(2nd Trumpet). Jazz Ensemble. For 2nd Trumpet. Jazz Ensemble Collection. Jazz Ba...(+)
(2nd Trumpet). Jazz
Ensemble. For 2nd
Trumpet. Jazz Ensemble
Collection. Jazz Band
Collection for Jazz
Ensemble. Jazz. Grade 3.
Book. 28 pages. Published
by Alfred Music
Publishing
Oboe solo + orchestra (harpsichord-strings) SKU: GH.CG-6149P Concerto ...(+)
Oboe solo + orchestra
(harpsichord-strings)
SKU: GH.CG-6149P
Concerto in D major
for Oboe d'Amore, Strings
and Harpsichord.
Composed by Johan Helmich
Roman. Arranged by
Per-Olof Gillblad. Score.
BeRI 53. Duration 16
minutes. Gehrmans
Musikforlag #CG 6149P.
Published by Gehrmans
Musikforlag
(GH.CG-6149P).
Also for
oboe.
Edited by
Per-Olof
Gillblad. Piano
reduction: Eva
Nordenfelt.
Hungarian
Pictures. Composed by
Thierry Deleruyelle.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2018. De
Haske Publications #DHP
1185862-010. Published by
De Haske Publications
(BT.DHP-1185862-010).
English-German-French-
Dutch.
Tarjan,
Hungarian Pictures is
a work in three movements
commissioned by the town
of Vesoul and its concert
band. This work pays
tribute to Jean-Marie
Goux, the band’s
former musical director,
who had forged strong
links with Hungary:
whether in the village of
Tarján or Budapest
itself, he had shared his
zest for life with the
Hungarian people. This
colourful work consists
of three movements:
‘The 7th
Tribe’,
‘Eternal
Fidelty’ and
‘Conquest of the
Homeland’. It
offers not only strong
musical content, but also
historical insight about
a beautiful region with a
great
tradition.
Tarj
an, Hungarian
Pictures werd
geschreven in opdracht
van de gemeente Vesoul en
het harmonieorkest
aldaar. Het werk is een
eerbetoon aan Jean-Marie
Goux, de voormalig
muzikaal leider van het
orkest, die sterke banden
met Hongarije heeft
gesmeed, zowel met de
plaats Tarján als met
de hoofdstad Boedapest.
De kleurrijke compositie
bestaat uit drie delen:
‘The 7th
Tribe’,
‘Eternal
Fidelity’ en
‘Conquest of the
Homeland’. Met
zijn krachtige muzikale
inhoud biedt dit werk
tevens enig historisch
inzicht in een prachtige
regio met een
indrukwekkende
traditie.
Tarja
n, Hungarian Pictures
ist ein Werk in drei
Sätzen, das von der
Stadt Vesoul und dem
städtischen
Blasorchester in Auftrag
gegeben wurde. Das Werk
sollte den ehemaligen
musikalischen Leiter des
Orchesters, Jean-Marie
Goux ehren, der enge
Verbindungen nach Ungarn
geknüpft hatte, sowohl
zu dem Ort Tarján als
auch nach Budapest.
Dieses abwechslungsreiche
Stück hat drei
Sätze: The 7th
tribe“, Eternal
fidelty“ und
Conquest of the
Homeland“. Es hat
nicht nur einen großen
musikalischen Gehalt,
sondern bietet auch einen
historischen Einblick in
eine wunderschöne
Region mit einer
großen
Tradition.
SATB choir, congregation, organ [2 trumpet, 2 trombone or 4 melody instrument] -...(+)
SATB choir, congregation,
organ [2 trumpet, 2
trombone or 4 melody
instrument] - Level 2
SKU: CA.9189900
Deutsches
Proprium. Composed by
Karl Norbert Schmid. This
edition: Paperbound.
Coppenrath Series. German
title: Messe Von Jesus
Christus 5003201. Sacred
vocal music, Masses,
German. Full score. 16
pages. Duration 11
minutes. Carus Verlag #CV
91.899/00. Published by
Carus Verlag
(CA.9189900).
SKU: HL.3710490 18-inches. Paiste Cymbals. General Merchandise. Ha...(+)
SKU: HL.3710490
18-inches. Paiste
Cymbals. General
Merchandise. Hal Leonard
#1932618. Published by
Hal Leonard (HL.3710490).
UPC: 697643115033.
18.0x18.0x0.103
inches.
Series
Description: Paiste first
pioneered color coated
cymbals with COLORSOUND 5
in 1984 as a means for
artistic expression
during the time period
when popular music became
visual in music videos on
television. In the 1990s
VISIONS made an
appearance, and in recent
years certain Artist
Inspiration models
feature color coating
– Stewart
Copeland's Blue Bell
Ride, Aquiles Priester's
Giga Bell Ride and Danny
Carey's Dry Heavy Ride.
Throughout, the Color
Sound finish was
available for custom
orders, including cymbals
featured by international
top artists Joey
Jordison, Tico Torres and
Paul Bostaph. With Color
Sound 900 Paiste launches
the latest incarnation in
the color cymbal saga.
Color Sound 900 cymbals
are based on the range of
models in the
concurrently launched 900
Series. While they
feature essentially
corresponding sound and
function, the color
coating causes a slightly
drier sound, shortens the
sustain a bit, and
results in a more focused
attack. Significantly,
the same flexibility and
giving feel as in the 900
Series is present.
Extensive research and
design efforts have
resulted in the most
stunningly beautiful
finishes: luminous
translucent colors
preserve the natural
appearance of grooves and
hammer marks and present
a vibrantly radiant
appearance. Notably,
decades of experience
have proven the Color
Sound finish to be
exceedingly tough and
durable – the
finish will not ever
crack, chip or peel.
Size: 18-inches Weight:
Medium thin Volume:
Medium to loud Stick
Sound: Washy, trashy
Intensity: Lively
Sustain: Medium Bell
character: Integrated
Sound character: Fairly
dark, energetic. Medium
wide range, complex mix.
Explosive, shattering
crash. Exotic stick sound
over a complex, trashy
wash. Assertive china for
exotic effects. While
Color Sound 900 feature
essentially the same
sound and function as the
900 Series, the color
coating causes a slightly
drier sound, shortens the
sustain a bit, and
results in a more focused
attack.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Norbert
Gertsch. This edition:
wind parts. Folder.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag EB 10766 is
printed in score form;
two copies are needed for
performance. Our edition
EB 8578 contains Ferrucci
Busoni's cadenzas for the
Piano Concerto in C major
K. 467. Solo concerto;
Classical. Set of parts.
60 pages. Duration 30'.
Breitkopf and Haertel #OB
15106-30. Published by
Breitkopf and Haertel
(BR.OB-15106-30).
ISBN
9790004339220. 10 x 12.5
inches.
The
editorial quality of the
new edition is guaranteed
not only by Schiff's
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Norbert Gertsch
to whom Henle has
entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozart's handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozart's own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.Die
Editionen werden den
Intentionen des
Komponisten so weit wie
moglich gerecht. Gemass
Mozarts Anweisungen in
den Autographen ist
beispielsweise im unteren
Klaviersolosystem sowohl
der Partituren als auch
der Klavierauszuge
durchgangig die
Bassstimme des Orchesters
wiedergegeben. (Andreas
Friesenhagen,
FonoForum)L'interet
particulier de cette
nouvelle edition reside
dans les notations
complementaires des
parties de violon ayant
pour source la premiere
execution de l'oeuvre par
Joseph Joachim et Robert
Hausmann avec, tres
probablement,
l'autorisation du
compositeur, ces notes de
jeu refletant les
pratiques de l'epoque.
(Crescendo).
Eye Of The Tiger Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba - Intermédiaire De Haske Publications
Brass Quintet - intermediate SKU: BT.DHP-1094847-070 For Brass Quintet...(+)
Brass Quintet -
intermediate
SKU:
BT.DHP-1094847-070
For Brass Quintet.
Composed by Frankie
Sullivan III and Jim
Peterik. Arranged by
Roland Kernen. De Haske
Brass Series. Set (Score
& Parts). Composed 2009.
12 pages. De Haske
Publications #DHP
1094847-070. Published by
De Haske Publications
(BT.DHP-1094847-070).
ISBN 9789043133234.
9x12 inches.
International.
De
bekendste hit van
Survivor en tevens
de titelsong van de film
Rocky III. Roland
Kernen arrangeerde dit
tijdloze nummer voor
koperkwintet met
optionele
euphoniumpartij.
R
oland Kernen bearbeitete
den legendären
Titelsong für
Rocky III von der
Gruppe Survivor für
Blechbläserquintett
mit optionaler
Euphoniumstimme.
(Hob. XXIIIc:1, for Soli, Choir Orchestra and Organ). Composed by Franz Joseph H...(+)
(Hob. XXIIIc:1, for Soli,
Choir Orchestra and
Organ). Composed by Franz
Joseph Haydn (1732-1809).
Edited by H. C. Robbins
Landon. For soli, choir,
orchestra and organ
(0,2,0,(1)-0,2,3,0-timpan
i-organ-strings [no
viola]). Choral music.
Sacred. Organ part. 6
pages. Published by
Doblinger Music
Publishers
4 Soli, Chorus and Orchestra SKU: HL.49015954 Composed by Anton Bruckner....(+)
4 Soli, Chorus and
Orchestra
SKU:
HL.49015954
Composed
by Anton Bruckner. Edited
by Hans Ferdinand
Redlich. This edition:
Plastic cover. Sheet
music. Edition Schott.
Classical. Study Score.
Composed 1881. 246 pages.
Eulenburg Edition #ETP
961-01. Published by
Eulenburg Edition
(HL.49015954).
Mixed choir (SATB) and accompaniment SKU: M7.DOHR-20192 Composed by Ferdi...(+)
Mixed choir (SATB) and
accompaniment
SKU:
M7.DOHR-20192
Composed by Ferdinand von
Hiller. Edited by Florian
Ilge. Sheet music. Score.
220 pages. MDS (Music
Distribution Services)
#DOHR 20192. Published by
MDS (Music Distribution
Services)
(M7.DOHR-20192).
ISBN
9790202041925.
Latin.
Missa in C
o.op. für Chor und
großes Orchester
Satzfolge: Kyrie Gloria
Credo Sanctus Benedictus
Agnus Dei
Orchesterbesetzung: 2
Flöten 2 Oboen 2
Klarinetten (in C, B, A)
2 Fagotte 2 Hörner (in
C, D, Es, E, G) Pauken
Streicher Messe C-Dur op.
104 für Chor und Orgel
ad lib. Satzfolge: Kyrie
Gloria Credo Sanctus
Benedictus Agnus Dei.
Ross Roy Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0971085-010 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0971085-010
Composed by Jacob De
Haan. Inspiration Series.
Festive and Solemn Music.
Set (Score & Parts).
Composed 1997. De Haske
Publications #DHP
0971085-010. Published by
De Haske Publications
(BT.DHP-0971085-010).
Jacob de Haan
was commissioned to
compose this concert
piece by the St. Peters
Wind Symphony from
Brisbane, Australia. Ross
Roy is the monumental
late 19th century villa
where St. Peters Lutheran
College was founded in
1945. The villa has
always remained the
school symbol. In this
composition, Jacob de
Haan sees the Ross Roy as
a metaphor for the years
spent at school (a
monument in time), where
one's personality is
formed. So, the opening
theme the artist calls
the Ross Roy theme
initially has monumental
characteristics.The
rhythmic motion, which
strides along in the
lower register and
percussion at the
beginning of the next
section is typical of
Tempo di Marcia.
Thismovement, accompanied
by repetitions of sound,
is a metaphor for the
structure and discipline
in school. This is the
introduction to a march
theme, symbolic of
passing through the
classes up to the final
examinations.Then, the
Ross Roy theme is dealt
with again, now in a
playful, humorous
variation. As if the
composer is saying there
should also be time for a
smile in school. The same
theme can be heard in
major key and a slower
tempo in the following
section, expressing pride
and self-confidence. This
is also the introduction
to the expressive middle
section that represents
love, friendship and
understanding.We then
return to the march theme
in a slightly altered
construction. The
oriental sounds,
constituting the
modulation to the final
theme, are symbols of the
diversity of cultures in
the school. The
characteristic final
theme first sounds
solemn, but turns into a
festive apotheosis. It is
no coincidence that the
final cadence is
reminiscent of the close
to a traditional
overture, for the school
years can be considered
the overture to the rest
of one's life. The
premiere of Ross Roy was
conducted by Jacob de
Haan in Brisbane, on
August 22, 1997.
Ross Roy is de
naam van de monumentale
villa in Brisbane
(Australië) waar in
1945 het St. Peters
Lutheran College is
gesticht. In opdracht van
het collegeorkest
componeerde Jacob de Haan
dit gevarieerde
concertwerk vol
metaforen.De structuur en
discipline van de school
horen we in de met
toonherhaling gepaard
gaande ritmische beweging
in basregister en
slagwerk. Het volgende,
martiale thema staat
symbool voor het
doorlopen van de klassen.
Een
schertsende,humoristische
versie van het hoofdthema
ontbreekt niet: op school
moet immers ook tijd zijn
voor vrolijkheid. Het
karakteristieke slotthema
mondt uit in een
feestelijke
apotheose.
Ross
Roy ist der Name
einer monumentalen Villa
in Brisbane, Australien,
in der 1945 das St. Peter
Lutheran College
gegründet wurde. Im
Auftrag dieses
Schulorchesters
komponierte Jacob de Haan
dieses Konzertwerk, das
voll von Metaphern ist.
Die Struktur und
Disziplin dieser Schule
hören wir in der mit
Tonwiederholungen
gepaarten rhythmischen
Bewegung des
Bassregisters und des
Schlagwerks. Das folgende
martialische Thema steht
als Symbol für das
Durchlaufen der Klassen
bis zum Ende der
Schulzeit. Eine
scherzhafte,
humoristische Version des
Hauptthemas darf nicht
fehlen, denn in der
Schule muss auch Zeit
für kleine Späße
und Lachen sein! Das
charakteristische
Schlussthemamündet in
einem festlichen
Höhepunkt.
Commissionato
dalla St. Peter’s
Wind Symphony Orchestra
di Brisbane, è
dedicato alla monumentale
villa tardo-ottocentesca
dove il collegio
dell’orchestra ha
avuto la sua storica
sede. Metafora degli anni
della formazione, è
caratterizzato da un
finale in stile
ouverture, come se gli
anni della scuola
rappresentassero una
sorta di ouverture al
resto della vita.
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-056-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-056-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2003. 56 pages.
Anglo Music Press #AMP
056-140. Published by
Anglo Music Press
(BT.AMP-056-140).
As the title
suggests, this piece
comprises a set of
variations on an original
chorale,which is
presented in the opening
bars.The chorale uses the
dark middle and lower
sections of the band and
is extended with minor
variations until a pause
leads to the first real
variation, marked Vivo.
This is in the form of a
moto perpetuo. The second
variation is a beautiful
Andante introduced by a
solo clarinet. Following
a full band climax the
final variation opens
with quiet, nervous
energy until its main
theme is introduced.The
chorale makes a brief
appearance until the main
theme reappears. This
leads to a triumphant
final augmented statement
of the chorale theme,
decorated by theflorid
clarinet theme in the
upper woodwinds. A
dazzling new concert
work.
Zoals de
titel al aangeeft,
bestaat het stuk uit een
aantal variaties op een
oorspronkelijk koraal,
dat aan het begin wordt
ge ntroduceerd. Het
koraal, stevig verankerd
in c mineur, komt naar
voren in de donkere
midden- en lage
sectiesvan het orkest en
wordt uitgebouwd met
variaties in mineur,
totdat een korte pauze de
overgang vormt naar de
eerste echte variatie,
Vivo getiteld. Dit is een
moto perpetuo. De tweede
variatie, een krachtige
Andante, introduceerteen
soloklarinet. Na een
climax in het hele orkest
vangt de laatste variatie
aan met een stille,
nerveuze energie totdat
het hoofdthema naar voren
komt. Het koraal duikt
even op totdat het
hoofdthema weer
verschijnt. Dit leidtnaar
een glorierijke laatste
reprise van het
koraalthema in
verbreding, omspeeld met
het zwierige
klarinetthema in het hoge
hout. Een verbluffend
nieuw
concertwerk.
In
drei sehr
unterschiedlichen
Variationen kommen in
diesem Werk alle Register
des Blasorchesters zum
Zug: Die mittleren und
tieferen Register stellen
den originalen Choral in
Moll vor, darauf folgt
die erste, lyrische
Variation im
Tenorregister. Eine
Solo-Klarinette
präsentiert die
metrische zweite
Variation, abgelöst
vom gesamten
Blasorchester. Die hohen
Holzbläser spielen
eine wichtige Rolle in
der dritten Variation,
die zunächst verhalten
einsetzt, dann aber das
Werk zu einem
triiumphalen Schluss
führt. Ein
interessantes Werk, das
keine Wünsche bei
Musikern oder Zuhörern
offen
lässt!
Et in Terra Pax Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band - Grade 4 SKU: HL.44002765 Score and Parts. Composed ...(+)
Concert Band - Grade 4
SKU: HL.44002765
Score and Parts.
Composed by Jan Van der
Roost. De Haske Concert
Band. Concert. Set (Score
& Parts). Composed 1998.
De Haske Publications
#0981118-010. Published
by De Haske Publications
(HL.44002765).
UPC:
073999027655.
9.5x13.5x0.97
inches.
This piece
was commissioned by the
'Concert Band
Vlamertinge' and is a
plea for peace: the title
translates as 'Peace on
Earth'. This is expressed
by means of the vocal
contribution expected
from the performers. In
various places of the
piece you can recognize,
the words 'Et In Terra
Pax' - an appeal for
peace - at first jumbled
together but later more
rhythmically structured,
developing into
synchronized massed
voices.The work starts
with a pentatonic theme
based on the notes D, E,
G, A and C (taken from
'ConCErtbAnD VlAmErtinGE'
and the name of the
conductor, NiCk
VAnDEnDriessChe). A
somewhat sad melody is
developed during an
orchestral climax which
leads to the
firstexplosion of sound
(measure 62 onwards).
Suddenly the opening
measures are recaptured,
albeit with a differently
colored sound: the words
'Et In Terra Pax' bring
the first movement to a
close. A restless Allegro
follows which abruptly
stops and is replaced by
a calming cho-rale-like
passage. A narrator reads
aloud the poem 'Sonnet'
by the young poet Charles
Hamilton Sorley, who was
killed during World War
I. This poem fittingly
puts into words the
cruelty and senselessness
of war. After the
expanded recapitulation
of the allegro, the
broad, almost infinite
atmosphere of the
beginning returns.
Clarinet and English horn
play the pentatonic
opening theme once more,
this time broadly, while
the words 'Et In Terra...
Pax' are repeated again
and again by the rest of
the orchestra.The
composer has purposely
avoided all forms of
aggression and bombastic
sounds regularly used in
works about war. Fear of
violence and destruction
can be heard and felt
during the allegro
passages. The charged
opening makes way in the
end for hope: May
peacefulness replace
cruelty in everyday life,
too.
Dieses Werk
wurde im Auftrag der
Concert Band Vlamertinge
geschrieben und ist ein
Pladoyer an den Frieden:
Der Titel bedeutet dann
auch 'Frieden auf Erden'.
Dies kommt unter anderem
im vokalen Anteil der
Ausfuhrenden zum
Ausdruck. An
verschiedenenStellen des
Werkes erklingen, anfangs
durcheinander dann zu
einem rhythmischen und
strukturierten
Synchrongesang vereint,
die Worte 'Et In Terra
Pax' wie ein flehendes
Gebet fur den
Frieden.
Ein
pentatonisches Thema
formt den Anfang dieses
Werkes, basierend auf den
Noten D, E, G, A, und C,
die dem Namen:
'ConCErtbAnD VlAmErtingE'
und dem Namen des
Dirigenten NiCk
VAnDEnDriessChe
entstammen. Wahrend der
orchestralen Klimax, die
zu einemersten
Klangausbruch fuhrt (ab
Takt 62), entsteht eine
etwas traurige Melodie.
Plotzlich werden dann die
Eingangstakte
wiederaufgenommen, wenn
auch mit einer
veranderten Klangfarbe;
die Worte 'Et In Terra
Pax' runden den ersten
Teil daraufhin ab.
Esfolgt ein unruhiges
Allegro, das uberraschend
durch eine Choralartigen
Passage voller Ruhe
unterbrochen wird. Eine
Sprechstimme liest
wahrenddessen das Gedicht
Sonnet des jungen
Dichters Charles Hamilton
Sorley vor, der im ersten
Weltkriegfiel. Es findet
fur die Grausamkeit und
Sinnlosigkeit des Krieges
die passenden Worte.
Nachdem das Allegro,
diesmal mit einigen
Ausbreitungen, wiederholt
wird, kehrt die weite,
beinahe unendliche
Atmosphare des Beginns
wieder zuruck.
Klarinettenspielen
zusammen mit einem
Englischhorn das
pentatonische
Eingangsthema ein letztes
Mal in ausgebreiteter
Fassung, wobei das Et In
Terra Pax' durch den Rest
des Orchesters stets
wiederholt wird.Der
Komponist hat bewusst auf
jegliche Form der
Aggression oder
bombastischen Vertonung,
die in so vielen Werken
uber den Krieg zu finden
ist, vermieden. Dennoch
ist die Angst vor Gewalt
und Zerstorung vor allem
in den Allegro-Passagen
deutlich zuhoren und zu
fuhlen. Am Ende macht die
anfangliche Spannung
jedoch der Hoffnung
Platz: Moge die
Friedlichkeit auch im
taglichen Leben die
Grausamkeit
verbannen...
Fanfare Band - Grade 2.5 SKU: BT.AMP-034-020 Composed by Max Reger. Arran...(+)
Fanfare Band - Grade 2.5
SKU:
BT.AMP-034-020
Composed by Max Reger.
Arranged by Philip
Sparke. Ceremonial
Series. Hymns & Chorals.
Set (Score & Parts).
Composed 2003. Anglo
Music Press #AMP 034-020.
Published by Anglo Music
Press (BT.AMP-034-020).
During his
short lifetime Max Reger
(1873-1916) was a
prolific composer with
many of his best known
works being composed for
organ. The ten chorale
preludes in this
selection are from his
set of Thirty Short
Chorale Preludes Op.135a
composed as short
voluntaries for
liturgical use rather
than for recitals in
these arrangements Philip
Sparke has kept this in
mind and each prelude can
be performed with minimal
instrumentation for those
occasions where a small
band is needed. They also
make great pieces for
band warm-ups or studies
in intonation, sound and
balance.
Max Reger
komponierte eine Fülle
an Werken vieler Genres.
Unter anderem schrieb er
30 kleine Vorspiele zu
den gebräuchlichsten
Chorälen für Orgel,
die mehr als für den
liturgischen Rahmen, denn
als Vortragsstücke
gedacht waren. Seine
Blasorchesterbearbeitung
dieser zehn Präludien
machte Philip Sparke
daher für eine
minimale Besetzung
spielbar, so dass sie
auch Gottesdienst
verwendet werden
können. Außerdem
eignen sie sich auch
hervorragend als
Aufwärmstücke,
Stimm-, Klang- oder
Balanceübungen oder in
verschiedenen
Zusammenstellungen als
kleine Suiten für den
Konzertgebrauch. Eine
vielseitige Sammlung, die
in keinem Repertoire
fehlen sollte!
Cycle for mixed choirs
on poems after Christian
Morgenstern. Composed
by Jan Kapr. Stapled.
Choral score. Composed
1973. 71 pages. Duration
45 minutes. Baerenreiter
Verlag #BA06160_00.
Published by Baerenreiter
Verlag (BA.BA06160).
ISBN 9790006476268.
32.1 x 24.1 cm inches.
Text: Christian
Morgenstern.
Zyklus
von 8 Satzen nach
Gedichten von Christian
Morgenstern (Galgenlieder
und andere) mit
lautmalerischen
Effekten.
Concert Band/Harmonie - very easy, easy SKU: BT.DHP-1084389-401 Kleine...(+)
Concert Band/Harmonie -
very easy, easy
SKU:
BT.DHP-1084389-401
Kleine Werke für
den grossen Auftritt.
Arranged by Jan de Haan.
Yamaha Bläser Klasse.
Educational Tool. Book
Only. Composed 2007. 16
pages. De Haske
Publications #DHP
1084389-401. Published by
De Haske Publications
(BT.DHP-1084389-401).
ISBN 9789043128803.
9x12 inches.
German.
Die 14
Arrangements in dieser
Ausgabe sind genau
abgestimmt auf
Essential
Elements, Band 1. Mit
jedem Stück können
die Schüler den
Lernstoff vertiefen und
sammeln zugleich
Erfahrung im Spiel im
Gesamtorchester. Jan de
Haan präsentiert eine
große Bandbreite an
Titeln, Stilen und
Aufführungsmöglichk
eiten. Das Besondere an
dieser Auswahl ist auch,
dass die Lieder und
Melodien alle aus
Deutschland und dem
europäischen Ausland
stammen - Musik, die die
jungen Bläser kennen
und gerne selbst spielen
werden.Laden Sie hier
das Bestellformular
für alle
erhältlichen Stimmen
von Bläserklasse
live!
herunter.
Tenor sax solo SKU: GI.G-J155 The Instrumental Series. Composed by...(+)
Tenor sax solo
SKU:
GI.G-J155
The
Instrumental Series.
Composed by Christopher
D. Azzara, Edwin E.
Gordon, and Richard F.
Grunow. Band Method. Jump
Right In. Music
Education. Book. 36
pages. GIA Publications
#J155. Published by GIA
Publications (GI.G-J155).
English.
A
revision of this
beginning band series
makes Jump Right In
easier to use and more
musical than ever before!
Includes high-quality CDs
of folk songs that:
• Comprise many
styles, tonalities, and
meters • Span many
cultures and many
centuries • Are
ideal for listening and
playing along Features
performances by some of
the world’s
greatest performers:
• Artist faculty
members from Eastman
School of Music •
Members of Rochester
Philharmonic Orchestra
• Rhythm and Brass
Helps develop
musicianship beyond
instrumental classroom
with: • Progress
from sound to sight in
logical, common sense
sequence •
Opportunities for
improvisation from early
stages of instruction
• Tools to help
students learn to read
and write with better
comprehension •
Arrangements of familiar
songs in each book
Sequential and proven
materials are: •
Designed specifically to
attend to individual
differences • Based
on current experimental
and practical research
• Based on the
music learning theories
of Edwin E. Gordon
• Relevant to
National Standards and
include suggestions for
measurement and
evaluation Extensive
Teacher’s Guide:
• Contains lesson
plans • Includes
teaching procedures
• May be used
independently or in
conjunction with Jump
Right In: The Music
Curriculum and Developing
Musicianship through
Improvisation.
Alto saxophone SKU: GI.G-J297 The Instrumental Series. Composed by...(+)
Alto saxophone
SKU:
GI.G-J297
The
Instrumental Series.
Composed by Christopher
D. Azzara, Edwin E.
Gordon, and Richard F.
Grunow. Band Method. Jump
Right In. Music
Education. Book. 48
pages. GIA Publications
#J297. Published by GIA
Publications (GI.G-J297).
ISBN 9781579994288.
English.
A revision
of this beginning band
series makes Jump Right
In easier to use and more
musical than ever before!
Includes high-quality CDs
of folk songs that:
• Comprise many
styles, tonalities, and
meters • Span many
cultures and many
centuries • Are
ideal for listening and
playing along Features
performances by some of
the world’s
greatest performers:
• Artist faculty
members from Eastman
School of Music •
Members of Rochester
Philharmonic Orchestra
• Rhythm and Brass
Helps develop
musicianship beyond
instrumental classroom
with: • Progress
from sound to sight in
logical, common sense
sequence •
Opportunities for
improvisation from early
stages of instruction
• Tools to help
students learn to read
and write with better
comprehension •
Arrangements of familiar
songs in each book
Sequential and proven
materials are: •
Designed specifically to
attend to individual
differences • Based
on current experimental
and practical research
• Based on the
music learning theories
of Edwin E. Gordon
• Relevant to
National Standards and
include suggestions for
measurement and
evaluation Extensive
Teacher’s Guide:
• Contains lesson
plans • Includes
teaching procedures
• May be used
independently or in
conjunction with Jump
Right In: The Music
Curriculum and Developing
Musicianship through
Improvisation.
SATB choir (unison
children's choir), 2
english horns, 2
bassoons, 2 trumpets, 2
trombones, timpani, 2
violins, viola,
cello/contrabass, organ
SKU: CA.9193314
Weihnachtslieder-Messe
. Composed by Max
Eham. Missa Carminum.
Orchesterfassung. Sacred
vocal music, Masses,
Latin, Christmas. Single
Part, Cello/Double Bass.
Composed 1984. 4 pages.
Carus Verlag #CV
91.933/14. Published by
Carus Verlag
(CA.9193314).
ISBN
9790007236168. Key: F
major. Language:
Latin/German.
The
Mass with Christmas
hymns, Missa carminum is
available from Carus in a
orchestra version and in
a version for choir and
organ. The unique feature
of this work is that each
movement of the Ordinary
employs a well-known
Christmas hymn as an
instrumental cantus
firmus. In the score the
text of each hymn has
been included in the
appropriate passage, so
that the Christmas
signature tune may be
performed vocally, for
example, by a one-part
children's choir. Score
and part available
separately - see item
CA.9193300.
(An Innovative Method for Adults Returning to Play). Arranged by Larry Clark. Fo...(+)
(An Innovative Method for
Adults Returning to
Play). Arranged by Larry
Clark. For viola. I Used
to Play. Method book and
CD. 48 pages. Published
by Carl Fischer
Brass Ensemble and Percussion - advanced SKU: BT.DHP-1135491-070 City ...(+)
Brass Ensemble and
Percussion - advanced
SKU:
BT.DHP-1135491-070
City of Roses.
Composed by Jan Van der
Roost. De Haske Brass
Series. Set (Score &
Parts). Composed 2013. 12
pages. De Haske
Publications #DHP
1135491-070. Published by
De Haske Publications
(BT.DHP-1135491-070).
9x12 inches.
English-German-French-Dut
ch.
A lively,
dynamic city such as
Yokohama deserves to be
captured in this
energetic and colourful
music-as was the
composers intention in
writing this
piece!
Deze
compositie is ge
nspireerd op de
gelijknamige
avonturenroman van de
Schotse auteur Robert
Louis Stevenson. Niet
bedoeld om een
letterlijke weergave van
het verhaal te
creëren, schetst de
muziek juist de sfeer die
spreekt uit bepaalde
scenes van het boek.
Appermont koos bewust
voor deze filmische stijl
om tot de verbeelding van
zijn luisteraars te
spreken.
Diese
festliche
Eröffnungsfanfare ist
die Einleitung der
Yokohama Festival
Overture, einem Werk,
das Jan Van der Roost im
Auftrag des
Festivalkomitees des Art
Festival Yokohama
schrieb. Auf besonderen
Wunsch der Leitung dieses
Komitees komponierte er
dafür eine frische,
dynamische
Eröffnungsfanfare -
für die gesamte
Blechbläsersektion des
Blasorchesters und
Schlagzeug (ad lib.) -,
die unabhängig vom
Gesamtwerk spielbar sein
sollte, die hier
vorliegende Yokohama
Festival
Fanfare.
This
celebratory opening
fanfare is the
introduction to the
Yokohama Festival
Overture, a work that
Jan Van der Roost wrote
on commission from the
Festival Committee of the
Yokohama Art Festival. At
the request of the
committee he composed a
fresh, dynamic opening
fanfare—for the
entire brass section of
the band and percussion
(ad lib.)—playable
independent of the
overall work - the
Yokohama Festival
Fanfare.
Grade 1 SKU: CL.023-5026-01 Composed by Romeyn. Young Concert Band. Extra...(+)
Grade 1
SKU:
CL.023-5026-01
Composed by Romeyn. Young
Concert Band. Extra full
score. C.L. Barnhouse
#023-5026-01. Published
by C.L. Barnhouse
(CL.023-5026-01).
Look no further
for an entertaining and
fun holiday novelty tune
that will have your
audience smiling from
beginning to end when
they hear Santa’s
Holiday Mashup! Playable
after the second semester
of instruction, melody is
featured in all parts,
keeping the interest
level high throughout the
band. Lots of teaching
opportunities abound.
Challenge your audience
to name all the tunes. A
very accessible and
entertaining addition to
your holiday concert! Ho
ho ho!
Mixed Voices a cappella SKU: BT.EMBZ6377 By Szekeres Ferenc. Hymns & Chor...(+)
Mixed Voices a cappella
SKU: BT.EMBZ6377
By Szekeres Ferenc. Hymns
& Chorals. Book Only.
Composed 1970. 12 pages.
Editio Musica Budapest
#EMBZ6377. Published by
Editio Musica Budapest
(BT.EMBZ6377).
Pulcinella Orchestre d'harmonie - Intermédiaire/avancé Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-513-140 For Euphonium and ...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-513-140
For
Euphonium and Concert
Band. Composed by
Philip Sparke. Anglo
Music Midway Series. Solo
& Concerto. Score Only.
Composed 2021. 28 pages.
Anglo Music Press #AMP
513-140. Published by
Anglo Music Press
(BT.AMP-513-140).
English-German-French-
Dutch.
Pulcinell
a was commissioned by
the Taiwanese euphonium
player Tzu-Hsiang Lin.
Lin is a renowned soloist
and teacher and a Besson
Euphonium Artist. He
teaches euphonium at
Taipei National
University of the Arts,
National Taiwan
University of Arts, Shih
Chien University and
National Kaohsiung Normal
University. Lin gave the
premiere of
Pulcinella in both
its concert band and
brass band versions in
January 2021.
Pulcinella
continues Sparke’s
series of euphonium solos
named after characters of
the Italian commedia
dell’arte and
opens with a long and
expressive minor melody
for the soloist over a
brooding accompaniment.
This is taken up briefly
by the full band and is
extended by the soloist
after a change of key. A
cadenza, accompanied by
fragments of the main
melody leads to a
complete change of mood,
tempo and tonality,
introducing a Vivo
section starting with a
perky syncopated tune for
the soloist. The band
then uses elements of
this new tune to
introduce a change of
key, where the soloist
introduces a more lyrical
second subject over a
pulsing accompaniment.
The band then takes this
up and changes key to
reintroduce the original
Vivo melody, which
leads to a short and
acrobatic coda to bring
the work to a spectacular
close.
Pulcinella
werd geschreven in
opdracht van de Taiwanese
eufoniumspeler Tzu-Hsiang
Lin. Lin is een
gerenommeerd solist en
leraar en een Besson
Euphonium Artist. Hij
geeft eufoniumles aan de
Taipei National
University of the Arts,
de National Taiwan
University of Arts, de
Shih Chien University en
de National Kaohsiung
Normal University. In
januari 2021 bracht Lin
de première van
Pulcinella in
zowel de versie voor
harmonieorkest als die
voor brassband.
Pulcinella is een
vervolg binnen Sparkes
serie
eufoniumsolo’s
waarin personages uit de
Italiaanse commedia
dell’arte de
hoofdrol spelen. Het werk
opent met een lange,
expressieve mineurmelodie
voor de solist, boven een
sonore begeleiding. Deze
wordt kortstondig door
het complete orkest
overgenomen en dan na een
modulatie door de solist
verder uitgewerkt. Een
cadens, begeleid door
fragmenten van de
hoofdmelodie, mondt uit
in een totaal andere
sfeer, tempo en
tonaliteit, met de
introductie van een
Vivo-gedeelte dat
begint met een pittige,
gesyncopeerde passage
voor de solist. Het
orkest gebruikt elementen
hieruit om een nieuwe
modulatie in te voeren,
waarbij de solist een
lyrischer tweede thema
boven een pulserende
begeleiding introduceert.
Het orkest neemt dit dan
over en verandert van
toonsoort om naar de
originele
Vivo-melodie terug
te keren, die naar een
korte, acrobatische coda
leidt en het werk op
spectaculaire wijze
afsluit.
Pulcinella
wurde von dem
taiwanesischen
Euphoniumspieler
Tzu-Hsiang Lin in Auftrag
gegeben, einem bekannten
Solisten, Lehrer und
Besson Euphonium
Artist“. Er
unterrichtet Euphonium an
der Taipei National
University of the Arts,
der National Taiwan
University of Arts, der
Shih Chien University und
an der National Kaohsiung
Normal University.
Tzu-Hsiang Lin spielte im
Januar 2021 die
Uraufführungen von
Pulcinella, sowohl
die Version mit
Blasorchesterbegleitung
als auch die mit
Brass-Band-Begleitung.
Mit Pulcinella
setzt sich Philip Sparkes
Serie mit Stücken
für Euphonium solo
fort, die nach
Charakteren der
italienischen Commedia
dell’Arte
benannt sind. Das Werk
beginnt mit einer langen
und ausdrucksvollen
Melodie des Solisten in
Moll über einer
düsteren Begleitung.
Die Melodie wird vom
gesamten Blasorchester
kurz übernommen und
durch den Solisten nach
einem Tonartwechsel
erweitert. Eine Kadenz,
begleitet von Fragmenten
der Hauptmelodie,
führt zu einer
kompletten Veränderung
von Stimmung, Tempo und
Tonalität und leitet
einen
Vivo-Abschnitt
ein, der mit einer
munteren synkopierten
Melodie des Solisten
beginnt. Das
Blasorchester greift
Elemente der neuen
Melodie auf, um einen
Tonartwechsel
einzuführen, wobei der
Solist ein lyrischeres
zweites Thema über
einer pulsierenden
Begleitung vorstellt. Das
Blasorchester greift
dieses wiederum auf,
wechselt die Tonart und
übernimmt erneut die
ursprüngliche
Vivo-Melodie. Eine
kurze und technisch
anspruchsvolle Coda
leitet in einen
fulminanten Schluss
über.