLI (2) - Francesco FANZAGO - Giuseppe TARTINI (4-5). Table of contents: Fanzago Francesco: Elogi di Giuseppe Tartini - 1792. Tartini Giuseppe: Libro de regole, ed esempi - s. d. Tartini Giuseppe: Regole per arrivare a saper ben suonare - s. d. Campagnoli Bartolomeo: Nuovo metodo della mecanica - 1797. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - Conservatory Library of Music Benedetto Marcello of Venice (Italy).
- University of California (USA). - Conservatory Library of Music Giuseppe Verdi of Milan (Italy). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.

Choir; Orchestra; Early Music

SKU: UT.TME-1

Composed by Giovanni Battista Bassani. Edited by Elisabetta Pasquini. Hardback (Cloth Hard Cover). Tesori Musicali Emiliani (Emilian Musical Treasures). Classical. Ut Orpheus #TME 1. Published by Ut Orpheus (UT.TME-1).

ISBN 9790215316096. 9 x 12 inches.

P erformance Material on Hire

[S olo: SAATB - Str - Bc]

Thanks to its patron the Duke Francesco II, Modena became a capital city worldwide for the oratorio genre: renowned maestro di cappella in Ferrara, also Bassani wished to offer to the Duke his own work, setting aside for him the summit of his melodic and dramaturgical inventiveness.
Accordi ng to the documents that we have, the performance of Giona was Bassani's debut at the court of Francesco II. Born in Padua around 1650, the composer carried out the main part of his activities in Ferrara, where he was organist (probably from 1667), and maestro di cappella at the Accademia della Morte (from 1683), and subsequently also at the Cathedral (from 1686); he also became a member of the Accademia Filarmonica of Bologna (in 1677) and was committed to Alessandro II Pico, Duke of Mirandola and Marquis of Concordia. In 1712 he moved to Bergamo, where he was maestro di cappella at S. Maria Maggiore; he died there on 1st October 1716. Before his commission in Modena, the <> - as he was often called at that time - had already printed seven instrumental and vocal works as well as a few operas and oratorios.

Violin

SKU: FZ.5827

Serie IV - Italy 1600-1800. Edited by Alessandro Moccia. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5827).

ISBN 9790230658270. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in three books.
Anonyme - Bartolomeo CAMPAGNOLI (1) - Francesco GALEAZZI - Pietro LEONE- Antonio LOLLI - Vicenzo PANERAI- Giovanni Batista RANGONI - Pietro SIGNORETTI - Giuseppe TARTINI (2-3) - Carlo TESSARINI (2-3) - Carlo ZUCCARI. Table of contents: Tessarini Carlo: Nouvelle methode pour apprendre par theorie - c. 1760. Zuccari Carlo: The tru method of playing - 1762. Tessarini Carlo: An accurate method - 1765. Leone Pietro: Methode raisonnee - 1768. Tartini Giuseppe: Lettera del defonto signor Giuseppe Tartini - 1770. Tartini Giuseppe: Traite des agremens - 1771. Signoretti Pietro: Methode contenant les principes - 1777. Panerai Vicenzo: Principi di musica - c. 1780. Anonyme: Riflessioni d'un professore - 1780. Lolli Antonio: L'ecole du violon en quatuor - c. 1784. Rangoni Giovanni Batista: Saggio sul gusto della musica - 1790. Campagnoli Batolomeo: L'art d'inventer a l'improviste - c. 1790. Galeazzi Francesco: Elementi teorico-pratici - 1796. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - National Library of Paris (France). - British Library of London (England). - Civico Museo Bibliografico Musicale of Bologna (Italy). - Conservatory Library of Music Benedetto Marcello of Venice (Italy). - Staatlische Hochschule fur Musik und darstellende Kunst of Berlin (Germany). - Conservatory Library of Music Giuseppe Verdi of Milan (Italy). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.

Chamber Ensemble

SKU: BT.DVTMT-20663

By Alessandro Bacci. By Francesco Zanetti. Contemporary Music. Set (Score & Parts). Composed 2017. 12 pages. Da Vinci Publishing #DVTMT 20663. Published by Da Vinci Publishing (BT.DVTMT-20663).

Italian.

Chamber Ensemble

SKU: BT.DVTMT-20645

By Alessandro Bacci. By Giovanni Francesco Giuliani. Contemporary Music. Set (Score & Parts). 20 pages. Da Vinci Publishing #DVTMT 20645. Published by Da Vinci Publishing (BT.DVTMT-20645).

Italian.

Flute & basso continuo

SKU: HH.HH438-FSP

Composed by Simon Balicourt. Edited by Michael Talbot. Flute & Basso Continuo. Full score and parts. 15 + 2 x 8 pages. Duration 10 minutes / 10 minutes. Edition HH Music Publishers #HH438-FSP. Published by Edition HH Music Publishers (HH.HH438-FSP).

ISBN 9781910359471.

In Sonata 3 in F major the opening Largo is styled as a Siciliana, this species of movement being especially common in the flute repertory on account of the instrument’s pastoral associations. The Spiritoso that follows is a movement both tuneful and energetic. A concluding Presto ramps up the excitement, introducing some piquant harmonies. Sonata 4 is in the shady key of C minor, relatively rare in flute music of the eighteenth century because of intonation difficulties. The opening Arioso is attractively plaintive. The Allegro moderato that follows has some very effective imitative interplay between flute and bass. For the finale, Balicourt writes a soulful Cantabile in minuet style that recalls similar C minor movements in the music of Alessandro Scarlatti and Francesco Geminiani.

By Francesco Paolo Supriano Scipriani. Edited by Alessandro Bares. For cello and basso continuo. This edition: Paperback. Minghen dal Viulunzel. Baroque. Score and set of parts. Published by Musedita Edizioni Musicali

Viola, Flute and Cello

SKU: BT.DVTMT-20646

By Alessandro Bacci. By Giovanni Francesco Giuliani. Contemporary Music. Set (Score & Parts). 12 pages. Da Vinci Publishing #DVTMT 20646. Published by Da Vinci Publishing (BT.DVTMT-20646).

Italian.

Harpsichord; Organ; Early Music

SKU: UT.HS-158

Composed by Alessandro Scarlatti. Edited by Andrea Macinanti and Francesco Tasini. Saddle stitching. Classical. Ut Orpheus #HS 158. Published by Ut Orpheus (UT.HS-158).

ISBN 9790215313460. 9 x 12 inches.

(bearbeitet fur Gitarre). By Werner Reif. For guitar. Collection. 40 pages. Published by Edition Dux Verlag

Composed by Nicola Fiorenza. Edited by Alessandro Bares. Paperback. Minghen dal Viuluzel. Baroque. Score and set of parts. Published by Musedita Edizioni Musicali (M8.FI-6-VC).

Viola, Flute and Cello

SKU: BT.DVTMT-20648

By Alessandro Bacci. By Giovanni Francesco Giuliani. Contemporary Music. Set (Score & Parts). Composed 2018. 16 pages. Da Vinci Publishing #DVTMT 20648. Published by Da Vinci Publishing (BT.DVTMT-20648).

Italian.

Composed by Francesco Antonio Bonporti (1672-1749). Edited by Alessandro Bares & Giuseppe Fochesato. This edition: Paperback. I piaceri del violino. Baroque. Score and set of parts. Published by Musedita Edizioni Musicali (M8.BO-3-07).