By William Alwyn (1905-1985). For violin and piano. String music. Published by Stainer and Bell Ltd.

Concert Band (Full Score) - Grade 5

SKU: HL.48023751

Score Only. Composed by Joseph Turrin. Windependence Artist Level. Festival. Softcover. Boosey & Hawkes #M051663460. Published by Boosey & Hawkes (HL.48023751).

UPC: 888680606855. 10.5x14.0x0.096 inches.

American composer Joseph Turrin is acclaimed for his work with symphony orchestras, classical performers, theater and film as well as his works for school bands. With Dedication for Band he brings a significant addition to the repertoire for mature ensembles. The work is based on five melodic ideas that reoccur throughout the piece, including an opening fanfare that introduces the main theme. With a concentration on climactic tension and expansiveness, this is a masterful and dynamic composition for band. Dur: c. 9:00 (Recorded by the Florida State University Wind Orchestra - Rick Clary, conductor).

By Claude Thornhill. Edited by Jeffrey Sultanof. Arranged by Gil Evans. For jazz big band (2 alto saxophones (double clarinet), 2 tenor saxophones, baritone saxophone, clarinet (optional), 4 trumpets (4th alternate for horn 1), 2 horns in F, 3 trombones (3rd alternate for horn 2), guitar, piano, bass, drums, 2 trombones). Swing. Difficult. Score and parts. Published by Jazz Lines Publications

By Umberto Giordano (1867-1948). Arranged by Vaninetti and Glover. Concert Band. Advanced. Score and parts. Duration 0:08:40

Composed by Rebecca Jarvis. Young band. Command Series. Score and parts. Duration 0:4:16. Published by C.L. Barnhouse (CL.011-4256-00).

From 'The Messiah'. Composed by George Frideric Handel (1685-1759). Arranged by Andrew Glover. Young band. Command Series. Score and parts. Duration 0:3:53. Published by C.L. Barnhouse (CL.011-4483-00).

Composed by George Frideric Handel (1685-1759). Edited by Amanda Babington. Arranged by Andreas Kohs. For alto voice solo, tenor voice solo, bass voice solo, SSATB choir, piano reduction. This edition: urtext edition. Paperback. Level 3. Vocal score. HWV 283. Published by Baerenreiter Verlag

Guitar - Intermediate

SKU: MB.31076M

Chamber, Saddle-stitched. Classical. Book/insert/online audio. Mel Bay Publications, Inc #31076M. Published by Mel Bay Publications, Inc (MB.31076M).

ISBN 9781513477695. 8.75x11.75 inches.

Following the model established by Bach and Chopin, George Gershwin (1898 â?? 1937) originally planned to write 24 modern preludes for piano, one in each major and relative minor key. The collection was to be called The Melting Pot as it combined cross-cultural elements of classical, popular, jazz, and blues styles. Already established as a composer of popular songs, Broadway musicals, and masterpieces like Rhapsody in Blue and Concerto in F, Gershwinâ??s frenetic musical activities and an early death intervened, and for various reasonsâ??only three of the completed 5-7 preludes were published in 1927. By omission and circumstance, these three compositions have endured the test of time as Gershwinâ??s Three Preludes.
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This book presents idiomatic flute/guitar arrangements of Gershwinâ??s iconic Three Preludes. The original keys of the preludes were altered to accommodate drop-D guitar tuning and highlight the strengths and tessituras of the two instruments. The music is written in standard notation only and presented in guitar and flute scores, guitar accompaniment with extensive suggested fingering, and a pull-out flute solo part with guitar cues. Includes access to an outstanding online audio recording by The Cypress Duo, featuring flutist Amanda Hoke and author/guitarist Justin Hoke.
 
Audi ences are going to love hearing these preludes rendered by the flute and guitar, particularly â??Prelude IIâ?, in Gershwinâ??s words, â??a sort of blues lullabyâ? that is familiar to many musicians and listeners alike.

Value Pak (35 Part Books and Conductor Score). By Jack Saunders, Paula Crider. Essential Musicianship Band. Published by Hal Leonard.

Composed by Robert W. Smith. Command Series. Score only. Published by C.L. Barnhouse (CL.011-4146-01).

Composed by Johannes Brahms (1833-1897). Edited by Clive Brown; Neal Peres Da Costa. For clarinet and piano. Score with parts. Opus 120. Published by Baerenreiter Verlag

By Quincy C. Hilliard. For concert band. FJH Concert Band. Full set (score and parts). Score only also available: B1051S. Grade 3. Score and set of parts. Composed 2001

This edition: Win/Mac. CD-ROM. With Scoring And Notation. Published by eMedia Music (EI.SS00130).

By Percy Aldridge Grainger (1882-1961). Arranged by Keith Brion, Loras Schissel. Concert band. Concert Band. Sousa Centennial Series. Grade 4.5. Score and set of parts. Composed 2001. Duration 0:03:42

By Claude Thornhill. Arranged by Gil Evans. For big band with vocal solo. Swing. Difficult. Score and parts. Published by Jazz Lines Publications

By Brian Balmages. For concert band. FJH Concert Band. Full set (score and parts). Score only also available: B1019S. Grade 5. Score and set of parts. Composed 2000

This edition: Win/Mac. CD-ROM. With Scoring And Notation. Published by eMedia Music (EI.SS00132).

Composed by Gordon Jacob (1895-1986). Concerto/Feature, Instrumental Solo, Bestseller. Piano score. Galaxy Music Corporation #1.5036. Published by Galaxy Music Corporation

Arranged by Andy Clark. Lighter. Concert Band. Big Band for Concert Band. Grade 3.5. Score and set of parts. Composed 1993. Duration 0:05:00

By James Curnow. Curnow Concert Band Full Set. Size 9x12 inches. Published by Curnow Music.

By Herbert L. Clarke (1867-1945). Arranged by David Marlatt. For Concert Band. Concert Band. Grade 3 (grade 3). Conductor Score and Parts. 224 pages

Score Only Concert Band (Score) - Grade 3

SKU: HL.48021201

Composed by Clare Grundman. Arranged by Robert Longfield. Boosey & Hawkes Concert Band. 28 pages. Boosey & Hawkes #M051630936. Published by Boosey & Hawkes (HL.48021201).

UPC: 884088630232. 9.0x12.0x0.08 inches. Clare Grundman/adpt. Robert Longfield.

Publishe d in 1961 commemorating 100 years after the start of the Civil War, Clare Grundman's classic work has become a staple in the repertoire. Robert Longfield's adaptation for younger bands maintains the character of the original as well as all of the tunes, but in a shorter and more concise setting. Includes Kingdom Coming, Marching Through Georgia, Tenting Tonight, The Yellow Rose of Texas, The Bonnie Blue Flag, Aura Lee, Dixie, Battle Cry of Freedom, and The Battle Hymn of the Republic.

Arranged by John Ferguson. For big band with female vocal. Ballad. Easy. Full score and set of parts

Brass Band (Score & Parts) - Grade 3

SKU: HL.44012730

Composed by Philip Sparke. Anglo Music Concert Band. Concert Piece. Softcover. Composed 2007. Anglo Music Press #AMP225030. Published by Anglo Music Press (HL.44012730).

9x12 inches. English-German-French-Dut ch.

Christmas as celebrated in England is a relatively newtradition dating from the time of Queen Victoria. Herhusband Prince Albert was from Germany and he broughtmany German Christmas traditions with him, including theChristmas tree and Christmascards, and even carols such asHark, the Herald Angels Sing. Philip Sparke has however useda varied selection of English melodies to arrange into his?Festival of Carols?.The choir parts are seperately available (order no. AMP 227-050). Christmas as celebrated in England is a relatively new tradition dating from the time of Queen Victoria. Her husband Prince Albert was from Germany and he brought many German Christmas traditions with him, including the Christmas tree and Christmas cards, and even carols such as Hark, the Herald Angels Sing. Philip Sparke has however used a varied selection of English melodies to arrange into his Festival of Carols. The choir parts are seperately available (order no. AMP 227-050).

Hoewel de Engelsen een lange traditie kennen in het zingen van carols zijn veel van de melodieen die er worden gezongen afkomstig van het Europese vasteland - of uit Amerika. Desondanks heeft Philip Sparke een gevarieerde selectievan Engelse melodieen kunnen samenstellen voor dit prachtige 'Festival of Carols' - dat zowel met als zonder koor kan worden uitgevoerd.

Weihna chten, wie es heute in England gefeiert wird, ist eine relativ junge Tradition aus dem 19, Jahrhundert, die der deutsche Ehemann von Konigin Victoria mit in seine neue Heimat brachte. Viele gebrauchliche Weihnachtslieder stammen ebenfalls nichtaus England. Philip Sparke gelang es jedoch, eine abwechslungsreiche Sammlung von Liedern aus seiner Heimat zu diesem schonen englischen Weihnachtslieder-Festival zu formen.Die optional einsetzbaren Chorstimmen sind unter der Artikelnummer AMP227-050 separat erhaltlich.

<< La plupart des traditions de Noel en Angleterre sont relativement recentes. Montee sur le trone en 1837, la reine Victoria (nee de Hanovre) regnera jusqu'a sa mort en 1901. En 1840, elle epousa son cousin, le prince Albert de Saxe-Cobourg-Gotha. Leprince consort, originaire d'Allemagne, importa bon nombre de traditions de Noel allemandes au Royaume-Uni. Ainsi, il fit decouvrir aux Anglais la coutume du sapin et les cartes de Noel, entre autres, contribuant largement au Noel typiquement anglaistel que nous le connaissons aujourd'hui.Bien que les chants de Noel font l'objet d'une longue tradition en Angleterre, de nombreuses melodies que nous chantons proviennent ducontinent europeen ou des Etats-Unis. Je savais bien que le celebrissimeSilent Night (Douce nuit) etait d'origine autrichienne et que Hark, the Herald Angels Sing (Ecoutez le chant des Anges) etait d'origine allemande. Pourtant, quelle ne fut pas ma surprise d'apprendre qu'Away in a Manger (Sur la paillefraiche) ou encore We Three Kings nous venaient des Etats-Unis et que Ding, Dong Merrily on High etait un noel d'origine francaise. Quoiqu'il en soit, j'ai reussi a constituer un canevas de melodies anglaises pour realiser cefestival de chants de Noel. >>Philip SparkeRemarques sur l'interpretation : Cet arrangement est adapte pour une interpretation avec ou sans Chœur. S'il est joue par un Brass Band, les parties vocales seront doublees par des partiesinstrumentales.Les tempi indiques correspondent a une interpretation par un Brass Band seul. Si l'œuvre est donnee avec un Chœur, il est sans doute necessaire de baisser le tempo en fonction du nombre de choristes et de l'acoustique du lieude concert.Les parties de Chœur (en anglais) sont disponibles separement (Ref. : AMP 227-050).

The choir parts are seperately available (order no. AMP 227-050).